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Best Famous Cleaned Poems

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Written by Philip Larkin | Create an image from this poem

Church Going

Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone and little books; sprawlings of flowers cut For Sunday brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense musty unignorable silence Brewed God knows how long.
Hatless I take off My cylce-clips in awkward revrence Move forward run my hand around the font.
From where i stand the roof looks almost new-- Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few hectoring large-scale verses and pronouce Here endeth much more loudly than I'd meant The echoes snigger briefly.
Back at the door I sign the book donate an Irish sixpence Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do And always end much at a loss like this Wondering what to look for; wondering too When churches fall completely out of use What we shall turn them into if we shall keep A few cathedrals chronically on show Their parchment plate and pyx in locked cases And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places? Or after dark will dubious women come To make their children touvh a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort or other will go on In games in riddles seemingly at random; But superstition like belief must die And what remains when disbelief has gone? Grass weedy pavement brambles butress sky.
A shape less recognisable each week A purpose more obscure.
I wonder who Will be the last the very last to seek This place for whta it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber randy for antique Or Christmas-addict counting on a whiff Of grown-and-bands and organ-pipes and myrrh? Or will he be my representative Bored uninformed knowing the ghostly silt Dispersed yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation--marriage and birth And death and thoughts of these--for which was built This special shell? For though I've no idea What this accoutred frowsty barn is worth It pleases me to stand in silence here; A serious house on serious earth it is In whose blent air all our compulsions meet Are recognisd and robed as destinies.
And that much never can be obsolete Since someone will forever be surprising A hunger in himself to be more serious And gravitating with it to this ground Which he once heard was proper to grow wise in If only that so many dead lie round.
1955


Written by Philip Levine | Create an image from this poem

Late Light

 Rain filled the streets 
once a year, rising almost 
to door and window sills, 
battering walls and roofs 
until it cleaned away the mess 
we'd made.
My father told me this, he told me it ran downtown and spilled into the river, which in turn emptied finally into the sea.
He said this only once while I sat on the arm of his chair and stared out at the banks of gray snow melting as the March rain streaked past.
All the rest of that day passed on into childhood, into nothing, or perhaps some portion hung on in a tiny corner of thought.
Perhaps a clot of cinders that peppered the front yard clung to a spar of old weed or the concrete lip of the curb and worked its way back under the new growth spring brought and is a part of that yard still.
Perhaps light falling on distant houses becomes those houses, hunching them down at dusk like sheep browsing on a far hillside, or at daybreak gilds the roofs until they groan under the new weight, or after rain lifts haloes of steam from the rinsed, white aluminum siding, and those houses and all they contain live that day in the sight of heaven.
II In the blue, winking light of the International Institute of Social Revolution I fell asleep one afternoon over a book of memoirs of a Spanish priest who'd served his own private faith in a long forgotten war.
An Anarchist and a Catholic, his remembrances moved inexplicably from Castilian to Catalan, a language I couldn't follow.
That dust, fine and gray, peculiar to libraries, slipped between the glossy pages and my sight, a slow darkness calmed me, and I forgot the agony of those men I'd come to love, forgot the battles lost and won, forgot the final trek over hopeless mountain roads, defeat, surrender, the vows to live on.
I slept until the lights came on and off.
A girl was prodding my arm, for the place was closing.
A slender Indonesian girl in sweater and American jeans, her black hair falling almost to my eyes, she told me in perfect English that I could come back, and she swept up into a folder the yellowing newspaper stories and photos spilled out before me on the desk, the little chronicles of death themselves curling and blurring into death, and took away the book still unfinished of a man more confused even than I, and switched off the light, and left me alone.
III In June of 1975 I wakened one late afternoon in Amsterdam in a dim corner of a library.
I had fallen asleep over a book and was roused by a young girl whose hand lay on my hand.
I turned my head up and stared into her brown eyes, deep and gleaming.
She was crying.
For a second I was confused and started to speak, to offer some comfort or aid, but I kept still, for she was crying for me, for the knowledge that I had wakened to a life in which loss was final.
I closed my eyes a moment.
When I opened them she'd gone, the place was dark.
I went out into the golden sunlight; the cobbled streets gleamed as after rain, the street cafes crowded and alive.
Not far off the great bell of the Westerkirk tolled in the early evening.
I thought of my oldest son, who years before had sailed from here into an unknown life in Sweden, a life which failed, of how he'd gone alone to Copenhagen, Bremen, where he'd loaded trains, Hamburg, Munich, and finally -- sick and weary -- he'd returned to us.
He slept in a corner of the living room for days, and woke gaunt and quiet, still only seventeen, his face in its own shadows.
I thought of my father on the run from an older war, and wondered had he passed through Amsterdam, had he stood, as I did now, gazing up at the pale sky, distant and opaque, for the sign that never comes.
Had he drifted in the same winds of doubt and change to another continent, another life, a family, some years of peace, an early death.
I walked on by myself for miles and still the light hung on as though the day would never end.
The gray canals darkened slowly, the sky above the high, narrow houses deepened into blue, and one by one the stars began their singular voyages.
Written by Carolyn Kizer | Create an image from this poem

