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Best Famous Continues Poems

Here is a collection of the all-time best famous Continues poems. This is a select list of the best famous Continues poetry. Reading, writing, and enjoying famous Continues poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of continues poems.

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Written by Walt Whitman | Create an image from this poem

Song at Sunset

 SPLENDOR of ended day, floating and filling me! 
Hour prophetic—hour resuming the past! 
Inflating my throat—you, divine average! 
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness, Eyes of my Soul, seeing perfection, Natural life of me, faithfully praising things; Corroborating forever the triumph of things.
Illustrious every one! Illustrious what we name space—sphere of unnumber’d spirits; Illustrious the mystery of motion, in all beings, even the tiniest insect; Illustrious the attribute of speech—the senses—the body; Illustrious the passing light! Illustrious the pale reflection on the new moon in the western sky! Illustrious whatever I see, or hear, or touch, to the last.
Good in all, In the satisfaction and aplomb of animals, In the annual return of the seasons, In the hilarity of youth, In the strength and flush of manhood, In the grandeur and exquisiteness of old age, In the superb vistas of Death.
Wonderful to depart; Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak! to walk! to seize something by the hand! To prepare for sleep, for bed—to look on my rose-color’d flesh; To be conscious of my body, so satisfied, so large; To be this incredible God I am; To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself! How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead! How the earth darts on and on! and how the sun, moon, stars, dart on and on! How the water sports and sings! (Surely it is alive!) How the trees rise and stand up—with strong trunks—with branches and leaves! (Surely there is something more in each of the tree—some living Soul.
) O amazement of things! even the least particle! O spirituality of things! O strain musical, flowing through ages and continents—now reaching me and America! I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting, I too throb to the brain and beauty of the earth, and of all the growths of the earth, I too have felt the resistless call of myself.
As I sail’d down the Mississippi, As I wander’d over the prairies, As I have lived—As I have look’d through my windows, my eyes, As I went forth in the morning—As I beheld the light breaking in the east; As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea; As I roam’d the streets of inland Chicago—whatever streets I have roam’d; Or cities, or silent woods, or peace, or even amid the sights of war; Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old, I sing the endless finales of things; I say Nature continues—Glory continues; I praise with electric voice; For I do not see one imperfection in the universe; And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come, I still warble under you, if none else does, unmitigated adoration.


Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it
Written by Johann Wolfgang von Goethe | Create an image from this poem

THE DANCE OF DEATH

 THE warder looks down at the mid hour of night,

On the tombs that lie scatter'd below:
The moon fills the place with her silvery light,

And the churchyard like day seems to glow.
When see! first one grave, then another opes wide, And women and men stepping forth are descried, In cerements snow-white and trailing.
In haste for the sport soon their ankles they twitch, And whirl round in dances so gay; The young and the old, and the poor, and the rich, But the cerements stand in their way; And as modesty cannot avail them aught here, They shake themselves all, and the shrouds soon appear Scatter'd over the tombs in confusion.
Now waggles the leg, and now wriggles the thigh, As the troop with strange gestures advance, And a rattle and clatter anon rises high, As of one beating time to the dance.
The sight to the warder seems wondrously *****, When the villainous Tempter speaks thus in his ear: "Seize one of the shrouds that lie yonder!" Quick as thought it was done! and for safety he fled Behind the church-door with all speed; The moon still continues her clear light to shed On the dance that they fearfully lead.
But the dancers at length disappear one by one, And their shrouds, ere they vanish, they carefully don, And under the turf all is quiet.
But one of them stumbles and shuffles there still, And gropes at the graves in despair; Yet 'tis by no comrade he's treated so ill The shroud he soon scents in the air.
So he rattles the door--for the warder 'tis well That 'tis bless'd, and so able the foe to repel, All cover'd with crosses in metal.
The shroud he must have, and no rest will allow, There remains for reflection no time; On the ornaments Gothic the wight seizes now, And from point on to point hastes to climb.
Alas for the warder! his doom is decreed! Like a long-legged spider, with ne'er-changing speed, Advances the dreaded pursuer.
The warder he quakes, and the warder turns pale, The shroud to restore fain had sought; When the end,--now can nothing to save him avail,-- In a tooth formed of iron is caught.
With vanishing lustre the moon's race is run, When the bell thunders loudly a powerful One, And the skeleton fails, crush'd to atoms.
1813.
Written by Rudyard Kipling | Create an image from this poem

A School Song

 "Let us now praise famous men"--
 Men of little showing-- 
For their work continueth, 
And their work continueth, 
Broad and deep continues,
 Greater then their knowing!

