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Best Famous Christendom Poems

Here is a collection of the all-time best famous Christendom poems. This is a select list of the best famous Christendom poetry. Reading, writing, and enjoying famous Christendom poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of christendom poems.

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Written by Henry Wadsworth Longfellow | Create an image from this poem

Christmas Bells

 "I heard the bells on Christmas Day
Their old familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!


And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!


Till, ringing, singing on its way,
The world revolved from night to day,
A voice, a chime
A chant sublime
Of peace on earth, good-will to men!


Then from each black accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!


It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!


And in despair I bowed my head;
"There is no peace on earth," I said;
"For hate is strong,
And mocks the song
Of peace on earth, good-will to men!"


Then pealed the bells more loud and deep: 
"God is not dead; nor doth he sleep!
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men!"


Written by G K Chesterton | Create an image from this poem

Lepanto

 White founts falling in the Courts of the sun, 
And the Soldan of Byzantium is smiling as they run; 
There is laughter like the fountains in that face of all men feared, 
It stirs the forest darkness, the darkness of his beard; 
It curls the blood-red crescent, the crescent of his lips; 
For the inmost sea of all the earth is shaken with his ships. 
They have dared the white republics up the capes of Italy, 
They have dashed the Adriatic round the Lion of the Sea, 
And the Pope has cast his arms abroad for agony and loss, 
And called the kings of Christendom for swords about the Cross. 
The cold queen of England is looking in the glass; 
The shadow of the Valois is yawning at the Mass; 
From evening isles fantastical rings faint the Spanish gun, 
And the Lord upon the Golden Horn is laughing in the sun. 

Dim drums throbbing, in the hills half heard, 
Where only on a nameless throne a crownless prince has stirred, 
Where, risen from a doubtful seat and half attainted stall, 
The last knight of Europe takes weapons from the wall, 
The last and lingering troubadour to whom the bird has sung, 
That once went singing southward when all the world was young. 
In that enormous silence, tiny and unafraid, 
Comes up along a winding road the noise of the Crusade. 
Strong gongs groaning as the guns boom far, 
Don John of Austria is going to the war, 
Stiff flags straining in the night-blasts cold 
In the gloom black-purple, in the glint old-gold, 
Torchlight crimson on the copper kettle-drums, 
Then the tuckets, then the trumpets, then the cannon, and he comes. 
Don John laughing in the brave beard curled, 
Spurning of his stirrups like the thrones of all the world, 
Holding his head up for a flag of all the free. 
Love-light of Spain--hurrah! 
Death-light of Africa! 
Don John of Austria 
Is riding to the sea. 

Mahound is in his paradise above the evening star, 
(Don John of Austria is going to the war.) 
He moves a mighty turban on the timeless houri's knees, 
His turban that is woven of the sunsets and the seas. 
He shakes the peacock gardens as he rises from his ease, 
And he strides among the tree-tops and is taller than the trees; 
And his voice through all the garden is a thunder sent to bring 
Black Azrael and Ariel and Ammon on the wing. 
Giants and the Genii, 
Multiplex of wing and eye, 
Whose strong obedience broke the sky 
When Solomon was king. 

They rush in red and purple from the red clouds of the morn, 
From the temples where the yellow gods shut up their eyes in scorn; 
They rise in green robes roaring from the green hells of the sea 
Where fallen skies and evil hues and eyeless creatures be, 
On them the sea-valves cluster and the grey sea-forests curl, 
Splashed with a splendid sickness, the sickness of the pearl; 
They swell in sapphire smoke out of the blue cracks of the ground,-- 
They gather and they wonder and give worship to Mahound. 
And he saith, "Break up the mountains where the hermit-folk can hide, 
And sift the red and silver sands lest bone of saint abide, 
And chase the Giaours flying night and day, not giving rest, 
For that which was our trouble comes again out of the west. 
We have set the seal of Solomon on all things under sun, 
Of knowledge and of sorrow and endurance of things done. 
But a noise is in the mountains, in the mountains, and I know 
The voice that shook our palaces--four hundred years ago: 
It is he that saith not 'Kismet'; it is he that knows not Fate; 
It is Richard, it is Raymond, it is Godfrey at the gate! 
It is he whose loss is laughter when he counts the wager worth, 
Put down your feet upon him, that our peace be on the earth." 
For he heard drums groaning and he heard guns jar, 
(Don John of Austria is going to the war.) 
Sudden and still--hurrah! 
Bolt from Iberia! 
Don John of Austria 
Is gone by Alcalar. 

