Best Famous Cabinets Poems

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Written by Allen Ginsberg | Plutonian Ode I What new element before us unborn in nature? Is there a new thing under the Sun? At last inquisitive Whitman a modern epic, detonative, Scientific theme First penned unmindful by Doctor Seaborg with poison- ous hand, named for Death's planet through the sea beyond Uranus whose chthonic ore fathers this magma-teared Lord of Hades, Sire of avenging Furies, billionaire Hell- King worshipped once with black sheep throats cut, priests's face averted from underground mysteries in single temple at Eleusis, Spring-green Persephone nuptialed to his inevitable Shade, Demeter mother of asphodel weeping dew, her daughter stored in salty caverns under white snow, black hail, grey winter rain or Polar ice, immemor- able seasons before Fish flew in Heaven, before a Ram died by the starry bush, before the Bull stamped sky and earth or Twins inscribed their memories in clay or Crab'd flood washed memory from the skull, or Lion sniffed the lilac breeze in Eden-- Before the Great Year began turning its twelve signs, ere constellations wheeled for twenty-four thousand sunny years slowly round their axis in Sagittarius, one hundred sixty-seven thousand times returning to this night Radioactive Nemesis were you there at the beginning black dumb tongueless unsmelling blast of Disil- lusion? I manifest your Baptismal Word after four billion years I guess your birthday in Earthling Night, I salute your dreadful presence last majestic as the Gods, Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, Ialdabaoth, Aeon from Aeon born ignorant in an Abyss of Light, Sophia's reflections glittering thoughtful galaxies, whirl- pools of starspume silver-thin as hairs of Einstein! Father Whitman I celebrate a matter that renders Self oblivion! Grand Subject that annihilates inky hands & pages' prayers, old orators' inspired Immortalities, I begin your chant, openmouthed exhaling into spacious sky over silent mills at Hanford, Savannah River, Rocky Flats, Pantex, Burlington, Albuquerque I yell thru Washington, South Carolina, Colorado, Texas, Iowa, New Mexico, Where nuclear reactors creat a new Thing under the Sun, where Rockwell war-plants fabricate this death stuff trigger in nitrogen baths, Hanger-Silas Mason assembles the terrified weapon secret by ten thousands, & where Manzano Moun- tain boasts to store its dreadful decay through two hundred forty millenia while our Galaxy spirals around its nebulous core. I enter your secret places with my mind, I speak with your presence, I roar your Lion Roar with mortal mouth. One microgram inspired to one lung, ten pounds of heavy metal dust adrift slow motion over grey Alps the breadth of the planet, how long before your radiance speeds blight and death to sentient beings? Enter my body or not I carol my spirit inside you, Unnaproachable Weight, O heavy heavy Element awakened I vocalize your con- sciousness to six worlds I chant your absolute Vanity. Yeah monster of Anger birthed in fear O most Ignorant matter ever created unnatural to Earth! Delusion of metal empires! Destroyer of lying Scientists! Devourer of covetous Generals, Incinerator of Armies & Melter of Wars! Judgement of judgements, Divine Wind over vengeful nations, Molester of Presidents, Death-Scandal of Capital politics! Ah civilizations stupidly indus- trious! Canker-Hex on multitudes learned or illiterate! Manu- factured Spectre of human reason! O solidified imago of practicioner in Black Arts I dare your reality, I challenge your very being! I publish your cause and effect! I turn the wheel of Mind on your three hundred tons! Your name enters mankind's ear! I embody your ultimate powers! My oratory advances on your vaunted Mystery! This breath dispels your braggart fears! I sing your form at last behind your concrete & iron walls inside your fortress of rubber & translucent silicon shields in filtered cabinets and baths of lathe oil, My voice resounds through robot glove boxes & ignot cans and echoes in electric vaults inert of atmo- sphere, I enter with spirit out loud into your fuel rod drums underground on soundless thrones and beds of lead O density! This weightless anthem trumpets transcendent through hidden chambers and breaks through iron doors into the Infernal Room! Over your dreadful vibration this measured harmony floats audible, these jubilant tones are honey and milk and wine-sweet water Poured on the stone black floor, these syllables are barley groats I scatter on the Reactor's core, I call your name with hollow vowels, I psalm your Fate close by, my breath near deathless ever at your side to Spell your destiny, I set this verse prophetic on your mausoleum walls to seal you up