Western wind and open surge
 Took us from our mothers--
Flung us on a naked shore
(Twelve bleak houses by the shore.
Seven summers by the shore! ) 'Mid two hundred brothers.
There we met with famous men Set in office o'er us; And they beat on us with rods-- Faithfully with many rods-- Daily beat us on with rods, For the love they bore us! Out of Egypt unto Troy-- Over Himalaya-- Far and sure our bands have gone-- Hy-Brazil or Babylon, Islands of the Southern Run, And Cities of Cathaia! And we all praise famous men-- Ancients of the College; For they taught us common sense-- Tried to teach us common sense-- Truth and God's Own Common Sense, Which is more than knowledge! Each degree of Latitude Strung about Creation Seeth one or more of us (Of one muster each of us), Diligent in that he does, Keen in his vocation.
This we learned from famous men, Knowing not its uses, When they showed, in daily work-- Man must finish off his work-- Right or wrong, his daily work-- And without excuses.
Servant of the Staff and chain, Mine and fuse and grapnel-- Some, before the face of Kings, Stand before the face of Kings; Bearing gifts to divers Kings-- Gifts of case and shrapnel.
This we learned from famous men Teaching in our borders, Who declared it was best, Safest, easiest, and best-- Expeditious, wise, and best-- To obey your orders.
Some beneath the further stars Bear the greater burden: Set to serve the lands they rule, (Save he serve no man may rule ), Serve and love the lands they rule; Seeking praise nor guerdon.
This we learned from famous men, Knowing not we learned it.
Only, as the years went by-- Lonely, as the years went by-- Far from help as years went by, Plainer we discerned it.
Wherefore praise we famous men From whose bays we borrow-- They that put aside To-day-- All the joys of their To-day-- And with toil of their To-day Bought for us To-morrow! Bless and praise we famous men-- Men of little showing-- For their work continueth, And their work continueth, Broad and deep continueth, Great beyond their knowing!
Written by Delmira Agustini | Create an image from this poem

Explosión (Explosion)

SpanishSi la vida es amor, bendita sea!Quiero más vida para amar! Hoy sientoQue no valen mil años de la ideaLo que un minuto azul del sentimiento.
Mi corazon moria triste y lento…Hoy abre en luz como una flor febea;La vida brota como un mar violentoDonde la mano del amor golpea!Hoy partio hacia la noche, triste, fríaRotas las alas mi melancolía;Como una vieja mancha de dolorEn la sombra lejana se deslíe…Mi vida toda canta, besa, ríe!Mi vida toda es una boca en flor!              EnglishIf life were love, how blessed it would be!I want more life so to love! Now I feelA thousand years of ideas are not worthOne blue minute of sentiment.
My heart was dying slowly, sadly…Now it opens like a Phoebean flower:Life rushes forth like a turbulent seaWhipped by the hand of love.
My sorrow flies into the night, sad, coldWith its broken wings;Like an old scar that continues to ache–In the distant shade it dissolves…All my life sings, kisses, laughs!All my life is a flowering mouth!



