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Best Famous Collect Poems

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by Charlotte Bronte | Create an image from this poem

Frances

 SHE will not sleep, for fear of dreams, 
But, rising, quits her restless bed, 
And walks where some beclouded beams 
Of moonlight through the hall are shed.
Obedient to the goad of grief, Her steps, now fast, now lingering slow, In varying motion seek relief From the Eumenides of woe.
Wringing her hands, at intervals­ But long as mute as phantom dim­ She glides along the dusky walls, Under the black oak rafters, grim.
The close air of the grated tower Stifles a heart that scarce can beat, And, though so late and lone the hour, Forth pass her wandering, faltering feet; And on the pavement, spread before The long front of the mansion grey, Her steps imprint the night-frost hoar, Which pale on grass and granite lay.
Not long she stayed where misty moon And shimmering stars could on her look, But through the garden arch-way, soon Her strange and gloomy path she took.
Some firs, coeval with the tower, Their straight black boughs stretched o'er her head, Unseen, beneath this sable bower, Rustled her dress and rapid tread.
There was an alcove in that shade, Screening a rustic-seat and stand; Weary she sat her down and laid Her hot brow on her burning hand.
To solitude and to the night, Some words she now, in murmurs, said; And, trickling through her fingers white, Some tears of misery she shed.
' God help me, in my grievous need, God help me, in my inward pain; Which cannot ask for pity's meed, Which has no license to complain; Which must be borne, yet who can bear, Hours long, days long, a constant weight­ The yoke of absolute despair, A suffering wholly desolate ? Who can for ever crush the heart, Restrain its throbbing, curb its life ? Dissemble truth with ceaseless art, With outward calm, mask inward strife ?' She waited­as for some reply; The still and cloudy night gave none; Erelong, with deep-drawn, trembling sigh, Her heavy plaint again begun.
' Unloved­I love; unwept­I weep; Grief I restrain­hope I repress: Vain is this anguish­fixed and deep; Vainer, desires and dreams of bliss.
My love awakes no love again, My tears collect, and fall unfelt; My sorrow touches none with pain, My humble hopes to nothing melt.
For me the universe is dumb, Stone-deaf, and blank, and wholly blind; Life I must bound, existence sum In the strait limits of one mind; That mind my own.
Oh ! narrow cell; Dark­imageless­a living tomb ! There must I sleep, there wake and dwell Content, with palsy, pain, and gloom.
' Again she paused; a moan of pain, A stifled sob, alone was heard; Long silence followed­then again, Her voice the stagnant midnight stirred.
' Must it be so ? Is this my fate ? Can I nor struggle, nor contend ? And am I doomed for years to wait, Watching death's lingering axe descend ? And when it falls, and when I die, What follows ? Vacant nothingness ? The blank of lost identity ? Erasure both of pain and bliss ? I've heard of heaven­I would believe; For if this earth indeed be all, Who longest lives may deepest grieve, Most blest, whom sorrows soonest call.
Oh ! leaving disappointment here, Will man find hope on yonder coast ? Hope, which, on earth, shines never clear, And oft in clouds is wholly lost.
Will he hope's source of light behold, Fruition's spring, where doubts expire, And drink, in waves of living gold, Contentment, full, for long desire ? Will he find bliss, which here he dreamed ? Rest, which was weariness on earth ? Knowledge, which, if o'er life it beamed, Served but to prove it void of worth ? Will he find love without lust's leaven, Love fearless, tearless, perfect, pure, To all with equal bounty given, In all, unfeigned, unfailing, sure ? Will he, from penal sufferings free, Released from shroud and wormy clod, All calm and glorious, rise and see Creation's Sire­Existence' God ? Then, glancing back on Time's brief woes, Will he behold them, fading, fly; Swept from Eternity's repose, Like sullying cloud, from pure blue sky ? If so­endure, my weary frame; And when thy anguish strikes too deep, And when all troubled burns life's flame, Think of the quiet, final sleep; Think of the glorious waking-hour, Which will not dawn on grief and tears, But on a ransomed spirit's power, Certain, and free from mortal fears.
