Written by
Elizabeth Bishop |
There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
--For if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.
Think of the long trip home.
Should we have stayed at home and thought of here?
Where should we be today?
Is it right to be watching strangers in a play
in this strangest of theatres?
What childishness is it that while there's a breath of life
in our bodies, we are determined to rush
to see the sun the other way around?
The tiniest green hummingbird in the world?
To stare at some inexplicable old stonework,
inexplicable and impenetrable,
at any view,
instantly seen and always, always delightful?
Oh, must we dream our dreams
and have them, too?
And have we room
for one more folded sunset, still quite warm?
But surely it would have been a pity
not to have seen the trees along this road,
really exaggerated in their beauty,
not to have seen them gesturing
like noble pantomimists, robed in pink.
--Not to have had to stop for gas and heard
the sad, two-noted, wooden tune
of disparate wooden clogs
carelessly clacking over
a grease-stained filling-station floor.
(In another country the clogs would all be tested.
Each pair there would have identical pitch.
)
--A pity not to have heard
the other, less primitive music of the fat brown bird
who sings above the broken gasoline pump
in a bamboo church of Jesuit baroque:
three towers, five silver crosses.
--Yes, a pity not to have pondered,
blurr'dly and inconclusively,
on what connection can exist for centuries
between the crudest wooden footwear
and, careful and finicky,
the whittled fantasies of wooden footwear
and, careful and finicky,
the whittled fantasies of wooden cages.
--Never to have studied history in
the weak calligraphy of songbirds' cages.
--And never to have had to listen to rain
so much like politicians' speeches:
two hours of unrelenting oratory
and then a sudden golden silence
in which the traveller takes a notebook, writes:
"Is it lack of imagination that makes us come
to imagined places, not just stay at home?
Or could Pascal have been not entirely right
about just sitting quietly in one's room?
Continent, city, country, society:
the choice is never wide and never free.
And here, or there .
.
.
No.
Should we have stayed at home,
wherever that may be?"
|
Written by
Johann Wolfgang von Goethe |
[First published in Schiller's Horen, in connection
with a
friendly contest in the art of ballad-writing between the two
great poets, to which many of their finest works are owing.
]
ONCE a stranger youth to Corinth came,
Who in Athens lived, but hoped that he
From a certain townsman there might claim,
As his father's friend, kind courtesy.
Son and daughter, they
Had been wont to say
Should thereafter bride and bridegroom be.
But can he that boon so highly prized,
Save tis dearly bought, now hope to get?
They are Christians and have been baptized,
He and all of his are heathens yet.
For a newborn creed,
Like some loathsome weed,
Love and truth to root out oft will threat.
Father, daughter, all had gone to rest,
And the mother only watches late;
She receives with courtesy the guest,
And conducts him to the room of state.
Wine and food are brought,
Ere by him besought;
Bidding him good night.
she leaves him straight.
But he feels no relish now, in truth,
For the dainties so profusely spread;
Meat and drink forgets the wearied youth,
And, still dress'd, he lays him on the bed.
Scarce are closed his eyes,
When a form in-hies
Through the open door with silent tread.
By his glimmering lamp discerns he now
How, in veil and garment white array'd,
With a black and gold band round her brow,
Glides into the room a bashful maid.
But she, at his sight,
Lifts her hand so white,
And appears as though full sore afraid.
"Am I," cries she, "such a stranger here,
That the guest's approach they could not name?
Ah, they keep me in my cloister drear,
Well nigh feel I vanquish'd by my shame.
On thy soft couch now
Slumber calmly thou!
I'll return as swiftly as I came.
"
"Stay, thou fairest maiden!" cries the boy,
Starting from his couch with eager haste:
"Here are Ceres', Bacchus' gifts of joy;
Amor bringest thou, with beauty grac'd!
Thou art pale with fear!
Loved one let us here
Prove the raptures the Immortals taste.
"
"Draw not nigh, O Youth! afar remain!
Rapture now can never smile on me;
For the fatal step, alas! is ta'en,
Through my mother's sick-bed phantasy.
Cured, she made this oath:
'Youth and nature both
Shall henceforth to Heav'n devoted be.
'
"From the house, so silent now, are driven
All the gods who reign'd supreme of yore;
One Invisible now rules in heaven,
On the cross a Saviour they adore.
