Written by
William Butler Yeats |
I.
Ancestral Houses
Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II.
My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here.
A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III.
My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged.
In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV.
My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V.
The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI.
The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII.
I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east.
A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.
' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes.
No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks.
Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more.
The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
|
Written by
Algernon Charles Swinburne |
JANUARY
HAIL, January, that bearest here
On snowbright breasts the babe-faced year
That weeps and trembles to be born.
Hail, maid and mother, strong and bright,
Hooded and cloaked and shod with white,
Whose eyes are stars that match the morn.
Thy forehead braves the storm's bent bow,
Thy feet enkindle stars of snow.
FEBRUARY
Wan February with weeping cheer,
Whose cold hand guides the youngling year
Down misty roads of mire and rime,
Before thy pale and fitful face
The shrill wind shifts the clouds apace
Through skies the morning scarce may climb.
Thine eyes are thick with heavy tears,
But lit with hopes that light the year's.
MARCH
Hail, happy March, whose foot on earth
Rings as the blast of martial mirth
When trumpets fire men's hearts for fray.
No race of wild things winged or finned
May match the might that wings thy wind
Through air and sea, through scud and spray.
Strong joy and thou were powers twin-born
Of tempest and the towering morn.
APRIL
Crowned April, king whose kiss bade earth
Bring forth to time her lordliest birth
When Shakespeare from thy lips drew breath
And laughed to hold in one soft hand
A spell that bade the world's wheel stand,
And power on life, and power on death,
With quiring suns and sunbright showers
Praise him, the flower of all thy flowers.
MAY
Hail, May, whose bark puts forth full-sailed
For summer; May, whom Chaucer hailed
With all his happy might of heart,
And gave thy rosebright daisy-tips
Strange frarance from his amorous lips
That still thine own breath seems to part
And sweeten till each word they say
Is even a flower of flowering May.
JUNE
Strong June, superb, serene, elate
With conscience of thy sovereign state
Untouched of thunder, though the storm
Scathe here and there thy shuddering skies
And bid its lightning cross thine eyes
With fire, thy golden hours inform
Earth and the souls of men with life
That brings forth peace from shining strife.
JULY
Hail, proud July, whose fervent mouth
Bids even be morn and north be south
By grace and gospel of thy word,
Whence all the splendour of the sea
Lies breathless with delight in thee
And marvel at the music heard
From the ardent silent lips of noon
And midnight's rapturous plenilune.
AUGUST
Great August, lord of golden lands,
Whose lordly joy through seas and strands
And all the red-ripe heart of earth
Strikes passion deep as life, and stills
The folded vales and folding hills
With gladness too divine for mirth,
The gracious glories of thine eyes
Make night a noon where darkness dies.
SEPTEMBER
Hail, kind September, friend whose grace
Renews the bland year's bounteous face
With largess given of corn and wine
Through many a land that laughs with love
Of thee and all the heaven above,
More fruitful found than all save thine
Whose skies fulfil with strenuous cheer
The fervent fields that knew thee near.
OCTOBER
October of the tawny crown,
Whose heavy-laden hands drop down
Blessing, the bounties of thy breath
And mildness of thy mellowing might
Fill earth and heaven with love and light
Too sweet for fear to dream of death
Or memory, while thy joy lives yet,
To know what joy would fain forget.
NOVEMBER
Hail, soft November, though thy pale
Sad smile rebuke the words that hail
Thy sorrow with no sorrowing words
Or gratulate thy grief with song
Less bitter than the winds that wrong
Thy withering woodlands, where the birds
Keep hardly heart to sing or see
How fair thy faint wan face may be.
DECEMBER
December, thou whose hallowing hands
On shuddering seas and hardening lands
Set as a sacramental sign
The seal of Christmas felt on earth
As witness toward a new year's birth
Whose promise makes thy death divine,
The crowning joy that comes of thee
Makes glad all grief on land or sea.
|
Written by
Geoffrey Chaucer |
THE PROLOGUE.
THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.
