Written by
Robert William Service |
Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch. "Bah!" said Smith, "let my body lie
stripped to the buff in swinish shame,
If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?"
Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by,
Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair;
Smith bent on him his eyes of doom, shook back his lion mane of hair;
Said: "Is there one in my chosen line, writer of forthright tales my peer?
Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue;
Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame."
Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift;
This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair;
Never shall it see printed line: here, by the living God I swear."
Brown on a Bible laid his hand; Smith, great writer of stories, sighed:
"Comrade, I trust you, and understand. Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store;
Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript,
Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head. "The story is not for sale, " he said.
Jones went away, then others came. Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field;
Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew,
Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth
Garretless in the gloom and grime, singing his glad, mad songs of earth:
So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones,
Who should chance to behold his plight, but the publisher, the plethoric Jones;
Peered at him for a little while, held out a bill: "NOW, will you sell?"
Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!"
Brown enrolled in the homeless host, sleeping anywhere, anywhen;
Suffered, strove, became a ghost, slave of the lamp for other men;
For What's-his-name and So-and-so in the abyss his soul he stripped,
Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair,
Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail:
"Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name;
You have a manuscript, they say, worth a thousand -- think, man! the shame. . . ."
Brown with his heart pain-pierced the while, with his stern, starved face,
and his lips stone-pale,
Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol."
While poor Brown in the leer of dawn wrestled with God for the sacred fire,
Came there a woman weak and wan, out of the mob, the murk, the mire;
Frail as a reed, a fellow ghost, weary with woe, with sorrowing;
Two pale souls in the legion lost; lo! Love bent with a tender wing,
Taught them a joy so deep, so true, it seemed that the whole-world fabric shook,
Thrilled and dissolved in radiant dew; then Brown made him a golden book,
Full of the faith that Life is good, that the earth is a dream divinely fair,
Lauding his gem of womanhood in many a lyric rich and rare;
Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain;
Then came the doctor, grave and grey; spoke of decline, of nervous strain;
Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! . . . the manuscript!
A thousand dollars! his only hope! he gazed and gazed at the garret wall. . . .
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break:
"Oh, my dearest! what shall I do? shall I not sell it for your sake?"
Ghostlike she lay, as still as doom; turned to the wall her weary head;
Icy-cold in the pallid gloom, silent as death . . . at last she said:
"Do! my husband? Keep your vow! Guard his secret and let me die. . . .
Oh, my dear, I must tell you now -- the women he loved and wronged was I;
Darling! I haven't long to live: I never told you -- forgive, forgive!"
For a long, long time Brown did not speak; sat bleak-browed in the wretched room;
Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife;
To keep his vow, to save her name, yet at the cost of what? Her life!
A moment's space did he hesitate, a moment of pain and dread and doubt,
Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out. . . .
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell,
Locked in the silence of the heart, for the awful records of Heav'n and Hell.)
Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above:
"Glorious tidings! Egypt, dear! The book is accepted -- life and love."
|
Written by
Anne Sexton |
"Angels of the love affair, do you know that other,
the dark one, that other me?"
1. ANGEL OF FIRE AND GENITALS
Angel of fire and genitals, do you know slime,
that green mama who first forced me to sing,
who put me first in the latrine, that pantomime
of brown where I was beggar and she was king?
I said, "The devil is down that festering hole."
Then he bit me in the buttocks and took over my soul.
Fire woman, you of the ancient flame, you
of the Bunsen burner, you of the candle,
you of the blast furnace, you of the barbecue,
you of the fierce solar energy, Mademoiselle,
take some ice, take come snow, take a month of rain
and you would gutter in the dark, cracking up your brain.
Mother of fire, let me stand at your devouring gate
as the sun dies in your arms and you loosen it's terrible weight.
2. ANGEL OF CLEAN SHEETS
Angel of clean sheets, do you know bedbugs?
Once in the madhouse they came like specks of cinnamon
as I lay in a choral cave of drugs,
as old as a dog, as quiet as a skeleton.
Little bits of dried blood. One hundred marks
upon the sheet. One hundred kisses in the dark.
