by
Robert Browning
I.
Stand still, true poet that you are!
I know you; let me try and draw you.
Some night you'll fail us: when afar
You rise, remember one man saw you,
Knew you, and named a star!
II.
My star, God's glow-worm! Why extend
That loving hand of his which leads you
Yet locks you safe from end to end
Of this dark world, unless he needs you,
just saves your light to spend?
III.
His clenched hand shall unclose at last,
I know, and let out all the beauty:
My poet holds the future fast,
Accepts the coming ages' duty,
Their present for this past.
IV.
That day, the earth's feast-master's brow
Shall clear, to God the chalice raising;
``Others give best at first, but thou
``Forever set'st our table praising,
``Keep'st the good wine till now!''
V.
Meantime, I'll draw you as you stand,
With few or none to watch and wonder:
I'll say---a fisher, on the sand
By Tyre the old, with ocean-plunder,
A netful, brought to land.
VI.
Who has not heard how Tyrian shells
Enclosed the blue, that dye of dyes
Whereof one drop worked miracles,
And coloured like Astarte's eyes
Raw silk the merchant sells?
VII.
And each bystander of them all
Could criticize, and quote tradition
How depths of blue sublimed some pall
---To get which, pricked a king's ambition
Worth sceptre, crown and ball.
VIII.
Yet there's the dye, in that rough mesh,
The sea has only just o'erwhispered!
Live whelks, each lip's beard dripping fresh,
As if they still the water's lisp heard
Through foam the rock-weeds thresh.
IX.
Enough to furnish Solomon
Such hangings for his cedar-house,
That, when gold-robed he took the throne
In that abyss of blue, the Spouse
Might swear his presence shone
X.
Most like the centre-spike of gold
Which burns deep in the blue-bell's womb,
What time, with ardours manifold,
The bee goes singing to her groom,
Drunken and overbold.
XI.
Mere conchs! not fit for warp or woof!
Till cunning come to pound and squeeze
And clarify,---refine to proof
The liquor filtered by degrees,
While the world stands aloof.
XII.
And there's the extract, flasked and fine,
And priced and saleable at last!
And Hobbs, Nobbs, Stokes and Nokes combine
To paint the future from the past,
Put blue into their line.
XIII.
Hobbs hints blue,---Straight he turtle eats:
Nobbs prints blue,---claret crowns his cup:
Nokes outdares Stokes in azure feats,---
Both gorge. Who fished the murex up?
What porridge had John Keats?
* 1 The Syrian Venus.
* 2 Molluscs from which the famous Tyrian
* purple dye was obtained.
|
by
Alfred Noyes
PART ONE
The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding--
Riding--riding--
The highwayman came riding, up to the old inndoor.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doeskin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle
His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dard inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like moldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened, and heard the robber say--
"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."
He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.
PART TWO
He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red coat troop came marching--
marching--marching--
King George's men came marching, up to the old inn-door.
They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two fo them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.
They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her. She heard the dead man say--
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!
She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it; she strove no more for rest!
Up, she stood to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain
Tlot-tlot; tlot-tlot! Had they heard it? This horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!
Tlot-tlot, in the frosty silence! Tlot-tlot in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him - with her death.
He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew gray to hear
How Bess, the landlord's daughter,
The landlords black-eyed daughter,
Had watched her love in the moonlight, and died in the darkness there.
Back, he spurred like a madman, shreiking a curse to the sky,
with the white road smoking behind him, and his rapier brain dished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat.
When they shot him down in the highway,
Down like a dog on the highway,
And he lay his blood on the highway, with a bunch of lace at his throat.
And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cluody seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding--
Riding--riding--
A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
|
by
Rudyard Kipling
So here's your Empire. No more wine, then?
Good.
We'll clear the Aides and khitmatgars away.
(You'll know that fat old fellow with the knife --
He keeps the Name Book, talks in English too,
And almost thinks himself the Government.)
O Youth, Youth, Youth! Forgive me, you're so young.
Forty from sixty -- twenty years of work
And power to back the working. Ay def mi!
You want to know, you want to see, to touch,
And, by your lights, to act. It's natural.
I wonder can I help you. Let me try.
You saw -- what did you see from Bombay east?
Enough to frighten any one but me?
Neat that! It frightened Me in Eighty-Four!
You shouldn't take a man from Canada
And bid him smoke in powder-magazines;
Nor with a Reputation such as -- Bah!
