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Best Famous Communist Poems

Here is a collection of the all-time best famous Communist poems. This is a select list of the best famous Communist poetry. Reading, writing, and enjoying famous Communist poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of communist poems.

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Written by Allen Ginsberg | Create an image from this poem

America

 America I've given you all and now I'm nothing. 
America two dollars and twentyseven cents January 
 17, 1956. 
I can't stand my own mind. 
America when will we end the human war? 
Go **** yourself with your atom bomb. 
I don't feel good don't bother me. 
I won't write my poem till I'm in my right mind. 
America when will you be angelic? 
When will you take off your clothes? 
When will you look at yourself through the grave? 
When will you be worthy of your million Trotskyites? 
America why are your libraries full of tears? 
America when will you send your eggs to India? 
I'm sick of your insane demands. 
When can I go into the supermarket and buy what I 
 need with my good looks? 
America after all it is you and I who are perfect not 
 the next world. 
Your machinery is too much for me. 
You made me want to be a saint. 
There must be some other way to settle this argument. 
Burroughs is in Tangiers I don't think he'll come back 
 it's sinister. 
Are you being sinister or is this some form of practical 
 joke? 
I'm trying to come to the point. 
I refuse to give up my obsession. 
America stop pushing I know what I'm doing. 
America the plum blossoms are falling. 
I haven't read the newspapers for months, everyday 
 somebody goes on trial for murder. 
America I feel sentimental about the Wobblies. 
America I used to be a communist when I was a kid 
 I'm not sorry. 
I smoke marijuana every chance I get. 
I sit in my house for days on end and stare at the roses 
 in the closet. 
When I go to Chinatown I get drunk and never get laid. 
My mind is made up there's going to be trouble. 
You should have seen me reading Marx. 
My psychoanalyst thinks I'm perfectly right. 
I won't say the Lord's Prayer. 
I have mystical visions and cosmic vibrations. 
America I still haven't told you what you did to Uncle 
 Max after he came over from Russia.

I'm addressing you. 
Are you going to let your emotional life be run by 
 Time Magazine? 
I'm obsessed by Time Magazine. 
I read it every week. 
Its cover stares at me every time I slink past the corner 
 candystore. 
I read it in the basement of the Berkeley Public Library. 
It's always telling me about responsibility. Business-
 men are serious. Movie producers are serious. 
 Everybody's serious but me. 
It occurs to me that I am America. 
I am talking to myself again. 

Asia is rising against me. 
I haven't got a chinaman's chance. 
I'd better consider my national resources. 
My national resources consist of two joints of 
 marijuana millions of genitals an unpublishable 
 private literature that goes 1400 miles an hour 
 and twenty-five-thousand mental institutions. 
I say nothing about my prisons nor the millions of 
 underprivileged who live in my flowerpots 
 under the light of five hundred suns. 
I have abolished the whorehouses of France, Tangiers 
 is the next to go. 
My ambition is to be President despite the fact that 
 I'm a Catholic. 
America how can I write a holy litany in your silly 
 mood? 
I will continue like Henry Ford my strophes are as 
 individual as his automobiles more so they're 
 all different sexes. 
America I will sell you strophes $2500 apiece $500 
 down on your old strophe 
America free Tom Mooney 
America save the Spanish Loyalists 
America Sacco & Vanzetti must not die 
America I am the Scottsboro boys. 
America when I was seven momma took me to Com-
 munist Cell meetings they sold us garbanzos a 
 handful per ticket a ticket costs a nickel and the 
 speeches were free everybody was angelic and 
 sentimental about the workers it was all so sin-
 cere you have no idea what a good thing the 
 party was in 1835 Scott Nearing was a grand 
 old man a real mensch Mother Bloor made me 
 cry I once saw Israel Amter plain. Everybody 
 must have been a spy. 
America you don't really want to go to war. 
America it's them bad Russians. 
Them Russians them Russians and them Chinamen. 
 And them Russians. 
The Russia wants to eat us alive. The Russia's power 
 mad. She wants to take our cars from out our 
 garages. 
Her wants to grab Chicago. Her needs a Red Readers' 
 Digest. Her wants our auto plants in Siberia. 
 Him big bureaucracy running our fillingsta-
 tions. 
That no good. Ugh. Him make Indians learn read. 
 Him need big black niggers. Hah. Her make us 
 all work sixteen hours a day. Help. 
America this is quite serious. 
America this is the impression I get from looking in 
 the television set. 
America is this correct? 
I'd better get right down to the job. 
It's true I don't want to join the Army or turn lathes 
 in precision parts factories, I'm nearsighted and 
 psychopathic anyway. 
America I'm putting my ***** shoulder to the wheel. 