White sheets smelling of soap and Clorox
have nothing to do with this night of soil,
nothing to do with barred windows and multiple locks
and all the webbing in the bed, the ultimate recoil.
I have slept in silk and in red and in black.
I have slept on sand and, on fall night, a haystack.
I have known a crib. I have known the tuck-in of a child
but inside my hair waits the night I was defiled.
3. ANGEL OF FLIGHT AND SLEIGH BELLS
Angel of flight and sleigh bells, do you know paralysis,
that ether house where your arms and legs are cement?
You are as still as a yardstick. You have a doll's kiss.
The brain whirls in a fit. The brain is not evident.
I have gone to that same place without a germ or a stroke.
A little solo act--that lady with the brain that broke.
In this fashion I have become a tree.
I have become a vase you can pick up or drop at will,
inanimate at last. What unusual luck! My body
passively resisting. Part of the leftovers. Part of the kill.
Angels of flight, you soarer, you flapper, you floater,
you gull that grows out of my back in the drreams I prefer,
stay near. But give me the totem. Give me the shut eye
where I stand in stone shoes as the world's bicycle goes by.
4. ANGEL OF HOPE AND CALENDARS
Angel of hope and calendars, do you know despair?
That hole I crawl into with a box of Kleenex,
that hole where the fire woman is tied to her chair,
that hole where leather men are wringing their necks,
where the sea has turned into a pond of urine.
There is no place to wash and no marine beings to stir in.
In this hole your mother is crying out each day.
Your father is eating cake and digging her grave.
In this hole your baby is strangling. Your mouth is clay.
Your eyes are made of glass. They break. You are not brave.
You are alone like a dog in a kennel. Your hands
break out in boils. Your arms are cut and bound by bands
of wire. Your voice is out there. Your voice is strange.
There are no prayers here. Here there is no change.
5. ANGEL OF BLIZZARDS AND BLACKOUTS
Angle of blizzards and blackouts, do you know raspberries,
those rubies that sat in the gree of my grandfather's garden?
You of the snow tires, you of the sugary wings, you freeze
me out. Leet me crawl through the patch. Let me be ten.
Let me pick those sweet kisses, thief that I was,
as the sea on my left slapped its applause.
Only my grandfather was allowed there. Or the maid
who came with a scullery pan to pick for breakfast.
She of the rols that floated in the air, she of the inlaid
woodwork all greasy with lemon, she of the feather and dust,
not I. Nonetheless I came sneaking across the salt lawn
in bare feet and jumping-jack pajamas in the spongy dawn.
Oh Angel of the blizzard and blackout, Madam white face,
take me back to that red mouth, that July 21st place.
6. ANGEL OF BEACH HOUSES AND PICNICS
Angel of beach houses and picnics, do you know solitaire?
Fifty-two reds and blacks and only myslef to blame.
My blood buzzes like a hornet's nest. I sit in a kitchen chair
at a table set for one. The silverware is the same
and the glass and the sugar bowl. I hear my lungs fill and expel
as in an operation. But I have no one left to tell.
Once I was a couple. I was my own king and queen
with cheese and bread and rosé on the rocks of Rockport.
Once I sunbathed in the buff, all brown and lean,
watching the toy sloops go by, holding court
for busloads of tourists. Once I called breakfast the sexiest
meal of the day. Once I invited arrest
at the peace march in Washington. Once I was young and bold
and left hundreds of unmatched people out in the cold.
|
Written by
Barry Tebb |
I was never a film buff, give me Widmark and Wayne any day
Saturday matin?es with Margaret Gardener still hold sway
As my memory veers backwards this temperate Boxing Day-
Westerns and war films and a blurred Maigret,
Coupled with a worn-out sixties Penguin Mallarm?-
How about that mix for a character trait?
Try as I may I can’t get my head round the manifold virtues
Of Geraldine Monk or either Riley
Poetry has to have a meaning, not just patterns on a page,
Vertical words and snips of scores just make me rage.
Is Thom Gunn really the age-old sleaze-weasel Andrew Duncan says?
Is Tim Allen right to give Geraldine Monk an eleven page review?
At least they care for poetry to give their lives to it
As we do, too.
