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Best Famous Conceals Poems

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Written by Charles Webb | Create an image from this poem

Silent Letters

  Treacherous as trap door spiders,
they ambush children's innocence.
"Why is there g h in light? It isn't fair!"
Buddha declared the world illusory
as the p sound in psyche. Sartre
said the same of God from France,
Olympus of silent letters, n'est -ce pas?

Polite conceals an e in the same way
"How are you?" hides "I don't care."
Physics asserts the desk I lean on,
the brush that fluffs my hair,
are only dots that punctuate a nullity
complete as the g sound in gnome,
the c e in Worcestershire.

Passions lurk under the saint's bed,
mute as the end of love.
They glide toward us, yellow eyes
gleaming, hushed as the finality
of hate, malice, snake.
As easily predict the h in lichen,
choral, Lichtenstein,

as laws against throttling rats,
making U-turns on empty streets.
Such nonsense must be memorized.
"Imagine dropkicking a spud,"
Dad said. "If e breaks off
your toe, it spoils your potato."
Like compass needles

pointing north, silent letters
show the power of hidden things.
Voiced by our ancestors,
but heard no more, they nudge
our thoughts toward death,
infinity, our senses' inability
to see the earth as round,

circling the sun in a universe
implacable as "Might Makes Right,"
ineffable as tomorrow's second r,
incomprehensible as imbroglio's g,
the e that finishes inscrutable,
imponderable, immense,
the terrifying k in "I don't know."


Written by Charlotte Bronte | Create an image from this poem

Pilates Wifes Dream

 I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall­
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream. 

It sunk, and I am wrapt in utter gloom; 
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ? 
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread! 

I'd call my women, but to break their sleep, 
Because my own is broken, were unjust; 

They've wrought all day, and well-earned slumbers steep
Their labours in forgetfulness, I trust; 
Let me my feverish watch with patience bear, 
Thankful that none with me its sufferings share. 

Yet, Oh, for light ! one ray would tranquilise 
My nerves, my pulses, more than effort can; 
I'll draw my curtain and consult the skies: 
These trembling stars at dead of night look wan, 
Wild, restless, strange, yet cannot be more drear 
Than this my couch, shared by a nameless fear. 

All black­one great cloud, drawn from east to west, 
Conceals the heavens, but there are lights below; 
Torches burn in Jerusalem, and cast 
On yonder stony mount a lurid glow. 
I see men stationed there, and gleaming spears; 
A sound, too, from afar, invades my ears. 

Dull, measured, strokes of axe and hammer ring 
From street to street, not loud, but through the night 
Distinctly heard­and some strange spectral thing 
Is now upreared­and, fixed against the light 
Of the pale lamps; defined upon that sky, 
It stands up like a column, straight and high. 

I see it all­I know the dusky sign­
A cross on Calvary, which Jews uprear 

While Romans watch; and when the dawn shall shine 
Pilate, to judge the victim will appear, 
Pass sentence­yield him up to crucify; 
And on that cross the spotless Christ must die. 

Dreams, then, are true­for thus my vision ran; 
Surely some oracle has been with me,
The gods have chosen me to reveal their plan, 
To warn an unjust judge of destiny: 
I, slumbering, heard and saw; awake I know, 
Christ's coming death, and Pilate's life of woe. 

I do not weep for Pilate­who could prove 
Regret for him whose cold and crushing sway 
No prayer can soften, no appeal can move;
Who tramples hearts as others trample clay, 
Yet with a faltering, an uncertain tread, 
That might stir up reprisal in the dead. 

Forced to sit by his side and see his deeds; 
Forced to behold that visage, hour by hour, 
In whose gaunt lines, the abhorrent gazer reads 
A triple lust of gold, and blood, and power; 
A soul whom motives, fierce, yet abject, urge 
Rome's servile slave, and Judah's tyrant scourge. 

How can I love, or mourn, or pity him ?
I, who so long my fettered hands have wrung; 

I, who for grief have wept my eye-sight dim; 
Because, while life for me was bright and young, 
He robbed my youth­he quenched my life's fair ray­
He crushed my mind, and did my freedom slay. 


And at this hour­although I be his wife­ 
He has no more of tenderness from me 
Than any other wretch of guilty life; 
Less, for I know his household privacy­ 
I see him as he is­without a screen; 
And, by the gods, my soul abhors his mien ! 

