Written by
Edgar Allan Poe |
Elizabeth, it surely is most fit
[Logic and common usage so commanding]
In thy own book that first thy name be writ,
Zeno and other sages notwithstanding;
And I have other reasons for so doing
Besides my innate love of contradiction;
Each poet - if a poet - in pursuing
The muses thro' their bowers of Truth or Fiction,
Has studied very little of his part,
Read nothing, written less - in short's a fool
Endued with neither soul, nor sense, nor art,
Being ignorant of one important rule,
Employed in even the theses of the school-
Called - I forget the heathenish Greek name
[Called anything, its meaning is the same]
"Always write first things uppermost in the heart."
|
Written by
Ralph Waldo Emerson |
Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.
God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;
Two touch the string,
The harp is dumb.
Though there come a million
Wise Saadi dwells alone.
Yet Saadi loved the race of men,—
No churl immured in cave or den,—
In bower and hall
He wants them all,
Nor can dispense
With Persia for his audience;
They must give ear,
Grow red with joy, and white with fear,
Yet he has no companion,
Come ten, or come a million,
Good Saadi dwells alone.
Be thou ware where Saadi dwells.
Gladly round that golden lamp
Sylvan deities encamp,
And simple maids and noble youth
Are welcome to the man of truth.
Most welcome they who need him most,
They feed the spring which they exhaust:
For greater need
Draws better deed:
But, critic, spare thy vanity,
Nor show thy pompous parts,
To vex with odious subtlety
The cheerer of men's hearts.
Sad-eyed Fakirs swiftly say
Endless dirges to decay;
Never in the blaze of light
Lose the shudder of midnight;
And at overflowing noon,
Hear wolves barking at the moon;
In the bower of dalliance sweet
Hear the far Avenger's feet;
And shake before those awful Powers
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach;
"Bard, when thee would Allah teach,
And lift thee to his holy mount,
He sends thee from his bitter fount,
Wormwood; saying, Go thy ways,
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state.
Smite the white breasts which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted.
For out of woe and out of crime
Draws the heart a lore sublime."
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,
And thanks was his contrition;
For haircloth and for bloody whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred
Lighted each transparent word;
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Dschami's day.
Whispered the muse in Saadi's cot;
O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, sun of eastern morning,
Follow falsehood, follow scorning,
Denounce who will, who will, deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,—
Fierce conserver, fierce destroyer,
But thou joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme.
Heed not what the brawlers say,
Heed thou only Saadi's lay.
Let the great world bustle on
With war and trade, with camp and town.
A thousand men shall dig and eat,
At forge and furnace thousands sweat,
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar.
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme;
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead:
Man in man is imprisoned.
Barefooted Dervish is not poor,
If fate unlock his bosom's door.
So that what his eye hath seen
His tongue can paint, as bright, as keen,
And what his tender heart hath felt,
With equal fire thy heart shall melt.
For, whom the muses shine upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable
Lurketh nature veritable;
And though he speak in midnight dark,
In heaven, no star; on earth, no spark;
Yet before the listener's eye
Swims the world in ecstasy,
The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi! so far thy words shall reach;
Suns rise and set in Saadi's speech.
And thus to Saadi said the muse;
Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing; Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep;
Wish not to fill the isles with eyes
To fetch thee birds of paradise;
On thine orchard's edge belong
All the brass of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place;
Through mountains bored by regal art
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find;
Behold, he watches at the door,
Behold his shadow on the floor.
Open innumerable doors,
The heaven where unveiled Allah pours
The flood of truth, the flood of good,
The seraph's and the cherub's food;
Those doors are men; the pariah kind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemer that can yield thee all.
While thou sittest at thy door,
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,—
Saadi, see, they rise in stature
To the height of mighty nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.
|
Written by
W. E. B. Du Bois |
I am dead;
Yet somehow, somewhere,
In Time's weird contradiction, I
May tell of that dread deed, wherewith
I brought to Children of the Moon
Freedom and vast salvation.
I was a woman born,
And trod the streaming street,
That ebbs and flows from Harlem's hills,
Through caves and cañons limned in light,
Down to the twisting sea.
That night of nights,
I stood alone and at the End,
Until the sudden highway to the moon,
Golden in splendor,
Became too real to doubt.
Dimly I set foot upon the air,
I fled, I flew, through the thrills of light,
With all about, above, below, the whirring
Of almighty wings.