* *lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
*Well ought a man avised for to be* *a man should take good heed*
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware, *was called
Heard I a miller better *set a-work*; *handled
He had a jape* of malice in the derk.
*trick
But God forbid that we should stinte* here, *stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city.
"
Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover<1> hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game*; *angry with my jesting*
A man may say full sooth in game and play.
"
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play,<2> as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here, *part company
Though that my tale be of an hostelere.
* *innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis* thou shalt be quit.
"<3> *assuredly
And therewithal he laugh'd and made cheer,<4>
And told his tale, as ye shall after hear.
Notes to the Prologue to the Cook's Tale
1.
Jack of Dover: an article of cookery.
(Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)
2.
Sooth play quad play: true jest is no jest.
3.
It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.
4.
Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.
THE TALE.
A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard* he was, as goldfinch in the shaw**, *lively **grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.
* *daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,<1>
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie* of his sort, *company of fellows
To hop and sing, and make such disport:
And there they *sette steven* for to meet *made appointment*
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto *he was free *he spent money liberally
Of his dispence, in place of privity.
* where he would not be seen*
That found his master well in his chaffare,* *merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie*, *suffer for
All* have he no part of the minstrelsy.
*although
For theft and riot they be convertible,
All can they play on *gitern or ribible.
* *guitar or rebeck*
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see.
*at variance
This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed* both early and late, *rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper<2> sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace*, *pass, go
Than he shend* all the servants in the place.
*corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve*: *desire
Now let him riot all the night, or leave*.
*refrain
And, for there is no thief without a louke,<3>
That helpeth him to wasten and to souk* *spend
Of that he bribe* can, or borrow may, *steal
Anon he sent his bed and his array
Unto a compere* of his owen sort, *comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance* *for appearances*
A shop, and swived* for her sustenance.
*prostituted herself
.
.
.
.
.
.
.
<4>
Notes to the Cook's Tale
1.
Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.
2.
His paper: his certificate of completion of his apprenticeship.
3.
Louke: The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".
4.
The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded.
The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales.
It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry.
"
|
Written by
Ben Jonson |
MASTER WILLIAM SHAKESPEARE,
AND WHAT HE HATH LEFT US
by Ben Jonson
To draw no envy, SHAKSPEARE, on thy name,
Am I thus ample to thy book and fame ;
While I confess thy writings to be such,
As neither Man nor Muse can praise too much.
'Tis true, and all men's suffrage.
But these ways
Were not the paths I meant unto thy praise ;
For seeliest ignorance on these may light,
Which, when it sounds at best, but echoes right ;
Or blind affection, which doth ne'er advance
The truth, but gropes, and urgeth all by chance ;
Or crafty malice might pretend this praise,
And think to ruin where it seemed to raise.
These are, as some infamous bawd or whore
Should praise a matron ; what could hurt her more ?
But thou art proof against them, and, indeed,
Above the ill fortune of them, or the need.
I therefore will begin: Soul of the age!
The applause ! delight ! the wonder of our stage!
My SHAKSPEARE rise ! I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room :
Thou art a monument without a tomb,
And art alive still while thy book doth live
And we have wits to read, and praise to give.
That I not mix thee so my brain excuses,
I mean with great, but disproportioned Muses :
For if I thought my judgment were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee, I would not seek
For names : but call forth thund'ring Aeschylus,
Euripides, and Sophocles to us,
Pacuvius, Accius, him of Cordova dead,
To life again, to hear thy buskin tread
And shake a stage : or when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
To whom all Scenes of Europe homage owe.
He was not of an age, but for all time !
And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
Our ears, or like a Mercury to charm !
Nature herself was proud of his designs,
And joyed to wear the dressing of his lines !
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, tart Aristophanes,
Neat Terence, witty Plautus, now not please ;
But antiquated and deserted lie,
As they were not of Nature's family.
Yet must I not give Nature all ; thy art,
My gentle Shakspeare, must enjoy a part.
