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Best Famous Celt Poems

Here is a collection of the all-time best famous Celt poems. This is a select list of the best famous Celt poetry. Reading, writing, and enjoying famous Celt poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of celt poems.

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Written by Rupert Brooke | Create an image from this poem

A Letter to a Live Poet

 Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man's hand, as thine,
Has, on the world's most noblest chord of song,
Struck certain magic strains.
Ears satiate With the clamorous, timorous whisperings of to-day, Thrilled to perceive once more the spacious voice And serene unterrance of old.
We heard -- With rapturous breath half-held, as a dreamer dreams Who dares not know it dreaming, lest he wake -- The odorous, amorous style of poetry, The melancholy knocking of those lines, The long, low soughing of pentameters, -- Or the sharp of rhyme as a bird's cry -- And the innumerable truant polysyllables Multitudinously twittering like a bee.
Fulfilled our hearts were with the music then, And all the evenings sighed it to the dawn, And all the lovers heard it from all the trees.
All of the accents upon the all the norms! -- And ah! the stress of the penultimate! We never knew blank verse could have such feet.
Where is it now? Oh, more than ever, now I sometimes think no poetry is read Save where some sepultured C?sura bled, Royally incarnadining all the line.
Is the imperial iamb laid to rest, And the young trochee, having done enough? Ah! turn again! Sing so to us, who are sick Of seeming-simple rhymes, bizarre emotions, Decked in the simple verses of the day, Infinite meaning in a little gloom, Irregular thoughts in stanzas regular, Modern despair in antique metres, myths Incomprehensible at evening, And symbols that mean nothing in the dawn.
The slow lines swell.
The new style sighs.
The Celt Moans round with many voices.
God! to see Gaunt anap?sts stand up out of the verse, Combative accents, stress where no stress should be, Spondee on spondee, iamb on choriamb, The thrill of all the tribrachs in the world, And all the vowels rising to the E! To hear the blessed mutter of those verbs, Conjunctions passionate toward each other's arms, And epithets like amaranthine lovers Stretching luxuriously to the stars, All prouder pronouns than the dawn, and all The thunder of the trumpets of the noun!


