Written by
Andrew Marvell |
Clora, come view my soul, and tell
Whether I have contrived it well.
Now all its several lodgings lie
Composed into one gallery;
And the great arras-hangings, made
Of various faces, by are laid;
That, for all furniture, you'll find
Only your picture in my mind.
Here thou art painted in the dress
Of an inhuman murderess;
Examining upon our hearts
Thy fertile shop of cruel arts:
Engines more keen than ever yet
Adornèd tyrant's cabinet;
Of which the most tormenting are
Black eyes, red lips, and curlèd hair.
But, on the other side, thou'rt drawn
Like to Aurora in the dawn;
When in the east she slumb'ring lies,
And stretches out her milky thighs;
While all the morning choir does sing,
And manna falls, and roses spring;
And, at thy feet, the wooing doves
Sit perfecting their harmless loves.
Like an enchantress here thou show'st,
Vexing thy restless lover's ghost;
And, by a light obscure, dost rave
Over his entrails, in the cave;
Divining thence, with horrid care,
How long thou shalt continue fair;
And (when informed) them throw'st away,
To be the greedy vulture's prey.
But, against that, thou sit'st afloat
Like Venus in her pearly boat.
The halcyons, calming all that's nigh,
Betwixt the air and water fly:
Or, if some rolling wave appears,
A mass of ambergris it bears:
Nor blows more wind than what may well
Convoy the perfume to the smell.
These pictures and a thousand more,
Of thee, my gallery do store;
In all the forms thou canst invent
Either to please me, or torment:
For thou alone to people me,
Art grown a num'rous colony;
And a collection choicer far
Than or Whitehall's, or Mantua's were.
But, of these pictures and the rest,
That at the entrance likes me best;
Where the same posture, and the look
Remains, with which I first was took:
A tender shepherdess, whose hair
Hangs loosely playing in the air,
Transplanting flowers from the green hill,
To crown her head, and bosom fill.
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Written by
Les Murray |
We who travel between worlds
lose our muscle and bone.
I was wheeling a barrow of earth
when agony bayoneted me.
I could not sit, or lie down,
or stand, in Casualty.
Stomach-calming clay caked my lips,
I turned yellow as the moon
and slid inside a CAT-scan wheel
in a hospital where I met no one
so much was my liver now my dire
preoccupation.
I was sped down a road.
of treetops and fishing-rod lightpoles
towards the three persons of God
and the three persons of John Hunter
Hospital.
Who said We might lose this one.
Twenty days or to the heat-death
of the Universe have the same duration:
vaguely half a hour.
I awoke
giggling over a joke
about Paul Kruger in Johannesburg
and missed the white court stockings
I half remembered from my prone
still voyage beyond flesh and bone.
I asked my friend who got new lungs
How long were you crazy, coming back?
Five days, he said.
Violent and mad.
Fictive Afrikaner police were at him,
not unworldly Oom Paul Kruger.
Valerie, who had sat the twenty days
beside me, now gently told me tales
of my time-warp.
The operative canyon
stretched, stapled, with dry roseate walls
down my belly.
Seaweed gel
plugged views of my pluck and offal.
The only poet whose liver
damage hadn't been self-inflicted,
grinned my agent.
A momentarily
holed bowel had released flora
who live in us and will eat us
when we stop feeding them the earth.
I had, it did seem, rehearsed
the private office of the grave,
ceased excreting, made corpse gases
all while liana'd in tubes
and overseen by cockpit instruments
that beeped or struck up Beethoven's
Fifth at behests of fluid.
I also hear when I lay lipless
and far away I was anointed
first by a mild metaphoric church
then by the Church of no metaphors.
Now I said, signing a Dutch contract
in a hand I couldn't recognise,
let's go and eat Chinese soup
and drive to Lake Macquarie.
Was I
not renewed as we are in Heaven?
In fact I could hardly endure
Earth gravity, and stayed weak and cranky
till the soup came, squid and vegetables,
pure Yang.
And was sane thereafter.
It seemed I'd also travelled
in a Spring-in-Winter love-barque of cards,
of flowers and phone calls and letters,
concern I'd never dreamed was there
when black kelp boiled in my head.
I'd awoken amid my State funeral,
nevermore to eat my liver
or feed it to the Black Dog, depression
which the three Johns Hunter seem
to have killed with their scalpels:
it hasn't found its way home,
where I now dodder and mend
in thanks for devotion, for the ambulance
this time, for the hospital fork lift,
for pethidine, and this face of deity:
not the foreknowledge of death
but the project of seeing conscious life
rescued from death defines and will
atone for the human.