Has he not sought my presence, dyed in blood­ 
Innocent, righteous blood, shed shamelessly ? 
And have I not his red salute withstood ? 
Aye,­when, as erst, he plunged all Galilee 
In dark bereavement­in affliction sore, 
Mingling their very offerings with their gore. 

Then came he­in his eyes a serpent-smile, 
Upon his lips some false, endearing word, 
And, through the streets of Salem, clanged the while,
His slaughtering, hacking, sacrilegious sword­ 
And I, to see a man cause men such woe, 
Trembled with ire­I did not fear to show. 

And now, the envious Jewish priests have brought
Jesus­whom they in mockery call their king­ 

To have, by this grim power, their vengeance wrought; 
By this mean reptile, innocence to sting. 
Oh ! could I but the purposed doom avert, 
And shield the blameless head from cruel hurt! 

Accessible is Pilate's heart to fear, 
Omens will shake his soul, like autumn leaf; 
Could he this night's appalling vision hear, 
This just man's bonds were loosed, his life were safe, 
Unless that bitter priesthood should prevail, 
And make even terror to their malice quail. 

Yet if I tell the dream­but let me pause.
What dream ? Erewhile the characters were clear,
Graved on my brain­at once some unknown cause
Has dimmed and rased the thoughts, which now appear,
Like a vague remnant of some by-past scene;­
Not what will be, but what, long since, has been. 

I suffered many things, I heard foretold 
A dreadful doom for Pilate,­lingering woes, 
In far, barbarian climes, where mountains cold 
Built up a solitude of trackless snows, 
There, he and grisly wolves prowled side by side, 
There he lived famished­there methought he died; 

But not of hunger, nor by malady;
I saw the snow around him, stained with gore; 

I said I had no tears for such as he, 
And, lo ! my cheek is wet­mine eyes run o'er; 
I weep for mortal suffering, mortal guilt, 
I weep the impious deed­the blood self-spilt. 

More I recall not, yet the vision spread 
Into a world remote, an age to come­ 
And still the illumined name of Jesus shed 
A light, a clearness, through the enfolding gloom­ 
And still I saw that sign, which now I see, 
That cross on yonder brow of Calvary. 

What is this Hebrew Christ ? To me unknown, 
His lineage­doctrine­mission­yet how clear, 
Is God-like goodness, in his actions shewn ! 
How straight and stainless is his life's career ! 
The ray of Deity that rests on him, 
In my eyes makes Olympian glory dim. 

The world advances, Greek, or Roman rite
Suffices not the inquiring mind to stay;
The searching soul demands a purer light 
To guide it on its upward, onward way;
Ashamed of sculptured gods­Religion turns 
To where the unseen Jehovah's altar burns. 

Our faith is rotten­all our rites defiled,
Our temples sullied, and methinks, this man,
With his new ordinance, so wise and mild,
Is come, even as he says, the chaff to fan 

And sever from the wheat; but will his faith 
Survive the terrors of to-morrow's death ? 

* * * * * 

I feel a firmer trust­a higher hope 
Rise in my soul­it dawns with dawning day; 
Lo ! on the Temple's roof­on Moriah's slope 
Appears at length that clear, and crimson ray, 
Which I so wished for when shut in by night; 
Oh, opening skies, I hail, I bless your light ! 

Part, clouds and shadows ! glorious Sun appear ! 
Part, mental gloom ! Come insight from on high ! 
Dusk dawn in heaven still strives with daylight clear, 
The longing soul, doth still uncertain sigh. 
Oh ! to behold the truth­that sun divine, 
How doth my bosom pant, my spirit pine ! 

This day, time travails with a mighty birth, 
This day, Truth stoops from heaven and visits earth, 
Ere night descends, I shall more surely know 
What guide to follow, in what path to go; 
I wait in hope­I wait in solemn fear, 
The oracle of God­the sole­true God­to hear.
Written by John Trumbull | Create an image from this poem

To Ladies Of A Certain Age

 Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.


When beauties lose their gay appearance,
And lovers fall from perseverance,
When eyes grow dim and charms decay,
And all your roses fade away,
First know yourselves; lay by those airs,
Which well might suit your former years,
Nor ape in vain the childish mien,
And airy follies of sixteen.