Eternally with Diamond Truth! O doomed Plutonium. II The Bar surveys Plutonian history from midnight lit with Mercury Vapor streetlamps till in dawn's early light he contemplates a tranquil politic spaced out between Nations' thought-forms proliferating bureaucratic & horrific arm'd, Satanic industries projected sudden with Five Hundred Billion Dollar Strength around the world same time this text is set in Boulder, Colorado before front range of Rocky Mountains twelve miles north of Rocky Flats Nuclear Facility in United States of North America, Western Hemi- sphere of planet Earth six months and fourteen days around our Solar System in a Spiral Galaxy the local year after Dominion of the last God nineteen hundred seventy eight Completed as yellow hazed dawn clouds brighten East, Denver city white below Blue sky transparent rising empty deep & spacious to a morning star high over the balcony above some autos sat with wheels to curb downhill from Flatiron's jagged pine ridge, sunlit mountain meadows sloped to rust-red sandstone cliffs above brick townhouse roofs as sparrows waked whistling through Marine Street's summer green leafed trees. III This ode to you O Poets and Orators to come, you father Whitman as I join your side, you Congress and American people, you present meditators, spiritual friends & teachers, you O Master of the Diamond Arts, Take this wheel of syllables in hand, these vowels and consonants to breath's end take this inhalation of black poison to your heart, breath out this blessing from your breast on our creation forests cities oceans deserts rocky flats and mountains in the Ten Directions pacify with exhalation, enrich this Plutonian Ode to explode its empty thunder through earthen thought-worlds Magnetize this howl with heartless compassion, destroy this mountain of Plutonium with ordinary mind and body speech, thus empower this Mind-guard spirit gone out, gone out, gone beyond, gone beyond me, Wake space, so Ah! July 14, 1978

Written by Charlotte Bronte | Mementos ARRANGING long-locked drawers and shelves Of cabinets, shut up for years, What a strange task we've set ourselves ! How still the lonely room appears ! How strange this mass of ancient treasures, Mementos of past pains and pleasures; These volumes, clasped with costly stone, With print all faded, gilding gone; These fans of leaves, from Indian trees­ These crimson shells, from Indian seas­ These tiny portraits, set in rings­ Once, doubtless, deemed such precious things; Keepsakes bestowed by Love on Faith, And worn till the receiver's death, Now stored with cameos, china, shells, In this old closet's dusty cells. I scarcely think, for ten long years, A hand has touched these relics old; And, coating each, slow-formed, appears, The growth of green and antique mould. All in this house is mossing over; All is unused, and dim, and damp; Nor light, nor warmth, the rooms discover­ Bereft for years of fire and lamp. The sun, sometimes in summer, enters The casements, with reviving ray; But the long rains of many winters Moulder the very walls away. And outside all is ivy, clinging To chimney, lattice, gable grey; Scarcely one little red rose springing Through the green moss can force its way. Unscared, the daw, and starling nestle, Where the tall turret rises high, And winds alone come near to rustle The thick leaves where their cradles lie. I sometimes think, when late at even I climb the stair reluctantly, Some shape that should be well in heaven, Or ill elsewhere, will pass by me. I fear to see the very faces, Familiar thirty years ago, Even in the old accustomed places Which look so cold and gloomy now. I've come, to close the window, hither, At twilight, when the sun was down, And Fear, my very soul would wither, Lest something should be dimly shown. Too much the buried form resembling, Of her who once was mistress here; Lest doubtful shade, or moonbeam trembling, Might take her aspect, once so dear. Hers was this chamber; in her time It seemed to me a pleasant room, For then no cloud of grief or crime Had cursed it with a settled gloom; I had not seen death's image laid In shroud and sheet, on yonder bed. Before she married, she was blest­ Blest in her youth, blest in her worth; Her mind was calm, its sunny rest Shone in her eyes more clear than mirth. And when attired in rich array, Light, lustrous hair about her brow, She yonder sat­a kind of day Lit up­what seems so gloomy now. These grim oak walls, even then were grim; That old carved chair, was then antique; But what around looked dusk and dim Served as a foil to her fresh cheek; Her neck, and arms, of hue so fair, Eyes of unclouded, smiling, light; Her soft, and curled, and floating hair, Gems and attire, as rainbow bright. Reclined in yonder deep recess, Ofttimes