My syntax far from perfect, my writing illegible
But somehow I’ll get through, Bloodaxe and Carcourt
May jeer but an Indian printer’s busy with my ‘Collected’
And, Calcutta typesetters permitting, it will be out this year
With the red gold script of sari cloth on the spine
And **** those dusty grey contemporary voices
Those verses will be mine.
Haslam’s a whole lot better but touchy as a prima donna
And couldn’t take it when I said he’d be a whole lot better
If he’d unloose his affects and let them scatter
I’m envious of his habitat, The Haworth Moors
Living there should be the inspiration of my old age
But being monophobic I can’t face the isolation
Or persuade my passionate friend to join me.
What urban experiences can improve
Upon a cottage life with my own muse!
|
Written by
William Blake |
When silver snow decks Susan's clothes,
And jewel hangs at th' shepherd's nose,
The blushing bank is all my care,
With hearth so red, and walls so fair;
`Heap the sea-coal, come, heap it higher,
The oaken log lay on the fire.'
The well-wash'd stools, a circling row,
With lad and lass, how fair the show!
The merry can of nut-brown ale,
The laughing jest, the love-sick tale,
Till, tir'd of chat, the game begins.
The lasses prick the lads with pins;
Roger from Dolly twitch'd the stool,
She, falling, kiss'd the ground, poor fool!
She blush'd so red, with sidelong glance
At hob-nail Dick, who griev'd the chance.
But now for Blind man's Buff they call;
Of each encumbrance clear the hall--
Jenny her silken 'kerchief folds,
And blear-eyed Will the black lot holds.
Now laughing stops, with `Silence! hush!'
And Peggy Pout gives Sam a push.
The Blind man's arms, extended wide,
Sam slips between:--`O woe betide
Thee, clumsy Will!'--but titt'ring Kate
Is penn'd up in the corner straight!
And now Will's eyes beheld the play;
He thought his face was t'other way.
`Now, Kitty, now! what chance hast thou,
Roger so near thee!--Trips, I vow!'
She catches him--then Roger ties
His own head up--but not his eyes;
For thro' the slender cloth he sees,
And runs at Sam, who slips with ease
His clumsy hold; and, dodging round,
Sukey is tumbled on the ground!--
`See what it is to play unfair!
Where cheating is, there's mischief there.'
But Roger still pursues the chase,--
`He sees! he sees!' cries, softly, Grace;
`O Roger, thou, unskill'd in art,
Must, surer bound, go thro' thy part!'
Now Kitty, pert, repeats the rimes,
And Roger turns him round three times,
Then pauses ere he starts--but Dick
Was mischief bent upon a trick;
Down on his hands and knees he lay
Directly in the Blind man's way,
Then cries out `Hem!' Hodge heard, and ran
With hood-wink'd chance--sure of his man;
But down he came. -- Alas, how frail
Our best of hopes, how soon they fail!
With crimson drops he stains the ground;
Confusion startles all around.
Poor piteous Dick supports his head,
And fain would cure the hurt he made.
But Kitty hasted with a key,
And down his back they straight convey
The cold relief; the blood is stay'd,
And Hodge again holds up his head.
Such are the fortunes of the game,
And those who play should stop the same
By wholesome laws; such as all those
Who on the blinded man impose
Stand in his stead; as, long a-gone,
When men were first a nation grown,
Lawless they liv'd, till wantonness
A 1000 nd liberty began t' increase,
And one man lay in another's way;
Then laws were made to keep fair play.
|
Written by
Amy Clampitt |
Nothing's certain. Crossing, on this longest day,
the low-tide-uncovered isthmus, scrambling up
the scree-slope of what at high tide
will be again an island,
to where, a decade since well-being staked
the slender, unpremeditated claim that brings us
back, year after year, lugging the
makings of another picnic—
the cucumber sandwiches, the sea-air-sanctified
fig newtons—there's no knowing what the slamming
seas, the gales of yet another winter
may have done. Still there,
the gust-beleaguered single spruce tree,
the ant-thronged, root-snelled moss, grass
and clover tuffet underneath it,
edges frazzled raw
but, like our own prolonged attachment, holding.