Seek now thy couch, and lie till morn, Then from thy chamber, calm, descend, With mind nor tossed, nor anguish-torn, But tranquil, fixed, to wait the end.
And when thy opening eyes shall see Mementos, on the chamber wall, Of one who has forgotten thee, Shed not the tear of acrid gall.
The tear which, welling from the heart, Burns where its drop corrosive falls, And makes each nerve, in torture, start, At feelings it too well recalls: When the sweet hope of being loved, Threw Eden sunshine on life's way; When every sense and feeling proved Expectancy of brightest day.
When the hand trembled to receive A thrilling clasp, which seemed so near, And the heart ventured to believe, Another heart esteemed it dear.
When words, half love, all tenderness, Were hourly heard, as hourly spoken, When the long, sunny days of bliss, Only by moonlight nights were broken.
Till drop by drop, the cup of joy Filled full, with purple light, was glowing, And Faith, which watched it, sparkling high, Still never dreamt the overflowing.
It fell not with a sudden crashing, It poured not out like open sluice; No, sparkling still, and redly flashing, Drained, drop by drop, the generous juice.
I saw it sink, and strove to taste it, My eager lips approached the brim; The movement only seemed to waste it, It sank to dregs, all harsh and dim.
These I have drank, and they for ever Have poisoned life and love for me; A draught from Sodom's lake could never More fiery, salt, and bitter, be.
Oh ! Love was all a thin illusion; Joy, but the desert's flying stream; And, glancing back on long delusion, My memory grasps a hollow dream.
Yet, whence that wondrous change of feeling, I never knew, and cannot learn, Nor why my lover's eye, congealing, Grew cold, and clouded, proud, and stern.
Nor wherefore, friendship's forms forgetting, He careless left, and cool withdrew; Nor spoke of grief, nor fond regretting, Nor even one glance of comfort threw.
And neither word nor token sending, Of kindness, since the parting day, His course, for distant regions bending, Went, self-contained and calm, away.
Oh, bitter, blighting, keen sensation, Which will not weaken, cannot die, Hasten thy work of desolation, And let my tortured spirit fly ! Vain as the passing gale, my crying; Though lightning-struck, I must live on; I know, at heart, there is no dying Of love, and ruined hope, alone.
Still strong, and young, and warm with vigour, Though scathed, I long shall greenly grow, And many a storm of wildest rigour Shall yet break o'er my shivered bough.
Rebellious now to blank inertion, My unused strength demands a task; Travel, and toil, and full exertion, Are the last, only boon I ask.
Whence, then, this vain and barren dreaming Of death, and dubious life to come ? I see a nearer beacon gleaming Over dejection's sea of gloom.
The very wildness of my sorrow Tells me I yet have innate force; My track of life has been too narrow, Effort shall trace a broader course.
The world is not in yonder tower, Earth is not prisoned in that room, 'Mid whose dark pannels, hour by hour, I've sat, the slave and prey of gloom.
One feeling­turned to utter anguish, Is not my being's only aim; When, lorn and loveless, life will languish, But courage can revive the flame.
He, when he left me, went a roving To sunny climes, beyond the sea; And I, the weight of woe removing, Am free and fetterless as he.
New scenes, new language, skies less clouded, May once more wake the wish to live; Strange, foreign towns, astir, and crowded, New pictures to the mind may give.
New forms and faces, passing ever, May hide the one I still retain, Defined, and fixed, and fading never, Stamped deep on vision, heart, and brain.
And we might meet­time may have changed him; Chance may reveal the mystery, The secret influence which estranged him; Love may restore him yet to me.
False thought­false hope­in scorn be banished ! I am not loved­nor loved have been; Recall not, then, the dreams scarce vanished, Traitors ! mislead me not again ! To words like yours I bid defiance, 'Tis such my mental wreck have made; Of God alone, and self-reliance, I ask for solace­hope for aid.
Morn comes­and ere meridian glory O'er these, my natal woods, shall smile, Both lonely wood and mansion hoary I'll leave behind, full many a mile.
Written by Kenn Nesbitt | Create an image from this poem

