Written by
Jonathan Swift |
As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,
Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:
And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.
|
Written by
Matthew Prior |
Dear Chloe, how blubbered is that pretty face;
Thy cheek all on fire, and thy hair all uncurled!
Prithee quit this caprice, and (as old Falstaff says)
Let us e'en talk a little like folks of this world.
How canst thou presume thou hast leave to destroy
The beauties which Venus but lent to thy keeping?
Those looks were designed to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion, you wrong:
You take that for fact which will scarce be found wit—
Od's life! must one swear to the truth of a song?
What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse, but I love thee in prose;
And they have my whimsies, but thou hast my heart.
The god of us verse-men (you know, child) the sun,
How after his journeys he sets up his rest;
If at morning o'er earth 'tis his fancy to run,
At night he reclines on his Thetis's breast.
So when I am wearied with wand'ring all day,
To thee, my delight, in the evening I come:
No matter what beauties I saw in my way,
They were but my visits, but thou art my home.
Then finish, dear Chloe, this pastoral war,
And let us like Horace and Lydia agree;
For thou art a girl as much brighter than her,
As he was a poet sublimer than me.
|
Written by
Anne Kingsmill Finch |
[Silvia] Pretty Nymph! within this Shade,
Whilst the Flocks to rest are laid,
Whilst the World dissolves in Heat,
Take this cool, and flow'ry Seat:
And with pleasing Talk awhile
Let us two the Time beguile;
Tho' thou here no Shepherd see,
To encline his humble Knee,
Or with melancholy Lays
Sing thy dangerous Beauty's Praise.
[Dorinda] Nymph! with thee I here wou'd stay,
But have heard, that on this Day,
Near those Beeches, scarce in view,
All the Swains some Mirth pursue:
To whose meeting now I haste.
Solitude do's Life but waste.
[Silvia] Prithee, but a Moment stay.
[Dorinda] No! my Chaplet wou'd decay;
Ev'ry drooping Flow'r wou'd mourn,
And wrong the Face, they shou'd adorn.
[Silvia] I can tell thee, tho' so Fair,
And dress'd with all that rural Care,
Most of the admiring Swains
Will be absent from the Plains.
Gay Sylvander in the Dance
Meeting with a shrew'd Mischance,
To his Cabin's now confin'd
By Mopsus, who the Strain did bind:
Damon through the Woods do's stray,
Where his Kids have lost their way:
Young Narcissus iv'ry Brow
Rac'd by a malicious Bough,
Keeps the girlish Boy from sight,
Till Time shall do his Beauty right.
[Dorinda] Where's Alexis?
[Silvia] –He, alas!
Lies extended on the Grass;
Tears his Garland, raves, despairs,
Mirth and Harmony forswears;
Since he was this Morning shown,
That Delia must not be his Own.
[Dorinda] Foolish Swain! such Love to place.
[Silvia] On any but Dorinda's Face.
[Dorinda] Hasty Nymph! I said not so.
[Silvia] No–but I thy Meaning know.
Ev'ry Shepherd thou wou'd'st have
Not thy Lover, but thy Slave;
To encrease thy captive Train,
Never to be lov'd again.
But, since all are now away,
Prithee, but a Moment stay.
[Dorinda] No; the Strangers, from the Vale,
Sure will not this Meeting fail;
Graceful one, the other Fair.
He too, with the pensive Air,
Told me, ere he came this way
He was wont to look more Gay.
[Silvia] See! how Pride thy Heart inclines
To think, for Thee that Shepherd pines;
When those Words, that reach'd thy Ear,
Chloe was design'd to hear;
Chloe, who did near thee stand,
And his more speaking Looks command.
[Dorinda] Now thy Envy makes me smile.
That indeed were worth his while:
Chloe next thyself decay'd,
And no more a courted Maid.
[Silvia] Next myself! Young Nymph, forbear.
Still the Swains allow me Fair,
Tho' not what I was that Day,
When Colon bore the Prize away;
When–
[Dorinda] –Oh, hold! that Tale will last,
Till all the Evening Sports are past;
Till no Streak of Light is seen,
Nor Footstep prints the flow'ry Green.
What thou wert, I need not know,
What I am, must haste to show.