I found a twilight land,
Where, hardly hid, the sun
Sent softly-saddened rays of
Red and brown to burn the iron soil
And bathe the snow-white peaks
In mighty splendor.
Black were the men,
Hard-haired and silent-slow,
Moving as shadows,
Bending with face of fear to earthward;
And women there were none.
"Woman, woman, woman!"
I cried in mounting terror.
"Woman and Child!"
And the cry sang back
Through heaven, with the
Whirring of almighty wings.
Wings, wings, endless wings,—
Heaven and earth are wings;
Wings that flutter, furl, and fold,
Always folding and unfolding,
Ever folding yet again;
Wings, veiling some vast
And veiléd face,
In blazing blackness,
Behind the folding and unfolding,
The rolling and unrolling of
Almighty wings!
I saw the black men huddle,
Fumed in fear, falling face downward;
Vainly I clutched and clawed,
Dumbly they cringed and cowered,
Moaning in mournful monotone:
O Freedom, O Freedom,
O Freedom over me;
Before I'll be a slave,
I'll be buried in my grave,
And go home to my God,
And be free.
It was angel-music
From the dead,
And ever, as they sang,
Some wingéd thing of wings, filling all heaven,
Folding and unfolding, and folding yet again,
Tore out their blood and entrails,
'Til I screamed in utter terror;
And a silence came—
A silence and the wailing of a babe.
Then, at last, I saw and shamed;
I knew how these dumb, dark, and dusky things
Had given blood and life,
To fend the caves of underground,
The great black caves of utter night,
Where earth lay full of mothers
And their babes.
Little children sobbing in darkness,
Little children crying in silent pain,
Little mothers rocking and groping and struggling,
Digging and delving and groveling,
Amid the dying-dead and dead-in-life
And drip and dripping of warm, wet blood,
Far, far beneath the wings,—
The folding and unfolding of almighty wings.
I bent with tears and pitying hands,
Above these dusky star-eyed children,—
Crinkly-haired, with sweet-sad baby voices,
Pleading low for light and love and living—
And I crooned:
"Little children weeping there,
God shall find your faces fair;
Guerdon for your deep distress,
He shall send His tenderness;
For the tripping of your feet
Make a mystic music sweet
In the darkness of your hair;
Light and laughter in the air—
Little children weeping there,
God shall find your faces fair!"
I strode above the stricken, bleeding men,
The rampart 'ranged against the skies,
And shouted:
"Up, I say, build and slay;
Fight face foremost, force a way,
Unloose, unfetter, and unbind;
Be men and free!"
Dumbly they shrank,
Muttering they pointed toward that peak,
Than vastness vaster,
Whereon a darkness brooded,
"Who shall look and live," they sighed;
And I sensed
The folding and unfolding of almighty wings.
Yet did we build of iron, bricks, and blood;
We built a day, a year, a thousand years,
Blood was the mortar,—blood and tears,
And, ah, the Thing, the Thing of wings,
The wingéd, folding Wing of Things
Did furnish much mad mortar
For that tower.
Slow and ever slower rose the towering task,
And with it rose the sun,
Until at last on one wild day,
Wind-whirled, cloud-swept and terrible
I stood beneath the burning shadow
Of the peak,
Beneath the whirring of almighty wings,
While downward from my feet
Streamed the long line of dusky faces
And the wail of little children sobbing under earth.
Alone, aloft,
I saw through firmaments on high
The drama of Almighty God,
With all its flaming suns and stars.
"Freedom!" I cried.
"Freedom!" cried heaven, earth, and stars;
And a Voice near-far,
Amid the folding and unfolding of almighty wings,
Answered, "I am Freedom—
Who sees my face is free—
He and his."
I dared not look;
Downward I glanced on deep-bowed heads and closed eyes,
Outward I gazed on flecked and flaming blue—
But ever onward, upward flew
The sobbing of small voices,—
Down, down, far down into the night.
Slowly I lifted livid limbs aloft;
Upward I strove: the face! the face!
Onward I reeled: the face! the face!
To beauty wonderful as sudden death,
Or horror horrible as endless life—
Up! Up! the blood-built way;
(Shadow grow vaster!
Terror come faster!)
Up! Up! to the blazing blackness
Of one veiléd face.
And endless folding and unfolding,
Rolling and unrolling of almighty wings.
The last step stood!
