Written by
Matsuo Basho |
Following are several translations
of the 'Old Pond' poem, which may be
the most famous of all haiku:
Furuike ya
kawazu tobikomu
mizu no oto
-- Basho
Literal Translation
Fu-ru (old) i-ke (pond) ya,
ka-wa-zu (frog) to-bi-ko-mu (jumping into)
mi-zu (water) no o-to (sound)
The old pond--
a frog jumps in,
sound of water.
Translated by Robert Hass
Old pond.
.
.
a frog jumps in
water's sound.
Translated by William J.
Higginson
An old silent pond.
.
.
A frog jumps into the pond,
splash! Silence again.
Translated by Harry Behn
There is the old pond!
Lo, into it jumps a frog:
hark, water's music!
Translated by John Bryan
The silent old pond
a mirror of ancient calm,
a frog-leaps-in splash.
Translated by Dion O'Donnol
old pond
frog leaping
splash
Translated by Cid Corman
Antic pond--
frantic frog jumps in--
gigantic sound.
Translated by Bernard Lionel Einbond
MAFIA HIT MAN POET: NOTE FOUND PINNED TO LAPEL
OF DROWNED VICTIM'S DOUBLE-BREASTED SUIT!!!
'Dere wasa dis frogg
Gone jumpa offa da logg
Now he inna bogg.
'
-- Anonymous
Translated by George M.
Young, Jr.
Old pond
leap -- splash
a frog.
Translated by Lucien Stryck
The old pond,
A frog jumps in:.
Plop!
Translated by Allan Watts
The old pond, yes, and
A frog is jumping into
The water, and splash.
Translated by G.
S.
Fraser
|
Written by
Allen Ginsberg |
Under silver wing
San Francisco's towers sprouting
thru thin gas clouds,
Tamalpais black-breasted above Pacific azure
Berkeley hills pine-covered below--
Dr Leary in his brown house scribing Independence
Declaration
typewriter at window
silver panorama in natural eyeball--
Sacramento valley rivercourse's Chinese
dragonflames licking green flats north-hazed
State Capitol metallic rubble, dry checkered fields
to Sierras- past Reno, Pyramid Lake's
blue Altar, pure water in Nevada sands'
brown wasteland scratched by tires
Jerry Rubin arrested! Beaten, jailed,
coccyx broken--
Leary out of action--"a public menace.
.
.
persons of tender years.
.
.
immature
judgement.
.
.
pyschiatric examination.
.
.
"
i.
e.
Shut up or Else Loonybin or Slam
Leroi on bum gun rap, $7,000
lawyer fees, years' negotiations--
SPOCK GUILTY headlined temporary, Joan Baez'
paramour husband Dave Harris to Gaol
Dylan silent on politics, & safe--
having a baby, a man--
Cleaver shot at, jail'd, maddened, parole revoked,
Vietnam War flesh-heap grows higher,
blood splashing down the mountains of bodies
on to Cholon's sidewalks--
Blond boys in airplane seats fed technicolor
Murderers advance w/ Death-chords
Earplugs in, steak on plastic
served--Eyes up to the Image--
What do I have to lose if America falls?
my body? my neck? my personality?
June 19, 1968
|
Written by
Robert Lowell |
Only teaching on Tuesdays, book-worming
in pajamas fresh from the washer each morning,
I hog a whole house on Boston's
"hardly passionate Marlborough Street,"
where even the man
scavenging filth in the back alley trash cans,
has two children, a beach wagon, a helpmate,
and is "a young Republican.
"
I have a nine months' daughter,
young enough to be my granddaughter.
Like the sun she rises in her flame-flamingo infants' wear.
These are the tranquilized Fifties,
and I am forty.
Ought I to regret my seedtime?
I was a fire-breathing Catholic C.
O.
,
and made my manic statement,
telling off the state and president, and then
sat waiting sentence in the bull pen
beside a ***** boy with curlicues
of marijuana in his hair.
Given a year,
I walked on the roof of the West Street Jail, a short
enclosure like my school soccer court,
and saw the Hudson River once a day
through sooty clothesline entanglements
and bleaching khaki tenements.
Strolling, I yammered metaphysics with Abramowitz,
a jaundice-yellow ("it's really tan")
and fly-weight pacifist,
so vegetarian,
he wore rope shoes and preferred fallen fruit.