For though the poet's matter nature be,
His art doth give the fashion : and, that he
Who casts to write a living line, must sweat,
(Such as thine are) and strike the second heat
Upon the Muses' anvil ; turn the same,
And himself with it, that he thinks to frame ;
Or for the laurel he may gain a scorn ;
For a good poet's made, as well as born.
And such wert thou ! Look how the father's face
Lives in his issue, even so the race
Of Shakspeare's mind and manners brightly shines
In his well torned and true filed lines;
In each of which he seems to shake a lance,
As brandisht at the eyes of ignorance.
Sweet Swan of Avon ! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That so did take Eliza, and our James !
But stay, I see thee in the hemisphere
Advanced, and made a constellation there !
Shine forth, thou Star of Poets, and with rage
Or influence, chide or cheer the drooping stage,
Which, since thy flight from hence, hath mourned like night,
And despairs day, but for thy volume's light.
Source:
Jonson, Ben.
The Works of Ben Jonson, vol.
3.
London: Chatto & Windus, 1910.
287-9.
|
Written by
William Dunbar |
I THAT in heill was and gladness
Am trublit now with great sickness
And feblit with infirmitie:--
Timor Mortis conturbat me.
Our plesance here is all vain glory,
This fals world is but transitory,
The flesh is bruckle, the Feynd is slee:--
Timor Mortis conturbat me.
The state of man does change and vary,
Now sound, now sick, now blyth, now sary,
Now dansand mirry, now like to die:--
Timor Mortis conturbat me.
No state in Erd here standis sicker;
As with the wynd wavis the wicker
So wannis this world's vanitie:--
Timor Mortis conturbat me.
Unto the Death gois all Estatis,
Princis, Prelatis, and Potestatis,
Baith rich and poor of all degree:--
Timor Mortis conturbat me.
He takis the knichtis in to the field
Enarmit under helm and scheild;
Victor he is at all mellie:--
Timor Mortis conturbat me.
That strong unmerciful tyrand
Takis, on the motheris breast sowkand,
The babe full of benignitie:--
Timor Mortis conturbat me.
He takis the campion in the stour,
The captain closit in the tour,
The lady in bour full of bewtie:--
Timor Mortis conturbat me.
He spairis no lord for his piscence,
Na clerk for his intelligence;
His awful straik may no man flee:--
Timor Mortis conturbat me.
Art-magicianis and astrologgis,
Rethoris, logicianis, and theologgis,
Them helpis no conclusionis slee:--
Timor Mortis conturbat me.
In medecine the most practicianis,
Leechis, surrigianis, and physicianis,
Themself from Death may not supplee:--
Timor Mortis conturbat me.
I see that makaris amang the lave
Playis here their padyanis, syne gois to grave;
Sparit is nocht their facultie:--
Timor Mortis conturbat me.
He has done petuously devour
The noble Chaucer, of makaris flour,
The Monk of Bury, and Gower, all three:--
Timor Mortis conturbat me.
The good Sir Hew of Eglintoun,
Ettrick, Heriot, and Wintoun,
He has tane out of this cuntrie:--
Timor Mortis conturbat me.
That scorpion fell has done infeck
Maister John Clerk, and James Afflek,
Fra ballat-making and tragedie:--
Timor Mortis conturbat me.
Holland and Barbour he has berevit;
Alas! that he not with us levit
Sir Mungo Lockart of the Lee:--
Timor Mortis conturbat me.
Clerk of Tranent eke he has tane,
That made the anteris of Gawaine;
Sir Gilbert Hay endit has he:--
Timor Mortis conturbat me.
He has Blind Harry and Sandy Traill
Slain with his schour of mortal hail,
Quhilk Patrick Johnstoun might nought flee:--
Timor Mortis conturbat me.
He has reft Merseir his endite,
That did in luve so lively write,
So short, so quick, of sentence hie:--
Timor Mortis conturbat me.
He has tane Rowll of Aberdene,
And gentill Rowll of Corstorphine;
Two better fallowis did no man see:--
Timor Mortis conturbat me.
In Dunfermline he has tane Broun
With Maister Robert Henrysoun;
Sir John the Ross enbrast has he:--
Timor Mortis conturbat me.