Only this I now discern
From the things, thou'd'st have me learn,
That Woman-kind's peculiar Joys
From past, or present Beauties rise.
|
Written by
Alexander Pope |
She said: the pitying audience melt in tears,
But Fate and Jove had stopp'd the Baron's ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fix'd the Trojan could remain,
While Anna begg'd and Dido rag'd in vain.
Then grave Clarissa graceful wav'd her fan;
Silence ensu'd, and thus the nymph began.
"Say, why are beauties prais'd and honour'd most,
The wise man's passion, and the vain man's toast?
Why deck'd with all that land and sea afford,
Why angels call'd, and angel-like ador'd?
Why round our coaches crowd the white-glov'd beaux,
Why bows the side-box from its inmost rows?
How vain are all these glories, all our pains,
Unless good sense preserve what beauty gains:
That men may say, when we the front-box grace:
'Behold the first in virtue, as in face!'
Oh! if to dance all night, and dress all day,
Charm'd the smallpox, or chas'd old age away;
Who would not scorn what housewife's cares produce,
Or who would learn one earthly thing of use?
To patch, nay ogle, might become a saint,
Nor could it sure be such a sin to paint.
But since, alas! frail beauty must decay,
Curl'd or uncurl'd, since locks will turn to grey,
Since painted, or not painted, all shall fade,
And she who scorns a man, must die a maid;
What then remains but well our pow'r to use,
And keep good humour still whate'er we lose?
And trust me, dear! good humour can prevail,
When airs, and flights, and screams, and scolding fail.
Beauties in vain their pretty eyes may roll;
Charms strike the sight, but merit wins the soul."
So spoke the dame, but no applause ensu'd;
Belinda frown'd, Thalestris call'd her prude.
"To arms, to arms!" the fierce virago cries,
And swift as lightning to the combat flies.
All side in parties, and begin th' attack;
Fans clap, silks rustle, and tough whalebones crack;
Heroes' and heroines' shouts confus'dly rise,
And bass, and treble voices strike the skies.
No common weapons in their hands are found,
Like gods they fight, nor dread a mortal wound.
So when bold Homer makes the gods engage,
And heav'nly breasts with human passions rage;
'Gainst Pallas, Mars; Latona, Hermes arms;
And all Olympus rings with loud alarms.
Jove's thunder roars, heav'n trembles all around;
Blue Neptune storms, the bellowing deeps resound;
Earth shakes her nodding tow'rs, the ground gives way;
And the pale ghosts start at the flash of day!
Triumphant Umbriel on a sconce's height
Clapp'd his glad wings, and sate to view the fight:
Propp'd on their bodkin spears, the sprites survey
The growing combat, or assist the fray.
While through the press enrag'd Thalestris flies,
And scatters death around from both her eyes,
A beau and witling perish'd in the throng,
One died in metaphor, and one in song.
"O cruel nymph! a living death I bear,"
Cried Dapperwit, and sunk beside his chair.
A mournful glance Sir Fopling upwards cast,
"Those eyes are made so killing"--was his last.
Thus on Mæeander's flow'ry margin lies
Th' expiring swan, and as he sings he dies.
When bold Sir Plume had drawn Clarissa down,
Chloe stepp'd in, and kill'd him with a frown;
She smil'd to see the doughty hero slain,
But at her smile, the beau reviv'd again.
Now Jove suspends his golden scales in air,
Weighs the men's wits against the lady's hair;
The doubtful beam long nods from side to side;
At length the wits mount up, the hairs subside.
See, fierce Belinda on the baron flies,
With more than usual lightning in her eyes,
Nor fear'd the chief th' unequal fight to try,
Who sought no more than on his foe to die.
But this bold lord with manly strength endu'd,
She with one finger and a thumb subdu'd:
Just where the breath of life his nostrils drew,
A charge of snuff the wily virgin threw;
The Gnomes direct, to ev'ry atom just,
The pungent grains of titillating dust.
Sudden, with starting tears each eye o'erflows,
And the high dome re-echoes to his nose.
"Now meet thy fate", incens'd Belinda cried,
And drew a deadly bodkin from her side.
