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Best Famous Cohen Poems

Here is a collection of the all-time best famous Cohen poems. This is a select list of the best famous Cohen poetry. Reading, writing, and enjoying famous Cohen poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cohen poems.

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Written by Leonard Cohen | Create an image from this poem

Anthem

 The birds they sang 
at the break of day 
Start again 
I heard them say 
Don't dwell on what 
has passed away 
or what is yet to be. 
Ah the wars they will 
be fought again 
The holy dove 
She will be caught again 
bought and sold 
and bought again 
the dove is never free. 
Ring the bells that still can ring 
Forget your perfect offering 
There is a crack in everything 
That's how the light gets in. 
We asked for signs 
the signs were sent: 
the birth betrayed 
the marriage spent 
Yeah the widowhood 
of every government -- 
signs for all to see. 
I can't run no more 
with that lawless crowd 
while the killers in high places 
say their prayers out loud. 
But they've summoned, they've summoned up 
a thundercloud 
and they're going to hear from me. 
Ring the bells that still can ring ... 
You can add up the parts 
but you won't have the sum 
You can strike up the march, 
there is no drum 
Every heart, every heart 
to love will come 
but like a refugee. 
Ring the bells that still can ring 
Forget your perfect offering 
There is a crack, a crack in everything 
That's how the light gets in. 
Ring the bells that still can ring 
Forget your perfect offering 
There is a crack, a crack in everything 
That's how the light gets in. 
That's how the light gets in. 
That's how the light gets in.


Written by Leonard Cohen | Create an image from this poem

Democracy

 It's coming through a hole in the air,
 from those nights in Tiananmen Square.
 It's coming from the feel
 that it ain't exactly real,
 or it's real, but it ain't exactly there.
 From the wars against disorder,
 from the sirens night and day,
 from the fires of the homeless,
 from the ashes of the gay:
 Democracy is coming to the U.S.A. 
 It's coming through a crack in the wall,
 on a visionary flood of alcohol;
 from the staggering account
 of the Sermon on the Mount
 which I don't pretend to understand at all.
 It's coming from the silence
 on the dock of the bay,
 from the brave, the bold, the battered
 heart of Chevrolet:
 Democracy is coming to the U.S.A. 
 It's coming from the sorrow on the street
 the holy places where the races meet;
 from the homicidal bitchin'
 that goes down in every kitchen
 to determine who will serve and who will eat.
 From the wells of disappointment
 where the women kneel to pray
 for the grace of G-d in the desert here
 and the desert far away:
 Democracy is coming to the U.S.A. 
 Sail on, sail on
 o mighty Ship of State!
 To the Shores of Need
 past the Reefs of Greed
 through the Squalls of Hate
 Sail on, sail on 
 It's coming to America first,
 the cradle of the best and the worst.
 It's here they got the range
 and the machinery for change
 and it's here they got the spiritual thirst.
 It's here the family's broken
 and it's here the lonely say
 that the heart has got to open
 in a fundamental way:
 Democracy is coming to the U.S.A. 
 It's coming from the women and the men.
 O baby, we'll be making love again.
 We'll be going down so deep
 that the river's going to weep,
 and the mountain's going to shout Amen!
 It's coming to the tidal flood
 beneath the lunar sway,
 imperial, mysterious
 in amorous array:
 Democracy is coming to the U.S.A. 
 Sail on, sail on
 o mighty Ship of State!
 To the Shores of Need
 past the Reefs of Greed
 through the Squalls of Hate
 Sail on, sail on
 I'm sentimental if you know what I mean:
 I love the country but I can't stand the scene.
 And I'm neither left or right
 I'm just staying home tonight,
 getting lost in that hopeless little screen.
 But I'm stubborn as those garbage bags
 that Time cannot decay,
 I'm junk but I'm still holding up
 this little wild bouquet:
 Democracy is coming to the U.S.A.
Written by Leonard Cohen | Create an image from this poem