We pardon faults in youth's gay flow,
While beauty prompts the cheek to glow,
While every glance has power to warm,
And every turn displays a charm,
Nor view a spot in that fair face,
Which smiles inimitable grace.


But who, unmoved with scorn, can see
The grey coquette's affected glee,
Her ambuscading tricks of art
To catch the beau's unthinking heart,
To check th' assuming fopling's vows,
The bridling frown of wrinkled brows;
Those haughty airs of face and mind,
Departed beauty leaves behind.


Nor let your sullen temper show
Spleen louring on the envious brow,
The jealous glance of rival rage,
The sourness and the rust of age.
With graceful ease, avoid to wear
The gloom of disappointed care:
And oh, avoid the sland'rous tongue,
By malice tuned, with venom hung,
That blast of virtue and of fame,
That herald to the court of shame;
Less dire the croaking raven's throat,
Though death's dire omens swell the note.


Contented tread the vale of years,
Devoid of malice, guilt and fears;
Let soft good humour, mildly gay,
Gild the calm evening of your day,
And virtue, cheerful and serene,
In every word and act be seen.
Virtue alone with lasting grace,
Embalms the beauties of the face,
Instructs the speaking eye to glow,
Illumes the cheek and smooths the brow,
Bids every look the heart engage,
Nor fears the wane of wasting age.


Nor think these charms of face and air,
The eye so bright, the form so fair,
This light that on the surface plays,
Each coxcomb fluttering round its blaze,
Whose spell enchants the wits of beaux,
The only charms, that heaven bestows.
Within the mind a glory lies,
O'erlook'd and dim to vulgar eyes;
Immortal charms, the source of love,
Which time and lengthen'd years improve,
Which beam, with still increasing power,
Serene to life's declining hour;
Then rise, released from earthly cares,
To heaven, and shine above the stars.


Thus might I still these thoughts pursue,
The counsel wise, and good, and true,
In rhymes well meant and serious lay,
While through the verse in sad array,
Grave truths in moral garb succeed:
Yet who would mend, for who would read?


But when the force of precept fails,
A sad example oft prevails.
Beyond the rules a sage exhibits,
Thieves heed the arguments of gibbets,
And for a villain's quick conversion,
A pillory can outpreach a parson.


To thee, Eliza, first of all,
But with no friendly voice I call.
Advance with all thine airs sublime,
Thou remnant left of ancient time!
Poor mimic of thy former days,
Vain shade of beauty, once in blaze!
We view thee, must'ring forth to arms
The veteran relics of thy charms;
The artful leer, the rolling eye,
The trip genteel, the heaving sigh,
The labour'd smile, of force too weak,
Low dimpling in th' autumnal cheek,
The sad, funereal frown, that still
Survives its power to wound or kill;
Or from thy looks, with desperate rage,
Chafing the sallow hue of age,
And cursing dire with rueful faces,
The repartees of looking-glasses.


Now at tea-table take thy station,
Those shambles vile of reputation,
Where butcher'd characters and stale
Are day by day exposed for sale:
Then raise the floodgates of thy tongue,
And be the peal of scandal rung;
While malice tunes thy voice to rail,
And whispering demons prompt the tale--
Yet hold thy hand, restrain thy passion,
Thou cankerworm of reputation;
Bid slander, rage and envy cease,
For one short interval of peace;
Let other's faults and crimes alone,
Survey thyself and view thine own;
Search the dark caverns of thy mind,
Or turn thine eyes and look behind:
For there to meet thy trembling view,
With ghastly form and grisly hue,
And shrivel'd hand, that lifts sublime
The wasting glass and scythe of Time,
A phantom stands: his name is Age;
Ill-nature following as his page.
While bitter taunts and scoffs and jeers,
And vexing cares and torturing fears,
Contempt that lifts the haughty eye,
And unblest solitude are nigh;
While conscious pride no more sustains,
Nor art conceals thine inward pains,
And haggard vengeance haunts thy name,
And guilt consigns thee o'er to shame,
Avenging furies round thee wait,
And e'en thy foes bewail thy fate.


But see, with gentler looks and air,
Sophia comes. Ye youths beware!
Her fancy paints her still in prime,
Nor sees the moving hand of time;
To all her imperfections blind,
Hears lovers sigh in every wind,
And thinks her fully ripen'd charms,
Like Helen's, set the world in arms.