Written by Countee Cullen | Create an image from this poem

Yet Do I Marvel

 I doubt not God is good, well-meaning, kind
And did He stoop to quibble could tell why
The little buried mole continues blind,
Why flesh that mirrors Him must some day die,
Make plain the reason tortured Tantalus
Is baited by the fickle fruit, declare
If merely brute caprice dooms Sisyphus
To struggle up a never-ending stair.
Inscrutable His ways are, and immune To catechism by a mind too strewn With petty cares to slightly understand What awful brain compels His awful hand.
Yet do I marvel at this curious thing: To make a poet black, and bid him sing!
Written by Anne Sexton | Create an image from this poem

The Legend Of The One-Eyed Man

 Like Oedipus I am losing my sight.
LIke Judas I have done my wrong.
Their punishment is over; the shame and disgrace of it are all used up.
But as for me, look into my face and you will know that crimes dropped upon me as from a high building and although I cannot speak of them or explain the degrading details I have remembered much about Judas - about Judas, the old and the famous - that you overlooked.
The story of his life is the story of mine.
I have one glass eye.
My nerves push against its painted surface but the other one waiting for judgement continues to see .
.
.
Of course the New Testament is very small.
Its mouth opens four times - as out-of-date as a prehistoric monster, yet somehow man-made held together by pullies like the stone jaw of a back-hoe.
It gouges out the Judaic ground, taking its own backyard like a virgin daughter.
And furthermore how did Judas come into it - that Judas Iscariot, belonging to the tribe of Reuben? He should have tried to lift him up there! His neck like an iron pole, hard as Newcastle, his heart as stiff as beeswax, his legs swollen and unmarked, his other limbs still growing.
All of it heavy! That dead weight that would have been his fault .
He should have known! In the first place who builds up such ugliness? I think of this man saying .
.
.
Look! Here's the price to do it plus the cost of the raw materials and if it took him three or four days to do it, then, they'd understand.
They figured it weighed enough to support a man.
They said, fifteen stone is the approximate weight of a thief.
Its ugliness is a matter of custom.
If there was a mistake made then the Crucifix was constructed wrong .
.
.
not from the quality of the pine, not from hanging a mirror, not from dropping the studding or the drill but from having an inspriation.
But Judas was not a genius or under the auspices of an inspiration.
I don't know whether it was gold or silver.
I don't know why he betrayed him other than his motives, other than the avaricious and dishonest man.
And then there were the forbidden crimes, those that were expressly foretold, and then overlooked and then forgotten except by me .
.
.
Judas had a mother just as I had a mother.
Oh! Honor and relish the facts! Do not think of the intense sensation I have as I tell you this but think only .
.
.
Judas had a mother.
His mother had a dream.
Because of this dream he was altogether managed by fate and thus he raped her.
As a crime we hear little of this.
Also he sold his God.
Written by Walt Whitman | Create an image from this poem

From Far Dakota's Cañons

 FROM far Dakota’s cañons, 
Lands of the wild ravine, the dusky Sioux, the lonesome stretch, the silence, 
Haply to-day a mournful wail, haply a trumpet-note for heroes.
The battle-bulletin, The Indian ambuscade, the craft, the fatal environment, The cavalry companies fighting to the last in sternest heroism, In the midst of their little circle, with their slaughter’d horses for breastworks, The fall of Custer and all his officers and men.
Continues yet the old, old legend of our race, The loftiest of life upheld by death, The ancient banner perfectly maintain’d, O lesson opportune, O how I welcome thee! As sitting in dark days, Lone, sulky, through the time’s thick murk looking in vain for light, for hope, From unsuspected parts a fierce and momentary proof, (The sun there at the centre though conceal’d, Electric life forever at the centre,) Breaks forth a lightning flash.
Thou of the tawny flowing hair in battle, I erewhile saw, with erect head, pressing ever in front, bearing a bright sword in thy hand, Now ending well in death the splendid fever of thy deeds, (I bring no dirge for it or thee, I bring a glad triumphal sonnet,) Desperate and glorious, aye in defeat most desperate, most glorious, After thy many battles in which never yielding up a gun or a color Leaving behind thee a memory sweet to soldiers, Thou yieldest up thyself.
Written by Elizabeth Bishop | Create an image from this poem

The Bight

 [On my birthday]