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Written by
Philip Levine |
The ship that took my mother to Ellis Island
Eighty-three years ago was named "The Mercy.
"
She remembers trying to eat a banana
without first peeling it and seeing her first orange
in the hands of a young Scot, a seaman
who gave her a bite and wiped her mouth for her
with a red bandana and taught her the word,
"orange," saying it patiently over and over.
A long autumn voyage, the days darkening
with the black waters calming as night came on,
then nothing as far as her eyes could see and space
without limit rushing off to the corners
of creation.
She prayed in Russian and Yiddish
to find her family in New York, prayers
unheard or misunderstood or perhaps ignored
by all the powers that swept the waves of darkness
before she woke, that kept "The Mercy" afloat
while smallpox raged among the passengers
and crew until the dead were buried at sea
with strange prayers in a tongue she could not fathom.
"The Mercy," I read on the yellowing pages of a book
I located in a windowless room of the library
on 42nd Street, sat thirty-one days
offshore in quarantine before the passengers
disembarked.
There a story ends.
Other ships
arrived, "Tancred" out of Glasgow, "The Neptune"
registered as Danish, "Umberto IV,"
the list goes on for pages, November gives
way to winter, the sea pounds this alien shore.
Italian miners from Piemonte dig
under towns in western Pennsylvania
only to rediscover the same nightmare
they left at home.
A nine-year-old girl travels
all night by train with one suitcase and an orange.
She learns that mercy is something you can eat
again and again while the juice spills over
your chin, you can wipe it away with the back
of your hands and you can never get enough.
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Written by
Mary Darby Robinson |
ENLIGHTEN'D Patron of the sacred Lyre?
Whose ever-varying, ever-witching song
Revibrates on the heart
With magic thrilling touch,
Till ev'ry nerve with quiv'ring throb divine,
In madd'ning tumults, owns thy wondrous pow'r;
For well thy dulcet notes
Can wind the mazy song,
In labyrinth of wild fantastic form;
Or with empassion'd pathos woo the soul
With sounds more sweetly mild,
Than SAPPHO's plaint forlorn,
When bending o'er the wave she sung her woes,
While pitying ECHO hover'd o'er the deep,
Till in their coral caves,
The tuneful NEREIDES wept.
AH! whither art thou flown? where pours thy song?
The model and the pride of British bards!
Sweet STAR of FANCY's orb,
"O, tell me, tell me, where?"
Say, dost thou waste it on the viewless air
That bears it to the confines of high Heav'n?
Or does it court the meed
Of proud pre-eminence?
Or steals it o'er the glitt'ring Sapphire wave,
Calming the tempest with its silver sounds?
Or does it charm to love
The fond believing maid?
Or does it hover o'er the ALPINE steep,
Or softly breathing under myrtle shades,
With SYMPATHY divine,
Solace the child of woe?
Where'er thou art, Oh! let thy gentle strain
Again with magic pow'r delight mine ear,
Untutor'd in the spells,
And mysteries of song.
Then, on the margin of the deep I'll muse,
And bless the rocking bark ordain'd to bear
My sad heart o'er the wave,
From this ungrateful isle;
When the wan queen of night, with languid eye,
Peeps o'er the mountain's head, or thro' the vale
Illumes the glassy brook,
Or dew-besprinkled heath,
Or with her crystal lamp, directs the feet
Of the benighted TRAV'LLER, cold, and sad,
Thro' the long forest drear,
And pathless labyrinth,
To the poor PEASANT's hospitable cot,
For ever open to the wretch forlorn;
O, then I'll think on THEE,
And iterate thy strain,
And chaunt thy matchless numbers o'er and o'er,
And I will court the sullen ear of night,
To bear the rapt'rous sound,
On her dark shad'wy wing,
To where encircled by the sacred NINE,
Thy LYRE awakes the never-dying song!
Now, BARD admir'd, farwel!
The white sail flutters loud,
The gaudy streamers lengthen in the gale,
Far from my native shore I bend my way;
Yet, as my aching eye
Shall view the less'ning cliff,
'Till its stupendous head shall scarce appear
Above the surface of the swelling deep;
I'll snatch a ray of hope,
For HOPE's the lamp divine
That lights and vivifies the fainting soul,
With extacies beyond the pow'rs of song!
That ere I reach those banks
Where the loud TIBER flows,
Or milder ARNO slowly steals along,
To the soft music of the summer breeze,
The wafting wing of TIME
May bear this last ADIEU,
This wild untutor'd picture of the heart,
To HIM, whose magic verse INSPIR'D THE STRAIN.
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