The last dim cry of pain
Fluttered across the stars,
And then—
Wings, wings, triumphant wings,
Lifting and lowering, waxing and waning,
Swinging and swaying, twirling and whirling,
Whispering and screaming, streaming and gleaming,
Spreading and sweeping and shading and flaming—
Wings, wings, eternal wings,
'Til the hot, red blood,
Flood fleeing flood,
Thundered through heaven and mine ears,
While all across a purple sky,
The last vast pinion.
Trembled to unfold.
I rose upon the Mountain of the Moon,—
I felt the blazing glory of the Sun;
I heard the Song of Children crying, "Free!"
I saw the face of Freedom—
And I died.
|
Written by
John Milton |
Here lieth one who did most truly prove,
That he could never die while he could move,
So hung his destiny never to rot
While he might still jogg on, and keep his trot,
Made of sphear-metal, never to decay
Untill his revolution was at stay.
Time numbers motion, yet (without a crime
'Gainst old truth) motion number'd out his time:
And like an Engin mov'd with wheel and waight,
His principles being ceast, he ended strait.
Rest that gives all men life, gave him his death,
And too much breathing put him out of breath;
Nor were it contradiction to affirm
Too long vacation hastned on his term.
Meerly to drive the time away he sickn'd,
Fainted, and died, nor would with Ale be quickn'd;
Nay, quoth he, on his swooning bed out-stretch'd,
If I may not carry, sure Ile ne're be fetch'd,
But vow though the cross Doctors all stood hearers,
For one Carrier put down to make six bearers.
Ease was his chief disease, and to judge right,
He di'd for heavines that his Cart went light,
His leasure told him that his time was com,
And lack of load, made his life burdensom
That even to his last breath (ther be that say't)
As he were prest to death, he cry'd more waight;
But had his doings lasted as they were,
He had bin an immortall Carrier.
Obedient to the Moon he spent his date
In cours reciprocal, and had his fate
Linkt to the mutual flowing of the Seas,
Yet (strange to think) his wain was his increase:
His Letters are deliver'd all and gon,
Onely remains this superscription.
|
Written by
William Topaz McGonagall |
Beautiful city of Glasgow, with your streets so neat and clean,
Your stateley mansions, and beautiful Green!
Likewise your beautiful bridges across the River Clyde,
And on your bonnie banks I would like to reside.
Chorus --
Then away to the west -- to the beautiful west!
To the fair city of Glasgow that I like the best,
Where the River Clyde rolls on to the sea,
And the lark and the blackbird whistle with glee.
'Tis beautiful to see the ships passing to and fro,
Laden with goods for the high and the low;
So let the beautiful city of Glasgow flourish,
And may the inhabitants always find food their bodies to nourish.
Chorus
The statue of the Prince of Orange is very grand,
Looking terror to the foe, with a truncheon in his hand,
And well mounted on a noble steed, which stands in the Trongate,
And holding up its foreleg, I'm sure it looks first-rate.
Chorus
Then there's the Duke of Wellington's statue in Royal Exchange Square --
It is a beautiful statue I without fear declare,
Besides inspiring and most magnificent to view,
Because he made the French fly at the battle of Waterloo.
Chorus
And as for the statue of Sir Walter Scott that stands in George Square,
It is a handsome statue -- few with it can compare,
And most elegant to be seen,
And close beside it stands the statue of Her Majesty the Queen.
Chorus
And then there's the statue of Robert Burns in George Square,
And the treatment he received when living was very unfair;
Now, when he's dead, Scotland's sons for him do mourn,
But, alas! unto them he can never return.
Chorus
Then as for Kelvin Grove, it is most lovely to be seen
With its beautiful flowers and trees so green,
And a magnificent water-fountain spouting up very high,
Where the people can quench their thirst when they feel dry.
Chorus
Beautiful city of Glasgow, I now conclude my muse,
And to write in praise of thee my pen does not refuse;
And, without fear of contradiction, I will venture to say
You are the second grandest city in Scotland at the present day!
|
Written by
Delmore Schwartz |
Tiger Christ unsheathed his sword,
Threw it down, became a lamb.
Swift spat upon the species, but
Took two women to his heart.
Samson who was strong as death
Paid his strength to kiss a ****.
Othello that stiff warrior
Was broken by a woman's heart.
Troy burned for a sea-tax, also for
Possession of a charming whore.
What do all examples show?
What must the finished murderer know?
You cannot sit on bayonets,
Nor can you eat among the dead.
When all are killed, you are alone,
A vacuum comes where hate has fed.
Murder's fruit is silent stone,
The gun increases poverty.
With what do these examples shine?
The soldier turned to girls and wine.
Love is the tact of every good,
The only warmth, the only peace.