Our teacher likes Minecraft

Our teacher likes Minecraft.
She plays it all day.
She tells us to study
so she can go play.
She’ll dig in her mine,
going deeper and deeper,
then fight off a skeleton,
zombie, or creeper.
She’ll engineer buildings
from dirt, wood, and stone,
then go out exploring
the landscape alone.
She’ll build and collect and
she’ll run, jump, and swing.
There’s only one problem…
we don’t learn a thing.
 --Kenn Nesbitt

Copyright © Kenn Nesbitt 2016. All Rights Reserved.
Written by Rg Gregory | Create an image from this poem

from crossing the line

 (1) a great man

there was a great man
so great he couldn't be criticised in the light
who died
and for a whole week people turned up their collars over their ears
and wept with great gossiping

houses wore their roofs at a mournful angle
and television announcers carried their eyes around in long drooping bags
there was a hush upon the voice of the land
as soft as the shine on velvet

the whole nation stretched up into the dusty attic for its medals and black ties
 and prayers
and seriously polished its black uncomfortable shoes
and no one dared creak in the wrong places

anybody who thought he was everybody
except those who were nearly dying themselves
wanted to come to the funeral
and in its mourning the nation rejoiced to think
that once again it had cut into the world's time
with its own sick longing for the past

the great man and the great nation
had the same bulldog vision of each other's face
and neither of them had barked convincingly for a very long time

so the nation turned out on a cold bleak day
and attended its own funeral with uncanny reverence
and the other nations put tears over their laughing eyes
v-signs and rude gestures spoke with the same fingers


(2) aden

tourists dream of bombs 
that will not kill them

into the rock
the sand-claws
the winking eye
and harsh shell
of aden

waiting for the pinch

jagged sun
lumps of heat
bumping on the stunned ship
knuckledustered rock
clenched over steamer point

waiting for the sun to stagger
loaded down the hill
before we bunch ashore

calm
eyes within their windows
we walk
(a town must live
must have its acre of normality
let hate sport
its bright shirt in the shadows)
we shop
collect our duty-murdered goods
compare bargains
laugh grieve
at benefit or loss
aden dead-pan
leans against our words
which hand invisible
knows how to print a bomb
ejaculate a knife
does tourist greed embroil us in
or shelter us from guilt

backstreet
a sailor drunk
gyrates within a wall of adenese
collapses spews
they roll about him
in a dark pool

the sun moves off
as we do

streets squashed with shops
criss-cross of customers
a rush of people nightwards
a white woman
striding like a cliff
dirt - goats in the gutter
crunched beggars
a small to breed a fungus
cafes with open mouths
men like broken teeth
or way back in the dark
like tonsils

an air of shapeless threat
fluffs in our pulse
a boundary crossed
the rules are not the same
brushed by eyes
the touch is silent
silence breeds
we feel the breath of fury
(soon to roar)
retreat within our skins
return to broader streets

bazaars glower
almost at candlelight
we clutch our goods
a dim delusion of festivity
a christ neurotic
dying to explode

how much of this is aden
how much our masterpiece
all atmospheres are inbuilt

an armoured car looms by

the ship like mother
brooding in the sea
receives us with a sigh
aden winks and ogles in the dark
the sport of hate released

slowly away at midnight
rumours of bombs and riots
in the long wake
a disappointed sleep

nothing to write home about
except the heat


(3) crossing the line (xii)

