Written by
Ezra Pound |
For the Marriage in Cana of Galilee
Dark-eyed,
O woman of my dreams,
Ivory sandalled,
There is none like thee among the dancers,
None with swift feet.
I have not found thee in the tents,
In the broken darkness.
I have not found thee at the well-head
Among the women with pitchers.
Thine arms are as a young sapling under the bark;
Thy face as a river with lights.
White as an almond are thy shoulders;
As new almonds stripped from the husk.
They guard thee not with eunuchs;
Not with bars of copper.
Gilt turquoise and silver are in the place of thy rest.
A brown robe, with threads of gold woven in
patterns, hast thou gathered about thee,
O Nathat-Ikanaie, 'Tree-at-the-river'.
As a rillet among the sedge are thy hands upon me;
Thy fingers a frosted stream.
Thy maidens are white like pebbles;
Their music about thee!
There is none like thee among the dancers;
None with swift feet.
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Written by
Louise Gluck |
What can I tell you that you don't know
that will make you tremble again?
Forsythia
by the roadside, by
wet rocks, on the embankments
underplanted with hyacinth --
For ten years I was happy.
You were there; in a sence,
you were always with me, the house, the garden
constrantly lit,
not with lights as we have in the sky
but with those emblems of light
which are more powerful, being
implicitly some earthly
thing transformed --
And all of it vanished,
reabsorbed into impassive process. Then
what will we see by,
now that the yellow torches have become
green branches?
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Written by
Delmore Schwartz |
Let me not, ever, to the marriage in Cana
Of Galilee admit the slightest sentiment
Of doubt about the astonishing and sustaining manna
Of chance and choice to throw a shadow's element
Of disbelief in truth -- Love is not love
Nor is the love of love its truth in consciousness
If it can be made hesitant by any crow or dove or
seeming angel or demon from above or from below
Or made more than it is knows itself to be by the authority
of any ministry of love.
O no -- it is the choice of chances and the chancing of
all choice -- the wine
which was the water may be sickening, unsatisfying or
sour
A new barbiturate drawn from the fattest flower
That prospers green on Lethe's shore. For every hour
Denies or once again affirms the vow and the ultimate
tower
Of aspiration which made Ulysses toil so far away from
home
And then, for years, strive against every wanton desire,
sea and fire, to return across the.
ever-threatening seas
A journey forever far beyond all the vivid eloquence
of every poet and all poetry.
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Written by
Paul Laurence Dunbar |
In the heavy earth the miner
Toiled and laboured day by day,
Wrenching from the miser mountain
[Pg 108]Brilliant treasure where it lay.
And the artist worn and weary
Wrought with labour manifold
That the king might drink his nectar
From a goblet made of gold.
On the prince's groaning table
Mid the silver gleaming bright
Mirroring the happy faces
Giving back the flaming light,
Shine the cups of priceless crystal
Chased with many a lovely line,
Glowing now with warmer colour,
Crimsoned by the ruby wine.
In a valley sweet with sunlight,
Fertile with the dew and rain,
Without miner's daily labour,
Without artist's nightly pain,
There there grows the cup I drink from,
Summer's sweetness in it stored,
And my lips pronounce a blessing
As they touch an old brown gourd.
Why, the miracle at Cana
In the land of Galilee,
Tho' it puzzles all the scholars,
Is no longer strange to me.
For the poorest and the humblest
Could a priceless wine afford,
If they 'd only dip up water
With a sunlight-seasoned gourd.
So a health to my old comrade,
And a song of praise to sing
When he rests inviting kisses
In his place beside the spring.
Give the king his golden goblets,
Give the prince his crystal hoard;
But for me the sparkling water
From a brown and brimming gourd!
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