Waiting For The Miracle

 (co-written by Sharon Robinson)
Baby, I've been waiting, 
I've been waiting night and day. 
I didn't see the time, 
I waited half my life away. 
There were lots of invitations 
and I know you sent me some, 
but I was waiting 
for the miracle, for the miracle to come. 
I know you really loved me. 
but, you see, my hands were tied. 
I know it must have hurt you, 
it must have hurt your pride 
to have to stand beneath my window 
with your bugle and your drum, 
and me I'm up there waiting 
for the miracle, for the miracle to come. 
Ah I don't believe you'd like it, 
You wouldn't like it here. 
There ain't no entertainment 
and the judgements are severe. 
The Maestro says it's Mozart 
but it sounds like bubble gum 
when you're waiting 
for the miracle, for the miracle to come. 
Waiting for the miracle 
There's nothing left to do. 
I haven't been this happy 
since the end of World War II. 
Nothing left to do 
when you know that you've been taken. 
Nothing left to do 
when you're begging for a crumb 
Nothing left to do 
when you've got to go on waiting 
waiting for the miracle to come. 
I dreamed about you, baby. 
It was just the other night. 
Most of you was naked 
Ah but some of you was light. 
The sands of time were falling 
from your fingers and your thumb, 
and you were waiting 
for the miracle, for the miracle to come 
Ah baby, let's get married, 
we've been alone too long. 
Let's be alone together. 
Let's see if we're that strong. 
Yeah let's do something crazy, 
something absolutely wrong 
while we're waiting 
for the miracle, for the miracle to come. 
Nothing left to do ... 
When you've fallen on the highway 
and you're lying in the rain, 
and they ask you how you're doing 
of course you'll say you can't complain -- 
If you're squeezed for information, 
that's when you've got to play it dumb: 
You just say you're out there waiting 
for the miracle, for the miracle to come.
Written by Andrew Barton Paterson | Create an image from this poem

The Scapegoat

 We have all of us read how the Israelites fled 
From Egypt with Pharaoh in eager pursuit of 'em, 
And Pharaoh's fierce troop were all put "in the soup" 
When the waters rolled softly o'er every galoot of 'em. 
The Jews were so glad when old Pharaoh was "had" 
That they sounded their timbrels and capered like mad. 
You see he was hated from Jordan to Cairo -- 
Whence comes the expression "to buck against faro". 
For forty long years, 'midst perils and fears 
In deserts with never a famine to follow by, 
The Israelite horde went roaming abroad 
Like so many sundowners "out on the wallaby". 
When Moses, who led 'em, and taught 'em, and fed 'em, 
Was dying, he murmured, "A rorty old hoss you are: 
I give you command of the whole of the band" -- 
And handed the Government over to Joshua. 

But Moses told 'em before he died, 
"Wherever you are, whatever betide, 
Every year as the time draws near 
By lot or by rote choose you a goat, 
And let the high priest confess on the beast 
The sins of the people the worst and the least, 
Lay your sins on the goat! Sure the plan ought to suit yer. 
Because all your sins are 'his troubles' in future. 
Then lead him away to the wilderness black 
To die with the weight of your sins on his back: 
Of thirst let him perish alone and unshriven, 
For thus shall your sins be absolved and forgiven!" 

'Tis needless to say, though it reeked of barbarity 
This scapegoat arrangement gained great popularity. 
By this means a Jew, whate'er he might do, 
Though he burgled, or murdered, or cheated at loo, 
Or meat on Good Friday (a sin most terrific) ate, 
Could get his discharge, like a bankrupt's certificate; 
Just here let us note -- Did they choose their best goat? 
It's food for conjecture, to judge from the picture 
By Hunt in the Gallery close to our door, a 
Man well might suppose that the scapegoat they chose 
Was a long way from being their choicest Angora. 

In fact I should think he was one of their weediest: 
'Tis a rule that obtains, no matter who reigns, 
When making a sacrifice, offer the seediest; 
Which accounts for a theory known to my hearers 
Who live in the wild by the wattle beguiled, 
That a "stag" makes quite good enough mutton for shearers. 
Be that as it may, as each year passed away, 
a scapegoat was led to the desert and freighted 
With sin (the poor brute must have been overweighted) 
And left there -- to die as his fancy dictated. 

The day it has come, with trumpet and drum. 
With pomp and solemnity fit for the tomb 
They lead the old billy-goat off to his doom: 
On every hand a reverend band, 
Prophets and preachers and elders stand 
And the oldest rabbi, with a tear in his eye, 
Delivers a sermon to all standing by. 
(We haven't his name -- whether Cohen or Harris, he 
No doubt was the "poisonest" kind of Pharisee.) 
The sermon was marked by a deal of humility 
And pointed the fact, with no end of ability. 
That being a Gentile's no mark of gentility, 
And, according to Samuel, would certainly d--n you well. 
Then, shedding his coat, he approaches the goat 
And, while a red fillet he carefully pins on him, 
Confesses the whole of the Israelites' sins on him. 
With this eloquent burst he exhorts the accurst -- 
"Go forth in the desert and perish in woe, 
The sins of the people are whiter than snow!" 
Then signs to his pal "for to let the brute go". 
(That "pal" as I've heard, is an elegant word, 
Derived from the Persian "Palaykhur" or "Pallaghur"), 
As the scapegoat strains and tugs at the reins 
The Rabbi yells rapidly, "Let her go, Gallagher!" 