American Beauty

 For Ann London 

As you described your mastectomy in calm detail
and bared your chest so I might see
the puckered scar,
"They took a hatchet to your breast!" I said.
"What an Amazon you are.
" When we were girls we climbed Mt.
Tamalpais chewing bay leaves we had plucked along the way; we got high all right, from animal pleasure in each other, shouting to the sky.
On your houseboat we tried to ignore the impossible guy you had married to enrage your family, a typical ploy.
We were great fools let loose in the No Name bar on Sausalito's bay.
In San Francisco we'd perch on a waterfront pier chewing sourdough and cheese, swilling champagne, kicking our heels; crooning lewd songs, hooting like seagulls, we bayed with the seals.
Then you married someone in Mexico, broke up in two weeks, didn't bother to divorce, claimed it didn't count.
You dumped number three, fled to Albany to become a pedant.
Averse to domesticity, you read for your Ph.
D.
Your four-year-old looked like a miniature John Lennon.
You fed him peanut butter from your jar and raised him on Beowulf and Grendal.
Much later in New York we reunited; in an elevator at Sak's a woman asked for your autograph.
You glowed like a star, like Anouk Aimee at forty, close enough.
Your pedantry found its place in the Women's Movement.
You rose fast, seen suddenly as the morning star; wrote the ERA found the right man at last, a sensitive artist; flying too high not to crash.
When the cancer caught you you went on talk shows to say you had no fear or faith.
In Baltimore we joked on your bed as you turned into a witty wraith.
When you died I cleaned out your bureau drawers: your usual disorder; an assortment of gorgeous wigs and prosthetic breasts tossed in garbage bags, to spare your gentle spouse.
Then the bequests you had made to every friend you had! For each of us a necklace or a ring.
A snapshot for me: We two, barefoot in chiffon, laughing amid blossoms your last wedding day.
Written by Robert Frost | Create an image from this poem

The Code

 There were three in the meadow by the brook 
Gathering up windrows, piling cocks of hay, 
With an eye always lifted toward the west 
Where an irregular sun-bordered cloud 
Darkly advanced with a perpetual dagger 
Flickering across its bosom.
Suddenly One helper, thrusting pitchfork in the ground, Marched himself off the field and home.
One stayed.
The town-bred farmer failed to understand.
"What is there wrong?" "Something you just now said.
" "What did I say?" "About our taking pains.
" "To cock the hay?--because it's going to shower? I said that more than half an hour ago.
I said it to myself as much as you.
" "You didn't know.
But James is one big fool.
He thought you meant to find fault with his work.
That's what the average farmer would have meant.
James would take time, of course, to chew it over Before he acted: he's just got round to act.
" "He is a fool if that's the way he takes me.
" "Don't let it bother you.
You've found out something.
The hand that knows his business won't be told To do work better or faster--those two things.
I'm as particular as anyone: Most likely I'd have served you just the same.
But I know you don't understand our ways.
You were just talking what was in your mind, What was in all our minds, and you weren't hinting.
Tell you a story of what happened once: I was up here in Salem at a man's Named Sanders with a gang of four or five Doing the haying.
No one liked the boss.
He was one of the kind sports call a spider, All wiry arms and legs that spread out wavy From a humped body nigh as big's a biscuit.
But work! that man could work, especially If by so doing he could get more work Out of his hired help.
I'm not denying He was hard on himself.
I couldn't find That he kept any hours--not for himself.
Daylight and lantern-light were one to him: I've heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn't lead he'd get behind And drive, the way you can, you know, in mowing-- Keep at their heels and threaten to mow their legs off.
I'd seen about enough of his bulling tricks (We call that bulling).
I'd been watching him.
So when he paired off with me in the hayfield To load the load, thinks I, Look out for trouble.
I built the load and topped it off; old Sanders Combed it down with a rake and says, 'O.
K.
' Everything went well till we reached the barn With a big catch to empty in a bay.
You understand that meant the easy job For the man up on top of throwing down The hay and rolling it off wholesale, Where on a mow it would have been slow lifting.
You wouldn't think a fellow'd need much urging Under these circumstances, would you now? But the old fool seizes his fork in both hands, And looking up bewhiskered out of the pit, Shouts like an army captain, 'Let her come!' Thinks I, D'ye mean it? 'What was that you said?' I asked out loud, so's there'd be no mistake, 'Did you say, Let her come?' 'Yes, let her come.
' He said it over, but he said it softer.
Never you say a thing like that to a man, Not if he values what he is.
God, I'd as soon Murdered him as left out his middle name.
I'd built the load and knew right where to find it.
Two or three forkfuls I picked lightly round for Like meditating, and then I just dug in And dumped the rackful on him in ten lots.
I looked over the side once in the dust And caught sight of him treading-water-like, Keeping his head above.
'Damn ye,' I says, 'That gets ye!' He squeaked like a squeezed rat.
That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping hayseed from my neck, And sort of waiting to be asked about it, One of the boys sings out, 'Where's the old man?' 'I left him in the barn under the hay.
If ye want him, ye can go and dig him out.
' They realized from the way I swobbed my neck More than was needed something must be up.
They headed for the barn; I stayed where I was.
They told me afterward.
First they forked hay, A lot of it, out into the barn floor.
Nothing! They listened for him.
Not a rustle.
I guess they thought I'd spiked him in the temple Before I buried him, or I couldn't have managed.
They excavated more.
'Go keep his wife Out of the barn.
' Someone looked in a window, And curse me if he wasn't in the kitchen Slumped way down in a chair, with both his feet Stuck in the oven, the hottest day that summer.
He looked so clean disgusted from behind There was no one that dared to stir him up, Or let him know that he was being looked at.
Apparently I hadn't buried him (I may have knocked him down); but my just trying To bury him had hurt his dignity.
He had gone to the house so's not to meet me.
He kept away from us all afternoon.
We tended to his hay.
We saw him out After a while picking peas in his garden: He couldn't keep away from doing something.
" "Weren't you relieved to find he wasn't dead?" "No! and yet I don't know--it's hard to say.
I went about to kill him fair enough.
" "You took an awkward way.
Did he discharge you?" "Discharge me? No! He knew I did just right.
"
Written by Charles Bukowski | Create an image from this poem