That ghost has haunted me for twenty years,
My Reputation now full blown -- Your fault --
Yours, with your stories of the strife at Home,
Who's up, who's down, who leads and who is led --
One reads so much, one hears so little here.
Well, now's your turn of exile. I go back
To Rome and leisure. All roads lead to Rome,
Or books -- the refuge of the destitute.
When you ... that brings me back to India. See!
Start clear. I couldn't. Egypt served my turn.
You'll never plumb the Oriental mind,
And if you did it isn't worth the toil.
Think of a sleek French priest in Canada;
Divide by twenty half-breeds. Multiply
By twice the Sphinx's silence. There's your East,
And you're as wise as ever. So am I.
Accept on trust and work in darkness, strike
At venture, stumble forward, make your mark,
(It's chalk on granite), then thank God no flame
Leaps from the rock to shrivel mark and man.
I'm clear -- my mark is made. Three months of drought
Had ruined much. It rained and washed away
The specks that might have gathered on my Name.
I took a country twice the size of France,
And shuttered up one doorway in the North.
I stand by those. You'll find that both will pay,
I pledged my Name on both -- they're yours to-night.
Hold to them -- they hold fame enough for two.
I'm old, but I shall live till Burma pays.
Men there -- not German traders -- Crsthw-te knows --
You'll find it in my papers. For the North
Guns always -- quietly -- but always guns.
You've seen your Council? Yes, they'll try to rule,
And prize their Reputations. Have you met
A grim lay-reader with a taste for coins,
And faith in Sin most men withhold from God?
He's gone to England. R-p-n knew his grip
And kicked. A Council always has its H-pes.
They look for nothing from the West but Death
Or Bath or Bournemouth. Here's their ground.
They fight
Until the middle classes take them back,
One of ten millions plus a C.S.I.
Or drop in harness. Legion of the Lost?
Not altogether -- earnest, narrow men,
But chiefly earnest, and they'll do your work,
And end by writing letters to the Times,
(Shall I write letters, answering H-nt-r -- fawn
With R-p-n on the Yorkshire grocers? Ugh!)
They have their Reputations. Look to one --
I work with him -- the smallest of them all,
White-haired, red-faced, who sat the plunging horse
Out in the garden. He's your right-hand man,
And dreams of tilting W-ls-y from the throne,
But while he dreams gives work we cannot buy;
He has his Reputation -- wants the Lords
By way of Frontier Roads. Meantime, I think,
He values very much the hand that falls
Upon his shoulder at the Council table --
Hates cats and knows his business; which is yours.
Your business! twice a hundered million souls.
Your business! I could tell you what I did
Some nights of Eighty-Five, at Simla, worth
A Kingdom's ransom. When a big ship drives,
God knows to what new reef the man at the whee!
Prays with the passengers. They lose their lives,
Or rescued go their way; but he's no man
To take his trick at the wheel again -- that's worse
Than drowning. Well, a galled Mashobra mule
(You'll see Mashobra) passed me on the Mall,
And I was -- some fool's wife and ducked and bowed
To show the others I would stop and speak.
Then the mule fell -- three galls, a hund-breadth each,
Behind the withers. Mrs. Whatsisname
Leers at the mule and me by turns, thweet thoul!
"How could they make him carry such a load!"
I saw -- it isn't often I dream dreams --
More than the mule that minute -- smoke and flame
From Simla to the haze below. That's weak.
You're younger. You'll dream dreams before you've done.
You've youth, that's one -- good workmen -- that means two
Fair chances in your favor. Fate's the third.
I know what I did. Do you ask me, "Preach"?
I answer by my past or else go back
To platitudes of rule -- or take you thus
In confidence and say: "You know the trick:
You've governed Canada. You know. You know!"
And all the while commend you to Fate's hand
(Here at the top on loses sight o' God),
Commend you, then, to something more than you --
The Other People's blunders and
. . . that's all.
I'd agonize to serve you if I could.
It's incommunicable, like the cast
That drops the tackle with the gut adry.
Too much -- too little -- there's your salmon lost!
And so I tell you nothing --with you luck,
And wonder -- how I wonder! -- for your sake
And triumph for my own. You're young, you're young,
You hold to half a hundred Shibboleths.
I'm old. I followed Power to the last,
Gave her my best, and Power followed Me.
It's worth it -- on my sould I'm speaking plain,
Here by the claret glasses! -- worth it all.
I gave -- no matter what I gave -- I win.
I know I win. Mine's work, good work that lives!