Victims slay they here,
Neither lamb nor steer,
But the altars reek with human gore.
"
And he lists, and ev'ry word he weighs,
While his eager soul drinks in each sound:
"Can it be that now before my gaze
Stands my loved one on this silent ground?
Pledge to me thy troth!
Through our father's oath:
With Heav'ns blessing will our love be crown'd.
"
"Kindly youth, I never can be thine!
'Tis my sister they intend for thee.
When I in the silent cloister pine,
Ah, within her arms remember me!
Thee alone I love,
While love's pangs I prove;
Soon the earth will veil my misery.
"
"No! for by this glowing flame I swear,
Hymen hath himself propitious shown:
Let us to my fathers house repair,
And thoult find that joy is not yet flown,
Sweetest, here then stay,
And without delay
Hold we now our wedding feast alone!"
Then exchange they tokens of their truth;
She gives him a golden chain to wear,
And a silver chalice would the youth
Give her in return of beauty rare.
"That is not for me;
Yet I beg of thee,
One lock only give me of thy hair.
"
Now the ghostly hour of midnight knell'd,
And she seem'd right joyous at the sign;
To her pallid lips the cup she held,
But she drank of nought but blood-red wine.
For to taste the bread
There before them spread,
Nought he spoke could make the maid incline.
To the youth the goblet then she brought,--
He too quaff'd with eager joy the bowl.
Love to crown the silent feast he sought,
Ah! full love-sick was the stripling's soul.
From his prayer she shrinks,
Till at length he sinks
On the bed and weeps without control.
And she comes, and lays her near the boy:
"How I grieve to see thee sorrowing so!
If thou think'st to clasp my form with joy,
Thou must learn this secret sad to know;
Yes! the maid, whom thou
Call'st thy loved one now,
Is as cold as ice, though white as snow.
"
Then he clasps her madly in his arm,
While love's youthful might pervades his frame:
"Thou might'st hope, when with me, to grow warm,
E'en if from the grave thy spirit came!
Breath for breath, and kiss!
Overflow of bliss!
Dost not thou, like me, feel passion's flame?"
Love still closer rivets now their lips,
Tears they mingle with their rapture blest,
From his mouth the flame she wildly sips,
Each is with the other's thought possess'd.
His hot ardour's flood
Warms her chilly blood,
But no heart is beating in her breast.
In her care to see that nought went wrong,
Now the mother happen'd to draw near;
At the door long hearkens she, full long,
Wond'ring at the sounds that greet her ear.
Tones of joy and sadness,
And love's blissful madness,
As of bride and bridegroom they appear,
From the door she will not now remove
'Till she gains full certainty of this;
And with anger hears she vows of love,
Soft caressing words of mutual bliss.
"Hush! the cock's loud strain!
But thoult come again,
When the night returns!"--then kiss on kiss.
Then her wrath the mother cannot hold,
But unfastens straight the lock with ease
"In this house are girls become so bold,
As to seek e'en strangers' lusts to please?"
By her lamp's clear glow
Looks she in,--and oh!
Sight of horror!--'tis her child she sees.
Fain the youth would, in his first alarm,
With the veil that o'er her had been spread,
With the carpet, shield his love from harm;
But she casts them from her, void of dread,
And with spirit's strength,
In its spectre length,
Lifts her figure slowly from the bed.
"Mother! mother!"--Thus her wan lips say:
"May not I one night of rapture share?
From the warm couch am I chased away?
Do I waken only to despair?
It contents not thee
To have driven me
An untimely shroud of death to wear?
"But from out my coffin's prison-bounds
By a wond'rous fate I'm forced to rove,
While the blessings and the chaunting sounds
That your priests delight in, useless prove.
Water, salt, are vain
Fervent youth to chain,
Ah, e'en Earth can never cool down love!
"When that infant vow of love was spoken,
Venus' radiant temple smiled on both.
Mother! thou that promise since hast broken,
Fetter'd by a strange, deceitful oath.
Gods, though, hearken ne'er,
Should a mother swear
To deny her daughter's plighted troth.