Metamorphosis

 a girlfriend came in
built me a bed
scrubbed and waxed the kitchen floor
scrubbed the walls
vacuumed
cleaned the toilet
the bathtub
scrubbed the bathroom floor
and cut my toenails and 
my hair.
then all on the same day the plumber came and fixed the kitchen faucet and the toilet and the gas man fixed the heater and the phone man fixed the phone.
noe I sit in all this perfection.
it is quiet.
I have broken off with all 3 of my girlfriends.
I felt better when everything was in disorder.
it will take me some months to get back to normal: I can't even find a roach to commune with.
I have lost my rythm.
I can't sleep.
I can't eat.
I have been robbed of my filth.


Written by Maggie Estep | Create an image from this poem

Scab Maids On Speed

 My first job was when I was about 15.
I had met a girl named Hope who became my best friend.
Hope and I were flunking math class so we became speed freaks.
This honed our algebra skills and we quickly became whiz kids.
For about 5 minutes.
Then, our brains started to fry and we were just teenage speed freaks.
Then, we decided to to seek gainful employment.
We got hired on as part time maids at the Holiday Inn while a maid strike was happening.
We were scab maids on speed and we were coming to clean your room.
We were subsequently fired for pilfering a Holiday Inn guest's quaalude stash which we did only because we never thought someone would have the nerve to call the front desk and say; THE MAIDS STOLE MY LUUDES MAN.
But someone did - or so we surmised - because we were fired.
I supppose maybe we were fired because we never actually CLEANED but rather just turned on the vacuum so it SOUNDED like we were cleaning as we picked the pubic hairs off the sheets and out of the tub then passed out on the bed and caught up on the sleep we'd missed from being up all night speeding.
When we got fired, we became waitresses at an International House of Pancakes.
We were much happier there.
Written by Andrew Barton Paterson | Create an image from this poem