Whatever moral lesson might commend itself,
there's no use drawing one,
there's nothing here
to seize on as exemplifying any so-called virtue
(holding on despite adversity, perhaps) or
any no-more-than-human tendency—
stubborn adherence, say,
to a wholly wrongheaded tenet. Though to
hold on in any case means taking less and less
for granted, some few things seem nearly
certain, as that the longest day
will come again, will seem to hold its breath,
the months-long exhalation of diminishment
again begin. Last night you woke me
for a look at Jupiter,
that vast cinder wheeled unblinking
in a bath of galaxies. Watching, we traveled
toward an apprehension all but impossible
to be held onto—
that no point is fixed, that there's no foothold
but roams untethered save by such snells,
such sailor's knots, such stays
and guy wires as are
mainly of our own devising. From such an
empyrean, aloof seraphic mentors urge us
to look down on all attachment,
on any bonding, as
in the end untenable. Base as it is, from
year to year the earth's sore surface
mends and rebinds itself, however
and as best it can, with
thread of cinquefoil, tendril of the magenta
beach pea, trammel of bramble; with easings,
mulchings, fragrances, the gray-green
bayberry's cool poultice—
and what can't finally be mended, the salt air
proceeds to buff and rarefy: the lopped carnage
of the seaward spruce clump weathers
lustrous, to wood-silver.
Little is certain, other than the tide that
circumscribes us that still sets its term
to every picnic—today we stayed too long
again, and got our feet wet—
and all attachment may prove at best, perhaps,
a broken, a much-mended thing. Watching
the longest day take cover under
a monk's-cowl overcast,
with thunder, rain and wind, then waiting,
we drop everything to listen as a
hermit thrush distills its fragmentary,
hesitant, in the end
unbroken music. From what source (beyond us, or
the wells within?) such links perceived arrive—
diminished sequences so uninsistingly
not even human—there's
hardly a vocabulary left to wonder, uncertain
as we are of so much in this existence, this
botched, cumbersome, much-mended,
not unsatisfactory thing.
|
Written by
Andrew Marvell |
Oblig'd by frequent visits of this man,
Whom as Priest, Poet, and Musician,
I for some branch of Melchizedeck took,
(Though he derives himself from my Lord Brooke)
I sought his Lodging; which is at the Sign
Of the sad Pelican; Subject divine
For Poetry: There three Stair Cases high,
Which signifies his triple property,
I found at last a Chamber, as 'twas said,
But seem'd a Coffin set on the Stairs head.
Not higher then Seav'n, nor larger then three feet;
Only there was nor Seeling, nor a Sheet,
Save that th' ingenious Door did as you come
Turn in, and shew to Wainscot half the Room.
Yet of his State no man could have complain'd;
There being no Bed where he entertain'd:
And though within one Cell so narrow pent,
He'd Stanza's for a whole Appartement.
Straight without further information,
In hideous verse, he, and a dismal tone,
Begins to exercise; as if I were
Possest; and sure the Devil brought me there.
But I, who now imagin'd my selfbrought
To my last Tryal, in a serious thought
Calm'd the disorders of my youthful Breast,
And to my Martyrdom prepared Rest.
Only this frail Ambition did remain,
The last distemper of the sober Brain,
That there had been some present to assure
The future Ages how I did indure:
And how I, silent, turn'd my burning Ear
Towards the Verse; and when that could n
Held him the other; and unchanged yet,
Ask'd still for more, and pray'd him to repeat:
Till the Tyrant, weary to persecute,
Left off, and try'd t'allure me with his Lute.
Now as two Instruments, to the same key
Being tun'd by Art, if the one touched be
The other opposite as soon replies,
Mov'd by the Air and hidden Sympathies;
So while he with his gouty Fingers craules
Over the Lute, his murmuring Belly calls,
Whose hungry Guts to the same streightness twin'd
In Echo to the trembling Strings repin'd.
I, that perceiv'd now what his Musick ment,
Ask'd civilly if he had eat this Lent.
He answered yes; with such, and such an one.