(The same, his ancient personage to deck,
Her great great grandsire wore about his neck
In three seal-rings; which after, melted down,
Form'd a vast buckle for his widow's gown:
Her infant grandame's whistle next it grew,
The bells she jingled, and the whistle blew;
Then in a bodkin grac'd her mother's hairs,
Which long she wore, and now Belinda wears.)
"Boast not my fall," he cried, "insulting foe!
Thou by some other shalt be laid as low.
Nor think, to die dejects my lofty mind;
All that I dread is leaving you benind!
Rather than so, ah let me still survive,
And burn in Cupid's flames--but burn alive."
"Restore the lock!" she cries; and all around
"Restore the lock!" the vaulted roofs rebound.
Not fierce Othello in so loud a strain
Roar'd for the handkerchief that caus'd his pain.
But see how oft ambitious aims are cross'd,
The chiefs contend 'till all the prize is lost!
The lock, obtain'd with guilt, and kept with pain,
In ev'ry place is sought, but sought in vain:
With such a prize no mortal must be blest,
So Heav'n decrees! with Heav'n who can contest?
Some thought it mounted to the lunar sphere,
Since all things lost on earth are treasur'd there.
There hero's wits are kept in pond'rous vases,
And beaux' in snuff boxes and tweezercases.
There broken vows and deathbed alms are found,
And lovers' hearts with ends of riband bound;
The courtier's promises, and sick man's prayers,
The smiles of harlots, and the tears of heirs,
Cages for gnats, and chains to yoke a flea,
Dried butterflies, and tomes of casuistry.
But trust the Muse--she saw it upward rise,
Though mark'd by none but quick, poetic eyes:
(So Rome's great founder to the heav'ns withdrew,
To Proculus alone confess'd in view)
A sudden star, it shot through liquid air,
And drew behind a radiant trail of hair.
Not Berenice's locks first rose so bright,
The heav'ns bespangling with dishevell'd light.
The Sylphs behold it kindling as it flies,
And pleas'd pursue its progress through the skies.
This the beau monde shall from the Mall survey,
And hail with music its propitious ray.
This the blest lover shall for Venus take,
And send up vows from Rosamonda's lake.
This Partridge soon shall view in cloudless skies,
When next he looks through Galileo's eyes;
And hence th' egregious wizard shall foredoom
The fate of Louis, and the fall of Rome.
Then cease, bright nymph! to mourn thy ravish'd hair,
Which adds new glory to the shining sphere!
Not all the tresses that fair head can boast
Shall draw such envy as the lock you lost.
For, after all the murders of your eye,
When, after millions slain, yourself shall die:
When those fair suns shall set, as set they must,
And all those tresses shall be laid in dust,
This lock, the Muse shall consecrate to fame
And 'midst the stars inscribe Belinda's name.
|
Written by
Andrew Marvell |
Quisnam adeo, mortale genus, praecordia versat:
Heu Palmae, Laurique furor, vel simplicis Herbae!
Arbor ut indomitos ornet vix una labores;
Tempora nec foliis praecingat tota maglignis.
Dum simud implexi, tranquillae ad ferta Quiaetis,
Omnigeni coeunt Flores, integraque Sylva.
Alma Quies, teneo te! & te Germana Quietis
Simplicitas! Vos ergo diu per Templa, per urbes,
Quaesivi, Regum perque alta Palatia frustra.
Sed vos Hotrorum per opaca siluentia longe
Celarant Plantae virides, & concolor Umbra.
O! mibi si vestros liceat violasse recessus.
Erranti, lasso, & vitae melioris anhelo,
Municipem servate novum, votoque potitum,
Frondosae Cives optate in florea Regna.
Me quoque, vos Musae, &, te conscie testor Apollo,
Non Armenta juvant hominum, Circique boatus,
Mugitusve Fori; sed me Penetralia veris,
Horroresque trahunt muti, & Consortia sola.
Virgineae quem non suspendit Gratia formae?
Quam candore Nives vincentum, Ostrumque rubore,
Vestra tamen viridis superet (me judice) Virtus.
Nec foliis certare Comae, nec Brachia ramis,
Nec possint tremulos voces aequare susurros.
Ah quoties saevos vidi (quis credat?) Amantes
Sculpentes Dominae potiori in cortice nomen?