From my grave to wander I am forc'd,
Still to seek The Good's long-sever'd link,
Still to love the bridegroom I have lost,
And the life-blood of his heart to drink;
When his race is run,
I must hasten on,
And the young must 'neath my vengeance sink,
"Beauteous youth! no longer mayst thou live;
Here must shrivel up thy form so fair;
Did not I to thee a token give,
Taking in return this lock of hair?
View it to thy sorrow!
Grey thoult be to-morrow,
Only to grow brown again when there.
"Mother, to this final prayer give ear!
Let a funeral pile be straightway dress'd;
Open then my cell so sad and drear,
That the flames may give the lovers rest!
When ascends the fire
From the glowing pyre,
To the gods of old we'll hasten, blest.
"
1797.
|
Written by
Andre Breton |
Less time than it takes to say it, less tears than it takes to die; I've taken account of everything,
there you have it.
I've made a census of the stones, they are as numerous as my fingers and some
others; I've distributed some pamphlets to the plants, but not all were willing to accept them.
I've
kept company with music for a second only and now I no longer know what to think of suicide, for
if I ever want to part from myself, the exit is on this side and, I add mischievously, the entrance, the
re-entrance is on the other.
You see what you still have to do.
Hours, grief, I don't keep a
reasonable account of them; I'm alone, I look out of the window; there is no passerby, or rather no
one passes (underline passes).
You don't know this man? It's Mr.
Same.
May I introduce Madam
Madam? And their children.
Then I turn back on my steps, my steps turn back too, but I don't
know exactly what they turn back on.
I consult a schedule; the names of the towns have been
replaced by the names of people who have been quite close to me.
Shall I go to A, return to B,
change at X? Yes, of course I'll change at X.
Provided I don't miss the connection with boredom!
There we are: boredom, beautiful parallels, ah! how beautiful the parallels are under God's
perpendicular.
|
Written by
Alfred Lord Tennyson |
"Courage!" he said, and pointed toward the land,
"This mounting wave will roll us shoreward soon.
"
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.
A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops,
Up-clomb the shadowy pine above the woven copse.
The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.
Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.
They sat them down upon the yellow sand,
Between the sun and moon upon the shore;
And sweet it was to dream of Fatherland,
Of child, and wife, and slave; but evermore
Most weary seem'd the sea, weary the oar,
Weary the wandering fields of barren foam.
Then some one said, "We will return no more";
And all at once they sang, "Our island home
Is far beyond the wave; we will no longer roam.
"CHORIC SONGI
There is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tir'd eyelids upon tir'd eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep,
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep.
"II
Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
"There is no joy but calm!"
Why should we only toil, the roof and crown of things?III
Lo! in the middle of the wood,
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.
IV
Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone.
Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone.
What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful past.
Let us alone.
What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.
V
How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!VI
Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer'd change:
For surely now our household hearths are cold,
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto aged breath,
Sore task to hearts worn out by many wars
And eyes grown dim with gazing on the pilot-stars.
VII
But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelid still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill--
To hear the dewy echoes calling
From cave to cave thro' the thick-twined vine--
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.
VIII
The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll'd to starboard, roll'd to larboard, when the surge was seething free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie reclined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where they smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery sands,
Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer--some, 'tis whisper'd--down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O, rest ye, brother mariners, we will not wander more.
Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities)
Added: Mar 11 2005 | Viewed: 581 times | Comments (0)
Information about The Lotos-eaters
Poet: Alfred Lord Tennyson
Poem: The Lotos-eaters
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Poem Info
The Lotos-eaters
Last read:
2006-04-22 00:21:55
Viewed 581 times.
Added Mar 11 2005.
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Biography
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(164 poems)
Copyright © 2003-2006 Gunnar Bengtsson, Poetry Connection.
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|
Written by
Jane Austen |
The day returns again, my natal day;
What mix'd emotions with the Thought arise!
Beloved friend, four years have pass'd away
Since thou wert snatch'd forever from our eyes.
--
The day, commemorative of my birth
Bestowing Life and Light and Hope on me,
Brings back the hour which was thy last on Earth.
Oh! bitter pang of torturing Memory!--
Angelic Woman! past my power to praise
In Language meet, thy Talents, Temper, mind.
Thy solid Worth, they captivating Grace!--
Thou friend and ornament of Humankind!--
At Johnson's death by Hamilton t'was said,
'Seek we a substitute--Ah! vain the plan,
No second best remains to Johnson dead--
None can remind us even of the Man.