For he has this of gen'rous, that alone
He never feeds; save only when he tryes
With gristly Tongue to dart the passing Flyes.
I ask'd if he eat flesh. And he, that was
So hungry that though ready to say Mass
Would break his fast before, said he was Sick,
And th' Ordinance was only Politick.
Nor was I longer to invite him: Scant
Happy at once to make him Protestant,
And Silent. Nothing now Dinner stay'd
But till he had himself a Body made.
I mean till he were drest: for else so thin
He stands, as if he only fed had been
With consecrated Wafers: and the Host
Hath sure more flesh and blood then he can boast.
This Basso Relievo of a Man,
Who as a Camel tall, yet easly can
The Needles Eye thread without any stich,
(His only impossible is to be rich)
Lest his too suttle Body, growing rare,
Should leave his Soul to wander in the Air,
He therefore circumscribes himself in rimes;
And swaddled in's own papers seaven times,
Wears a close Jacket of poetick Buff,
With which he doth his third Dimension Stuff.
Thus armed underneath, he over all
Does make a primitive Sotana fall;
And above that yet casts an antick Cloak,
Worn at the first Counsel of Antioch;
Which by the Jews long hid, and Disesteem'd,
He heard of by Tradition, and redeem'd.
But were he not in this black habit deck't,
This half transparent Man would soon reflect
Each colour that he past by; and be seen,
As the Chamelion, yellow, blew, or green.
He drest, and ready to disfurnish now
His Chamber, whose compactness did allow
No empty place for complementing doubt,
But who came last is forc'd first to go out;
I meet one on the Stairs who made me stand,
Stopping the passage, and did him demand:
I answer'd he is here Sir; but you see
You cannot pass to him but thorow me.
He thought himself affronted; and reply'd,
I whom the Pallace never has deny'd
Will make the way here; I said Sir you'l do
Me a great favour, for I seek to go.
He gathring fury still made sign to draw;
But himself there clos'd in a Scabbard saw
As narrow as his Sword's; and I, that was
Delightful, said there can no Body pass
Except by penetration hither, where
Two make a crowd, nor can three Persons here
Consist but in one substance. Then, to fit
Our peace, the Priest said I too had some wit:
To prov't, I said, the place doth us invite
But its own narrowness, Sir, to unite.
He ask'd me pardon; and to make me way
Went down, as I him follow'd to obey.
But the propitiatory Priest had straight
Oblig'd us, when below, to celebrate
Together our attonement: so increas'd
Betwixt us two the Dinner to a Feast.
Let it suffice that we could eat in peace;
And that both Poems did and Quarrels cease
During the Table; though my new made Friend
Did, as he threatned, ere 'twere long intend
To be both witty and valiant: I loth,
Said 'twas too late, he was already both.
But now, Alas, my first Tormentor came,
Who satisfy'd with eating, but not tame
Turns to recite; though Judges most severe
After th'Assizes dinner mild appear,
And on full stomach do condemn but few:
Yet he more strict my sentence doth renew;
And draws out of the black box of his Breast
Ten quire of paper in which he was drest.
Yet that which was a greater cruelty
Then Nero's Poem he calls charity:
And so the Pelican at his door hung
Picks out the tender bosome to its young.
Of all his Poems there he stands ungirt
Save only two foul copies for his shirt:
Yet these he promises as soon as clean.
But how I loath'd to see my Neighbour glean
Those papers, which he pilled from within
Like white fleaks rising from a Leaper's skin!
More odious then those raggs which the French youth
At ordinaries after dinner show'th,
When they compare their Chancres and Poulains.
Yet he first kist them, and after takes pains
To read; and then, because he understood good.
Not one Word, thought and swore that they were
But all his praises could not now appease
The provok't Author, whom it did displease
To hear his Verses, by so just a curse,
That were ill made condemn'd to be read worse:
And how (impossible) he made yet more
Absurdityes in them then were before.
For he his untun'd voice did fall or raise
As a deaf Man upon a Viol playes,
Making the half points and the periods run
Confus'der then the atomes in the Sun.