A country twice the size of France -- the North
Safeguarded. That's my record: sink the rest
And better if you can. The Rains may serve,
Rupees may rise -- three pence will give you Fame --
It's rash to hope for sixpence -- If they rise
Get guns, more guns, and lift the salt-tax.
Oh!
I told you what the Congress meant or thought?
I'll answer nothing. Half a year will prove
The full extent of time and thought you'll spare
To Congress. Ask a Lady Doctor once
How little Begums see the light -- deduce
Thence how the True Reformer's child is born.
It's interesting, curious . . . and vile.
I told the Turk he was a gentlman.
I told the Russian that his Tartar veins
Bled pure Parisian ichor; and he purred.
The Congress doesn't purr. I think it swears.
You're young -- you'll swear to ere you've reached the end.
The End! God help you, if there be a God.
(There must be one to startle Gl-dst-ne's soul
In that new land where all the wires are cut.
And Cr-ss snores anthems on the asphodel.)
God help you! And I'd help you if I could,
But that's beyond me. Yes, your speech was crude.
Sound claret after olives -- yours and mine;
But Medoc slips into vin ordinaire.
(I'll drink my first at Genoa to your health.)
Raise it to Hock. You'll never catch my style.
And, after all, the middle-classes grip
The middle-class -- for Brompton talk Earl's Court.
Perhaps you're right. I'll see you in the Times --
A quarter-column of eye-searing print,
A leader once a quarter -- then a war;
The Strand abellow through the fog: "Defeat!"
"'Orrible slaughter!" While you lie awake
And wonder. Oh, you'll wonder ere you're free!
I wonder now. The four years slide away
So fast, so fast, and leave me here alone.
R-y, C-lv-n, L-l, R-b-rts, B-ck, the rest,
Princes and Powers of Darkness troops and trains,
(I cannot sleep in trains), land piled on land,
Whitewash and weariness, red rockets, dust,
White snows that mocked me, palaces -- with draughts,
And W-stl-nd with the drafts he couldn't pay,
Poor W-ls-n reading his obituary.
Before he died, and H-pe, the man with bones,
And A-tch-s-n a dripping mackintosh
At Council in the Rains, his grating "Sirrr"
Half drowned by H-nt-r's silky: "Bat my lahnd."
Hunterian always: M-rsh-l spinning plates
Or standing on his head; the Rent Bill's roar,
A hundred thousand speeches, must red cloth,
And Smiths thrice happy if I call them Jones,
(I can't remember half their names) or reined
My pony on the Mall to greet their wives.
More trains, more troops, more dust, and then all's done.
Four years, and I forget. If I forget
How will they bear me in their minds? The North
Safeguarded -- nearly (R-b-rts knows the rest),
A country twice the size of France annexed.
That stays at least. The rest may pass -- may pass --
Your heritage -- and I can teach you nought.
"High trust," "vast honor," "interests twice as vast,"
"Due reverence to your Council" -- keep to those.
I envy you the twenty years you've gained,
But not the five to follow. What's that? One?
Two! -- Surely not so late. Good-night. Don't dream.
|
by
Elinor Wylie
Lovers eminent in love
Ever diversities combine;
The vocal chords of the cushat-dove,
The snake's articulated spine.
Such elective elements
Educate the eye and lip
With one's refreshing innocence,
The other's claim to scholarship.
The serpent's knowledge of the world
Learn, and the dove's more naïve charm;
Whether your ringlets should be curled,
And why he likes his claret warm.
|
by
Lewis Carroll
Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase.
For truly, just as the genuine Epicure lingers lovingly over a
morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also -
I NEVER loved a dear Gazelle -
NOR ANYTHING THAT COST ME MUCH:
HIGH PRICES PROFIT THOSE WHO SELL,
BUT WHY SHOULD I BE FOND OF SUCH?
To glad me with his soft black eye
MY SON COMES TROTTING HOME FROM SCHOOL;
HE'S HAD A FIGHT BUT CAN'T TELL WHY -
HE ALWAYS WAS A LITTLE FOOL!
But, when he came to know me well,
HE KICKED ME OUT, HER TESTY SIRE:
AND WHEN I STAINED MY HAIR, THAT BELLE
MIGHT NOTE THE CHANGE, AND THUS ADMIRE
And love me, it was sure to dye
A MUDDY GREEN OR STARING BLUE:
WHILST ONE MIGHT TRACE, WITH HALF AN EYE,
THE STILL TRIUMPHANT CARROT THROUGH.
|
by
Robert Herrick
Droop, droop no more, or hang the head,
Ye roses almost withered;
Now strength, and newer purple get,
Each here declining violet.