Oh, save it but from ridicule,
How blest the state, to be a fool!
The bedlam-king in triumph shares
The bliss of crowns, without the cares;
He views with pride-elated mind,
His robe of tatters trail behind;
With strutting mien and lofty eye,
He lifts his crabtree sceptre high;
Of king's prerogative he raves,
And rules in realms of fancied slaves.


In her soft brain, with madness warm,
Thus airy throngs of lovers swarm.
She takes her glass; before her eyes
Imaginary beauties rise;
Stranger till now, a vivid ray
Illumes each glance and beams like day;
Till furbish'd every charm anew,
An angel steps abroad to view;
She swells her pride, assumes her power,
And bids the vassal world adore.


Indulge thy dream. The pictured joy
No ruder breath should dare destroy;
No tongue should hint, the lover's mind
Was ne'er of virtuoso-kind,
Through all antiquity to roam
For what much fairer springs at home.
No wish should blast thy proud design;
The bliss of vanity be thine.
But while the subject world obey,
Obsequious to thy sovereign sway,
Thy foes so feeble and so few,
With slander what hadst thou to do?
What demon bade thine anger rise?
What demon glibb'd thy tongue with lies?
What demon urged thee to provoke
Avenging satire's deadly stroke?


Go, sink unnoticed and unseen,
Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade
In clouds hangs dismal o'er thy head.
Fill the short circle of thy day,
Then fade from all the world away;
Nor leave one fainting trace behind,
Of all that flutter'd once and shined;
The vapoury meteor's dancing light
Deep sunk and quench'd in endless night
Written by Mary Darby Robinson | Create an image from this poem

The Bee and the Butterfly

 UPON a garden's perfum'd bed 
With various gaudy colours spread, 
Beneath the shelter of a ROSE 
A BUTTERFLY had sought repose; 
Faint, with the sultry beams of day, 
Supine the beauteous insect lay. 

A BEE, impatient to devour
The nectar sweets of ev'ry flow'r, 
Returning to her golden store, 
A weight of fragrant treasure bore; 
With envious eye, she mark'd the shade, 
Where the poor BUTTERFLY was laid, 
And resting on the bending spray, 
Thus murmur'd forth her drony lay:­ 

"Thou empty thing, whose merit lies 
In the vain boast of orient dies; 
Whose glittering form the slightest breath 
Robs of its gloss, and fades to death; 
Who idly rov'st the summer day, 
Flutt'ring a transient life away, 
Unmindful of the chilling hour, 
The nipping frost, the drenching show'r; 
Who heedless of "to-morrow's fare," 
Mak'st present bliss thy only care; 
Is it for THEE, the damask ROSE 
With such transcendent lustre glows? 
Is it for such a giddy thing 
Nature unveils the blushing spring? 
Hence, from thy lurking place, and know, 
'Tis not for THEE her beauties glow." 

The BUTTERFLY, with decent pride, 
In gentle accents, thus reply'd: 
"'Tis true, I flutter life away 
In pastime, innocent and gay; 
The SUN that decks the blushing spring 
Gives lustre to my painted wing; 
'Tis NATURE bids each colour vie, 
With rainbow tints of varying die; 
I boast no skill, no subtle pow'r 
To steal the balm from ev'ry flow'r; 
The ROSE, that only shelter'd ME, 
Has pour'd a load of sweets on THEE; 
Of merit we have both our share, 
Heav'n gave thee ART, and made me FAIR; 
And tho' thy cunning can despise 
The humble worth of harmless flies; 
Remember, envious, busy thing, 
Thy honey'd form conceals a sting; 
Enjoy thy garden, while I rove 
The sunny hill, the woodbine grove, 
And far remov'd from care and THEE, 
Embrace my humble destiny; 
While in some lone sequester'd bow'r, 
I'll live content beyond thy pow'r;
For where ILL-NATURE holds her reign 
TASTE, WORTH, and BEAUTY, plead in vain; 
E'en GENIUS must to PRIDE submit 
When ENVY wings the shaft of WIT.
Written by Phillis Wheatley | Create an image from this poem