Thereat the Poet swell'd, with anger full,
And roar'd out, like Perillus in's own Bull;
Sir you read false. That any one but you
Should know the contrary. Whereat, I, now
Made Mediator, in my room, said, Why?
To say that you read false Sir is no Lye.
Thereat the waxen Youth relented straight;
But saw with sad dispair that was too late.
For the disdainful Poet was retir'd
Home, his most furious Satyr to have fir'd
Against the Rebel; who, at this struck dead
Wept bitterly as disinherited.
Who should commend his Mistress now? Or who
Praise him? both difficult indeed to do
With truth. I counsell'd him to go in time,
Ere the fierce Poets anger turn'd to rime.
He hasted; and I, finding my self free,
Did, as he threatned, ere 'twere long intend
As one scap't strangely from Captivity,
Have made the Chance be painted; and go now
To hang it in Saint Peter's for a Vow.
|
Written by
Robert Burns |
FINTRY, my stay in wordly strife,
Friend o’ my muse, friend o’ my life,
Are ye as idle’s I am?
Come then, wi’ uncouth kintra fleg,
O’er Pegasus I’ll fling my leg,
And ye shall see me try him.
But where shall I go rin a ride,
That I may splatter nane beside?
I wad na be uncivil:
In manhood’s various paths and ways
There’s aye some doytin’ body strays,
And I ride like the devil.
Thus I break aff wi’ a’ my birr,
And down yon dark, deep alley spur,
Where Theologics daunder:
Alas! curst wi’ eternal fogs,
And damn’d in everlasting bogs,
As sure’s the creed I’ll blunder!
I’ll stain a band, or jaup a gown,
Or rin my reckless, guilty crown
Against the haly door:
Sair do I rue my luckless fate,
When, as the Muse an’ Deil wad hae’t,
I rade that road before.
Suppose I take a spurt, and mix
Amang the wilds o’ Politics—
Electors and elected,
Where dogs at Court (sad sons of bitches!)
Septennially a madness touches,
Till all the land’s infected.
All hail! Drumlanrig’s haughty Grace,
Discarded remnant of a race
Once godlike-great in story;
Thy forbears’ virtues all contrasted,
The very name of Douglas blasted,
Thine that inverted glory!
Hate, envy, oft the Douglas bore,
But thou hast superadded more,
And sunk them in contempt;
Follies and crimes have stain’d the name,
But, Queensberry, thine the virgin claim,
From aught that’s good exempt!
I’ll sing the zeal Drumlanrig bears,
Who left the all-important cares
Of princes, and their darlings:
And, bent on winning borough touns,
Came shaking hands wi’ wabster-loons,
And kissing barefit carlins.
Combustion thro’ our boroughs rode,
Whistling his roaring pack abroad
Of mad unmuzzled lions;
As Queensberry blue and buff unfurl’d,
And Westerha’ and Hopetoun hurled
To every Whig defiance.
But cautious Queensberry left the war,
Th’ unmanner’d dust might soil his star,
Besides, he hated bleeding:
But left behind him heroes bright,
Heroes in C&æsarean fight,
Or Ciceronian pleading.
O for a throat like huge Mons-Meg,
To muster o’er each ardent Whig
Beneath Drumlanrig’s banners;
Heroes and heroines commix,
All in the field of politics,
To win immortal honours.
M’Murdo and his lovely spouse,
(Th’ enamour’d laurels kiss her brows!)
Led on the Loves and Graces:
She won each gaping burgess’ heart,
While he, sub rosa, played his part
Amang their wives and lasses.
Craigdarroch led a light-arm’d core,
Tropes, metaphors, and figures pour,
Like Hecla streaming thunder:
Glenriddel, skill’d in rusty coins,
Blew up each Tory’s dark designs,
And bared the treason under.
In either wing two champions fought;
Redoubted Staig, who set at nought
The wildest savage Tory;
And Welsh who ne’er yet flinch’d his ground,
High-wav’d his magnum-bonum round
With Cyclopeian fury.
Miller brought up th’ artillery ranks,
The many-pounders of the Banks,
Resistless desolation!
While Maxwelton, that baron bold,
’Mid Lawson’s port entrench’d his hold,
And threaten’d worse damnation.