 Berkeley, January 17, 1956


Written by Vladimir Mayakovsky | Create an image from this poem

At the Top of My voice

 My most respected
 comrades of posterity!
Rummaging among
 these days’ 
 petrified crap,
exploring the twilight of our times,
you,
 possibly,
 will inquire about me too.

And, possibly, your scholars
 will declare,
with their erudition overwhelming
 a swarm of problems;
once there lived
 a certain champion of boiled water,
and inveterate enemy of raw water.

Professor,
 take off your bicycle glasses!
I myself will expound
 those times
 and myself.

I, a latrine cleaner
 and water carrier,
by the revolution
 mobilized and drafted,
went off to the front
 from the aristocratic gardens 
of poetry - 
 the capricious wench
She planted a delicious garden,
the daughter,
 cottage,
 pond
 and meadow.

Myself a garden I did plant,
myself with water sprinkled it.
some pour their verse from water cans;
others spit water
 from their mouth - 
the curly Macks,
 the clever jacks - 
but what the hell’s it all about!
There’s no damming al this up - 
beneath the walls they mandoline:
“Tara-tina, tara-tine,
tw-a-n-g...” 
It’s no great honor, then,
 for my monuments
to rise from such roses
above the public squares,
 where consumption coughs,
where whores, hooligans and syphilis
 walk.

Agitprop
 sticks
 in my teeth too,
and I’d rather
 compose
 romances for you - 
more profit in it
 and more charm.

But I
 subdued
 myself,
 setting my heel
on the throat
 of my own song.
Listen,
 comrades of posterity,
to the agitator
 the rabble-rouser.

Stifling
 the torrents of poetry,
I’ll skip
 the volumes of lyrics;
as one alive,
 I’ll address the living.
I’ll join you
 in the far communist future,
I who am
 no Esenin super-hero.

My verse will reach you
 across the peaks of ages,
over the heads
 of governments and poets.

My verse 
 will reach you
not as an arrow
 in a cupid-lyred chase,
not as worn penny
Reaches a numismatist,
not as the light of dead stars reaches you.

My verse
 by labor
 will break the mountain chain of years,
and will present itself
 ponderous, 
 crude,
 tangible,
as an aqueduct,
 by slaves of Rome
constructed,
 enters into our days.

When in mounds of books,
 where verse lies buried,
you discover by chance the iron filings of lines,
touch them
 with respect,
 as you would
some antique
 yet awesome weapon.

It’s no habit of mine
 to caress
 the ear
 with words;
a maiden’s ear
 curly-ringed
will not crimson
 when flicked by smut.

In parade deploying
 the armies of my pages,
I shall inspect
 the regiments in line.

Heavy as lead,
 my verses at attention stand,
ready for death
 and for immortal fame.

The poems are rigid,
 pressing muzzle
to muzzle their gaping
 pointed titles.

The favorite 
 of all the armed forces
the cavalry of witticisms
 ready
to launch a wild hallooing charge,
reins its chargers still,
 raising
the pointed lances of the rhymes.
and all
 these troops armed to the teeth,
which have flashed by
 victoriously for twenty years,
all these,
 to their very last page,
I present to you,
 the planet’s proletarian.

The enemy
 of the massed working class
is my enemy too
 inveterate and of long standing.

Years of trial
 and days of hunger
 ordered us
to march 
 under the red flag.

We opened
 each volume
 of Marx
as we would open
 the shutters
 in our own house;
but we did not have to read
 to make up our minds
which side to join,
 which side to fight on.