And he has now tane, last of a,
Good gentil Stobo and Quintin Shaw,
Of quhom all wichtis hes pitie:--
Timor Mortis conturbat me.
Good Maister Walter Kennedy
In point of Death lies verily;
Great ruth it were that so suld be:--
Timor Mortis conturbat me.
Sen he has all my brether tane,
He will naught let me live alane;
Of force I man his next prey be:--
Timor Mortis conturbat me.
Since for the Death remeid is none,
Best is that we for Death dispone,
After our death that live may we:--
Timor Mortis conturbat me.
|
Written by
Henry Wadsworth Longfellow |
An old man in a lodge within a park;
The chamber walls depicted all around
With portraitures of huntsman, hawk, and hound,
And the hurt deer.
He listeneth to the lark,
Whose song comes with the sunshine through the dark
Of painted glass in leaden lattice bound;
He listeneth and he laugheth at the sound,
Then writeth in a book like any clerk.
He is the poet of the dawn, who wrote
The Canterbury Tales, and his old age
Made beautiful with song; and as I read
I hear the crowing cock, I hear the note
Of lark and linnet, and from every page
Rise odors of ploughed field or flowery mead.
|
Written by
Walter Savage Landor |
There is delight in singing, though none hear
Beside the singer; and there is delight
In praising, though the praiser sits alone
And see the praised far off him, far above.
Shakespeare is not our poet, but the world's,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale
No man hath walked along our roads with step
So active, so inquiring eye, or tongue
So varied in discourse.
But warmer climes
Give brighter plumage, stronger wing; the breeze
Of Alpine heights thou playest with, borne on
Beyond Sorrento and Amalfi, where
The Siren waits thee, singing song for song.
|
Written by
Andrew Marvell |
As one put drunk into the Packet-boat,
Tom May was hurry'd hence and did not know't.
But was amaz'd on the Elysian side,
And with an Eye uncertain, gazing wide,
Could not determine in what place he was,
For whence in Stevens ally Trees or Grass.
Nor where the Popes head, nor the Mitre lay,
Signs by which still he found and lost his way.
At last while doubtfully he all compares,
He saw near hand, as he imagin'd Ares.
Such did he seem for corpulence and port,
But 'twas a man much of another sort;
'Twas Ben that in the dusky Laurel shade
Amongst the Chorus of old Poets laid,
Sounding of ancient Heroes, such as were
The Subjects Safety, and the Rebel's Fear.
But how a double headed Vulture Eats,
Brutus and Cassius the Peoples cheats.
But seeing May he varied streight his song,
Gently to signifie that he was wrong.
Cups more then civil of Emilthian wine,
I sing (said he) and the Pharsalian Sign,
Where the Historian of the Common-wealth
In his own Bowels sheath'd the conquering health.
By this May to himself and them was come,
He found he was tranflated, and by whom.
Yet then with foot as stumbling as his tongue
Prest for his place among the Learned throng.
But Ben, who knew not neither foe nor friend,
Sworn Enemy to all that do pretend,
Rose more then ever he was seen severe,
Shook his gray locks, and his own Bayes did tear
At this intrusion.
Then with Laurel wand,
The awful Sign of his supream command.
At whose dread Whisk Virgil himself does quake,
And Horace patiently its stroke does take,
As he crowds in he whipt him ore the pate
Like Pembroke at the Masque, and then did rate.
Far from these blessed shades tread back agen
Most servil' wit, and Mercenary Pen.
Polydore, Lucan, Allan, Vandale, Goth,
Malignant Poet and Historian both.
Go seek the novice Statesmen, and obtrude
On them some Romane cast similitude,
Tell them of Liberty, the Stories fine,
Until you all grow Consuls in your wine.
Or thou Dictator of the glass bestow
On him the Cato, this the Cicero.
Transferring old Rome hither in your talk,
As Bethlem's House did to Loretto walk.
Foul Architect that hadst not Eye to see
How ill the measures of these States agree.
And who by Romes example England lay,
Those but to Lucan do continue May.
But the nor Ignorance nor seeming good
Misled, but malice fixt and understood.