St. Michaels on his Mountain in the sea-roads of the north 
(Don John of Austria is girt and going forth.) 
Where the grey seas glitter and the sharp tides shift 
And the sea-folk labour and the red sails lift. 
He shakes his lance of iron and he claps his wings of stone; 
The noise is gone through Normandy; the noise is gone alone; 
The North is full of tangled things and texts and aching eyes, 
And dead is all the innocence of anger and surprise, 
And Christian killeth Christian in a narrow dusty room, 
And Christian dreadeth Christ that hath a newer face of doom, 
And Christian hateth Mary that God kissed in Galilee,-- 
But Don John of Austria is riding to the sea. 
Don John calling through the blast and the eclipse 
Crying with the trumpet, with the trumpet of his lips, 
Trumpet that sayeth ha! 
Domino gloria! 
Don John of Austria 
Is shouting to the ships. 

King Philip's in his closet with the Fleece about his neck 
(Don John of Austria is armed upon the deck.) 
The walls are hung with velvet that is black and soft as sin, 
And little dwarfs creep out of it and little dwarfs creep in. 
He holds a crystal phial that has colours like the moon, 
He touches, and it tingles, and he trembles very soon, 
And his face is as a fungus of a leprous white and grey 
Like plants in the high houses that are shuttered from the day, 
And death is in the phial and the end of noble work, 
But Don John of Austria has fired upon the Turk. 
Don John's hunting, and his hounds have bayed-- 
Booms away past Italy the rumour of his raid. 
Gun upon gun, ha! ha! 
Gun upon gun, hurrah! 
Don John of Austria 
Has loosed the cannonade. 

The Pope was in his chapel before day or battle broke, 
(Don John of Austria is hidden in the smoke.) 
The hidden room in man's house where God sits all the year, 
The secret window whence the world looks small and very dear. 
He sees as in a mirror on the monstrous twilight sea 
The crescent of his cruel ships whose name is mystery; 
They fling great shadows foe-wards, making Cross and Castle dark, 
They veil the plum?d lions on the galleys of St. Mark; 
And above the ships are palaces of brown, black-bearded chiefs, 
And below the ships are prisons, where with multitudinous griefs, 
Christian captives sick and sunless, all a labouring race repines 
Like a race in sunken cities, like a nation in the mines. 
They are lost like slaves that sweat, and in the skies of morning hung 
The stair-ways of the tallest gods when tyranny was young. 
They are countless, voiceless, hopeless as those fallen or fleeing on 
Before the high Kings' horses in the granite of Babylon. 
And many a one grows witless in his quiet room in hell 
Where a yellow face looks inward through the lattice of his cell, 
And he finds his God forgotten, and he seeks no more a sign-- 
(But Don John of Austria has burst the battle-line!) 
Don John pounding from the slaughter-painted poop, 
Purpling all the ocean like a bloody pirate's sloop, 
Scarlet running over on the silvers and the golds, 
Breaking of the hatches up and bursting of the holds, 
Thronging of the thousands up that labour under sea 
White for bliss and blind for sun and stunned for liberty. 

Vivat Hispania! 
Domino Gloria! 
Don John of Austria 
Has set his people free! 

Cervantes on his galley sets the sword back in the sheath 
(Don John of Austria rides homeward with a wreath.) 
And he sees across a weary land a straggling road in Spain, 
Up which a lean and foolish knight for ever rides in vain, 
And he smiles, but not as Sultans smile, and settles back the blade.... 
(But Don John of Austria rides home from the Crusade.)
Written by Rudyard Kipling | Create an image from this poem

A Song at Cock-Crow

 The first time that Peter denied his Lord
 He shrank from the cudgel, the scourge and the cord,
But followed far off to see what they would do,
 Till the cock crew--till the cock crew--
After Gethsemane, till the cock crew!