To these what Tory hosts oppos’d
With these what Tory warriors clos’d
Surpasses my descriving;
Squadrons, extended long and large,
With furious speed rush to the charge,
Like furious devils driving.
What verse can sing, what prose narrate,
The butcher deeds of bloody Fate,
Amid this mighty tulyie!
Grim Horror girn’d, pale Terror roar’d,
As Murder at his thrapple shor’d,
And Hell mix’d in the brulyie.
As Highland craigs by thunder cleft,
When lightnings fire the stormy lift,
Hurl down with crashing rattle;
As flames among a hundred woods,
As headlong foam from a hundred floods,
Such is the rage of Battle.
The stubborn Tories dare to die;
As soon the rooted oaks would fly
Before th’ approaching fellers:
The Whigs come on like Ocean’s roar,
When all his wintry billows pour
Against the Buchan Bullers.
Lo, from the shades of Death’s deep night,
Departed Whigs enjoy the fight,
And think on former daring:
The muffled murtherer of Charles
The Magna Charter flag unfurls,
All deadly gules its bearing.
Nor wanting ghosts of Tory fame;
Bold Scrimgeour follows gallant Graham;
Auld Covenanters shiver—
Forgive! forgive! much-wrong’d Montrose!
Now Death and Hell engulph thy foes,
Thou liv’st on high for ever.
Still o’er the field the combat burns,
The Tories, Whigs, give way by turns;
But Fate the word has spoken:
For woman’s wit and strength o’man,
Alas! can do but what they can;
The Tory ranks are broken.
O that my een were flowing burns!
My voice, a lioness that mourns
Her darling cubs’ undoing!
That I might greet, that I might cry,
While Tories fall, while Tories fly,
And furious Whigs pursuing!
What Whig but melts for good Sir James,
Dear to his country, by the names,
Friend, Patron, Benefactor!
Not Pulteney’s wealth can Pulteney save;
And Hopetoun falls, the generous, brave;
And Stewart, bold as Hector.
Thou, Pitt, shalt rue this overthrow,
And Thurlow growl a curse of woe,
And Melville melt in wailing:
Now Fox and Sheridan rejoice,
And Burke shall sing, “O Prince, arise!
Thy power is all-prevailing!”
For your poor friend, the Bard, afar
He only hears and sees the war,
A cool spectator purely!
So, when the storm the forest rends,
The robin in the hedge descends,
And sober chirps securely.
Now, for my friends’ and brethren’s sakes,
And for my dear-lov’d Land o’ Cakes,
I pray with holy fire:
Lord, send a rough-shod troop o’ Hell
O’er a’ wad Scotland buy or sell,
To grind them in the mire!
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Written by
Robert Louis Stevenson |
God, if this were enough,
That I see things bare to the buff
And up to the buttocks in mire;
That I ask nor hope nor hire,
Nut in the husk,
Nor dawn beyond the dusk,
Nor life beyond death:
God, if this were faith!
Having felt thy wind in my face
Spit sorrow and disgrace,
Having seen thine evil doom
In Golgotha and Khartoum,
And the brutes, the work of thine hands,
Fill with injustice lands
And stain with blood the sea:
If still in my veins the glee
Of the black night and the sun
And the lost battle, run:
If, an adept,
The iniquitous lists I still accept
With joy, and joy to endure and be withstood,
And still to battle and perish for a dream of good:
God, if that were enough!
If to feel, in the ink of the slough,
And the sink of the mire,
Veins of glory and fire
Run through and transpierce and transpire,
And a secret purpose of glory in every part,
And the answering glory of battle fill my heart;
To thrill with the joy of girded men
To go on for ever and fail and go on again,
And be mauled to the earth and arise,
And contend for the shade of a word and a thing
not seen with the eyes:
With the half of a broken hope for a pillow at night
That somehow the right is the right
And the smooth shall bloom from the rough:
Lord, if that were enough!