Because some one than thee more worthy weares
The sacred Laurel, hence are all these teares?
Must therefore all the World be set on flame,
Because a Gazet writer mist his aim?
And for a Tankard-bearing Muse must we
As for the Basket Guelphs and Gibellines be?
When the Sword glitters ore the Judges head,
And fear has Coward Churchmen silenced,
Then is the Poets time, 'tis then he drawes,
And single fights forsaken Vertues cause.
He, when the wheel of Empire, whirleth back,
And though the World disjointed Axel crack,
Sings still of ancient Rights and better Times,
Seeks wretched good, arraigns successful Crimes.
But thou base man first prostituted hast
Our spotless knowledge and the studies chast.
Apostatizing from our Arts and us,
To turn the Chronicler to Spartacus.
Yet wast thou taken hence with equal fate,
Before thou couldst great Charles his death relate.
But what will deeper wound thy little mind,
Hast left surviving Davenant still behind
Who laughs to see in this thy death renew'd,
Right Romane poverty and gratitude.
Poor Poet thou, and grateful Senate they,
Who thy last Reckoning did so largely pay.
And with the publick gravity would come,
When thou hadst drunk thy last to lead thee home.
If that can be thy home where Spencer lyes
And reverend Chaucer, but their dust does rise
Against thee, and expels thee from their side,
As th' Eagles Plumes from other birds divide.
Nor here thy shade must dwell, Return, Return,
Where Sulphrey Phlegeton does ever burn.
The Cerberus with all his Jawes shall gnash,
Megera thee with all her Serpents lash.
Thou rivited unto Ixion's wheel
Shalt break, and the perpetual Vulture feel.
'Tis just what Torments Poets ere did feign,
Thou first Historically shouldst sustain.
Thus by irrevocable Sentence cast,
May only Master of these Revels past.
And streight he vanisht in a Cloud of Pitch,
Such as unto the Sabboth bears the Witch.
|
Written by
Sidney Lanier |
Inscribed to the Memory of John Keats.
Dear uplands, Chester's favorable fields,
My large unjealous Loves, many yet one --
A grave good-morrow to your Graces, all,
Fair tilth and fruitful seasons!
Lo, how still!
The midmorn empties you of men, save me;
Speak to your lover, meadows! None can hear.
I lie as lies yon placid Brandywine,
Holding the hills and heavens in my heart
For contemplation.
'Tis a perfect hour.
From founts of dawn the fluent autumn day
Has rippled as a brook right pleasantly
Half-way to noon; but now with widening turn
Makes pause, in lucent meditation locked,
And rounds into a silver pool of morn,
Bottom'd with clover-fields.
My heart just hears
Eight lingering strokes of some far village-bell,
That speak the hour so inward-voiced, meseems
Time's conscience has but whispered him eight hints
Of revolution.
Reigns that mild surcease
That stills the middle of each rural morn --
When nimble noises that with sunrise ran
About the farms have sunk again to rest;
When Tom no more across the horse-lot calls
To sleepy Dick, nor Dick husk-voiced upbraids
The sway-back'd roan for stamping on his foot
With sulphurous oath and kick in flank, what time
The cart-chain clinks across the slanting shaft,
And, kitchenward, the rattling bucket plumps
Souse down the well, where quivering ducks quack loud,
And Susan Cook is singing.
Up the sky
The hesitating moon slow trembles on,
Faint as a new-washed soul but lately up
From out a buried body.
Far about,
A hundred slopes in hundred fantasies
Most ravishingly run, so smooth of curve
That I but seem to see the fluent plain
Rise toward a rain of clover-blooms, as lakes
Pout gentle mounds of plashment up to meet
Big shower-drops.
Now the little winds, as bees,
Bowing the blooms come wandering where I lie
Mixt soul and body with the clover-tufts,
Light on my spirit, give from wing and thigh
Rich pollens and divine sweet irritants
To every nerve, and freshly make report
Of inmost Nature's secret autumn-thought
Unto some soul of sense within my frame
That owns each cognizance of the outlying five,
And sees, hears, tastes, smells, touches, all in one.