'
So we of thee--unequall'd in thy race
Unequall'd thou, as he the first of Men.
Vainly we wearch around the vacant place,
We ne'er may look upon thy like again.
Come then fond Fancy, thou indulgant Power,--
--Hope is desponding, chill, severe to thee!--
Bless thou, this little portion of an hour,
Let me behold her as she used to be.
I see her here, with all her smiles benign,
Her looks of eager Love, her accents sweet.
That voice and Countenance almost divine!--
Expression, Harmony, alike complete.
--
I listen--'tis not sound alone--'tis sense,
'Tis Genius, Taste and Tenderness of Soul.
'Tis genuine warmth of heart without pretence
And purity of Mind that crowns the whole.
She speaks; 'tis Eloquence--that grace of Tongue
So rare, so lovely!--Never misapplied
By her to palliate Vice, or deck a Wrong,
She speaks and reasons but on Virtue's side.
Her's is the Engergy of Soul sincere.
Her Christian Spirit ignorant to feign,
Seeks but to comfort, heal, enlighten, chear,
Confer a pleasure, or prevent a pain.
--
Can ought enhance such Goodness?--Yes, to me,
Her partial favour from my earliest years
Consummates all.
--Ah! Give me yet to see
Her smile of Love.
--the Vision diappears.
'Tis past and gone--We meet no more below.
Short is the Cheat of Fancy o'er the Tomb.
Oh! might I hope to equal Bliss to go!
To meet thee Angel! in thy future home!--
Fain would I feel an union in thy fate,
Fain would I seek to draw an Omen fair
From this connection in our Earthly date.
Indulge the harmless weakness--Reason, spare.
--
|
Written by
Richard Brautigan |
Less time than it takes to say it, less tears than it takes to die; I've taken account
of everything, there you have it.
I've made a census of the stones, they are as numerous
as my fingers and some others; I've distributed some pamphelts to the plants, but not all
were willing to accpet them.
I've kept company with music for a second only and now I no
longer know what to think of suicide, for if I ever want to part from myself, the exit is
on this side and, I add mischievously, the entrance, the re-entrance is on the other.
You
see what you still have to do.
Hours, grief, I don't keep a reasonable account of them;
I'm alone, I look out of the window; there is no passerby, or rather no one passes
(underline passes).
You don't know this man? It's Mr.
Same.
May I introduce Madam Madam? And their children.
Then I turn back on my steps, my steps
turn back too, but I don't know exactly what they turn back on.
I consult a schedule; the
names of the towns have been replaced by the names of people who have been quite close to
me.
Shall I go to A, return to B, change at X? Yes, of course I'll change at X.
Provided I
don't miss the connection with boredom! There we are: boredom, beautiful parallels, ah!
how beautiful the parallels are under God's perpendicular.
|
Written by
Johann Wolfgang von Goethe |
[Written and sung in honour of the birthday
of the Pastor Ewald at the time of Goethe's happy connection with
Lily.
]
IN ev'ry hour of joy
That love and wine prolong,
The moments we'll employ
To carol forth this song!
We're gathered in His name,
Whose power hath brought us here;
He kindled first our flame,
He bids it burn more clear.
Then gladly glow to-night,
And let our hearts combine!
Up! quaff with fresh delight
This glass of sparkling wine!
Up! hail the joyous hour,
And let your kiss be true;
With each new bond of power
The old becomes the new!
Who in our circle lives,
And is not happy there?
True liberty it gives,
And brother's love so fair.
Thus heart and heart through life
With mutual love are fill'd;
And by no causeless strife
Our union e'er is chill'd.
Our hopes a God has crown'd
With life-discernment free,
And all we view around,
Renews our ecstasy.
Ne'er by caprice oppress'd,
Our bliss is ne'er destroy'd;
More freely throbs our breast,
By fancies ne'er alloy'd.
Where'er our foot we set,
The more life's path extends,
And brighter, brighter yet
Our gaze on high ascends.
We know no grief or pain,
Though all things fall and rise;
Long may we thus remain!
Eternal be our ties!