O primroses! let this day be
A resurrection unto ye;
And to all flowers allied in blood,
Or sworn to that sweet sisterhood.
For health on Julia's cheek hath shed
Claret and cream commingled;
And those, her lips, do now appear
As beams of coral, but more clear.
|
by
Robert Burns
I SING of a Whistle, a Whistle of worth,
I sing of a Whistle, the pride of the North.
Was brought to the court of our good Scottish King,
And long with this Whistle all Scotland shall ring.
Old Loda, still rueing the arm of Fingal,
The god of the bottle sends down from his hall—
“The Whistle’s your challenge, to Scotland get o’er,
And drink them to hell, Sir! or ne’er see me more!”
Old poets have sung, and old chronicles tell,
What champions ventur’d, what champions fell:
The son of great Loda was conqueror still,
And blew on the Whistle their requiem shrill.
Till Robert, the lord of the Cairn and the Scaur,
Unmatch’d at the bottle, unconquer’d in war,
He drank his poor god-ship as deep as the sea;
No tide of the Baltic e’er drunker than he.
Thus Robert, victorious, the trophy has gain’d;
Which now in his house has for ages remain’d;
Till three noble chieftains, and all of his blood,
The jovial contest again have renew’d.
Three joyous good fellows, with hearts clear of flaw
Craigdarroch, so famous for with, worth, and law;
And trusty Glenriddel, so skill’d in old coins;
And gallant Sir Robert, deep-read in old wines.
Craigdarroch began, with a tongue smooth as oil,
Desiring Downrightly to yield up the spoil;
Or else he would muster the heads of the clan,
And once more, in claret, try which was the man.
“By the gods of the ancients!” Downrightly replies,
“Before I surrender so glorious a prize,
I’ll conjure the ghost of the great Rorie More,
And bumper his horn with him twenty times o’er.”
Sir Robert, a soldier, no speech would pretend,
But he ne’er turn’d his back on his foe, or his friend;
Said, “Toss down the Whistle, the prize of the field,”
And, knee-deep in claret, he’d die ere he’d yield.
To the board of Glenriddel our heroes repair,
So noted for drowning of sorrow and care;
But, for wine and for welcome, not more known to fame,
Than the sense, wit, and taste, of a sweet lovely dame.
A bard was selected to witness the fray,
And tell future ages the feats of the day;
A Bard who detested all sadness and spleen,
And wish’d that Parnassus a vineyard had been.
The dinner being over, the claret they ply,
And ev’ry new cork is a new spring of joy;
In the bands of old friendship and kindred so set,
And the bands grew the tighter the more they were wet.
Gay Pleasure ran riot as bumpers ran o’er:
Bright Phoebus ne’er witness’d so joyous a core,
And vow’d that to leave them he was quite forlorn,
Till Cynthia hinted he’d see them next morn.
Six bottles a-piece had well wore out the night,
When gallant Sir Robert, to finish the fight,
Turn’d o’er in one bumper a bottle of red,
And swore ’twas the way that their ancestor did.
Then worthy Glenriddel, so cautious and sage,
No longer the warfare ungodly would wage;
A high Ruling Elder to wallow in wine;
He left the foul business to folks less divine.
The gallant Sir Robert fought hard to the end;
But who can with Fate and quart bumpers contend!
Though Fate said, a hero should perish in light;
So uprose bright Phoebus-and down fell the knight.
Next uprose our Bard, like a prophet in drink:—
“Craigdarroch, thou’lt soar when creation shall sink!
But if thou would flourish immortal in rhyme,
Come—one bottle more—and have at the sublime!
“Thy line, that have struggled for freedom with Bruce,
Shall heroes and patriots ever produce:
So thine be the laurel, and mine be the bay;
The field thou hast won, by yon bright god of day!”
|
by
Robert Browning
I.
My heart sank with our Claret-flask,
Just now, beneath the heavy sedges
That serve this Pond's black face for mask
And still at yonder broken edges
O' the hole, where up the bubbles glisten,
After my heart I look and listen.
II.
Our laughing little flask, compelled
Thro' depth to depth more bleak and shady;
As when, both arms beside her held,
Feet straightened out, some gay French lady
Is caught up from life's light and motion,
And dropped into death's silent ocean!