The first time that Peter denied his Lord
 'Twas only a maid in the palace who heard,
As he sat by the fire and warmed himself through.
 Then the cock crew! Then the cock crew!
("Though also art one of them.") Then the cock crew!

The first time that Peter denied his Lord
 He had neither the Throne, nor the Keys nor the Sword--
A poor silly fisherman, what could he do,
 When the cock crew--when the cock crew--
But weep for his wickedness when the cock crew?
 . . . . . .

The next time that Peter denied his Lord
 He was Fisher of Men, as foretold by the Word,
With the Crown on his brow and the Cross on his shoe,
 When the cock crew--when the cock crew--
In Flanders and Picardy when the cock crew!

The next time that Peter denied his Lord
 'Twas Mary the Mother in Heaven Who heard,
She grieved for the maidens and wives that they slew
 When the cock crew--when the cock crew--
At Tirmonde and Aerschott when the cock crew!

The next time that Peter denied his Lord
The Babe in the Manger awakened and stirred,
And He stretched out His arms for the playmates
 He knew--
When the cock crew--when the cock crew--
But the waters had covered them when the cock crew!

The next time that Peter denied his Lord
 'Twas Earth in her agony waited his word,
But he sat by the fire and naught would he do,
 Though the cock crew--though the cock crew--
Over all Christendom, though the cock crew!

The last time that Peter denied his Lord,
 The Father took from him the Keys and the Sword,
And the Mother and Babe brake his Kingdom in two,
 When the cock crew--when the cock crew--
(Because of his wickedness) when the cock crew!
Written by Robert Pinsky | Create an image from this poem

Ginza Samba

 A monosyllabic European called Sax
Invents a horn, walla whirledy wah, a kind of twisted
Brazen clarinet, but with its column of vibrating
Air shaped not in a cylinder but in a cone
Widening ever outward and bawaah spouting
Infinitely upward through an upturned
Swollen golden bell rimmed
Like a gloxinia flowering
In Sax's Belgian imagination

And in the unfathomable matrix
Of mothers and fathers as a genius graven
Humming into the cells of the body
Or cupped in the resonating grail
Of memory changed and exchanged
As in the trading of brasses,
Pearls and ivory, calicos and slaves,
Laborers and girls, two

Cousins in a royal family
Of Niger known as the Birds or Hawks.
In Christendom one cousin's child
Becomes a "favorite *****" ennobled
By decree of the Czar and founds
A great family, a line of generals,
Dandies and courtiers including the poet
Pushkin, killed in a duel concerning
His wife's honor, while the other cousin sails

In the belly of a slaveship to the port
Of Baltimore where she is raped
And dies in childbirth, but the infant
Will marry a Seminole and in the next
Chorus of time their child fathers
A great Hawk or Bird, with many followers
Among them this great-grandchild of the Jewish
Manager of a Pushkin estate, blowing

His American breath out into the wiggly
Tune uncurling its triplets and sixteenths--the Ginza
Samba of breath and brass, the reed
Vibrating as a valve, the aether, the unimaginable
Wires and circuits of an ingenious box
Here in my room in this house built
A hundred years ago while I was elsewhere:

It is like falling in love, the atavistic
Imperative of some one
Voice or face--the skill, the copper filament,
The golden bellful of notes twirling through
Their invisible element from
Rio to Tokyo and back again gathering
Speed in the variations as they tunnel
The twin haunted labyrinths of stirrup
And anvil echoing here in the hearkening
Instrument of my skull.
Written by William Butler Yeats | Create an image from this poem

Ego Dominus Tuus

 Hic. On the grey sand beside the shallow stream
Under your old wind-beaten tower, where still
A lamp burns on beside the open book
That Michael Robartes left, you walk in the moon,
And, though you have passed the best of life, still trace,
Enthralled by the unconquerable delusion,
Magical shapes.

Ille. By the help of an image
I call to my own opposite, summon all
That I have handled least, least looked upon.

Hic. And I would find myself and not an image.

Ille. That is our modern hope, and by its light
We have lit upon the gentle, sensitive mind
And lost the old nonchalance of the hand;
Whether we have chosen chisel, pen or brush,
We are but critics, or but half create,
Timid, entangled, empty and abashed,
Lacking the countenance of our friends.