Tell me, dear Clover (since my soul is thine,
Since I am fain give study all the day,
To make thy ways my ways, thy service mine,
To seek me out thy God, my God to be,
And die from out myself to live in thee) --
Now, Cousin Clover, tell me in mine ear:
Go'st thou to market with thy pink and green?
Of what avail, this color and this grace?
Wert thou but squat of stem and brindle-brown,
Still careless herds would feed.
A poet, thou:
What worth, what worth, the whole of all thine art?
Three-Leaves, instruct me! I am sick of price.
Framed in the arching of two clover-stems
Where-through I gaze from off my hill, afar,
The spacious fields from me to Heaven take on
Tremors of change and new significance
To th' eye, as to the ear a simple tale
Begins to hint a parable's sense beneath.
The prospect widens, cuts all bounds of blue
Where horizontal limits bend, and spreads
Into a curious-hill'd and curious-valley'd Vast,
Endless before, behind, around; which seems
Th' incalculable Up-and-Down of Time
Made plain before mine eyes.
The clover-stems
Still cover all the space; but now they bear,
For clover-blooms, fair, stately heads of men
With poets' faces heartsome, dear and pale --
Sweet visages of all the souls of time
Whose loving service to the world has been
In the artist's way expressed and bodied.
Oh,
In arms' reach, here be Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha (sweetest masters! Let me lay
These arms this once, this humble once, about
Your reverend necks -- the most containing clasp,
For all in all, this world e'er saw!) and there,
Yet further on, bright throngs unnamable
Of workers worshipful, nobilities
In the Court of Gentle Service, silent men,
Dwellers in woods, brooders on helpful art,
And all the press of them, the fair, the large,
That wrought with beauty.
Lo, what bulk is here?
Now comes the Course-of-things, shaped like an Ox,
Slow browsing, o'er my hillside, ponderously --
The huge-brawned, tame, and workful Course-of-things,
That hath his grass, if earth be round or flat,
And hath his grass, if empires plunge in pain
Or faiths flash out.
This cool, unasking Ox
Comes browsing o'er my hills and vales of Time,
And thrusts me out his tongue, and curls it, sharp,
And sicklewise, about my poets' heads,
And twists them in, all -- Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha, in one sheaf -- and champs and chews,
With slantly-churning jaws, and swallows down;
Then slowly plants a mighty forefoot out,
And makes advance to futureward, one inch.
So: they have played their part.
And to this end?
This, God? This, troublous-breeding Earth? This, Sun
Of hot, quick pains? To this no-end that ends,
These Masters wrought, and wept, and sweated blood,
And burned, and loved, and ached with public shame,
And found no friends to breathe their loves to, save
Woods and wet pillows? This was all? This Ox?
"Nay," quoth a sum of voices in mine ear,
"God's clover, we, and feed His Course-of-things;
The pasture is God's pasture; systems strange
Of food and fiberment He hath, whereby
The general brawn is built for plans of His
To quality precise.
Kinsman, learn this:
The artist's market is the heart of man;
The artist's price, some little good of man.
Tease not thy vision with vain search for ends.
The End of Means is art that works by love.
The End of Ends .
.
.
in God's Beginning's lost.
"
|
Written by
R S Thomas |
'Listen, now, verse should be as natural
As the small tuber that feeds on muck
And grows slowly from obtuse soil
To the white flower of immortal beauty.
'
'Natural, hell! What was it Chaucer
Said once about the long toil
That goes like blood to the poem's making?
Leave it to nature and the verse sprawls,
Limp as bindweed, if it break at all
Life's iron crust.
Man, you must sweat
And rhyme your guts taut, if you'd build
Your verse a ladder.
'
'You speak as though
No sunlight ever surprised the mind
Groping on its cloudy path.
'
'Sunlight's a thing that needs a window
Before it enter a dark room.
Windows don't happen.
'
So two old poets,
Hunched at their beer in the low haze
Of an inn parlour, while the talk ran
Noisily by them, glib with prose.
|