Thoughts On The Works Of Providence

 A R I S E, my soul, on wings enraptur'd, rise
To praise the monarch of the earth and skies,
Whose goodness and benificence appear
As round its centre moves the rolling year,
Or when the morning glows with rosy charms,
Or the sun slumbers in the ocean's arms:
Of light divine be a rich portion lent
To guide my soul, and favour my intend.
Celestial muse, my arduous flight sustain
And raise my mind to a seraphic strain!
Ador'd for ever be the God unseen,
Which round the sun revolves this vast machine,
Though to his eye its mass a point appears:
Ador'd the God that whirls surrounding spheres,
Which first ordain'd that mighty Sol should reign
The peerless monarch of th' ethereal train:
Of miles twice forty millions is his height,
And yet his radiance dazzles mortal sight
So far beneath--from him th' extended earth
Vigour derives, and ev'ry flow'ry birth:
Vast through her orb she moves with easy grace
Around her Phoebus in unbounded space;
True to her course th' impetuous storm derides,
Triumphant o'er the winds, and surging tides.
Almighty, in these wond'rous works of thine,
What Pow'r, what Wisdom, and what Goodness shine!
And are thy wonders, Lord, by men explor'd,
And yet creating glory unador'd!
Creation smiles in various beauty gay,
While day to night, and night succeeds to day:
That Wisdom, which attends Jehovah's ways,
Shines most conspicuous in the solar rays:
Without them, destitute of heat and light,
This world would be the reign of endless night:
In their excess how would our race complain,
Abhorring life! how hate its length'ned chain!
From air adust what num'rous ills would rise?
What dire contagion taint the burning skies?
What pestilential vapours, fraught with death,
Would rise, and overspread the lands beneath?
Hail, smiling morn, that from the orient main
Ascending dost adorn the heav'nly plain!
So rich, so various are thy beauteous dies,
That spread through all the circuit of the skies,
That, full of thee, my soul in rapture soars,
And thy great God, the cause of all adores.
O'er beings infinite his love extends,
His Wisdom rules them, and his Pow'r defends.
When tasks diurnal tire the human frame,
The spirits faint, and dim the vital flame,
Then too that ever active bounty shines,
Which not infinity of space confines.
The sable veil, that Night in silence draws,
Conceals effects, but shows th' Almighty Cause,
Night seals in sleep the wide creation fair,
And all is peaceful but the brow of care.
Again, gay Phoebus, as the day before,
Wakes ev'ry eye, but what shall wake no more;
Again the face of nature is renew'd,
Which still appears harmonious, fair, and good.
May grateful strains salute the smiling morn,
Before its beams the eastern hills adorn!
Shall day to day, and night to night conspire
To show the goodness of the Almighty Sire?
This mental voice shall man regardless hear,
And never, never raise the filial pray'r?
To-day, O hearken, nor your folly mourn
For time mispent, that never will return.
But see the sons of vegetation rise,
And spread their leafy banners to the skies.
All-wise Almighty Providence we trace
In trees, and plants, and all the flow'ry race;
As clear as in the nobler frame of man,
All lovely copies of the Maker's plan.
The pow'r the same that forms a ray of light,
That call d creation from eternal night.
"Let there be light," he said: from his profound
Old Chaos heard, and trembled at the sound:
Swift as the word, inspir'd by pow'r divine,
Behold the light around its Maker shine,
The first fair product of th' omnific God,
And now through all his works diffus'd abroad.
As reason's pow'rs by day our God disclose,
So we may trace him in the night's repose:
Say what is sleep? and dreams how passing strange!
When action ceases, and ideas range
Licentious and unbounded o'er the plains,
Where Fancy's queen in giddy triumph reigns.
Hear in soft strains the dreaming lover sigh
To a kind fair, or rave in jealousy;
On pleasure now, and now on vengeance bent,
The lab'ring passions struggle for a vent.
What pow'r, O man! thy reason then restores,
So long suspended in nocturnal hours?
What secret hand returns the mental train,
And gives improv'd thine active pow'rs again?
From thee, O man, what gratitude should rise!
And, when from balmy sleep thou op'st thine eyes,
Let thy first thoughts be praises to the skies.
How merciful our God who thus imparts
O'erflowing tides of joy to human hearts,
When wants and woes might be our righteous lot,
Our God forgetting, by our God forgot!
Among the mental pow'rs a question rose,
"What most the image of th' Eternal shows?"
When thus to Reason (so let Fancy rove)
Her great companion spoke immortal Love.
"Say, mighty pow'r, how long shall strife prevail,
"And with its murmurs load the whisp'ring gale?
"Refer the cause to Recollection's shrine,
"Who loud proclaims my origin divine,
"The cause whence heav'n and earth began to be,
"And is not man immortaliz'd by me?
"Reason let this most causeless strife subside."
Thus Love pronounc'd, and Reason thus reply'd.
"Thy birth, coelestial queen! 'tis mine to own,
"In thee resplendent is the Godhead shown;
"Thy words persuade, my soul enraptur'd feels
"Resistless beauty which thy smile reveals."
Ardent she spoke, and, kindling at her charms,
She clasp'd the blooming goddess in her arms.
Infinite Love where'er we turn our eyes
Appears: this ev'ry creature's wants supplies;
This most is heard in Nature's constant voice,
This makes the morn, and this the eve rejoice;
This bids the fost'ring rains and dews descend
To nourish all, to serve one gen'ral end,
The good of man: yet man ungrateful pays
But little homage, and but little praise.
To him, whose works arry'd with mercy shine,
What songs should rise, how constant, how divine!