He tried to convert Bioff and Brown,
the Hollywood pimps, to his diet.
Hairy, muscular, suburban,
wearing chocolate double-breasted suits,
they blew their tops and beat him black and blue.
I was so out of things, I'd never heard
of the Jehovah's Witnesses.
"Are you a C.
O.
?" I asked a fellow jailbird.
"No," he answered, "I'm a J.
W.
"
He taught me the "hospital tuck,"
and pointed out the T-shirted back
of Murder Incorporated's Czar Lepke,
there piling towels on a rack,
or dawdling off to his little segregated cell full
of things forbidden to the common man:
a portable radio, a dresser, two toy American
flags tied together with a ribbon of Easter palm.
Flabby, bald, lobotomized,
he drifted in a sheepish calm,
where no agonizing reappraisal
jarred his concentration on the electric chair
hanging like an oasis in his air
of lost connections.
.
.
.
|
Written by
Adrienne Rich |
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory.
"
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact.
In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam.
They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes.
And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn.
.
.
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence.
"
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
|
Written by
Randall Jarrell |
Her imaginary playmate was a grown-up
In sea-coal satin.
The flame-blue glances,
The wings gauzy as the membrane that the ashes
Draw over an old ember --as the mother
In a jug of cider-- were a comfort to her.
They sat by the fire and told each other stories.
"What men want.
.
.
" said the godmother softly--
How she went on it is hard for a man to say.
Their eyes, on their Father, were monumental marble.
Then they smiled like two old women, bussed each other,
Said, "Gossip, gossip"; and, lapped in each other's looks,
Mirror for Mirror, drank a cup of tea.
Of cambric tea.
But there is a reality
Under the good silk of the good sisters'
Good ball gowns.
She knew.
.
.
Hard-breasted, naked-eyed,
She pushed her silk feet into glass, and rose within
A gown of imaginary gauze.
The shy prince drank
A toast to her in champagne from her slipper
And breathed, "Bewitching!" Breathed, "I am bewitched!"
--She said to her godmother, "Men!"
And, later, looking down to see her flesh
Look back up from under lace, the ashy gauze
And pulsing marble of a bridal veil,
She wished it all a widow's coal-black weeds.
A sullen wife and a reluctant mother,
She sat all day in silence by the fire.
Better, later, to stare past her sons' sons,
Her daughters' daughter, and tell stories to the fire.
But best, dead, damned, to rock forever
Beside Hell's fireside-- to see within the flames
The Heaven to whosee gold-gauzed door there comes
A little dark old woman, the God's Mother,
And cries, "Come in, come in! My son's out now,
Out now, will be back soon, may be back never,
Who knows, eh? We know what they are--men, men!
But come, come in till then! Come in till then!
|
Written by
Robert Browning |
Christ God who savest man, save most
Of men Count Gismond who saved me!
Count Gauthier, when he chose his post,
Chose time and place and company
To suit it; when he struck at length
My honour, 'twas with all his strength.
II.
And doubtlessly ere he could draw
All points to one, he must have schemed!
That miserable morning saw
Few half so happy as I seemed,
While being dressed in queen's array
To give our tourney prize away.
III.
I thought they loved me, did me grace
To please themselves; 'twas all their deed;
God makes, or fair or foul, our face;
If showing mine so caused to bleed
My cousins' hearts, they should have dropped
A word, and straight the play had stopped.
IV.
They, too, so beauteous! Each a queen
By virtue of her brow and breast;
Not needing to be crowned, I mean,
As I do.
E'en when I was dressed,
Had either of them spoke, instead
Of glancing sideways with still head!
V.
But no: they let me laugh, and sing
My birthday song quite through, adjust
The last rose in my garland, fling
A last look on the mirror, trust
My arms to each an arm of theirs,
And so descend the castle-stairs---
VI.
And come out on the morning-troop
Of merry friends who kissed my cheek,
And called me queen, and made me stoop
Under the canopy---(a streak
That pierced it, of the outside sun,
Powdered with gold its gloom's soft dun)---
VII.