Hic. And yet
The chief imagination of Christendom,
Dante Alighieri, so utterly found himself
That he has made that hollow face of his
More plain to the mind's eye than any face
But that of Christ.

Ille. And did he find himself
Or was the hunger that had made it hollow
A hunger for the apple on the bough
Most out of reach? and is that spectral image
The man that Lapo and that Guido knew?
I think he fashioned from his opposite
An image that might have been a stony face
Staring upon a Bedouin's horse-hair roof
From doored and windowed cliff, or half upturned
Among the coarse grass and the camel-dung.
He set his chisel to the hardest stone.
Being mocked by Guido for his lecherous life,
Derided and deriding, driven out
To climb that stair and eat that bitter bread,
He found the unpersuadable justice, he found
The most exalted lady loved by a man.

Hic. Yet surely there are men who have made their art
Out of no tragic war, lovers of life,
Impulsive men that look for happiness
And sing when t"hey have found it.

Ille. No, not sing,
For those that love the world serve it in action,
Grow rich, popular and full of influence,
And should they paint or write, still it is action:
The struggle of the fly in marmalade.
The rhetorician would deceive his neighbours,
The sentimentalist himself; while art
Is but a vision of reality.
What portion in the world can the artist have
Who has awakened from the common dream
But dissipation and despair?

Hic. And yet
No one denies to Keats love of the world;
Remember his deliberate happiness.

Ille. His art is happy, but who knows his mind?
I see a schoolboy when I think of him,
With face and nose pressed to a sweet-shop window,
For certainly he sank into his grave
His senses and his heart unsatisfied,
And made - being poor, ailing and ignorant,
Shut out from all the luxury of the world,
The coarse-bred son of a livery-stable keeper --
Luxuriant song.

Hic. Why should you leave the lamp
Burning alone beside an open book,
And trace these characters upon the sands?
A style is found by sedentary toil
And by the imitation of great masters.

Ille. Because I seek an image, not a book.
Those men that in their writings are most wise,
Own nothing but their blind, stupefied hearts.
I call to the mysterious one who yet
Shall walk the wet sands by the edge of the stream
And look most like me, being indeed my double,
And prove of all imaginable things
The most unlike, being my anti-self,
And, standing by these characters, disclose
All that I seek; and whisper it as though
He were afraid the birds, who cry aloud
Their momentary cries before it is dawn,
Would carry it away to blasphemous men.