  give me not england
in its glory dead nightmared with rotting seed
palmerston's perverted gunboat up the
yangtse's **** - lloyd george and winston churchill
rubbing men like salt into surly wounds
(we won those wars and neatly fucked ourselves)
eden at suez a jacked-up piece of wool
macmillan sprinkling cliches where the black
blood boils (the ashes of his kind) - home
as wan as godot (shagged by birth) wilson
for whom the wind blew sharply once or twice
sailing eastwards in the giant's stetson hat
saving jims from the red long john
   give me
not england but the world with england in it
with people as promiscuous as planes (the colours
shuffled)
 don't ask for wars to end or men
to have their deaths wrapped up as christmas gifts
expect myself to die a coward - proclaim no lives
as kisses - offer no roses to the blind
no sanctions to the damned - will not shake hands 
with him who rapes my wife or chokes my daughter
only when drunk or mad will think myself
the master of my purse - will lust for ease
seek to assuage my griefs in others' tears
will make more chaos than i put to rights

but in my fracture i shall strive to stand
a ruined arch whose limbs stretch half
towards a point that drew me upwards - that
ungot intercourse in space that prickless star
is what i ache for (what i want in man
and thus i give him)
  the image of that cross
is grit within him - the arch reflects in
microscopic waves through fleshly aeons
beaming messages to nerves and typing fingers

both ends of me are broken - in frantic storms
hanging over cliffs i fight to mend them
the job cannot be done - i die though
if i stop
 how cynical i may be (how apt
with metaphor or joke to thrust my fate
grotesquely into print) the fact is that
i live until i stop - i can't sit down then
crying let me die or death is good
(the freedom from myself my bones are seeking)

i must go on - tread every road that comes
risk every plague because i must believe
the end is bright (however filled with vomit
every brook) - if not for me then for
those who clamber on my bones
   my hope
is what i owe them - they owe their life to me
Written by Mahmoud Darwish | Create an image from this poem

Passport

 They did not recognize me in the shadows
That suck away my color in this Passport
And to them my wound was an exhibit
For a tourist Who loves to collect photographs
They did not recognize me,
Ah .
.
.
Don’t leave The palm of my hand without the sun Because the trees recognize me Don’t leave me pale like the moon! All the birds that followed my palm To the door of the distant airport All the wheatfields All the prisons All the white tombstones All the barbed Boundaries All the waving handkerchiefs All the eyes were with me, But they dropped them from my passport Stripped of my name and identity? On soil I nourished with my own hands? Today Job cried out Filling the sky: Don’t make and example of me again! Oh, gentlemen, Prophets, Don’t ask the trees for their names Don’t ask the valleys who their mother is >From my forehead bursts the sward of light And from my hand springs the water of the river All the hearts of the people are my identity So take away my passport!


Written by Barry Tebb | Create an image from this poem

OUR SON

 Quarter to three: I wake again at the hour of his birth

Thirty years ago and now he paces corridors of dark

In nightmares of self-condemnation where random thoughts

Besiege his fevered imagination – England’s 

Imminent destruction, his own, the world’s…

Sixty to eighty cigarettes a day, unavailing depot injections,

Failed abscondings, failed everything: Eton and Balliol

Hold no sway on ward one, nor even being

‘A six language master,’ on PICU madness is the only qualification.
There was the ‘shaving incident’ at school, which Made him ready to walk out at fifteen, the alcohol Defences at Oxford which shut us out then petered out During the six years in India, studying Bengali at Shantiniketan.
He tottered from the plane, penniless and unshaven, To hide away in the seediest bedsit Beeston could boast Where night turned to day and vaguely he applied For jobs as clerk and court usher and drank in pubs with yobs.
When the crisis came – "I feel my head coming off my body’ – I was ready and unready, making the necessary calls To get a bed, to keep him on the ward, to visit and reassure Us both that some way out could be found.
The ‘Care Home’ was the next disaster, trying to cure Schizophrenia with sticking plaster: "We don’t want Carers’ input, we call patients ‘residents’ and insist on chores Not medication", then the letters of terrible abuse, the finding of a flat, ‘The discharge into the community.
’ His ‘keyworker’ was the keyworker from hell: the more Isaiah’s care fell apart the more she encouraged Him to blame us and ‘Make his life his own’, vital signs Of decline ignored or consigned to files, ‘confidentiality’ reigned supreme.
Insidiously the way back to the ward unveiled Over painful months, the self-neglect, the inappropriate remarks In pubs, the neglected perforated eardrum, keeping Company with his feckless cousins between their bouts in prison.
The pointless team meetings he was patted through, My abrupt dismissal as carer at the keyworker’s instigation, The admission we knew nothing of, the abscondings we were told of And had to sort out, then the phone call from the ASW.
"We are about to section your son for six months, have you Any comment?" Then the final absconding to London From a fifteen minute break on PICU, to face his brother’s Drunken abuse, the police were kindness itself as they drove him to the secure unit.
Two nurses came by taxi from Leeds the next day to collect him The Newsam Centre’s like a hotel – Informality and first class treatment Behind the locked doors he freezes before and whispers "Daddy, I was damned in hell but now I am God’s friend.
" Note: PICU- Psychiatric Intensive Care Unit Beeston- An inner city area of Leeds ASW- Approved Social Worker
Written by Charles Webb | Create an image from this poem