The animal, freed from all restraint 
Lowered his head, made a kind of feint, 
And charged straight at that elderly saint. 
So fierce his attack and so very severe, it 
Quite floored the Rabbi, who, ere he could fly, 
Was rammed on the -- no, not the back -- but just near it. 
The scapegoat he snorted, and wildly cavorted, 
A light-hearted antelope "out on the ramp", 
Then stopped, looked around, got the "lay of the ground", 
And made a beeline back again to the camp. 
The elderly priest, as he noticed the beast 
So gallantly making his way to the east, 
Says he, "From the tents may I never more roam again 
If that there old billy-goat ain't going home again. 
He's hurrying, too! This never will do. 
Can't somebody stop him? I'm all of a stew. 
After all our confessions, so openly granted, 
He's taking our sins back to where they're not wanted. 
We've come all this distance salvation to win agog, 
If he takes home our sins, it'll burst up the Synagogue!" 

He turned to an Acolyte who was making his bacca light, 
A fleet-footed youth who could run like a crack o' light. 
"Run, Abraham, run! Hunt him over the plain, 
And drive back the brute to the desert again. 
The Sphinx is a-watching, the Pyramids will frown on you, 
From those granite tops forty cent'ries look down on you -- 
Run, Abraham, run! I'll bet half-a-crown on you." 
So Abraham ran, like a man did he go for him, 
But the goat made it clear each time he drew near 
That he had what the racing men call "too much toe" for him. 

The crowd with great eagerness studied the race -- 
"Great Scott! isn't Abraham forcing the pace -- 
And don't the goat spiel? It is hard to keep sight on him, 
The sins of the Israelites ride mighty light on him. 
The scapegoat is leading a furlong or more, 
And Abraham's tiring -- I'll lay six to four! 
He rolls in his stride; he's done, there's no question!" 
But here the old Rabbi brought up a suggestion. 
('Twas strange that in racing he showed so much cunning), 
"It's a hard race," said he, "and I think it would be 
A good thing for someone to take up the running." 
As soon said as done, they started to run -- 
The priests and the deacons, strong runners and weak 'uns 
All reckoned ere long to come up with the brute, 
And so the whole boiling set off in pursuit. 
And then it came out, as the rabble and rout 
Streamed over the desert with many a shout -- 
The Rabbi so elderly, grave, and patrician, 
Had been in his youth a bold metallician, 
And offered, in gasps, as they merrily spieled, 
"Any price Abraham! Evens the field!" 
Alas! the whole clan, they raced and they ran, 
And Abraham proved him an "even time" man, 
But the goat -- now a speck they could scarce keep their eyes on -- 
Stretched out in his stride in a style most surprisin' 
And vanished ere long o'er the distant horizon. 

Away in the camp the bill-sticker's tramp 
Is heard as he wanders with paste, brush, and notices, 
And paling and wall he plasters them all, 
"I wonder how's things gettin' on with the goat," he says, 
The pulls out his bills, "Use Solomon's Pills" 
"Great Stoning of Christians! To all devout Jews! you all 
Must each bring a stone -- Great sport will be shown; 
Enormous Attractions! And prices as usual! 
Roll up to the Hall!! Wives, children and all, 
For naught the most delicate feelings to hurt is meant!!" 
Here his eyes opened wide, for close by his side 
Was the scapegoat: And eating his latest advertisement! 
One shriek from him burst -- "You creature accurst!" 
And he ran from the spot like one fearing the worst. 
His language was chaste, as he fled in his haste, 
But the goat stayed behind him -- and "scoffed up" the paste. 

With downcast head, and sorrowful tread, 
The people came back from the desert in dread. 
"The goat -- was he back there? Had anyone heard of him?" 
In very short order they got plenty word of him. 
In fact as they wandered by street, lane and hall, 
"The trail of the serpent was over them all." 
A poor little child knocked out stiff in the gutter 
Proclaimed that the scapegoat was bred for a "butter". 
The bill-sticker's pail told a sorrowful tale, 
The scapegoat had licked it as dry as a nail; 
He raced through their houses, and frightened their spouses, 
But his latest achievement most anger arouses, 
For while they were searching, and scratching their craniums, 
One little Ben Ourbed, who looked in the flow'r-bed, 
Discovered him eating the Rabbi's geraniums. 