Written by Sir Thomas Wyatt | Create an image from this poem

Mine Own John Poynz

 Mine own John Poynz, since ye delight to know
The cause why that homeward I me draw,
And flee the press of courts, whereso they go,
Rather than to live thrall under the awe
Of lordly looks, wrappèd within my cloak,
To will and lust learning to set a law:
It is not for because I scorn or mock
The power of them, to whom fortune hath lent
Charge over us, of right, to strike the stroke.
But true it is that I have always meant
Less to esteem them than the common sort,
Of outward things that judge in their intent
Without regard what doth inward resort.
I grant sometime that of glory the fire
Doth twyche my heart. Me list not to report
Blame by honour, and honour to desire.
But how may I this honour now attain,
That cannot dye the colour black a liar?
My Poynz, I cannot from me tune to feign,
To cloak the truth for praise without desert
Of them that list all vice for to retain.
I cannot honour them that sets their part
With Venus and Bacchus all their life long;
Nor hold my peace of them although I smart.
I cannot crouch nor kneel to do so great a wrong,
To worship them, like God on earth alone,
That are as wolves these sely lambs among.
I cannot with my word complain and moan,
And suffer nought, nor smart without complaint,
Nor turn the word that from my mouth is gone.
I cannot speak and look like a saint,
Use willes for wit, and make deceit a pleasure,
And call craft counsel, for profit still to paint.
I cannot wrest the law to fill the coffer
With innocent blood to feed myself fat,
And do most hurt where most help I offer.
I am not he that can allow the state
Of him Caesar, and damn Cato to die,
That with his death did scape out of the gate
From Caesar's hands (if Livy do not lie)
And would not live where liberty was lost;
So did his heart the common weal apply.
I am not he such eloquence to boast
To make the crow singing as the swan;
Nor call the liond of cowardes beasts the most
That cannot take a mouse as the cat can;
And he that dieth for hunger of the gold
Call him Alexander; and say that Pan
Passeth Apollo in music many fold;
Praise Sir Thopias for a noble tale,
And scorn the story that the Knight told;
Praise him for counsel that is drunk of ale;
Grin when he laugheth that beareth all the sway,
Frown when he frowneth and groan when is pale;
On others' lust to hang both night and day:
None of these points would ever frame in me.
My wit is nought--I cannot learn the way.
And much the less of things that greater be,
That asken help of colours of device
To join the mean with each extremity,
With the nearest virtue to cloak alway the vice;
And as to purpose, likewise it shall fall
To press the virtue that it may not rise;
As drunkenness good fellowship to call;
The friendly foe with his double face
Say he is gentle and courteous therewithal;
And say that favel hath a goodly grace
In eloquence; and cruelty to name
Zeal of justice and change in time and place;
And he that suffer'th offence without blame
Call him pitiful; and him true and plain
That raileth reckless to every man's shame.
Say he is rude that cannot lie and feign;
The lecher a lover; and tyranny
To be the right of a prince's reign.
I cannot, I; no, no, it will not be!
This is the cause that I could never yet
Hang on their sleeves that way, as thou mayst see,
A chip of chance more than a pound of wit.
This maketh me at home to hunt and to hawk,
And in foul weather at my book to sit;
In frost and snow then with my bow to stalk;
No man doth mark whereso I ride or go:
In lusty leas at liberty I walk.
And of these news I feel nor weal nor woe,
Save that a clog doth hang yet at my heel.
No force for that, for it is ordered so,
That I may leap both hedge and dyke full well.
I am not now in France to judge the wine,
With saffry sauce the delicates to feel;
Nor yet in Spain, where one must him incline
Rather than to be, outwardly to seem:
I meddle not with wits that be so fine.
Nor Flanders' cheer letteth not my sight to deem
Of black and white; nor taketh my wit away
With beastliness; they beasts do so esteem.
Nor I am not where Christ is given in prey
For money, poison, and treason at Rome--
A common practice used night and day:
But here I am in Kent and Christendom
Among the Muses where I read and rhyme;
Where if thou list, my Poinz, for to come,
Thou shalt be judge how I do spend my time.
Written by John Wilmot | Create an image from this poem

A Satyre on Charles II

 [Rochester had to flee the court for several months
after handing this to the King by mistake.]


In th' isle of Britain, long since famous grown
For breeding the best cunts in Christendom,
There reigns, and oh! long may he reign and thrive,
The easiest King and best bred man alive.
Him no ambition moves to get reknown
Like the French fool, that wanders up and down
Starving his people, hazarding his crown.
Peace is his aim, his gentleness is such,
And love he loves, for he loves fucking much.
Nor are his high desires above his strength:
His scepter and his prick are of a length;
And she may sway the one who plays with th' other,
And make him little wiser than his brother.
Poor Prince! thy prick, like thy buffoons at court,
Will govern thee because it makes thee sport.
'Tis sure the sauciest prick that e'er did swive,
The proudest, peremptoriest prick alive.
Though safety, law, religion, life lay on 't,
'Twould break through all to make its way to ****.
Restless he rolls about from whore to whore,
A merry monarch, scandalous and poor.
To Carwell, the most dear of all his dears,
The best relief of his declining years,
Oft he bewails his fortune, and her fate:
To love so well, and be beloved so late.
Yet his dull, graceless bollocks hang an ****.
This you'd believe, had I but time to tell ye
The pains it costs to poor, laborious Nelly,
Whilst she employs hands, fingers, mouth, and thighs,
Ere she can raise the member she enjoys.
All monarchs I hate, and the thrones they sit on,
From the hector of France to the cully of Britain.
Written by G K Chesterton | Create an image from this poem

Antichrist or the Reunion of Christendom: An Ode

 Are they clinging to their crosses,
F. E. Smith,
Where the Breton boat-fleet tosses,
Are they, Smith?
Do they, fasting, trembling, bleeding,
Wait the news from this our city?
Groaning "That's the Second Reading!"
Hissing "There is still Committee!"
If the voice of Cecil falters,
If McKenna's point has pith,
Do they tremble for their altars?
Do they, Smith?