And they could let me take my state
And foolish throne amid applause
Of all come there to celebrate
My queen's-day---Oh I think the cause
Of much was, they forgot no crowd
Makes up for parents in their shroud!
VIII.
However that be, all eyes were bent
Upon me, when my cousins cast
Theirs down; 'twas time I should present
The victor's crown, but .
.
.
there, 'twill last
No long time .
.
.
the old mist again
Blinds me as then it did.
How vain!
IX,
See! Gismond's at the gate, in talk
With his two boys: I can proceed.
Well, at that moment, who should stalk
Forth boldly---to my face, indeed---
But Gauthier, and he thundered ``Stay!''
And all stayed.
``Bring no crowns, I say!
X.
``Bring torches! Wind the penance-sheet
``About her! Let her shun the chaste,
``Or lay herself before their feet!
``Shall she whose body I embraced
``A night long, queen it in the day?
``For honour's sake no crowns, I say!''
XI.
I? What I answered? As I live,
I never fancied such a thing
As answer possible to give.
What says the body when they spring
Some monstrous torture-engine's whole
Strength on it? No more says the soul.
XII.
Till out strode Gismond; then I knew
That I was saved.
I never met
His face before, but, at first view,
I felt quite sure that God had set
Himself to Satan; who would spend
A minute's mistrust on the end?
XIII.
He strode to Gauthier, in his throat
Gave him the lie, then struck his mouth
With one back-handed blow that wrote
In blood men's verdict there.
North, South,
East, West, I looked.
The lie was dead,
And damned, and truth stood up instead.
XIV.
This glads me most, that I enjoyed
The heart of the joy, with my content
In watching Gismond unalloyed
By any doubt of the event:
God took that on him---I was bid
Watch Gismond for my part: I did.
XV.
Did I not watch him while he let
His armourer just brace his greaves,
Rivet his hauberk, on the fret
The while! His foot .
.
.
my memory leaves
No least stamp out, nor how anon
He pulled his ringing gauntlets on.
XVI.
And e'en before the trumpet's sound
Was finished, prone lay the false knight,
Prone as his lie, upon the ground:
Gismond flew at him, used no sleight
O' the sword, but open-breasted drove,
Cleaving till out the truth he clove.
XVII.
Which done, he dragged him to my feet
And said ``Here die, but end thy breath
``In full confession, lest thou fleet
``From my first, to God's second death!
``Say, hast thou lied?'' And, ``I have lied
``To God and her,'' he said, and died.
XVIII.
Then Gismond, kneeling to me, asked
---What safe my heart holds, though no word
Could I repeat now, if I tasked
My powers forever, to a third
Dear even as you are.
Pass the rest
Until I sank upon his breast.
XIX.
Over my head his arm he flung
Against the world; and scarce I felt
His sword (that dripped by me and swung)
A little shifted in its belt:
For he began to say the while
How South our home lay many a mile.
XX.
So 'mid the shouting multitude
We two walked forth to never more
Return.
My cousins have pursued
Their life, untroubled as before
I vexed them.
Gauthier's dwelling-place
God lighten! May his soul find grace!
XXI.
Our elder boy has got the clear
Great brow; tho' when his brother's black
Full eye slows scorn, it .
.
.
Gismond here?
And have you brought my tercel*1 back?
I just was telling Adela
How many birds it struck since May.
*1 A male of the peregrine falcon.
|
Written by
Gerard Manley Hopkins |
May is Mary's month, and I
Muse at that and wonder why:
Her feasts follow reason,
Dated due to season—
Candlemas, Lady Day;
But the Lady Month, May,
Why fasten that upon her,
With a feasting in her honour?
Is it only its being brighter
Than the most are must delight her?
Is it opportunest
And flowers finds soonest?
Ask of her, the mighty mother:
Her reply puts this other
Question: What is Spring?—
Growth in every thing—
Flesh and fleece, fur and feather,
Grass and greenworld all together;
Star-eyed strawberry-breasted
Throstle above her nested
Cluster of bugle blue eggs thin
Forms and warms the life within;
And bird and blossom swell
In sod or sheath or shell.
All things rising, all things sizing
Mary sees, sympathising
With that world of good,
Nature's motherhood.
Their magnifying of each its kind
With delight calls to mind
How she did in her stored
Magnify the Lord.