Written by Robert William Service | Create an image from this poem

The Ballad Of How Macpherson Held The Floor

 Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes.
" "Alas! it's true," said Tam MacCall.
"The young folk of to-day Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew, To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak: His name is Jock MacPherson, and he lives on Boulder Creek; An old-time hard-rock miner, and a wild and wastrel loon, Who spends his nights in glory, playing pibrochs to the moon.
I'll seek him out; beyond a doubt on next Saint Andrew's night We'll proudly hear the pipes to cheer and charm our appetite.
Oh lads were neat and lassies sweet who graced Saint Andrew's Ball; But there was none so full of fun as Treasurer MacCall.
And as Maloney's rag-time bank struck up the newest hit, He smiled a smile behind his hand, and chuckled: "Wait a bit.
" And so with many a Celtic snort, with malice in his eye, He watched the merry crowd cavort, till supper time drew nigh.
Then gleefully he seemed to steal, and sought the Nugget Bar, Wherein there sat a tartaned chiel, as lonely as a star; A huge and hairy Highlandman as hearty as a breeze, A glass of whisky in his hand, his bag-pipes on his knees.
"Drink down your doch and doris, Jock," cried Treasurer MacCall; "The time is ripe to up and pipe; they wait you in the hall.
Gird up your loins and grit your teeth, and here's a pint of hooch To mind you of your native heath - jist pit it in your pooch.
Play on and on for all you're worth; you'll shame us if you stop.
Remember you're of Scottish birth - keep piping till you drop.
Aye, though a bunch of Willie boys should bluster and implore, For the glory of the Highlands, lad, you've got to hold the floor.
" The dancers were at supper, and the tables groaned with cheer, When President MacConnachie exclaimed: "What do I hear? Methinks it's like a chanter, and its coming from the hall.
" "It's Jock MacPherson tuning up," cried Treasurer MacCall.
So up they jumped with shouts of glee, and gaily hurried forth.
Said they: "We never thought to see a piper in the North.
" Aye, all the lads and lassies braw went buzzing out like bees, And Jock MacPherson there they saw, with red and rugged knees.
Full six foot four he strode the floor, a grizzled son of Skye, With glory in his whiskers and with whisky in his eye.
With skelping stride and Scottish pride he towered above them all: "And is he no' a bonny sight?" said Treasurer MacCall.
While President MacConnachie was fairly daft with glee, And there was jubilation in the Scottish Commy-tee.
But the dancers seemed uncertain, and they signified their doubt, By dashing back to eat as fast as they had darted out.
And someone raised the question 'twixt the coffee and the cakes: "Does the Piper walk to get away from all the noise he makes?" Then reinforced with fancy food they slowly trickled forth, And watching in patronizing mood the Piper of the North.
Proud, proud was Jock MacPherson, as he made his bag-pipes skirl, And he set his sporran swinging, and he gave his kilts a whirl.
And President MacConnachie was jumping like a flea, And there was joy and rapture in the Scottish Commy-tee.
"Jist let them have their saxophones wi' constipated squall; We're having Heaven's music now," said Treasurer MacCall.
But the dancers waxed impatient, and they rather seemed to fret For Maloney and the jazz of his Hibernian Quartette.
Yet little recked the Piper, as he swung with head on high, Lamenting with MacCrimmon on the heather hills of Skye.
With Highland passion in his heart he held the centre floor; Aye, Jock MacPherson played as he had never played before.
Maloney's Irish melodists were sitting in their place, And as Maloney waited, there was wonder in his face.
'Twas sure the gorgeous music - Golly! wouldn't it be grand If he could get MacPherson as a member of his band? But the dancers moped and mumbled, as around the room they sat: "We paid to dance," they grumbled; "But we cannot dance to that.
Of course we're not denying that it's really splendid stuff; But it's mighty satisfying - don't you think we've had enough?" "You've raised a pretty problem," answered Treasurer MacCall; "For on Saint Andrew's Night, ye ken, the Piper rules the Ball.
" Said President MacConnachie: "You've said a solemn thing.
Tradition holds him sacred, and he's got to have his fling.
But soon, no doubt, he'll weary out.
Have patience; bide a wee.
" "That's right.
Respect the Piper," said the Scottish Commy-tee.
And so MacPherson stalked the floor, and fast the moments flew, Till half an hour went past, as irritation grew and grew.
Then the dancers held a council, and with faces fiercely set, They hailed Maloney, heading his Hibernian Quartette: "It's long enough, we've waited.
Come on, Mike, play up the Blues.
" And Maloney hesitated, but he didn't dare refuse.
So banjo and piano, and guitar and saxophone Contended with the shrilling of the chanter and the drone; And the women's ears were muffled, so infernal was the din, But MacPherson was unruffled, for he knew that he would win.
Then two bright boys jazzed round him, and they sought to play the clown, But MacPherson jolted sideways, and the Sassenachs went down.
And as if it was a signal, with a wild and angry roar, The gates of wrath were riven - yet MacPherson held the floor.
Aye, amid the rising tumult, still he strode with head on high, With ribbands gaily streaming, yet with battle in his eye.
Amid the storm that gathered, still he stalked with Highland pride, While President and Treasurer sprang bravely to his side.
And with ire and indignation that was glorious to see, Around him in a body ringed the Scottish Commy-tee.
Their teeth were clenched with fury; their eyes with anger blazed: "Ye manna touch the Piper," was the slogan that they raised.
Then blows were struck, and men went down; yet 'mid the rising fray MacPherson towered in triumph - and he never ceased to play.
Alas! his faithful followers were but a gallant few, And faced defeat, although they fought with all the skill they knew.
For President MacConnachie was seen to slip and fall, And o'er his prostrate body stumbled Treasurer MacCall.
And as their foes with triumph roared, and leagured them about, It looked as if their little band would soon be counted out.
For eyes were black and noses red, yet on that field of gore, As resolute as Highland rock - MacPherson held the floor.
Maloney watched the battle, and his brows were bleakly set, While with him paused and panted his Hibernian Quartette.
For sure it is an evil spite, and breaking to the heart, For Irishman to watch a fight and not be taking part.
Then suddenly on high he soared, and tightened up his belt: "And shall we see them crush," he roared, "a brother and a Celt? A fellow artiste needs our aid.
Come on, boys, take a hand.
" Then down into the mêlée dashed Maloney and his band.
Now though it was Saint Andrew's Ball, yet men of every race, That bow before the Great God Jazz were gathered in that place.
Yea, there were those who grunt: "Ya! Ya!" and those who squeak: "We! We!" Likewise Dutch, Dago, Swede and Finn, Polack and Portugee.
Yet like ripe grain before the gale that national hotch-potch Went down before the fury of the Irish and the Scotch.
Aye, though they closed their gaping ranks and rallied to the fray, To the Shamrock and the Thistle went the glory of the day.
You should have seen the carnage in the drooling light of dawn, Yet 'mid the scene of slaughter Jock MacPherson playing on.
Though all lay low about him, yet he held his head on high, And piped as if he stood upon the caller crags of Skye.
His face was grim as granite, and no favour did he ask, Though weary were his mighty lungs and empty was his flask.
And when a fallen foe wailed out: "Say! when will you have done?" MacPherson grinned and answered: "Hoots! She's only ha'f begun.
" Aye, though his hands were bloody, and his knees were gay with gore, A Grampian of Highland pride - MacPherson held the floor.
And still in Yukon valleys where the silent peaks look down, They tell of how the Piper was invited up to town, And he went in kilted glory, and he piped before them all, But wouldn't stop his piping till he busted up the Ball.
Of that Homeric scrap they speak, and how the fight went on, With sally and with rally till the breaking of the dawn.
And how the Piper towered like a rock amid the fray, And the battle surged about him, but he never ceased to play.
Aye, by the lonely camp-fires, still they tell the story o'er- How the Sassenach was vanquished and - MacPherson held the floor.
Written by Rudyard Kipling | Create an image from this poem