Written by Robert Browning | Create an image from this poem

Waring

 I

What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf— 
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who's to blame
If your silence kept unbroken?
"True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe'er believed
In more to come!" But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o'erweening
Pride alone, puts forth such claims
O'er the day's distinguished names.

Meantime, how much I loved him,
I find out now I've lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit— 
His cheeks' raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr'-inform'-ingens-horrend-ous
Demoniaco-seraphic
Penman's latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E'en so, swimmingly appears,
Through one's after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were... Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor's grace and sweetness!
No! she heard in its completeness
Truth, for truth's a weighty matter,
And, truth at issue, we can't flatter!
Well, 'tis done with: she's exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I'd fool him to his bent!
Feed, should not he, to heart's content?
I'd say, "to only have conceived
Your great works, though they ne'er make progress,
Surpasses all we've yet achieved!"
I'd lie so, I should be believed.
I'd make such havoc of the claims
Of the day's distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin's pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take snuff,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness' self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no gash?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian's fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, 'tis in Spain
That we and Waring meet again— 
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there's slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret's ceiling, walls and floor,
Up and down and o'er and o'er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,— 
"Give me my so long promised son,
Let Waring end what I begun!"
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent 'tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God's creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so— 
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what's to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet's mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who's alive?
Our men scarce seem in earnest now:
Distinguished names!—but 'tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

"When I last saw Waring..."
(How all turned to him who spoke— 
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

"...We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel's side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o'er its planks, a shrill voice cried
(A neck as bronzed as a Lascar's)
'Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne'er so big,
They'll never let you up the bay!
We natives should know best.'
I turned, and 'just those fellows' way,'
Our captain said, 'The long-shore thieves
Are laughing at us in their sleeves.'

"In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!"—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
Written by Louis Untermeyer | Create an image from this poem

Portrait Of A Machine

What nudity is beautiful as this
Obedient monster purring at its toil;
These naked iron muscles dripping oil
And the sure-fingered rods that never miss.
This long and shining flank of metal is
Magic that greasy labor cannot spoil;
While this vast engine that could rend the soil
Conceals its fury with a gentle hiss.

It does not vent its loathing, does not turn
Upon its makers with destroying hate.
It bears a deeper malice; lives to earn
Its master's bread and laughs to see this great
Lord of the earth, who rules but cannot learn,
Become the slave of what his slaves create.
Written by Mary Darby Robinson | Create an image from this poem

Ode to Eloquence

 HAIL! GODDESS of persuasive art! 
The magic of whose tuneful tongue 
Lulls to soft harmony the wand'ring heart 
With fascinating song; 
O, let me hear thy heav'n-taught strain, 
As thro' my quiv'ring pulses steal 
The mingling throbs of joy and pain, 
Which only sensate minds can feel; 
Ah ! let me taste the bliss supreme, 
Which thy warm touch unerring flings 
O'er the rapt sense's finest strings, 
When GENIUS, darting frown the sky, 
Glances across my wond'ring eye, 
Her animating beam. 

SWEET ELOQUENCE! thy mild controul, 
Awakes to REASON's dawn, the IDIOT soul; 
When mists absorb the MENTAL sight, 
'Tis thine, to dart CREATIVE LIGHT; 
'Tis thine, to chase the filmy clouds away, 
And o'er the mind's deep bloom, spread a refulgent ray. 
Nor is thy wond'rous art confin'd, 
Within the bounds of MENTAL space, 
For thou canst boast exterior grace, 
Bright emblem of the fertile mind; 
Yes; I have seen thee, with persuasion meek, 
Bathe in the lucid tear, on Beauty's cheek, 
Have mark'd thee in the downcast eye, 
When suff'ring Virtue claim'd the pitying sigh. 