An Idyll of Dandaloo

 On Western plains, where shade is not, 
'Neath summer skies of cloudless blue, 
Where all is dry and all is hot, 
There stands the town of Dandaloo -- 
A township where life's total sum 
Is sleep, diversified with rum.
Its grass-grown streets with dust are deep; 'Twere vain endeavour to express The dreamless silence of its sleep, Its wide, expansive drunkenness.
The yearly races mostly drew A lively crowd at Dandaloo.
There came a sportsman from the East, The eastern land where sportsmen blow, And brought with him a speedy beast -- A speedy beast as horses go.
He came afar in hope to "do" The little town of Dandaloo.
Now this was weak of him, I wot -- Exceeding weak, it seemed to me -- For we in Dandaloo were not The Jugginses we seemed to be; In fact, we rather thought we knew Our book by heart in Dandaloo.
We held a meeting at the bar, And met the question fair and square -- "We've stumped the country near and far To raise the cash for races here; We've got a hundred pounds or two -- Not half so bad for Dandaloo.
"And now, it seems we have to be Cleaned out by this here Sydney bloke, With his imported horse; and he Will scoop the pool and leave us broke.
Shall we sit still, and make no fuss While this chap climbs all over us?" * The races came to Dandaloo, And all the cornstalks from the West On every kind of moke and screw Come forth in all their glory drest.
The stranger's horse, as hard as nails, Look'd fit to run for New South Wales.
He won the race by half a length -- Quite half a length, it seemed to me -- But Dandaloo, with all its strength, Roared out "Dead heat!" most fervently; And, sfter hesitation meet, The judge's verdict was "Dead heat!" And many men there were could tell What gave the verdict extra force.
The stewards -- and the judge as well -- They all had backed the second horse.
For things like this they sometimes do In larger towns than Dandaloo.
They ran it off, the stranger won, Hands down, by near a hundred yards.
He smiled to think his troubles done; But Dandaloo held all the cards.
They went to scale and -- cruel fate -- His jockey turned out under weight.
Perhaps they's tampered with the scale! I cannot tell.
I only know It weighed him out all right.
I fail To paint that Sydney sportsman's woe.
He said the stewards were a crew Of low-lived thieves in Dandaloo.
He lifted up his voice, irate, And swore till all the air was blue; So then we rose to vindicate The dignity of Dandaloo.
"Look here," said we, "you must not poke Such oaths at us poor country folk.
" We rode him softly on a rail, We shied at him, in careless glee, Some large tomatoes, rank and stale, And eggs of great antiquity -- Their wild, unholy fregrance flew About the town of Dandaloo.
He left the town at break of day, He led his racehorse through the streets, And now he tells the tale, they say, To every racing man he meets.
And Sydney sportsmen all eschew The atmosphere of Dandaloo.
Written by Natasha Trethewey | Create an image from this poem

Domestic Work 1937

 All week she's cleaned
someone else's house,
stared down her own face
in the shine of copper--
bottomed pots, polished
wood, toilets she'd pull
the lid to--that look saying

Let's make a change, girl.
But Sunday mornings are hers-- church clothes starched and hanging, a record spinning on the console, the whole house dancing.
She raises the shades, washes the rooms in light, buckets of water, Octagon soap.
Cleanliness is next to godliness .
.
.
Windows and doors flung wide, curtains two-stepping forward and back, neck bones bumping in the pot, a choir of clothes clapping on the line.
Nearer my God to Thee .
.
.
She beats time on the rugs, blows dust from the broom like dandelion spores, each one a wish for something better.
Written by Ted Kooser | Create an image from this poem

Selecting A Reader

 First, I would have her be beautiful,
and walking carefully up on my poetry
at the loneliest moment of an afternoon,
her hair still damp at the neck
from washing it.
She should be wearing a raincoat, an old one, dirty from not having money enough for the cleaners.
She will take out her glasses, and there in the bookstore, she will thumb over my poems, then put the book back up on its shelf.
She will say to herself, "For that kind of money, I can get my raincoat cleaned.
" And she will.
Written by Hilaire Belloc | Create an image from this poem

George

 Who played with a Dangerous Toy, and suffered a Catastrophe of considerable Dimensions

When George's Grandmamma was told
That George had been as good as gold,
She promised in the afternoon
To buy him an Immense BALLOON.
And so she did; but when it came, It got into the candle flame, And being of a dangerous sort Exploded with a loud report! The lights went out! The windows broke! The room was filled with reeking smoke.
And in the darkness shrieks and yells Were mingled with electric bells, And falling masonry and groans, And crunching, as of broken bones, And dreadful shrieks, when, worst of all, The house itself began to fall! It tottered, shuddering to and fro, Then crashed into the street below- Which happened to be Savile Row.
When help arrived, among the dead Were Cousin Mary, Little Fred, The Footmen (both of them), the Groom, The man that cleaned the Billiard-Room, The Chaplain, and the Still-Room Maid.
And I am dreadfully afraid That Monsieur Champignon, the Chef, Will now be permanently deaf- And both his aides are much the same; While George, who was in part to blame, Received, you will regret to hear, A nasty lump behind the ear.
Moral: The moral is that little boys Should not be given dangerous toys.

Book: Shattered Sighs