Nec puduit truncis inscribere vulnera sacris.
Ast Ego, si vestras unquam temeravero stirpes,
Nulla Neaera, Chloe, Faustina, Corynna, legetur:
In proprio sed quaeque libro signabitur Arbos.
O charae Platanus, Cyparissus, Populus, Ulnus!
Hic Amor, exutis crepidatus inambulat alis,
Enerves arcus & stridula tela reponens,
Invertitque faces, nec se cupit usque timeri;
Aut experrectus jacet, indormitque pharetrae;
Non auditurus quanquam Cytherea vocarit;
Nequitias referuut nec somnia vana priores.
Laetantur Superi, defervescente Tyranno,
Et licet experti toties Nymphasque Deasque,
Arbore nunc melius potiuntur quisque cupita.
Jupiter annosam, neglecta conjuge, Quercum
Deperit; baud alia doluit sic pellice. Juno.
Lemniacum temerant vestigia nulla Cubile,
Nic Veneris Mavors meminit si Fraxinus adsit.
Formosae pressit Daphnes vestigia Phaebus
Ut fieret Laurus; sed nil quaesiverat ultra.
Capripes & peteret quod Pan Syringa fugacem,
Hoc erat ut Calamum posset reperire Sonorum.
Note: Desunt multa. Nec tu, Opisex horti, grato sine carmine abibis:
Qui brevibus plantis, & laeto flore, notasti
Crescentes horas, atque intervalla diei.
Sol ibi candidior fragrantia Signa pererrat;
Proque truci Tauro, stricto pro forcipe Cancri,
Securis violaeque rosaeque allabitur umbris.
Sedula quin & Apis, mellito intenta labori,
Horologo sua pensa thymo Signare videtur.
Temporis O suaves lapsus! O Otia sana!
O Herbis dignae numerari & Floribus Horae!
|
Written by
Matthew Prior |
WHAT nymph should I admire or trust,
But Chloe beauteous, Chloe just?
What nymph should I desire to see,
But her who leaves the plain for me?
To whom should I compose the lay,
But her who listens when I play?
To whom in song repeat my cares,
But her who in my sorrow shares?
For whom should I the garland make,
But her who joys the gift to take,
And boasts she wears it for my sake?
In love am I not fully blest?
Lisetta, prithee tell the rest.
LISETTA'S REPLY
Sure Chloe just, and Chloe fair,
Deserves to be your only care;
But, when you and she to-day
Far into the wood did stray,
And I happen'd to pass by,
Which way did you cast your eye?
But, when your cares to her you sing,
You dare not tell her whence they spring:
Does it not more afflict your heart,
That in those cares she bears a part?
When you the flowers for Chloe twine,
Why do you to her garland join
The meanest bud that falls from mine?
Simplest of swains! the world may see
Whom Chloe loves, and who loves me.
|
Written by
Andrew Marvell |
Daphnis must from Chloe part:
Now is come the dismal Hour
That must all his Hopes devour,
All his Labour, all his Art.
Nature, her own Sexes foe,
Long had taught her to be coy:
But she neither knew t' enjoy,
Nor yet let her Lover go.
But, with this sad News surpriz'd,
Soon she let that Niceness fall;
And would gladly yield to all,
So it had his stay compriz'd.
Nature so her self does use
To lay by her wonted State,
Left the World should separate;
Sudden Parting closer glews.
He, well read in all the wayes
By which men their Siege maintain,
Knew not that the Fort to gain
Better 'twas the siege to raise.
But he came so full possest
With the Grief of Parting thence,
That he had not so much Sence
As to see he might be blest.
Till Love in her Language breath'd
Words she never spake before;
But then Legacies no more
To a dying Man bequeath'd.
For, Alas, the time was spent,
Now the latest minut's run
When poor Daphnis is undone,
Between Joy and Sorrow rent.
At that Why, that Stay my Dear,
His disorder'd Locks he tare;
And with rouling Eyes did glare,
And his cruel Fate forswear.
As the Soul of one scarce dead,
With the shrieks of Friends aghast,
Looks distracted back in hast,
And then streight again is fled.
So did wretched Daphnis look,
Frighting her he loved most.