Moral 
The moral is patent to all the beholders -- 
Don't shift your own sins on to other folks' shoulders; 
Be kind to dumb creatures and never abuse them, 
Nor curse them nor kick them, nor spitefully use them: 
Take their lives if needs must -- when it comes to the worst, 
But don't let them perish of hunger or thirst. 
Remember, no matter how far you may roam 
That dogs, goats, and chickens, it's simply the dickens, 
Their talent stupendous for "getting back home". 
Your sins, without doubt, will aye find you out, 
And so will a scapegoat, he's bound to achieve it, 
But, die in the wilderness! Don't you believe it!
Written by Leonard Cohen | Create an image from this poem

Hey Thats No Way To Say Goodbye

 I loved you in the morning, our kisses deep and warm, 
your hair upon the pillow like a sleepy golden storm, 
yes, many loved before us, I know that we are not new, 
in city and in forest they smiled like me and you, 
but now it's come to distances and both of us must try, 
your eyes are soft with sorrow, 
Hey, that's no way to say goodbye. 
I'm not looking for another as I wander in my time, 
walk me to the corner, our steps will always rhyme 
you know my love goes with you as your love stays with me, 
it's just the way it changes, like the shoreline and the sea,

but let's not talk of love or chains and things we can't
untie, 
your eyes are soft with sorrow, 
Hey, that's no way to say goodbye. 
I loved you in the morning, our kisses deep and warm, 
your hair upon the pillow like a sleepy golden storm, 
yes many loved before us, I know that we are not new, 
in city and in forest they smiled like me and you, 
but let's not talk of love or chains and things we can't
untie, 
your eyes are soft with sorrow, 
Hey, that's no way to say goodbye.


Written by Leonard Cohen | Create an image from this poem

Everybody Knows

 (co-written by Sharon Robinson)
Everybody knows that the dice are loaded 
Everybody rolls with their fingers crossed 
Everybody knows that the war is over 
Everybody knows the good guys lost 
Everybody knows the fight was fixed 
The poor stay poor, the rich get rich 
That's how it goes 
Everybody knows 
Everybody knows that the boat is leaking 
Everybody knows the captain lied 
Everybody got this broken feeling 
Like their father or their dog just died 
Everybody talking to their pockets 
Everybody wants a box of chocolates 
And a long stem rose 
Everybody knows 
Everybody knows that you love me baby 
Everybody knows that you really do 
Everybody knows that you've been faithful 
Ah give or take a night or two 
Everybody knows you've been discreet 
But there were so many people you just had to meet 
Without your clothes 
And everybody knows 
Everybody knows, everybody knows 
That's how it goes 
Everybody knows 
Everybody knows, everybody knows 
That's how it goes 
Everybody knows 
And everybody knows that it's now or never 
Everybody knows that it's me or you 
And everybody knows that you live forever 
Ah when you've done a line or two 
Everybody knows the deal is rotten 
Old Black Joe's still pickin' cotton 
For your ribbons and bows 
And everybody knows 
And everybody knows that the Plague is coming 
Everybody knows that it's moving fast 
Everybody knows that the naked man and woman 
Are just a shining artifact of the past 
Everybody knows the scene is dead 
But there's gonna be a meter on your bed 
That will disclose 
What everybody knows 
And everybody knows that you're in trouble 
Everybody knows what you've been through 
From the bloody cross on top of Calvary 
To the beach of Malibu 
Everybody knows it's coming apart 
Take one last look at this Sacred Heart 
Before it blows 
And everybody knows 
Everybody knows, everybody knows 
That's how it goes 
Everybody knows 
Oh everybody knows, everybody knows 
That's how it goes 
Everybody knows 
Everybody knows
Written by Leonard Cohen | Create an image from this poem

First We Take Manhattan

 They sentenced me to twenty years of boredom 
For trying to change the system from within 
I'm coming now, I'm coming to reward them 
First we take Manhattan, then we take Berlin.
I'm guided by a signal in the heavens 
I'm guided by this birthmark on my skin 
I'm guided by the beauty of our weapons 
First we take Manhattan, then we take Berlin.
I'd really like to live beside you, baby 
I love your body and your spirit and your clothes 
But you see that line there moving through the station? 
I told you, I told you, told you, I was one of those 
Ah you loved me as a loser, but now you're worried that I
just might win 
You know the way to stop me, but you don't have the
discipline 
How many nights I prayed for this, to let my work begin 
First we take Manhattan, then we take Berlin 
I don't like your fashion business mister 
And I don't like these drugs that keep you thin 
I don't like what happened to my sister 
First we take Manhattan, then we take Berlin 
I'd really like to live beside you, baby 
I love your body and your spirit and your clothes 
But you see that line there moving through the station? 
I told you, I told you, told you, I was one of those 
And I thank you for those items that you sent me 
The monkey and the plywood violin 
I practiced every night, now I'm ready 
First we take Manhattan, then we take Berlin 
Remember me? I used to live for music 
Remember me? I brought your groceries in 
Well it's Father's Day and everybody's wounded 
First we take Manhattan, then we take Berlin
Written by Leonard Cohen | Create an image from this poem