1775.
|
Written by
Barry Tebb |
The women are all wearing imitation silk scarves,
Blackpool or Biarritz, sipping Woman, masticating
The morning’s post, new babies and bathrooms, going
To file, snip, fiddle and smile through fish-eyes,
Crinkly green gloss, store it in stocking-tops
For next year abroad, that Pill, so perfect!
Flashing smiles from shiny domes and polished eye-lenses,
The men are glossy all over, snapping mortgages and scores
They slap fellow-souls at a distance, gun down the abusive
Clacking conductress, apologise over-loudly for their too
Quiet cars.
Plump fingers stroke smooth cheeks - bounce
Bounce, bouncing baby- faces, so manly to wet-shave!
Head heavy from dreams of bronze-fleshed centaurs
Tense with ‘The New Poets’ - no rhythm, failure of connection,
Who slept with who to get in.
Aargh!
Forty rose-bearing ten-year old faces are waiting
And behind them in the staff-room corpses are coffined
In eternal celluloid faces.
|
Written by
Robert Burns |
WHILE Europe’s eye is fix’d on mighty things,
The fate of Empires and the fall of Kings;
While quacks of State must each produce his plan,
And even children lisp the Rights of Man;
Amid this mighty fuss just let me mention,
The Rights of Woman merit some attention.
First, in the Sexes’ intermix’d connection,
One sacred Right of Woman is, protection.
—
The tender flower that lifts its head, elate,
Helpless, must fall before the blasts of Fate,
Sunk on the earth, defac’d its lovely form,
Unless your shelter ward th’ impending storm.
Our second Right—but needless here is caution,
To keep that right inviolate’s the fashion;
Each man of sense has it so full before him,
He’d die before he’d wrong it—’tis decorum.
—
There was, indeed, in far less polish’d days,
A time, when rough rude man had naughty ways,
Would swagger, swear, get drunk, kick up a riot,
Nay even thus invade a Lady’s quiet.
Now, thank our stars! those Gothic times are fled;
Now, well-bred men—and you are all well-bred—
Most justly think (and we are much the gainers)
Such conduct neither spirit, wit, nor manners.
For Right the third, our last, our best, our dearest,
That right to fluttering female hearts the nearest;
Which even the Rights of Kings, in low prostration,
Most humbly own—’tis dear, dear admiration!
In that blest sphere alone we live and move;
There taste that life of life—immortal love.
Smiles, glances, sighs, tears, fits, flirtations, airs;
’Gainst such an host what flinty savage dares,
When awful Beauty joins with all her charms—
Who is so rash as rise in rebel arms?
But truce with kings, and truce with constitutions,
With bloody armaments and revolutions;
Let Majesty your first attention summon,
Ah! ça ira! THE MAJESTY OF WOMAN!
|
Written by
Johann Wolfgang von Goethe |
------
What we sing in company
Soon from heart to heart will fly.
-----
THE Gesellige Lieder, which I have angicisled
as above, as several of them cannot be called convivial songs, are
separated by Goethe from his other songs, and I have adhered to
the same arrangement.
The Ergo bibamus is a well-known drinking
song in Germany, where it enjoys vast popularity.
ON THE NEW YEAR.
[Composed for a merry party that used to meet,
in 1802, at Goethe's house.
]
FATE now allows us,
'Twixt the departing
And the upstarting,
Happy to be;
And at the call of
Memory cherish'd,
Future and perish'd
Moments we see.
Seasons of anguish,--
Ah, they must ever
Truth from woe sever,
Love and joy part;
Days still more worthy
Soon will unite us,
Fairer songs light us,
Strength'ning the heart.
We, thus united,
Think of, with gladness,
Rapture and sadness,
Sorrow now flies.
Oh, how mysterious
Fortune's direction!
Old the connection,
New-born the prize!
Thank, for this, Fortune,
Wavering blindly!
Thank all that kindly
Fate may bestow!
Revel in change's
Impulses clearer,
Love far sincerer,
More heartfelt glow!
Over the old one,
Wrinkles collected,
Sad and dejected,
Others may view;
But, on us gently
Shineth a true one,
And to the new one
We, too, are new.
As a fond couple
'Midst the dance veering,
First disappearing,
Then reappear,
So let affection
Guide thro' life's mazy
Pathways so hazy
Into the year!
1802.
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