At the last, this Lovers Ghost
Thus his Leave resolved took.
Are my Hell and Heaven Joyn'd
More to torture him that dies?
Could departure not suffice,
But that you must then grow kind?
Ah my Chloe how have I
Such a wretched minute found,
When thy Favours should me wound
More than all thy Cruelty?
So to the condemned Wight
The delicious Cup we fill;
And allow him all he will,
For his last and short Delight.
But I will not now begin
Such a Debt unto my Foe;
Nor to my Departure owe
What my Presence could not win.
Absence is too much alone:
Better 'tis to go in peace,
Than my Losses to increase
By a late Fruition.
Why should I enrich my Fate?
'Tis a Vanity to wear,
For my Executioner,
Jewels of so high a rate.
Rather I away will pine
In a manly stubborness
Than be fatted up express
For the Canibal to dine.
Whilst this grief does thee disarm,
All th' Enjoyment of our Love
But the ravishment would prove
Of a Body dead while warm.
And I parting should appear
Like the Gourmand Hebrew dead,
While he Quailes and Manna fed,
And does through the Desert err.
Or the Witch that midnight wakes
For the Fern, whose magick Weed
In one minute casts the Seed.
And invisible him makes.
Gentler times for Love are ment:
Who for parting pleasure strain
Gather Roses in the rain,
Wet themselves and spoil their Sent.
Farewel therefore all the fruit
Which I could from Love receive:
Joy will not with Sorrow weave,
Nor will I this Grief pollute.
Fate I come, as dark, as sad,
As thy Malice could desire;
Yet bring with me all the Fire
That Love in his Torches had.
At these words away he broke;
As who long has praying ly'n,
To his Heads-man makes the Sign,
And receives the parting stroke.
But hence Virgins all beware.
Last night he with Phlogis slept;
This night for Dorinda kept;
And but rid to take the Air.
Yet he does himself excuse;
Nor indeed without a Cause.
For, according to the Lawes,
Why did Chloe once refuse?
|
Written by
Matthew Prior |
Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.
How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found wit:
Odds life! must one swear to the truth of a song?
What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse; but I love thee in prose:
And they have my whimsies, but thou hast my heart.
The god of us verse-men (you know, child) the Sun,
How after his journeys he sets up his rest:
If at morning o'er earth 'tis his fancy to run;
At night he declines on his Thetis's breast.
So when I am wearied with wand'ring all day,
To thee my delight in the evening I come:
No matter what beauties I saw in my way;
They were but my visits, but thou art my home.
Then finish, dear Chloe, this pastoral war;
And let us like Horace and Lydia agree:
For thou art a girl as much brighter than her,
As he was a poet sublimer than me.
|
Written by
Eugene Field |
Syn that you, Chloe, to your moder sticken,
Maketh all ye yonge bacheloures full sicken;
Like as a lyttel deere you ben y-hiding
Whenas come lovers with theyre pityse chiding;
Sothly it ben faire to give up your moder
For to beare swete company with some oder;
Your moder ben well enow so farre shee goeth,
But that ben not farre enow, God knoweth;
Wherefore it ben sayed that foolysh ladyes
That marrye not shall leade an aype in Hadys;
But all that do with gode men wed full quickylye
When that they be on dead go to ye seints full sickerly.
|
Written by
Eugene Field |
HORACE
When you were mine in auld lang syne,
And when none else your charms might ogle,
I'll not deny,
Fair nymph, that I
Was happier than a Persian mogul.
LYDIA
Before she came--that rival flame!--
(Was ever female creature sillier?)
In those good times,
Bepraised in rhymes,
I was more famed than Mother Ilia!
HORACE
Chloe of Thrace! With what a grace
Does she at song or harp employ her!
I'd gladly die
If only I
Might live forever to enjoy her!
LYDIA
My Sybaris so noble is
That, by the gods! I love him madly--
That I might save
Him from the grave
I'd give my life, and give it gladly!
HORACE
What if ma belle from favor fell,
And I made up my mind to shake her,
Would Lydia, then,
Come back again
And to her quondam flame betake her?
LYDIA
My other beau should surely go,
And you alone should find me gracious;
For no one slings
Such odes and things
As does the lauriger Horatius!
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