Dance Me To The End Of Love

 Dance me to your beauty with a burning violin 
Dance me through the panic 'til I'm gathered safely in 
Lift me like an olive branch and be my homeward dove 
Dance me to the end of love 
Dance me to the end of love 
Oh let me see your beauty when the witnesses are gone 
Let me feel you moving like they do in Babylon 
Show me slowly what I only know the limits of 
Dance me to the end of love 
Dance me to the end of love 
Dance me to the wedding now, dance me on and on 
Dance me very tenderly and dance me very long 
We're both of us beneath our love, we're both of us above 
Dance me to the end of love 
Dance me to the end of love 
Dance me to the children who are asking to be born 
Dance me through the curtains that our kisses have outworn 
Raise a tent of shelter now, though every thread is torn 
Dance me to the end of love 
Dance me to your beauty with a burning violin 
Dance me through the panic till I'm gathered safely in 
Touch me with your naked hand or touch me with your glove 
Dance me to the end of love 
Dance me to the end of love 
Dance me to the end of love
Written by Leonard Cohen | Create an image from this poem

Tower Of Song

 Well my friends are gone and my hair is grey 
I ache in the places where I used to play 
And I'm crazy for love but I'm not coming on 
I'm just paying my rent every day 
Oh in the Tower of Song 
I said to Hank Williams: how lonely does it get? 
Hank Williams hasn't answered yet 
But I hear him coughing all night long 
A hundred floors above me 
In the Tower of Song 
I was born like this, I had no choice 
I was born with the gift of a golden voice 
And twenty-seven angels from the Great Beyond 
They tied me to this table right here 
In the Tower of Song 
So you can stick your little pins in that voodoo doll 
I'm very sorry, baby, doesn't look like me at all 
I'm standing by the window where the light is strong 
Ah they don't let a woman kill you 
Not in the Tower of Song 
Now you can say that I've grown bitter but of this you may
be sure 
The rich have got their channels in the bedrooms of the poor 
And there's a mighty judgement coming, but I may be wrong 
You see, you hear these funny voices 
In the Tower of Song 
I see you standing on the other side 
I don't know how the river got so wide 
I loved you baby, way back when 
And all the bridges are burning that we might have crossed 
But I feel so close to everything that we lost 
We'll never have to lose it again 
Now I bid you farewell, I don't know when I'll be back 
There moving us tomorrow to that tower down the track 
But you'll be hearing from me baby, long after I'm gone 
I'll be speaking to you sweetly 
From a window in the Tower of Song 
Yeah my friends are gone and my hair is grey 
I ache in the places where I used to play 
And I'm crazy for love but I'm not coming on 
I'm just paying my rent every day 
Oh in the Tower of Song
Written by Leonard Cohen | Create an image from this poem

Suzanne

 Suzanne takes you down to her place near the river 
You can hear the boats go by 
You can spend the night beside her 
And you know that she's half crazy 
But that's why you want to be there 
And she feeds you tea and oranges 
That come all the way from China 
And just when you mean to tell her 
That you have no love to give her 
Then she gets you on her wavelength 
And she lets the river answer 
That you've always been her lover 
And you want to travel with her 
And you want to travel blind 
And you know that she will trust you 
For you've touched her perfect body with your mind. 
And Jesus was a sailor 
When he walked upon the water 
And he spent a long time watching 
From his lonely wooden tower 
And when he knew for certain 
Only drowning men could see him 
He said "All men will be sailors then 
Until the sea shall free them" 
But he himself was broken 
Long before the sky would open 
Forsaken, almost human 
He sank beneath your wisdom like a stone 
And you want to travel with him 
And you want to travel blind 
And you think maybe you'll trust him 
For he's touched your perfect body with his mind. 
Now Suzanne takes your hand 
And she leads you to the river 
She is wearing rags and feathers 
From Salvation Army counters 
And the sun pours down like honey 
On our lady of the harbour 
And she shows you where to look 
Among the garbage and the flowers 
There are heroes in the seaweed 
There are children in the morning 
They are leaning out for love 
And they will lean that way forever 
While Suzanne holds the mirror 
And you want to travel with her 
And you want to travel blind 
And you know that you can trust her 
For she's touched your perfect body with her mind.

Book: Reflection on the Important Things