Our dialectics
 were not learned
 from Hegel.
In the roar of battle
 it erupted into verse,
when,
 under fire,
 the bourgeois decamped
as once we ourselves
 had fled
 from them.
Let fame
 trudge
 after genius
like an inconsolable widow
 to a funeral march - 
die then, my verse,
 die like a common soldier,
like our men
 who nameless died attacking!
I don’t care a spit
 for tons of bronze;
I don’t care a spit
 for slimy marble.
We’re men of kind,
 we’ll come to terms about our fame;
let our
 common monument be
socialism
 built
 in battle.
Men of posterity
 examine the flotsam of dictionaries:
out of Lethe
 will bob up
 the debris of such words
as “prostitution,” 
 “tuberculosis,” 
 “blockade.” 
For you,
 who are now
 healthy and agile,
the poet
 with the rough tongue
 of his posters,
has licked away consumptives’ spittle.
With the tail of my years behind me,
 I begin to resemble
those monsters,
 excavated dinosaurs.
Comrade life,
 let us
 march faster,
march
 faster through what’s left
 of the five-year plan.
My verse
 has brought me
 no rubles to spare:
no craftsmen have made
 mahogany chairs for my house.
In all conscience,
 I need nothing
except
 a freshly laundered shirt.
When I appear 
 before the CCC
 of the coming
 bright years,
by way of my Bolshevik party card,
 I’ll raise
above the heads
 of a gang of self-seeking
 poets and rogues,
all the hundred volumes
 of my 
 communist-committed books.


Transcribed: by Mitch Abidor.
Written by Nazim Hikmet | Create an image from this poem

Autobiography

 I was born in 1902
I never once went back to my birthplace
I don't like to turn back
at three I served as a pasha's grandson in Aleppo
at nineteen as a student at Moscow Communist University
at forty-nine I was back in Moscow as the Tcheka Party's guest
and I've been a poet since I was fourteen
some people know all about plants some about fish
 I know separation
some people know the names of the stars by heart
 I recite absences
I've slept in prisons and in grand hotels
I've known hunger even a hunger strike and there's almost no food
 I haven't tasted
at thirty they wanted to hang me
at forty-eight to give me the Peace Prize
 which they did
at thirty-six I covered four square meters of concrete in half a year
at fifty-nine I flew from Prague to Havana in eighteen hours
I never saw Lenin I stood watch at his coffin in '24
in '61 the tomb I visit is his books
they tried to tear me away from my party
 it didn't work
nor was I crushed under the falling idols
in '51 I sailed with a young friend into the teeth of death
in '52 I spent four months flat on my back with a broken heart
 waiting to die
I was jealous of the women I loved
I didn't envy Charlie Chaplin one bit
I deceived my women
I never talked my friends' backs
I drank but not every day
I earned my bread money honestly what happiness
out of embarrassment for others I lied
I lied so as not to hurt someone else
 but I also lied for no reason at all
I've ridden in trains planes and cars
most people don't get the chance
I went to opera
 most people haven't even heard of the opera
and since '21 I haven't gone to the places most people visit
 mosques churches temples synagogues sorcerers
 but I've had my coffee grounds read
my writings are published in thirty or forty languages
 in my Turkey in my Turkish they're banned
cancer hasn't caught up with me yet
and nothing says it will
I'll never be a prime minister or anything like that
and I wouldn't want such a life
nor did I go to war
or burrow in bomb shelters in the bottom of the night
and I never had to take to the road under diving planes
but I fell in love at almost sixty
in short comrades
even if today in Berlin I'm croaking of grief
 I can say I've lived like a human being
and who knows
 how much longer I'll live
 what else will happen to me


 This autobiography was written 
 in east Berlin on 11 September 1961
Written by Allen Ginsberg | Create an image from this poem

In The Baggage Room At Greyhound

 I

In the depths of the Greyhound Terminal 
sitting dumbly on a baggage truck looking at the sky 
 waiting for the Los Angeles Express to depart 
worrying about eternity over the Post Office roof in 
 the night-time red downtown heaven 
staring through my eyeglasses I realized shuddering 
 these thoughts were not eternity, nor the poverty 
 of our lives, irritable baggage clerks, 
nor the millions of weeping relatives surrounding the 
 buses waving goodbye, 
nor other millions of the poor rushing around from 
 city to city to see their loved ones, 
nor an indian dead with fright talking to a huge cop 
 by the Coke machine, 
nor this trembling old lady with a cane taking the last 
 trip of her life, 
nor the red-capped cynical porter collecting his quar- 
 ters and smiling over the smashed baggage, 
nor me looking around at the horrible dream, 
nor mustached ***** Operating Clerk named Spade, 
 dealing out with his marvelous long hand the 
 fate of thousands of express packages, 
nor fairy Sam in the basement limping from leaden 
 trunk to trunk, 
nor Joe at the counter with his nervous breakdown 
 smiling cowardly at the customers, 
nor the grayish-green whale's stomach interior loft 
 where we keep the baggage in hideous racks, 
hundreds of suitcases full of tragedy rocking back and 
 forth waiting to be opened, 
nor the baggage that's lost, nor damaged handles, 
 nameplates vanished, busted wires & broken 
 ropes, whole trunks exploding on the concrete 
 floor, 
nor seabags emptied into the night in the final 
 warehouse. 

