Written by
Quincy Troupe |
in brussels, eye sat in the grand place cafe & heard
duke's place, played after salsa
between the old majestic architecture, jazz bouncing off
all that gilded gold history snoring complacently there
flowers all over the ground, up inside the sound
the old white band jammin the music
tight & heavy, like some food
pushin pedal to the metal
gettin all the way down
under the scaffolding surrounding
l'hotel de ville, chattanooga choochoo
choo choing all the way home, upside walls, under gold eagles
& a gold vaulting girl, naked on a rooftop holding a flag over
her head, like skip rope, surrounded by all manner
of saints & gold madmen, riding emblazoned stallions
snorting like crazed demons at their nostrils
the music swirling like a dancing bear
a beautiful girl, flowers in her hair
the air woven with lilting voices in this grand place of parepets
& crowns, jewels & golden torches streaming
like a horse's mane, antiquity riding through in a wheel carriage
here, through gargoyles & gothic towers rocketing swordfish lanced crosses
pointing up at a God threatening rain
& it is stunning at this moment when raised beer steins cheer
the music on, hot & heavy, still humming & cooking
basic african-american rhythms alive here
in this ancient grand place of europe
this confluence point of nations & cultures
jumping off place for beer & cuisines
fused with music, poetry & stone
here in this blinding, beautiful square
sunlit now as the golden eye of God shoots through
flowers all over the cobbled ground, up in the music
the air brightly cool as light after jeweled rain
still, there are these hats slicing foreheads off in the middle
of crowds that need explaining, the calligraphy of this penumbra
slanting ace-deuce, cocked, carrying the perforated legacy of bebop
these bold, peccadillo, pirouetting pellagras
razor-sharp clean, they cut into our rip-tiding dreams carrying
their whirlpooling imaginations, their rivers of schemes
assaulted by pellets of raindrops
these broken mirrors catching fragments
of sonorous words, entrapping us between parentheses
two bat wings curved, imprisoning the world
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Written by
Rabindranath Tagore |
In the beginning of time, there rose from the churning of God's
dream two women. One is the dancer at the court of paradise, the
desired of men, she who laughs and plucks the minds of the wise
from their cold meditations and of fools from their emptiness; and
scatters them like seeds with careless hands in the extravagant
winds of March, in the flowering frenzy of May.
The other is the crowned queen of heaven, the mother, throned
on the fullness of golden autumn; she who in the harvest-time
brings straying hearts to the smile sweet as tears, the beauty deep
as the sea of silence, -brings them to the temple of the Unknown,
at the holy confluence of Life and Death.
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Written by
Robert Burns |
Chorus.—Ca’the yowes to the knowes,
Ca’ them where the heather grows,
Ca’ them where the burnie rowes,
My bonie Dearie.
HARK the mavis’ e’ening sang,
Sounding Clouden’s woods amang;
Then a-faulding let us gang,
My bonie Dearie.
Ca’ the yowes, &c.
We’ll gae down by Clouden side,
Thro’ the hazels, spreading wide,
O’er the waves that sweetly glide,
To the moon sae clearly.
Ca’ the yowes, &c.
Yonder Clouden’s silent towers, 1
Where, at moonshine’s midnight hours,
O’er the dewy-bending flowers,
Fairies dance sae cheery.
Ca’ the yowes, &c.
Ghaist nor bogle shalt thou fear,
Thou’rt to Love and Heav’n sae dear,
Nocht of ill may come thee near;
My bonie Dearie.
Ca’ the yowes, &c.
Fair and lovely as thou art,
Thou hast stown my very heart;
I can die—but canna part,
My bonie Dearie.
Ca’ the yowes, &c.
Note 1. An old ruin in a sweet situation at the confluence of the Clouden and the Nith.—R. B. [back]
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