An American

 If the Led Striker call it a strike,
 Or the papers call it a war,
They know not much what I am like,
 Nor what he is, My Avatar.
Throuh many roads, by me possessed, He shambles forth in cosmic guise; He is the Jester and the Jest, And he the Text himself applies.
The Celt is in his heart and hand, The Gaul is in his brain and nerve; Where, cosmopolitanly planned, He guards the Redskin's dry reserve His easy unswept hearth he lends From Labrador to Guadeloupe; Till, elbowed out by sloven friends, He camps, at sufferance, on the stoop.
Calm-eyed he scoffs at Sword and Crown, Or, panic-blinded, stabs and slays: Blatant he bids the world bow down, Or cringing begs a crust of praise; Or, sombre-drunk, at mine and mart, He dubs his dreary breathren Kings.
His hands are black with blood -- his heart Leaps, as a babe's, at little things.
But, through the shift of mood and mood, Mine ancient humour saves him whole -- The cynic devil in his blood That bids him mock his hurrying soul; That bids him flout the Law he makes, That bids him make the Law he flouts, Till, dazed by many doubts, he wakes The drumming guns that -- have no doubts; That checks him foolish-hot and fond, That chuckles through his deepest ire, That gilds the slough of his despond But dims the goal of his desire; Inopportune, shrill-accented, The acrid Asiatic mirth That leaves him, careless 'mid his dead, The scandal of the elder earth.
How shall he clear himself, how reach Your bar or weighed defence prefer -- A brother hedged with alien speech And lacking all interpreter? Which knowledge vexes him a space; But, while Reproof around him rings, He turns a keen untroubled face Home, to the instant need of things.
Enslaved, illogical, elate, He greets the embarrassed Gods, nor fears To shake the iron hand of Fate Or match with Destiny for beers.
Lo, imperturbable he rules, Unkempt, desreputable, vast -- And, in the teeth of all the schools, I -- I shall save him at the last!
Written by Rudyard Kipling | Create an image from this poem

The Puzzler

 The Celt in all his variants from Builth to Ballyhoo,
His mental processes are plain--one knows what he will do,
And can logically predicate his finish by his start;
But the English--ah, the English!--they are quite a race apart.
Their psychology is bovine, their outlook crude and raw.
They abandon vital matters to be tickled with a straw; But the straw that they were tickled with-the chaff that they were fed with-- They convert into a weaver's beam to break their foeman's head with.
For undemocratic reasons and for motives not of State, They arrive at their conclusions--largely inarticulate.
Being void of self-expression they confide their views to none; But sometimes in a smoking-room, one learns why things were done.
Yes, sometimes in a smoking-room, through clouds of "Ers" an "Ums," Obliquely and by inference, illumination comes, On some step that they have taken, or some action they approve Embellished with the argot of the Upper Fourth Remove.
In telegraphic sentences half nodded to their friends, They hint a matter's inwardness--and there the matter ends.
And while the Celt is talking from Valencia to Kirkwall, The English--ah, the English!--don't say anything at all.
Written by Paul Laurence Dunbar | Create an image from this poem

BLACK SAMSON OF BRANDYWINE

 "In the fight at Brandywine, Black Samson, a giant ***** armed with a scythe, sweeps his way through the red ranks...." C. M. Skinner's "Myths and Legends of Our Own Land." Gray are the pages of record,
Dim are the volumes of eld;
Else had old Delaware told us
[Pg 206]More that her history held.
Told us with pride in the story,
Honest and noble and fine,
More of the tale of my hero,
Black Samson of Brandywine.
Sing of your chiefs and your nobles,
Saxon and Celt and Gaul,
Breath of mine ever shall join you,
Highly I honor them all.
Give to them all of their glory,
But for this noble of mine,
Lend him a tithe of your tribute,
Black Samson of Brandywine.
There in the heat of the battle,
There in the stir of the fight,
Loomed he, an ebony giant,
Black as the pinions of night.
Swinging his scythe like a mower
Over a field of grain,
Needless the care of the gleaners,
Where he had passed amain.
Straight through the human harvest,
Cutting a bloody swath,
Woe to you, soldier of Briton!
Death is abroad in his path.
Flee from the scythe of the reaper,
Flee while the moment is thine,
None may with safety withstand him,
Black Samson of Brandywine.
Was he a freeman or bondman?
Was he a man or a thing?
What does it matter? His brav'ry
Renders him royal—a king.
If he was only a chattel,
Honor the ransom may pay
Of the royal, the loyal black giant
Who fought for his country that day.
Noble and bright is the story,
Worthy the touch of the lyre,
Sculptor or poet should find it
Full of the stuff to inspire.
Beat it in brass and in copper,
Tell it in storied line,
So that the world may remember
Black Samson of Brandywine.



Book: Shattered Sighs