she would, at evening, lie Watching the sun; she seemed to bless With happy glance the glorious sky. She loved such scenes, and as she gazed, Her face evinced her spirit's mood; Beauty or grandeur ever raised In her, a deep-felt gratitude. But of all lovely things, she loved A cloudless moon, on summer night; Full oft have I impatience proved To see how long, her still delight Would find a theme in reverie. Out on the lawn, or where the trees Let in the lustre fitfully, As their boughs parted momently, To the soft, languid, summer breeze. Alas ! that she should e'er have flung Those pure, though lonely joys away­ Deceived by false and guileful tongue, She gave her hand, then suffered wrong; Oppressed, ill-used, she faded young, And died of grief by slow decay. Open that casket­look how bright Those jewels flash upon the sight; The brilliants have not lost a ray Of lustre, since her wedding day. But see­upon that pearly chain­ How dim lies time's discolouring stain ! I've seen that by her daughter worn: For, e'er she died, a child was born; A child that ne'er its mother knew, That lone, and almost friendless grew; For, ever, when its step drew nigh, Averted was the father's eye; And then, a life impure and wild Made him a stranger to his child; Absorbed in vice, he little cared On what she did, or how she fared. The love withheld, she never sought, She grew uncherished­learnt untaught; To her the inward life of thought Full soon was open laid. I know not if her friendlessness Did sometimes on her spirit press, But plaint she never made. The book-shelves were her darling treasure, She rarely seemed the time to measure While she could read alone. And she too loved the twilight wood, And often, in her mother's mood, Away to yonder hill would hie, Like her, to watch the setting sun, Or see the stars born, one by one, Out of the darkening sky. Nor would she leave that hill till night Trembled from pole to pole with light; Even then, upon her homeward way, Long­long her wandering steps delayed To quit the sombre forest shade, Through which her eerie pathway lay. You ask if she had beauty's grace ? I know not­but a nobler face My eyes have seldom seen; A keen and fine intelligence, And, better still, the truest sense Were in her speaking mien. But bloom or lustre was there none, Only at moments, fitful shone An ardour in her eye, That kindled on her cheek a flush, Warm as a red sky's passing blush And quick with energy. Her speech, too, was not common speech, No wish to shine, or aim to teach, Was in her words displayed: She still began with quiet sense, But oft the force of eloquence Came to her lips in aid; Language and voice unconscious changed, And thoughts, in other words arranged, Her fervid soul transfused Into the hearts of those who heard, And transient strength and ardour stirred, In minds to strength unused. Yet in gay crowd or festal glare, Grave and retiring was her air; 'Twas seldom, save with me alone, That fire of feeling freely shone; She loved not awe's nor wonder's gaze, Nor even exaggerated praise, Nor even notice, if too keen The curious gazer searched her mien. Nature's own green expanse revealed The world, the pleasures, she could prize; On free hill-side, in sunny field, In quiet spots by woods concealed, Grew wild and fresh her chosen joys, Yet Nature's feelings deeply lay In that endowed and youthful frame; Shrined in her heart and hid from day, They burned unseen with silent flame; In youth's first search for mental light, She lived but to reflect and learn, But soon her mind's maturer might For stronger task did pant and yearn; And stronger task did fate assign, Task that a giant's strength might strain; To suffer long and ne'er repine, Be calm in frenzy, smile at pain. Pale with the secret war of feeling, Sustained with courage, mute, yet high; The wounds at which she bled, revealing Only by altered cheek and eye; She bore in silence­but when passion Surged in her soul with ceaseless foam, The storm at last brought desolation, And drove her exiled from her home. And silent still, she straight assembled The wrecks of strength her soul retained; For though the wasted body trembled, The unconquered mind, to quail, disdained. She crossed the sea­now lone she wanders By Seine's, or Rhine's, or Arno's flow; Fain would I know if distance renders Relief or comfort to her woe. Fain would I know if, henceforth, ever, These eyes shall read in hers again, That light of love which faded never, Though dimmed so long with secret pain. She will return, but cold and altered, Like all whose hopes too soon depart; Like all on whom have beat, unsheltered, The bitter blasts that blight the heart. No more shall I behold her lying Calm on a pillow, smoothed by me; No more that spirit, worn