"What have I said?" asked Socrates.
"Affirmed extremes, cried yes and no,
Taken all parts, denied myself,
Praised the caress, extolled the blow,
Soldier and lover quite deranged
Until their motions are exchanged.
-What do all examples show?
What can any actor know?
The contradiction in every act,
The infinite task of the human heart."
|
Written by
William Topaz McGonagall |
Beautiful new railway bridge of the Silvery Tay,
With your strong brick piers and buttresses in so grand array,
And your thirteen central girders, which seem to my eye
Strong enough all windy storms to defy.
And as I gaze upon thee my heart feels gay,
Because thou are the greatest railway bridge of the present day,
And can be seen for miles away
From North, South, East or West of the Tay
On a beautiful and clear sunshiny day,
And ought to make the hearts of the "Mars" boys feel gay,
Because thine equal nowhere can be seen,
Only near by Dundee and the bonnie Magdalen Green.
Beautiful new railway bridge of the Silvery Tay,
With thy beautiful side-screens along your railway,
Which will be a great protection on a windy day,
So as the railway carriages won`t be blown away,
And ought to cheer the hearts of the passengers night and day
As they are conveyed along thy beautiful railway,
And towering above the Silvery Tay,
Spanning the beautiful river shore to shore
Upwards of two miles and more,
Which is most beautiful to be seen
Near by Dundee and the bonnie Magdalen Green,
Thy structure to my eye seems strong and grand,
And the workmanship most skilfully planned;
And I hope the designers, Messrs Barlow and Arrol, will prosper for many a day
For erecting thee across the beautiful Tay.
And I think nobody need have the least dismay
To cross o`er thee by night or by day,
Because thy strength is visible to be seen
Near by Dundee and the bonnie Magdalen Green.
Beautiful new railway bridge of the Silvery Tay,
I wish you success for many a year and a day,
And I hope thousands of people will come from faraway,
Both high and low without delay,
From the North, South, East and West,
Because as a railway bridge thou art the best;
Thou standest unequalled to be seen
Near by Dundee and bonnie Magdalen Green.
And for beauty thou art most lovely to be seen
As the train crosses o'er thee with her cloud of steam;
And you look well, painted the colour of marone,
And to find thy equal there is none,
Which, without fear of contradiction, I venture to say,
Because you are the longest railway bridge of the present day
That now crosses o'er a tidal river stream,
And the most handsome to be seen
Near by Dundee and the bonnie Magdalen Green.
The New Yorkers boast about their Brooklyn Bridge,
But in comparison to thee it seems like a midge,
Because thou spannest the Silvery Tay
A mile and more longer I venture to say;
Besides the railway carriages are pulled across by a rope,
Therefore Brooklyn Bridge cannot with thee cope;
And as you have been opened on the 20th day of June,
I hope Her Majesty Queen Victoria will visit thee very soon,
Because thou art worthy of a visit from Duke, Lord or Queen,
And strong and securely built, which is most worthy to be seen
Near by Dundee and the bonnie Magdalen Green.
|
Written by
Rainer Maria Rilke |
I am blind, you out there -- that is a curse,
against one's will, a contradiction,
a heavy daily burden.
I lay my hand on the arm of my wife,
my grey hand upon her greyer grey,
as she guides me through empty spaces.
You move about and stir, and imagine
your sounds differing from stone to stone.
But you are mistaken: I alone
live and suffer and complain, for
in me is an endless crying,
and I do not know whether it is
my heart that cries or my bowels.
Do you recognize these songs? You never sang them,
not quite with this intonation.
For you every morning brings its new light
warm through your open windows.
And you have the feeling from face to face
that tempts you to be indulgent.
|
Written by
Robert Burns |
HOW wisdom and Folly meet, mix, and unite,
How Virtue and Vice blend their black and their white,
How Genius, th’ illustrious father of fiction,
Confounds rule and law, reconciles contradiction,
I sing: If these mortals, the critics, should bustle,
I care not, not I—let the Critics go whistle!
But now for a Patron whose name and whose glory,
At once may illustrate and honour my story.
Thou first of our orators, first of our wits;
Yet whose parts and acquirements seem just lucky hits;
With knowledge so vast, and with judgment so strong,
No man with the half of ’em e’er could go wrong;
With passions so potent, and fancies so bright,
No man with the half of ’em e’er could go right;
A sorry, poor, misbegot son of the Muses,
For using thy name, offers fifty excuses.