Well but there was more than this:
Spring's universal bliss
Much, had much to say
To offering Mary May.
When drop-of-blood-and-foam-dapple
Bloom lights the orchard-apple
And thicket and thorp are merry
With silver-surfed cherry
And azuring-over greybell makes
Wood banks and brakes wash wet like lakes
And magic cuckoocall
Caps, clears, and clinches all—
This ecstasy all through mothering earth
Tells Mary her mirth till Christ's birth
To remember and exultation
In God who was her salvation.
|
Written by
Marilyn Hacker |
This is for Elsa, also known as Liz,
an ample-bosomed gospel singer: five
discrete malignancies in one full breast.
This is for auburn Jacqueline, who is
celebrating fifty years alive,
one since she finished chemotherapy.
with fireworks on the fifteenth of July.
This is for June, whose words are lean and mean
as she is, elucidating our protest.
This is for Lucille, who shines a wide
beam for us with her dark cadences.
This is for long-limbed Maxine, astride
a horse like conscience.
This is for Aline
who taught her lover how to caress the scar.
This is for Eve, who thought of AZT
while hopeful poisons pumped into a vein.
This is for Nanette in the Midwest.
This is for Alicia, shaking back dark hair,
dancing one-breasted with the Sabbath bride.
This is for Judy on a mountainside,
plunging her gloved hands in a glistening hive.
Hilda, Patricia, Gaylord, Emilienne,
Tania, Eunice: this is for everyone
who marks the distance on a calendar
from what's less likely each year to "recur.
"
Our saved-for-now lives are life sentences
-- which we prefer to the alternative.
|
Written by
Henry Lawson |
Across the stony ridges,
Across the rolling plain,
Young Harry Dale, the drover,
Comes riding home again.
And well his stock-horse bears him,
And light of heart is he,
And stoutly his old pack-horse
Is trotting by his knee.
Up Queensland way with cattle
He travelled regions vast;
And many months have vanished
Since home-folk saw him last.
He hums a song of someone
He hopes to marry soon;
And hobble-chains and camp-ware
Keep jingling to the tune.
Beyond the hazy dado
Against the lower skies
And yon blue line of ranges
The homestead station lies.
And thitherward the drover
Jogs through the lazy noon,
While hobble-chains and camp-ware
Are jingling to a tune.
An hour has filled the heavens
With storm-clouds inky black;
At times the lightning trickles
Around the drover's track;
But Harry pushes onward,
His horses' strength he tries,
In hope to reach the river
Before the flood shall rise.
The thunder from above him
Goes rolling o'er the plain;
And down on thirsty pastures
In torrents falls the rain.
And every creek and gully
Sends forth its little flood,
Till the river runs a banker,
All stained with yellow mud.
Now Harry speaks to Rover,
The best dog on the plains,
And to his hardy horses,
And strokes their shaggy manes;
‘We've breasted bigger rivers
When floods were at their height
Nor shall this gutter stop us
From getting home to-night!'
The thunder growls a warning,
The ghastly lightnings gleam,
As the drover turns his horses
To swim the fatal stream.
But, oh! the flood runs stronger
Than e'er it ran before;
The saddle-horse is failing,
And only half-way o'er!
When flashes next the lightning,
The flood's grey breast is blank,
And a cattle dog and pack-horse
Are struggling up the bank.
But in the lonely homestead
The girl will wait in vain—
He'll never pass the stations
In charge of stock again.
The faithful dog a moment
Sits panting on the bank,
And then swims through the current
To where his master sank.
And round and round in circles
He fights with failing strength,
Till, borne down by the waters,
The old dog sinks at length.
Across the flooded lowlands
And slopes of sodden loam
The pack-horse struggles onward,
To take dumb tidings home.
And mud-stained, wet, and weary,
Through ranges dark goes he;
While hobble-chains and tinware
Are sounding eerily.
.
.
.
.
.
The floods are in the ocean,
The stream is clear again,
And now a verdant carpet
Is stretched across the plain.
But someone's eyes are saddened,
And someone's heart still bleeds
In sorrow for the drover
Who sleeps among the reeds.
|
Written by
Oliver Wendell Holmes |
THROUGH my north window, in the wintry weather,--
My airy oriel on the river shore,--
I watch the sea-fowl as they flock together
Where late the boatman flashed his dripping oar.