Enthusiasm

  "Don't overdo it," Dad yelled, watching me
Play shortstop, collect stamps and shells,
Roll on the grass laughing until I peed my pants.
"Screw him," I said, and grabbed every cowry I could find, hogged all the books I could From Heights Library, wore out the baseball Diamond dawn to dusk, and—parents in Duluth— Gorged on bountiful Candy dusk to dawn.
Not until a Committee wrote of my poems, "Enthusiasm should be tempered," Did I change my song.
I write now The way I live: calm and sober, steering Toward the Golden Mean.
The Committee Was right to withhold funds.
I'd have bought A hundred box turtles with lemon-speckled shells, Flyfished for rainbows six months straight, Flown to the Great Barrier Reef and dived Non-stop among pink coral and marble cones, Living on chocolate malts, peaches, and barbecue.
I'd have turned into a ski bum, married Ten women in ten states, written nothing Poetry would glance at twice, instead Of rising at 5:00 as I do now, writing 'Til noon about matters serious and deep, Teaching 'til 6:00, eating a low-fat meal High in fiber and cruciferous vegetables, Then bed by 9:00, alarm clock set Five minutes late: my one indulgence of the day.
Written by Anne Sexton | Create an image from this poem

Rumpelstiltskin

 Inside many of us
is a small old man
who wants to get out.
No bigger than a two-year-old whom you'd call lamb chop yet this one is old and malformed.
His head is okay but the rest of him wasn't Sanforized? He is a monster of despair.
He is all decay.
He speaks up as tiny as an earphone with Truman's asexual voice: I am your dwarf.
I am the enemy within.
I am the boss of your dreams.
No.
I am not the law in your mind, the grandfather of watchfulness.
I am the law of your members, the kindred of blackness and impulse.
See.
Your hand shakes.
It is not palsy or booze.
It is your Doppelganger trying to get out.
Beware .
.
.
Beware .
.
.
There once was a miller with a daughter as lovely as a grape.
He told the king that she could spin gold out of common straw.
The king summoned the girl and locked her in a room full of straw and told her to spin it into gold or she would die like a criminal.
Poor grape with no one to pick.
Luscious and round and sleek.
Poor thing.
To die and never see Brooklyn.
She wept, of course, huge aquamarine tears.
The door opened and in popped a dwarf.
He was as ugly as a wart.
Little thing, what are you? she cried.
With his tiny no-sex voice he replied: I am a dwarf.
I have been exhibited on Bond Street and no child will ever call me Papa.
I have no private life.
If I'm in my cups the whole town knows by breakfast and no child will ever call me Papa I am eighteen inches high.
I am no bigger than a partridge.
I am your evil eye and no child will ever call me Papa.
Stop this Papa foolishness, she cried.
Can you perhaps spin straw into gold? Yes indeed, he said, that I can do.
He spun the straw into gold and she gave him her necklace as a small reward.
When the king saw what she had done he put her in a bigger room of straw and threatened death once more.
Again she cried.
Again the dwarf came.
Again he spun the straw into gold.
She gave him her ring as a small reward.
The king put her in an even bigger room but this time he promised to marry her if she succeeded.
Again she cried.
Again the dwarf came.
But she had nothing to give him.
Without a reward the dwarf would not spin.
He was on the scent of something bigger.
He was a regular bird dog.
Give me your first-born and I will spin.
She thought: Piffle! He is a silly little man.
And so she agreed.
So he did the trick.
Gold as good as Fort Knox.
The king married her and within a year a son was born.
He was like most new babies, as ugly as an artichoke but the queen thought him in pearl.
She gave him her dumb lactation, delicate, trembling, hidden, warm, etc.
And then the dwarf appeared to claim his prize.