Good L—d, what is Man! for as simple he looks,
Do but try to develop his hooks and his crooks;
With his depths and his shallows, his good and his evil,
All in all he’s a problem must puzzle the devil.
On his one ruling passion Sir Pope hugely labours,
That, like th’ old Hebrew walking-switch, eats up its neighbours:
Mankind are his show-box—a friend, would you know him?
Pull the string, Ruling Passion the picture will show him,
What pity, in rearing so beauteous a system,
One trifling particular, Truth, should have miss’d him;
For, spite of his fine theoretic positions,
Mankind is a science defies definitions.
Some sort all our qualities each to its tribe,
And think human nature they truly describe;
Have you found this, or t’other? There’s more in the wind;
As by one drunken fellow his comrades you’ll find.
But such is the flaw, or the depth of the plan,
In the make of that wonderful creature called Man,
No two virtues, whatever relation they claim.
Nor even two different shades of the same,
Though like as was ever twin brother to brother,
Possessing the one shall imply you’ve the other.
But truce with abstraction, and truce with a Muse
Whose rhymes you’ll perhaps, Sir, ne’er deign to peruse:
Will you leave your justings, your jars, and your quarrels,
Contending with Billy for proud-nodding laurels?
My much-honour’d Patron, believe your poor poet,
Your courage, much more than your prudence, you show it:
In vain with Squire Billy for laurels you struggle:
He’ll have them by fair trade, if not, he will smuggle:
Not cabinets even of kings would conceal ’em,
He’d up the back stairs, and by G—, he would steal ’em,
Then feats like Squire Billy’s you ne’er can achieve ’em;
It is not, out-do him—the task is, out-thieve him!
|
Written by
William Topaz McGonagall |
'Twas in the year of 1884, and on Saturday the 20th of September,
Which the inhabitants of Dundee will long remember
The great Liberal Franchise Demonstration,
Which filled their minds with admiration.
Oh! it was a most magnificent display,
To see about 20 or 30 thousand men all in grand array;
And each man with a medal on his breast;
And every man in the procession dressed in his best.
The banners of the processionists were really grand to see-
The like hasn't been seen for a long time in Dundee;
While sweet music from the bands did rend the skies,
And every processionist was resolved to vote for the Franchise.
And as the procession passed along each street,
The spectators did loudly the processionists greet;
As they viewed their beautiful banners waving in the wind,
They declared such a scene would be ever fresh in their mind.
The mustering of the processionists was very grand,
As along the Esplanade each man took his stand,
And as soon as they were marshalled in grand array,
To the Magdalen Green, in haste, they wended their way.
And when they arrived on the Magdalen Green,
I'm sure it was a very beautiful imposing scene-
While the cheers of that vast multitude ascended to the skies,
For the "Grand Old Man," Gladstone, the Hero of the Franchise,
Who has struggled very hard for the people's rights,
Many long years, and many weary nights;
And I think the "Grand Old Man" will gain the Franchise,
And if he does, the people will laud him to the skies.
And his name should be written in letters of gold :
For he is a wise statesman- true and bold-
Who has advocated the people's rights for many long years;
And when he is dead they will thank him with their tears.
For he is the man for the working man,
And without fear of contradiction, deny it who can;
Because he wishes the working man to have a good coat,
And, both in town and country, to have power to vote.
The reason why the Lords won't pass the Franchise Bill :
They fear that it will do themselves some ill;
That is the reason why they wish to throw it out,
Yes, believe me, fellow citizens, that's the cause without doubt.
The emblems and mottoes in the procession, were really grand,
The like hasn't been seen in broad Scotland;
Especially the picture of Gladstone- the nation's hope,
Who is a much cleverer man than Sir John Cope.
There were masons and ploughmen all in a row,
Also tailors, tenters, and blacksmiths, which made a grand show;
Likewise carters and bakers which was most beautiful to be seen,
To see them marching from the Esplanade to the Magdalen Green.
I'm sure it was a most beautiful sight to see,
The like has never been seen before in Dundee;
Such a body of men, and Gladstone at the helm,
Such a sight, I'm sure, 'twould the Lords o'erwhelm.
Oh! it was grand to see that vast crowd,
And to hear the speeches, most eloquent and loud,
That were made by the speakers, regarding the Franchise;
While the spectators applauded them to the skies.
And for the "Grand Old Man" they gave three cheers,
Hoping he would live for many long years;
And when the speeches were ended, the people's hearts were gay,
And they all dispersed quietly to their homes without delay.
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