Russian peasants round their pope
Huddled, Smith,
Hear about it all, I hope,
Don't they, Smith?
In the mountain hamlets clothing
Peaks beyond Caucasian pales,
Where Establishment means nothing
And they never heard of Wales,
Do they read it all in Hansard --
With a crib to read it with --
"Welsh Tithes: Dr. Clifford answered."
Really, Smith?

In the lands where Christians were,
F. E. Smith,
In the little lands laid bare,
Smith, O Smith!
Where the Turkish bands are busy
And the Tory name is blessed
Since they hailed the Cross of Dizzy
On the banners from the West!
Men don't think it half so hard if
Islam burns their kin and kith,
Since a curate lives in Cardiff
Saved by Smith.

It would greatly, I must own,
Soothe me, Smith!
If you left this theme alone,
Holy Smith!
For your legal cause or civil
You fight well and get your fee;
For your God or dream or devil
You will answer, not to me.
Talk about the pews and steeples
And the cash that goes therewith!
But the souls of Christian peoples...
Chuck it, Smith!
Written by Eugene Field | Create an image from this poem

Stoves and sunshine

 Prate, ye who will, of so-called charms you find across the sea--
The land of stoves and sunshine is good enough for me!
I've done the grand for fourteen months in every foreign clime,
And I've learned a heap of learning, but I've shivered all the time;
And the biggest bit of wisdom I've acquired--as I can see--
Is that which teaches that this land's the land of lands for me.

Now, I am of opinion that a person should get some
Warmth in this present life of ours, not all in that to come;
So when Boreas blows his blast, through country and through town,
Or when upon the muddy streets the stifling fog rolls down,
Go, guzzle in a pub, or plod some bleak malarious grove,
But let me toast my shrunken shanks beside some Yankee stove.

The British people say they "don't believe in stoves, y' know;"
Perchance because we warmed 'em so completely years ago!
They talk of "drahfts" and "stuffiness" and "ill effects of heat,"
As they chatter in their barny rooms or shiver 'round the street;
With sunshine such a rarity, and stoves esteemed a sin,
What wonder they are wedded to their fads--catarrh and gin?

In Germany are stoves galore, and yet you seldom find
A fire within the stoves, for German stoves are not that kind;
The Germans say that fires make dirt, and dirt's an odious thing,
But the truth is that the pfennig is the average Teuton's king,
And since the fire costs pfennigs, why, the thrifty soul denies
Himself all heat except what comes with beer and exercise.

The Frenchman builds a fire of cones, the Irishman of peat;
The frugal Dutchman buys a fire when he has need of heat--
That is to say, he pays so much each day to one who brings
The necessary living coals to warm his soup and things;
In Italy and Spain they have no need to heat the house--
'Neath balmy skies the native picks the mandolin and louse.

Now, we've no mouldy catacombs, no feudal castles grim,
No ruined monasteries, no abbeys ghostly dim;
Our ancient history is new, our future's all ahead,
And we've got a tariff bill that's made all Europe sick abed--
But what is best, though short on tombs and academic groves,
We double discount Christendom on sunshine and on stoves.

Dear land of mine! I come to you from months of chill and storm,
Blessing the honest people whose hearts and hearths are warm;
A fairer, sweeter song than this I mean to weave to you
When I've reached my lakeside 'dobe and once get heated through;
But, even then, the burthen of that fairer song shall be
That the land of stoves and sunshine is good enough for me.
Written by Francesco Petrarch | Create an image from this poem

Canzone VI

CANZONE VI.

Spirto gentil che quelle membra reggi.

TO RIENZI, BESEECHING HIM TO RESTORE TO ROME HER ANCIENT LIBERTY.