Indeed! I have become a papa! cried the little man.
She offered him all the kingdom but he wanted only this - a living thing to call his own.
And being mortal who can blame him? The queen cried two pails of sea water.
She was as persistent as a Jehovah's Witness.
And the dwarf took pity.
He said: I will give you three days to guess my name and if you cannot do it I will collect your child.
The queen sent messengers throughout the land to find names of the most unusual sort.
When he appeared the next day she asked: Melchior? Balthazar? But each time the dwarf replied: No! No! That's not my name.
The next day she asked: Spindleshanks? Spiderlegs? But it was still no-no.
On the third day the messenger came back with a strange story.
He told her: As I came around the corner of the wood where the fox says good night to the hare I saw a little house with a fire burning in front of it.
Around that fire a ridiculous little man was leaping on one leg and singing: Today I bake.
Tomorrow I brew my beer.
The next day the queen's only child will be mine.
Not even the census taker knows that Rumpelstiltskin is my name .
.
.
The queen was delighted.
She had the name! Her breath blew bubbles.
When the dwarf returned she called out: Is your name by any chance Rumpelstiltskin? He cried: The devil told you that! He stamped his right foot into the ground and sank in up to his waist.
Then he tore himself in two.
Somewhat like a split broiler.
He laid his two sides down on the floor, one part soft as a woman, one part a barbed hook, one part papa, one part Doppelganger.
Written by Chris Mansell | Create an image from this poem

The unquiet city

 we are succulents
our cool jade arms open
over clean tables our fine bone
china minds pull the strings
of our tongues together we plait
our thoughts with the television
back through the aerials and
transmission towers prodding
through the literal fog
the mechanics of which distance
does not startle us or the ears
pretend to hear the telephone
the page also wearies
us we have taken the meaning
out of things by laying them face to
face in our dictionary of emotions
we are so entirely alone that we
are unaware of it
and we enjoy the religion of solitude
because religions are at base
meaningless and we can turn
from them to a new hobby
to clean ashtrays or emptier
whiskey glasses we the women
of our building Margaret Gladys
Cecily Ida Eileen and I have
the cleanest washing on our block
we are proud and air our sheets
although it's a long time since
any serious stain or passionate figment
seeped through that censorious cloth
we have plants one of us has a budgie
and I have three fish the details
are unimportant God does not come here often
we would be suspicious if he
did without an identity card
we collect each others' mail
remind each other of garbage
days and are frightened
of the louts from the skating rink
but in the night I leave
my curtains open and air
my pendant tremulous breasts
Written by Wallace Stevens | Create an image from this poem

Final Soliloquy Of The Interior Paramour

 Light the first light of evening, as in a room
In which we rest and, for small reason, think
The world imagined is the ultimate good.
This is, therefore, the intensest rendezvous.
It is in that thought that we collect ourselves, Out of all the indifferences, into one thing: Within a single thing, a single shawl Wrapped tightly round us, since we are poor, a warmth, A light, a power, the miraculous influence.
Here, now, we forget each other and ourselves.
We feel the obscurity of an order, a whole, A knowledge, that which arranged the rendezvous.
Within its vital boundary, in the mind.
We say God and the imagination are one.
.
.
How high that highest candle lights the dark.
Out of this same light, out of the central mind, We make a dwelling in the evening air, In which being there together is enough.

Book: Shattered Sighs