with sighing, Will know the rest of infancy. If still the paths of lore she follow, 'Twill be with tired and goaded will; She'll only toil, the aching hollow, The joyless blank of life to fill. And oh ! full oft, quite spent and weary, Her hand will pause, her head decline; That labour seems so hard and dreary, On which no ray of hope may shine. Thus the pale blight of time and sorrow Will shade with grey her soft, dark hair Then comes the day that knows no morrow, And death succeeds to long despair. So speaks experience, sage and hoary; I see it plainly, know it well, Like one who, having read a story, Each incident therein can tell. Touch not that ring, 'twas his, the sire Of that forsaken child; And nought his relics can inspire Save memories, sin-defiled. I, who sat by his wife's death-bed, I, who his daughter loved, Could almost curse the guilty dead, For woes, the guiltless proved. And heaven did curse­they found him laid, When crime for wrath was rife, Cold­with the suicidal blade Clutched in his desperate gripe. 'Twas near that long deserted hut, Which in the wood decays, Death's axe, self-wielded, struck his root, And lopped his desperate days. You know the spot, where three black trees, Lift up their branches fell, And moaning, ceaseless as the seas, Still seem, in every passing breeze, The deed of blood to tell. They named him mad, and laid his bones Where holier ashes lie; Yet doubt not that his spirit groans, In hell's eternity. But, lo ! night, closing o'er the earth, Infects our thoughts with gloom; Come, let us strive to rally mirth, Where glows a clear and tranquil hearth In some more cheerful room.

Written by Billy Collins | I Ask You What scene would I want to be enveloped in more than this one, an ordinary night at the kitchen table, floral wallpaper pressing in, white cabinets full of glass, the telephone silent, a pen tilted back in my hand? It gives me time to think about all that is going on outside-- leaves gathering in corners, lichen greening the high grey rocks, while over the dunes the world sails on, huge, ocean-going, history bubbling in its wake. But beyond this table there is nothing that I need, not even a job that would allow me to row to work, or a coffee-colored Aston Martin DB4 with cracked green leather seats. No, it's all here, the clear ovals of a glass of water, a small crate of oranges, a book on Stalin, not to mention the odd snarling fish in a frame on the wall, and the way these three candles-- each a different height-- are singing in perfect harmony. So forgive me if I lower my head now and listen to the short bass candle as he takes a solo while my heart thrums under my shirt-- frog at the edge of a pond-- and my thoughts fly off to a province made of one enormous sky and about a million empty branches.

Written by Marge Piercy | Visiting a Dead Man on a Summer Day In flat America, in Chicago, Graceland cemetery on the German North Side. Forty feet of Corinthian candle celebrate Pullman embedded lonely raisin in a cake of concrete. The Potter Palmers float in an island parthenon. Barons of hogfat, railroads and wheat are postmarked with angels and lambs. But the Getty tomb: white, snow patterned in a triangle of trees swims dappled with leaf shadow, sketched light arch within arch delicate as fingernail moons. The green doors should not be locked. Doors of fern and flower should not be shut. Louis Sullivan, I sit on your grave. It is not now good weather for prophets. Sun eddies on the steelsmoke air like sinking honey. On the inner green door of the Getty tomb (a thighbone's throw from your stone) a marvel of growing, blooming, thrusting into seed: how all living wreathe and insinuate in the circlet of repetition that never repeats: ever new birth never rebirth. Each tide pool microcosm spiraling from your hand. Sullivan, you had another five years when your society would give you work. Thirty years with want crackling in your hands. Thirty after years with cities flowering and turning grey in your beard. All poets are unemployed nowadays. My country marches in its sleep. The past structures a heavy mausoleum hiding its iron frame in masonry. Men burn like grass while armies grow. Thirty years in the vast rumbling gut of this society you stormed to be used, screamed no louder than any other breaking voice. The waste of a good man bleeds the future that's come in Chicago, in flat America, where the poor still bleed from the teeth, housed in sewers and filing cabinets, where prophets may spit into the wind till anger sleets their eyes shut, where this house that dances the seasons and the braid of all living and the joy of a man making his new good thing is strange, irrelevant as a meteor, in Chicago, in flat America in this year of our burning.