Oft, by thy thrilling voice subdued, 
The meagre fiend INGRATITUDE 
Her treach'rous fang conceals; 
Pale ENVY hides her forked sting; 
And CALUMNY, beneath the wing 
Of dark oblivion steals. 

Before thy pure and lambent fire 
Shall frozen Apathy expire; 
Thy influence warm and unconfin'd, 
Shall rapt'rous transports give, 
And in the base and torpid mind, 
Shall bid the fine Affections live; 
When JEALOUSY's malignant dart, 
Strikes at the fondly throbbing heart; 
When fancied woes, on every side assail, 
Thy honey'd accents shall prevail; 
When burning Passion withers up the brain, 
And the fix'd lids, the glowing drops sustain, 
Touch'd by thy voice, the melting eye 
Shall pour the balm of yielding SYMPATHY. 

'Tis thine, with lenient Song to move 
The dumb despair of hopeless LOVE; 
Or when the animated soul 
On Fancy's wing shall soar, 
And scorning Reason's soft controul, 
Untrodden paths explore; 
'Till by distracting conflicts tost, 
The intellectual source is lost: 
E'en then, the witching music of thy tongue 
Stealing thro' Mis'ry's DARKEST GLOOM, 
Weaves the fine threads of FANCY's loom, 
'Till every slacken'd nerve new strung, 
Bids renovated NATURE shine, 
Amidst the fost'ring beams of ELOQUENCE DIVINE.
Written by Francis Scott Key | Create an image from this poem

Defence of Fort MHenry

 Tune -- ANACREON IN HEAVEN 
O! say can you see, by the dawn's early light,
What so proudly we hail'd at the twilight's last gleaming,
Whose broad stripes and bright stars through the perilous fight,
O'er the ramparts we watch'd, were so gallantly streaming?
And the rockets' red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there --
O! say, does that star-spangled banner yet wave
O'er the land of the free, and the home of the brave?
On the shore, dimly seen through the mists of the deep,
Where the foe's haughty host in dread silence reposes,
What is that which the breeze o'er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning's first beam,
In full glory reflected now shines on the stream --
'Tis the star-spangled banner, O! long may it wave
O'er the land of the free, and the home of the brave.

And where is that band who so vauntingly swore
That the havock of war and the battle's confusion
A home and a country should leave us no more?
Their blood has wash'd out their foul foot-steps' pollution,
No refuge could save the hireling and slave,
From the terror of flight or the gloom of the grave;
And the star-spangled banner in triumph doth wave
O'er the land of the free, and the home of the brave.

O! thus be it ever when freemen shall stand
Between their lov'd home, and the war's desolation,
Blest with vict'ry and peace, may the heav'n-rescued land
Praise the power that hath made and preserv'd us a nation!
Then conquer we must, when our cause it is just,
And this be our motto -- "In God is our trust!"
And the star-spangled banner in triumph shall wave
O'er the land of the free, and the home of the brave.
Written by Wallace Stevens | Create an image from this poem

Six Significant Landscapes

I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

III
I measure myself
Against a tall tree.
I find that I am much taller,
For I reach right up to the sun,
With my eye;
And I reach to the shore of the sea
With my ear.
Nevertheless, I dislike
The way ants crawl
In and out of my shadow.

IV
When my dream was near the moon,
The white folds of its gown
Filled with yellow light.
The soles of its feet
Grew red.
Its hair filled
With certain blue crystallizations
From stars,
Not far off.

V
Not all the knives of the lamp-posts,
Nor the chisels of the long streets,
Nor the mallets of the domes
And high towers,
Can carve
What one star can carve,
Shining through the grape-leaves.

VI
Rationalists, wearing square hats,
Think, in square rooms,
Looking at the floor,
Looking at the ceiling.
They confine themselves
To right-angled triangles.
If they tried rhomboids,
Cones, waving lines, ellipses --
As, for example, the ellipse of the half-moon --
Rationalists would wear sombreros.

Book: Reflection on the Important Things