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Written by
Robert Herrick |
No news of navies burnt at seas;
No noise of late spawn'd tittyries;
No closet plot or open vent,
That frights men with a Parliament:
No new device or late-found trick,
To read by th' stars the kingdom's sick;
No gin to catch the State, or wring
The free-born nostril of the King,
We send to you; but here a jolly
Verse crown'd with ivy and with holly;
That tells of winter's tales and mirth
That milk-maids make about the hearth;
Of Christmas sports, the wassail-bowl,
That toss'd up, after Fox-i'-th'-hole;
Of Blind-man-buff, and of the care
That young men have to shoe the Mare;
Of twelf-tide cakes, of pease and beans,
Wherewith ye make those merry scenes,
Whenas ye chuse your king and queen,
And cry out, 'Hey for our town green!'--
Of ash-heaps, in the which ye use
Husbands and wives by streaks to chuse;
Of crackling laurel, which fore-sounds
A plenteous harvest to your grounds;
Of these, and such like things, for shift,
We send instead of New-year's gift.
--Read then, and when your faces shine
With buxom meat and cap'ring wine,
Remember us in cups full crown'd,
And let our city-health go round,
Quite through the young maids and the men,
To the ninth number, if not ten;
Until the fired chestnuts leap
For joy to see the fruits ye reap,
From the plump chalice and the cup
That tempts till it be tossed up.--
Then as ye sit about your embers,
Call not to mind those fled Decembers;
But think on these, that are t' appear,
As daughters to the instant year;
Sit crown'd with rose-buds, and carouse,
Till LIBER PATER twirls the house
About your ears, and lay upon
The year, your cares, that's fled and gone:
And let the russet swains the plough
And harrow hang up resting now;
And to the bag-pipe all address,
Till sleep takes place of weariness.
And thus throughout, with Christmas plays,
Frolic the full twelve holy-days.
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Written by
Marriott Edgar |
Sam Small had retired from the Army,
In the old Duke of Wellington's time,
So when present unpleasantness started,
He were what you might call... past his prime.
He'd lived for some years in retirement,
And knew nowt of war, if you please,
Till they blasted and bombed his allotment,
And shelled the best part of his peas.
'T were as if bugles called Sam to duty,
For his musket he started to search,
He found it at last in the Hen house,
Buff Orpingtons had it for perch.
Straight off to the Fusilliers' depot,
He went to rejoin his old troop...
Where he found as they couldn't recruit Him,
Until his age group was called up.
Now Sam wasn't getting no younger,
Past the three score and ten years was he,
And he reckoned by time they reached his age group,
He'd be very near ten score and three.
So he took up the matter with Churchill,
Who said, "I don't know what to do,
Never was there a time when so many,
Came asking so much from so few."
"I don't want no favours" Sam answered,
"Don't think as I'm one of that mob,
All I'm asking is give me the tools, lad,
And let me help finish the job."
"I'll fit you in somewhere," said Winnie,
"Old soldiers we must not discard."
Then seeing he'd got his own musket,
He sent him to join the Home Guard.
They gave Sam a coat with no stripes on,
In spite of the service he'd seen,
Which considering he'd been a King's sergeant,
Kind of rankled... you know what I mean.
He said "I come back to the Army,
Expecting my country's thanks,
And the first thing I find when I get here,
Is that I've been reduced to the ranks.
He found all the lads sympathetic,
They agreed that 'twere a disgrace,
Except one old chap in the corner,
With a nutcracker kind of a face.
Said the old fella, "Who do you think you are?
The last to appear on the scene,
And you start off by wanting promotion,
Last come, last served... see what I mean?"
Said Sam, "Wasn't I at Corunna,
And when company commander got shot,
Didn't I lead battalion to victory?"
Said the old fella, "No... you did not."
"I didn't?" said Sam quite indignent,
"Why, in every fight Wellington fought,
Wasn't I at his right hand to guard him?"
Said old chap, "You were nowt of the sort."
"What do you know of Duke and his battles?"
Said Sam, with a whithering look,
Said the old man, "I ought to know something,
Between you and me... I'm the Duke."
And if you should look in any evening,
You'll find them both in the canteen,
Ex Commander-in-Chief and ex Sergeant,
Both just Home Guards... you know what I mean?
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