The gull, high floating, like a sloop unladen,
Lets the loose water waft him as it will;
The duck, round-breasted as a rustic maiden,
Paddles and plunges, busy, busy still.
I see the solemn gulls in council sitting
On some broad ice-floe pondering long and late,
While overhead the home-bound ducks are flitting,
And leave the tardy conclave in debate,
Those weighty questions in their breasts revolving
Whose deeper meaning science never learns,
Till at some reverend elder's look dissolving,
The speechless senate silently adjourns.
But when along the waves the shrill north-easter
Shrieks through the laboring coaster's shrouds "Beware!"
The pale bird, kindling like a Christmas feaster
When some wild chorus shakes the vinous air,
Flaps from the leaden wave in fierce rejoicing,
Feels heaven's dumb lightning thrill his torpid nerves,
Now on the blast his whistling plumage poising,
Now wheeling, whirling in fantastic curves.
Such is our gull; a gentleman of leisure,
Less fleshed than feathered; bagged you'll find him such;
His virtue silence; his employment pleasure;
Not bad to look at, and not good for much.
What of our duck? He has some high-bred cousins,--
His Grace the Canvas-back, My Lord the Brant,--
Anas and Anser,-- both served up by dozens,
At Boston's Rocher, half-way to Nahant.
As for himself, he seems alert and thriving,--
Grubs up a living somehow-- what, who knows?
Crabs? mussels? weeds? Look quick! there's one just diving!
Flop! Splash! his white breast glistens-- down he goes!
And while he's under-- just about a minute--
I take advantage of the fact to say
His fishy carcase has no virtue in it
The gunning idiot's wortless hire to pay.
He knows you! "sportsmen" from suburban alleys,
Stretched under seaweed in the treacherous punt;
Knows every lazy, shiftless lout that sallies
Forth to waste powder-- as he says, to "hunt.
"
I watch you with a patient satisfaction,
Well pleased to discount your predestined luck;
The float that figures in your sly transaction
Will carry back a goose, but not a duck.
Shrewd is our bird; not easy to outwit him!
Sharp is the outlook of those pin-head eyes;
Still, he is mortal and a shot may hit him,
One cannot always miss him if he tries.
Look! there's a young one, dreaming not of danger
Sees a flat log come floating down the stream;
Stares undismayed upon the harmless stranger;
Ah! were all strangers harmless as they seem!
Habet! a leaden shower his breast has shattered;
Vainly he flutters, not again to rise;
His soft white plumes along the waves are scattered;
Helpless the wing that braved the tempest lies.
He sees his comrades high above him flying
To seek their nests among the island reeds;
Strong is their flight; all lonely he is lying
Washed by the crimsoned water as he bleeds.
O Thou who carest for the falling sparrow,
Canst Thou the sinless sufferer's pang forget?
Or is thy dread account-book's page so narrow
Its one long column scores thy creatures' debt?
Poor gentle guest, by nature kindly cherished,
A world grows dark with thee in blinding death;
One little gasp-- thy universe has perished,
Wrecked by the idle thief who stole thy breath!
Is this the whole sad story of creation,
Lived by its breathing myriads o'er and o'er,--
One glimpse of day, then black annhilation,
A sunlit passage to a sunless shore?
Give back our faith, ye mystery-solving lynxes!
Robe us once more in heaven-aspiring creeds!
Happier was dreaming Egypt with her sphinxes,
The stony convent with its cross and beads!
How often gazing where a bird reposes,
Rocked on the wavelets, drifting with the tide,
I lose myself in strange metempsychosis
And float a sea-fowl at a sea-fowl's side;
From rain, hail, snow in feathery mantle muffled,
Clear-eyed, strong-limbed, with keenest sense to hear
My mate soft murmuring, who, with plumes unruffled,
Where'er I wander still is nestling near;
The great blue hollow like a garment o'er me;
Space all unmeasured, unrecorded time;
While seen with inward eye moves on before me
Thought's pictured train in wordless pantomime.
A voice recalls me.
-- From my window turning
I find myself a plumeless biped still;
No beak, no claws, no sign of wings discerning,--
In fact with nothing bird-like but my quill.
|