Written by Gwendolyn Brooks | My Dreams My Works Must Wait Till After Hell I hold my honey and I store my bread In little jars and cabinets of my will. I label clearly, and each latch and lid I bid, Be firm till I return from hell. I am very hungry. I am incomplete. And none can give me any word but Wait, The puny light. I keep my eyes pointed in; Hoping that, when the devil days of my hurt Drag out to their last dregs and I resume On such legs as are left me, in such heart As I can manage, remember to go home, My taste will not have turned insensitive To honey and bread old purity could love.

Written by John Williams | A Benediction Of The Air In every presence there is absence. When we're together, the spaces between Threaten to enclose our bodies And isolate our spirits. The mirror reflects what we are not, And we wonder if our mate Suspects a fatal misreading Of our original text, Not to mention the dreaded subtext. Reality, we fear, mocks appearance. Or is trapped in a hall of mirrors Where infinite regress prevents A grateful egress. That is, We can never know the meaning Of being two-in-one, Or if we are one-in-two. What-I-Am is grieved at What-I'm-Not. What-We-Should-Be is numbed by What-We-Are. Yes, I'm playing word games With the idea of marriage, Musing over how even we can Secularize Holy wedlock. Or to figure it another way, To wonder why two televisions In the same house seem natural symbols Of the family in decline. Yet you are present to me now. I sense you keenly, at work, Bending red in face to reach A last defiant spot of yellow On those horrific kitchen cabinets. Your honey hair flecked with paint; Your large soft hidden breasts Pushing down against your shirt. The hemispheres of those buttocks Curving into uncompromising hips. To embrace you would be to take hold Of my life in all its substance. Without romance, I say that if I were to deconstruct myself And fling the pieces at random, They would compose themselves Into your shape. But I guess that is romantic, The old mystification- Cramming two bodies Into a single space. Amen! Our separation has taught me That, dwelling in mind, The corporeality Of mates has spiritual mass Which may be formulated: Memory times desire over distance Yields a bodying forth. Thus I project into the Deadly space between us A corposant,Pulsating a language That will cleave to you In the coolness of sleep With insubstantiality So fierce as to leave its dampness On the morning sheets, Or so gentle As to fan your brow While you paint the kitchen. A body like a breath, Whispering the axiom By which all religions are blessed: In every absence there is presence. Bene Bene Benedictus.

Written by Emily Dickinson | Arcturus is his other name "Arcturus" is his other name -- I'd rather call him "Star." It's very mean of Science To go and interfere! I slew a worm the other day -- A "Savant" passing by Murmured "Resurgam" -- "Centipede"! "Oh Lord -- how frail are we"! I pull a flower from the woods -- A monster with a glass Computes the stamens in a breath -- And has her in a "class"! Whereas I took the Butterfly Aforetime in my hat -- He sits erect in "Cabinets" -- The Clover bells forgot. What once was "Heaven" Is "Zenith" now -- Where I proposed to go When Time's brief masquerade was done Is mapped and charted too. What if the poles should frisk about And stand upon their heads! I hope I'm ready for "the worst" -- Whatever prank betides! Perhaps the "Kingdom of Heaven's" changed -- I hope the "Children" there Won't be "new fashioned" when I come -- And laugh at me -- and stare -- I hope the Father in the skies Will lift his little girl -- Old fashioned -- naught -- everything -- Over the stile of "Pearl."