At low tide like this how sheer the water is.
White, crumbling ribs of marl protrude and glare and the boats are dry, the pilings dry as matches.
Absorbing, rather than being absorbed, the water in the bight doesn't wet anything, the color of the gas flame turned as low as possible.
One can smell it turning to gas; if one were Baudelaire one could probably hear it turning to marimba music.
The little ocher dredge at work off the end of the dock already plays the dry perfectly off-beat claves.
The birds are outsize.
Pelicans crash into this peculiar gas unnecessarily hard, it seems to me, like pickaxes, rarely coming up with anything to show for it, and going off with humorous elbowings.
Black-and-white man-of-war birds soar on impalpable drafts and open their tails like scissors on the curves or tense them like wishbones, till they tremble.
The frowsy sponge boats keep coming in with the obliging air of retrievers, bristling with jackstraw gaffs and hooks and decorated with bobbles of sponges.
There is a fence of chicken wire along the dock where, glinting like little plowshares, the blue-gray shark tails are hung up to dry for the Chinese-restaurant trade.
Some of the little white boats are still piled up against each other, or lie on their sides, stove in, and not yet salvaged, if they ever will be, from the last bad storm, like torn-open, unanswered letters.
The bight is littered with old correspondences.
Click.
Click.
Goes the dredge, and brings up a dripping jawful of marl.
All the untidy activity continues, awful but cheerful.
Written by C K Williams | Create an image from this poem

Tar

 The first morning of Three Mile Island: those first disquieting, uncertain, 
mystifying hours.
All morning a crew of workmen have been tearing the old decrepit roof off our building, and all morning, trying to distract myself, I've been wandering out to watch them as they hack away the leaden layers of asbestos paper and disassemble the disintegrating drains.
After half a night of listening to the news, wondering how to know a hundred miles downwind if and when to make a run for it and where, then a coming bolt awake at seven when the roofers we've been waiting for since winter sent their ladders shrieking up our wall, we still know less than nothing: the utility company continues making little of the accident, the slick federal spokesmen still have their evasions in some semblance of order.
Surely we suspect now we're being lied to, but in the meantime, there are the roofers, setting winch-frames, sledging rounds of tar apart, and there I am, on the curb across, gawking.
I never realized what brutal work it is, how matter-of-factly and harrow- ingly dangerous.
The ladders flex and quiver, things skid from the edge, the materials are bulky and recalcitrant.
When the rusty, antique nails are levered out, their heads pull off; the underroofing crumbles.
Even the battered little furnace, roaring along as patient as a donkey, chokes and clogs, a dense, malignant smoke shoots up, and someone has to fiddle with a cock, then hammer it, before the gush and stench will deintensify, the dark, Dantean broth wearily subside.
In its crucible, the stuff looks bland, like licorice, spill it, though, on your boots or coveralls, it sears, and everything is permeated with it, the furnace gunked with burst and half-burst bubbles, the men themselves so completely slashed and mucked they seem almost from another realm, like trolls.
When they take their break, they leave their brooms standing at attention in the asphalt pails, work gloves clinging like Br'er Rabbit to the bitten shafts, and they slouch along the precipitous lip, the enormous sky behind them, the heavy noontime air alive with shim- mers and mirages.
Sometime in the afternoon I had to go inside: the advent of our vigil was upon us.
However much we didn't want to, however little we would do about it, we'd understood: we were going to perish of all this, if not now, then soon, if not soon, then someday.
Someday, some final generation, hysterically aswarm beneath an at- mosphere as unrelenting as rock, would rue us all, anathematize our earthly comforts, curse our surfeits and submissions.
I think I know, though I might rather not, why my roofers stay so clear to me and why the rest, the terror of that time, the reflexive disbelief and distancing, all we should hold on to, dims so.
I remember the president in his absurd protective booties, looking absolutely unafraid, the fool.
I remember a woman on the front page glaring across the misty Sus- quehanna at those looming stacks.
But, more vividly, the men, silvered with glitter from the shingles, cling- ing like starlings beneath the eaves.
Even the leftover carats of tar in the gutter, so black they seemed to suck the light out of the air.
By nightfall kids had come across them: every sidewalk on the block was scribbled with obscenities and hearts.

Book: Reflection on the Important Things