 II

Yet Spade reminded me of Angel, unloading a bus, 
dressed in blue overalls black face official Angel's work- 
 man cap, 
pushing with his belly a huge tin horse piled high with 
 black baggage, 
looking up as he passed the yellow light bulb of the loft 
and holding high on his arm an iron shepherd's crook. 

 III

It was the racks, I realized, sitting myself on top of 
 them now as is my wont at lunchtime to rest 
 my tired foot, 
it was the racks, great wooden shelves and stanchions 
 posts and beams assembled floor to roof jumbled 
 with baggage, 
--the Japanese white metal postwar trunk gaudily 
 flowered & headed for Fort Bragg, 
one Mexican green paper package in purple rope 
 adorned with names for Nogales, 
hundreds of radiators all at once for Eureka, 
crates of Hawaiian underwear, 
rolls of posters scattered over the Peninsula, nuts to 
 Sacramento, 
one human eye for Napa, 
an aluminum box of human blood for Stockton 
and a little red package of teeth for Calistoga- 
it was the racks and these on the racks I saw naked 
 in electric light the night before I quit, 
the racks were created to hang our possessions, to keep 
 us together, a temporary shift in space, 
God's only way of building the rickety structure of 
 Time, 
to hold the bags to send on the roads, to carry our 
 luggage from place to place 
looking for a bus to ride us back home to Eternity 
 where the heart was left and farewell tears 
 began. 

 IV

A swarm of baggage sitting by the counter as the trans- 
 continental bus pulls in. 
The clock registering 12:15 A.M., May 9, 1956, the 
 second hand moving forward, red. 
Getting ready to load my last bus.-Farewell, Walnut 
 Creek Richmond Vallejo Portland Pacific 
 Highway 
Fleet-footed Quicksilver, God of transience. 
One last package sits lone at midnight sticking up out 
 of the Coast rack high as the dusty fluorescent 
 light. 

The wage they pay us is too low to live on. Tragedy 
 reduced to numbers. 
This for the poor shepherds. I am a communist. 
Farewell ye Greyhound where I suffered so much, 
 hurt my knee and scraped my hand and built 
 my pectoral muscles big as a vagina.

 May 9, 1956
Written by A S J Tessimond | Create an image from this poem

Unlyric Love Song

 It is time to give that-of-myself which I could not at first:
To offer you now at last my least and my worst:
Minor, absurd preserves,
The shell's end-curves,
A document kept at the back of a drawer,
A tin hidden under the floor,
Recalcitrant prides and hesitations:
To pile them carefully in a desparate oblation
And say to you "quickly! turn them
Once over and burn them".

Now I (no communist, heaven knows!
Who have kept as my dearest right to close
My tenth door after I've opened nine to the world,
To unfold nine sepals holding one hard-furled)
Shall - or shall try to - offer to you
A communism of two ...

See, entry's yours;
Here, the last door!


Written by David Lehman | Create an image from this poem

Pc

 for Aaron Fogel 

Politically-correct 
personal computers 
point and click. 

President Clinton
(codename Peacock) 
can't protect 
crack pushing 
Communist Party 
cops pursuing 
a care package 
of peasant consciousness
in a car park. 

Poverty's a crime,
and capital punishment
par for the course,
in this penal code. 

A plausible cliffhanger 
can't cure the paralyzed, 
prevent cancer, 
or prepare California 
for Perry Como, 
that peerless crooner. 

Pitcher and catcher confer.
O cornet player, play 
"Pomp and Circumstance" 
please, in the partly cloudy 
cool Pacific.
Written by Robinson Jeffers | Create an image from this poem

Quia Absurdum

 Guard yourself from the terrible empty light of space, the bottomless
Pool of the stars. (Expose yourself to it: you might learn something.)

Guard yourself from perceiving the inherent nastiness of man and woman.
(Expose yourself to it: you might learn something.)

Faith, as they now confess, is preposterous, an act of will. Choose the Christian sheep-cote
Or the Communist rat-fight: faith will cover your head from the man-devouring stars.

Book: Reflection on the Important Things