---
Up jumped Tokay on our table,
Like a pygmy castle-warder,
Dwarfish to see, but stout and able,
Arms and accoutrements all in order;
And fierce he looked North, then, wheeling South,
Blew with his bugle a challenge to Drouth,
Cocked his flap-hat with the tosspot-feather,
Twisted his thumb in his red moustache,
Jingled his huge brass spurs together,
Tightened his waist with its Buda sash,
And then, with an impudence nought could abash,
Shrugged his hump-shoulder, to tell the beholder,
For twenty such knaves he should laugh but the bolder:
And so, with his sword-hilt gallantly jutting,
And dexter-hand on his haunch abutting,
Went the little man, Sir Ausbruch, strutting!
---
Here's to Nelson's memory!
'Tis the second time that I, at sea,
Right off Cape Trafalgar here,
Have drunk it deep in British Beer.
Nelson for ever---any time
Am I his to command in prose or rhyme!
Give me of Nelson only a touch,
And I save it, be it little or much:
Here's one our Captain gives, and so
Down at the word, by George, shall it go!
He says that at Greenwich they point the beholder
To Nelson's coat, ``still with tar on the shoulder:
``For he used to lean with one shoulder digging,
``Jigging, as it were, and zig-zag-zigging
``Up against the mizen-rigging!''
|
by
Victor Hugo
("Sonnex, clarions!")
{Bk. VI. vii.}
Flourish the trumpet! and rattle the drum!
The Reiters are mounted! the Reiters will come!
When our bullets cease singing
And long swords cease ringing
On backplates of fearsomest foes in full flight,
We'll dig up their dollars
To string for girls' collars—
They'll jingle around them before it is night!
When flourish the trumpets, etc.
We're the Emperor's winners
Of right royal dinners,
Where cities are served up and flanked by estates,
While we wallow in claret,
Knowing not how to spare it,
Though beer is less likely to muddle our pates—
While flourish the trumpets, etc.
Gods of battle! red-handed!
Wise it was to have banded
Such arms as are these for embracing of gain!
Hearken to each war-vulture
Crying, "Down with all culture
Of land or religion!" Hoch! to our refrain
Of flourish the trumpets, etc.
Give us "bones of the devil"
To exchange in our revel
The ingot, the gem, and yellow doubloon;
Coronets are but playthings—
We reck not who say things
When the Reiters have ridden to death! none too soon!—
To flourish of trumpet and rattle of drum,
The Reiters will finish as firm as they come!
H.L.W.
|
by
Amy Lowell
Panels of claret and blue which shine
Under the moon like lees of wine.
A coronet done in a golden scroll,
And wheels which blunder and creak as they roll
Through the muddy ruts of a moorland track.
They daren't look back!
They are whipping and cursing the horses. Lord!
What brutes men are when they think they're scored.
Behind, my bay gelding gallops with me,
In a steaming sweat, it is fine to see
That coach, all claret, and gold, and blue,
Hop about and slue.
They are scared half out of their wits, poor souls.
For my lord has a casket full of rolls
Of minted sovereigns, and silver bars.
I laugh to think how he'll show his scars
In London to-morrow. He whines with rage
In his varnished cage.
My lady has shoved her rings over her toes.
'Tis an ancient trick every night-rider knows.
But I shall relieve her of them yet,
When I see she limps in the minuet
I must beg to celebrate this night,
And the green moonlight.
There's nothing to hurry about, the plain
Is hours long, and the mud's a strain.
My gelding's uncommonly strong in the loins,
In half an hour I'll bag the coins.
'Tis a clear, sweet night on the turn of Spring.
The chase is the thing!
How the coach flashes and wobbles, the moon
Dripping down so quietly on it. A tune
Is beating out of the curses and screams,
And the cracking all through the painted seams.
Steady, old horse, we'll keep it in sight.
'Tis a rare fine night!
There's a clump of trees on the dip of the down,
And the sky shimmers where it hangs over the town.
It seems a shame to break the air
In two with this pistol, but I've my share
Of drudgery like other men.
His hat? Amen!
Hold up, you beast, now what the devil!
Confound this moor for a pockholed, evil,
Rotten marsh. My right leg's snapped.
'Tis a mercy he's rolled, but I'm nicely capped.
A broken-legged man and a broken-legged horse!
They'll get me, of course.
The cursed coach will reach the town
And they'll all come out, every loafer grown
A lion to handcuff a man that's down.
What's that? Oh, the coachman's bulleted hat!
I'll give it a head to fit it pat.
Thank you! No cravat.
~They handcuffed the body just for style,
And they hung him in chains for the volatile
Wind to scour him flesh from bones.
Way out on the moor you can hear the groans
His gibbet makes when it blows a gale.
'Tis a common tale.~
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