Spirit heroic! who with fire divineKindlest those limbs, awhile which pilgrim holdOn earth a Chieftain, gracious, wise, and bold;Since, rightly, now the rod of state is thineRome and her wandering children to confine,And yet reclaim her to the old good way:To thee I speak, for elsewhere not a rayOf virtue can I find, extinct below,Nor one who feels of evil deeds the shame.Why Italy still waits, and what her aimI know not, callous to her proper woe,Indolent, aged, slow,Still will she sleep? Is none to rouse her found?Oh! that my wakening hands were through her tresses wound.
So grievous is the spell, the trance so deep,Loud though we call, my hope is faint that e'erShe yet will waken from her heavy sleep:But not, methinks, without some better endWas this our Rome entrusted to thy care,Who surest may revive and best defend.Fearlessly then upon that reverend head,'Mid her dishevell'd locks, thy fingers spread,And lift at length the sluggard from the dust;I, day and night, who her prostration mourn,For this, in thee, have fix'd my certain trust,[Pg 55]That, if her sons yet turn.And their eyes ever to true honour raise.The glory is reserved for thy illustrious days!
Her ancient walls, which still with fear and loveThe world admires, whene'er it calls to mindThe days of Eld, and turns to look behind;Her hoar and cavern'd monuments aboveThe dust of men, whose fame, until the worldIn dissolution sink, can never fail;Her all, that in one ruin now lies hurl'd,Hopes to have heal'd by thee its every ail.O faithful Brutus! noble Scipios dead!To you what triumph, where ye now are blest,If of our worthy choice the fame have spread:And how his laurell'd crest,Will old Fabricius rear, with joy elate,That his own Rome again shall beauteous be and great!
And, if for things of earth its care Heaven show,The souls who dwell above in joy and peace,And their mere mortal frames have left below,Implore thee this long civil strife may cease,Which kills all confidence, nips every good,Which bars the way to many a roof, where menOnce holy, hospitable lived, the denOf fearless rapine now and frequent blood,Whose doors to virtue only are denied.While beneath plunder'd Saints, in outraged fanesPlots Faction, and Revenge the altar stains;And, contrast sad and wide,The very bells which sweetly wont to flingSummons to prayer and praise now Battle's tocsin ring!
Pale weeping women, and a friendless crowdOf tender years, infirm and desolate Age,Which hates itself and its superfluous days,With each blest order to religion vow'd,Whom works of love through lives of want engage,To thee for help their hands and voices raise;While our poor panic-stricken land displaysThe thousand wounds which now so mar her frame,That e'en from foes compassion they command;Or more if Christendom thy care may claim.Lo! God's own house on fire, while not a hand[Pg 56]Moves to subdue the flame:—Heal thou these wounds, this feverish tumult end,And on the holy work Heaven's blessing shall descend!
Often against our marble Column highWolf, Lion, Bear, proud Eagle, and base SnakeEven to their own injury insult shower;Lifts against thee and theirs her mournful cry,The noble Dame who calls thee here to breakAway the evil weeds which will not flower.A thousand years and more! and gallant menThere fix'd her seat in beauty and in power;The breed of patriot hearts has fail'd since then!And, in their stead, upstart and haughty now,A race, which ne'er to her in reverence bends,Her husband, father thou!Like care from thee and counsel she attends,As o'er his other works the Sire of all extends.
'Tis seldom e'en that with our fairest schemeSome adverse fortune will not mix, and marWith instant ill ambition's noblest dreams;But thou, once ta'en thy path, so walk that IMay pardon her past faults, great as they are,If now at least she give herself the lie.For never, in all memory, as to thee,To mortal man so sure and straight the wayOf everlasting honour open lay,For thine the power and will, if right I see,To lift our empire to its old proud state.Let this thy glory be!They succour'd her when young, and strong, and great,He, in her weak old age, warded the stroke of Fate.Forth on thy way! my Song, and, where the boldTarpeian lifts his brow, shouldst thou behold,Of others' weal more thoughtful than his own,The chief, by general Italy revered,Tell him from me, to whom he is but knownAs one to Virtue and by Fame endear'd,Till stamp'd upon his heart the sad truth be,That, day by day to thee,With suppliant attitude and streaming eyes,For justice and relief our seven-hill'd city cries.
Macgregor.

Book: Radiant Verses: A Journey Through Inspiring Poetry