Written by Emily Dickinson | He parts Himself -- like Leaves -- He parts Himself -- like Leaves -- And then -- He closes up -- Then stands upon the Bonnet Of Any Buttercup -- And then He runs against And oversets a Rose -- And then does Nothing -- Then away upon a Jib -- He goes -- And dangles like a Mote Suspended in the Noon -- Uncertain -- to return Below -- Or settle in the Moon -- What come of Him -- at Night -- The privilege to say Be limited by Ignorance -- What come of Him -- That Day -- The Frost -- possess the World -- In Cabinets -- be shown -- A Sepulchre of quaintest Floss -- An Abbey -- a Cocoon --

Written by Barry Tebb | Entanglements Why is it that in dreams I have visited - As teacher or pupil - almost every college and school In our once so green and pleasant land? Hardly a subject from art to anthropology I have not In dream seminar or floating spinning classroom Studied or tried my prentice hand at, or learned At the sandalled feet of some guru; as this minute I returned from an easeled art room with the title Of my weekly essay, ‘Discuss the links between the work Of any symbolist poet and Monet.’ O, how slowly I drifted back to consciousness Probing delightedly the dizzying whitenesses of Mallarm? Strolling along an avenue of linden trees Under a Provencal sky of azure Wet with the scent of jasmine and lavender. Yet in reality, things could hardly have been more different: Watching our children grow from their first tottering steps, Helping to tend them in sickness, learning the basics Of the healer’s art, taking an old man to a ward, Listening, listening to how many troubled lives And to my own, perhaps; seeking to tease a meaning Or find a thread in the jumbled maze of sorrows Souls in their turbulence and grief have wandered through. I even wrote a novel, ‘A Gone World’ I called it, And helped another with the birth-pangs of her own. Trying my hand at translation I puzzled the subtle Metaphors of Reverdy, wandering his midnight landscapes Of windmills and cross-roads where faith meets fate And neither will succumb. I sat in a packed lecture hall while a Lacanian Misread early Freud through a crooked lens And for a year turned every seminar to war To make him see his vision’s fatal flaw. I poured over cabinets of case histories, Tried living here and there and met an amah, Teaching her Auden and Empson. Her tears mingled With my own at our last hurried meeting In a crowded tea room, teaching her Klein. I sat through many a summer watching the children play, Feeling a hermit’s contentment in his cave, Contemplating Plato and envisioning that cave Of his where shadows move against the wall; And turn to see or fail to see The need to turn at all.

Written by Robert Louis Stevenson | To Minnie The red room with the giant bed Where none but elders laid their head; The little room where you and I Did for awhile together lie And, simple, suitor, I your hand In decent marriage did demand; The great day nursery, best of all, With pictures pasted on the wall And leaves upon the blind-- A pleasant room wherein to wake And hear the leafy garden shake And rustle in the wind-- And pleasant there to lie in bed And see the pictures overhead-- The wars about Sebastopol, The grinning guns along the wall, The daring escalade, The plunging ships, the bleating sheep, The happy children ankle-deep And laughing as they wade: All these are vanished clean away, And the old manse is changed to-day; It wears an altered face And shields a stranger race. The river, on from mill to mill, Flows past our childhood's garden still; But ah! we children never more Shall watch it from the water-door! Below the yew--it still is there-- Our phantom voices haunt the air As we were still at play, And I can hear them call and say: "How far is it to Babylon?" Ah, far enough, my dear, Far, far enough from here-- Smiling and kind, you grace a shelf Too high for me to reach myself. Reach down a hand, my dear, and take These rhymes for old acquaintance' sake! Yet you have farther gone! "Can I get there by candlelight?" So goes the old refrain. I do not know--perchance you might-- But only, children, hear it right, Ah, never to return again! The eternal dawn, beyond a doubt, Shall break on hill and plain, And put all stars and candles out Ere we be young again. To you in distant India, these I send across the seas, Nor count it far across. For which of us forget The Indian cabinets, The bones of antelope, the wings of albatross, The pied and painted birds and beans, The junks and bangles, beads and screens, The gods and sacred bells, And the load-humming, twisted shells! The level of the parlour floor Was honest, homely, Scottish shore; But when we climbed upon a chair, Behold the gorgeous East was there! Be this a fable; and behold Me in the parlour as of old, And Minnie just above me set In the quaint Indian cabinet!