Written by
Robert William Service |
Give me a cabin in the woods
Where not a human soul intrudes;
Where I can sit beside a stream
Beneath a balsam bough and deam,
And every morning see arise
The sun like bird of paradise;
Then go down to the creek and fish
A speckled trout for breakfast dish,
And fry it in an ember fire -
Ah! there's the life of my desire.
Alas! I'm tied to Wall Street where
They reckon me a millionaire,
And sometimes in a day alone
I gain a fortune o'er the 'phone.
Yet I to be a man was made,
And here I ply this sorry trade
Of Company manipulation,
Of selling short and stock inflation:
I whom God meant to rope a steer,
Fate mad a Wall Street buccaneer.
Old Time, how I envy you
Who do the things I long to do.
Oh, I would swap you all my riches
To step into your buckskin britches.
Your ragged shirt and rugged health
I'd take in trade for all my wealth.
Then shorn of fortune you would see
How drunk with freedom I would be;
I'd kick so hard, I'd kick so high,
I'd kick the moon clean from the sky.
Aye, gold to me is less than brass,
And jewels mean no more than glass.
My gold is sunshine and my gems
The glint of dew on grassy stems . . .
Yet though I hate my guts its true
Time sorta makes you used to you;
And so I will not gripe too much
Because I have the Midas touch,
But doodle on my swivel chair,
Resigned to be a millionaire.
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Written by
Robert William Service |
I wonder if successful men
Are always happy?
And do they sing with gusto when
Springtime is sappy?
Although I am of snow-white hair
And nighly mortal,
Each time I sniff the April air
I chortle.
I wonder if a millionaire
Jigs with enjoyment,
Having such heaps of time to spare
For daft employment.
For as I dance the Highland Fling
My glee is muckle,
And doping out new songs to sing
I chuckle.
I wonder why so soon forgot
Are fame and riches;
Let cottage comfort be my lot
With well-worn britches.
As in a pub a poor unknown,
Brown ale quaffing,
To think of all I'll never own,--
I'm laughing.
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Written by
Theodore Roethke |
The fruit rolled by all day.
They prayed the cogs would creep;
They thought about Saturday pay,
And Sunday sleep.
Whatever he smelled was good:
The fruit and flesh smells mixed.
There beside him she stood,--
And he, perplexed;
He, in his shrunken britches,
Eyes rimmed with pickle dust,
Prickling with all the itches
Of sixteen-year-old lust.
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Written by
Denise Levertov |
The Rav
of Northern White Russia declined,
in his youth, to learn the
language of birds, because
the extraneous did not interest him; nevertheless
when he grew old it was found
he understood them anyway, having
listened well, and as it is said, 'prayed
with the bench and the floor.' He used
what was at hand--as did
Angel Jones of Mold, whose meditations
were sewn into coats and britches.
Well, I would like to make,
thinking some line still taut between me and them,
poems direct as what the birds said,
hard as a floor, sound as a bench,
mysterious as the silence when the tailor
would pause with his needle in the air.
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Written by
Robert William Service |
Mother focused with a frown
The part of me where I sit down.
Said she: "Your pants are wearing through;
Let me sew on a patch for you."
And so she did,--of azure blue.
My britches were of sober grey,
And when I went to school next day,
The fellows said: "Excuse our smile:
We saw your patch 'way off a mile."
Said I: "Sure, it's the latest style."
So each boy asked his Ma to match
With bluer blue my super-patch,
And when to school they came en masse,
It was the emblem of our class,
Admired by every bonnie lass.
Now when I'm old and in my dotage,
I hope I'll have a humble cottage,
And sit me by a hive of bees,
A patchwork quilt accross my knees,
Warming my worn hands in the sun,
All ropey with the work they've done.
The work they've done to give me this
Brief bit of comfort, ease and bliss;
My pathway edged with cockle shells,
And bright with Canterbury bells,
That leads to where my humble thatch is,
It, too, adorned with straw-bright patches.
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Written by
Robert William Service |
How often have I started out
With no thought in my noodle,
And wandered here and there about,
Where fancy bade me toddle;
Till feeling faunlike in my glee
I've voiced some gay distiches,
Returning joyfully to tea,
A poem in my britches.
A-squatting on a thymy slope
With vast of sky about me,
I've scribbled on an envelope
The rhymes the hills would shout me;
The couplets that the trees would call,
The lays the breezes proffered . . .
Oh no, I didn't think at all -
I took what Nature offered.
For that's the way you ought to write -
Without a trace of trouble;
Be super-charged with high delight
And let the words out-bubble;
Be voice of vale and wood and stream
Without design or proem:
Then rouse from out a golden dream
To find you've made a poem.
So I'll go forth with mind a blank,
And sea and sky will spell me;
And lolling on a thymy bank
I'll take down what they tell me;
As Mother Nature speaks to me
Her words I'll gaily docket,
So I'll come singing home to tea
A poem in my pocket.
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Written by
Paul Laurence Dunbar |
When de fiddle gits to singin' out a ol' Vahginny reel,
An' you 'mence to feel a ticklin' in yo' toe an' in yo' heel;
Ef you t'ink you got 'uligion an' you wants to keep it, too,
You jes' bettah tek a hint an' git yo'self clean out o' view.
Case de time is mighty temptin' when de chune is in de swing,
Fu' a darky, saint or sinner man, to cut de pigeon-wing.
An' you could n't he'p f'om dancin' ef yo' feet was boun' wif twine,
When Angelina Johnson comes a-swingin' down de line.
Don't you know Miss Angelina? She 's de da'lin' of de place.
W'y, dey ain't no high-toned lady wif sich mannahs an' sich grace.
She kin move across de cabin, wif its planks all rough an' wo';
Jes' de same 's ef she was dancin' on ol' mistus' ball-room flo'.
Fact is, you do' see no cabin—evaht'ing you see look grand,
An' dat one ol' squeaky fiddle soun' to you jes' lak a ban';
Cotton britches look lak broadclof an' a linsey dress look fine,
When Angelina Johnson comes a-swingin' down de line.[Pg 139]
Some folks say dat dancin 's sinful, an' de blessed Lawd, dey say,
Gwine to punish us fu' steppin' w'en we hyeah de music play.
But I tell you I don' b'lieve it, fu' de Lawd is wise and good,
An' he made de banjo's metal an' he made de fiddle's wood,
An' he made de music in dem, so I don' quite t'ink he 'll keer
Ef our feet keeps time a little to de melodies we hyeah.
W'y, dey's somep'n' downright holy in de way our faces shine,
When Angelina Johnson comes a-swingin' down de line.
Angelina steps so gentle, Angelina bows so low,
An' she lif huh sku't so dainty dat huh shoetop skacely show:
An' dem teef o' huh'n a-shinin', ez she tek you by de han'—
Go 'way, people, d' ain't anothah sich a lady in de lan'!
When she 's movin' thoo de figgers er a-dancin' by huhse'f,
Folks jes' stan' stock-still a-sta'in', an' dey mos' nigh hol's dey bref;
An' de young mens, dey 's a-sayin', "I 's gwine mek dat damsel mine,"
When Angelina Johnson comes a-swingin' down de line.
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