Written by
Sylvia Plath |
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?
I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking
'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?
Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.
Is this the one for the annunciation?
My god, what a laugh!'
But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,
The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath. O ivory!
It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me?
Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,
The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me,
You are terrified
The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,
A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,
No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them. They are carbon monoxide.
Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million
Probable motes that tick the years off my life.
You are silver-suited for the occasion. O adding machine-----
Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,
Must you kill what you can?
There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center
Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death
I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter
Pure and clean as the cry of a baby,
And the universe slide from my side.
|
Written by
Amy Clampitt |
In memory of Father Flye, 1884-1985
The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—
for sale in the supermarket! We are in
our decadence, we are not entitled.
What have we done to deserve
all the produce of the tropics—
this fiery trove, the largesse of it
heaped up like cannonballs, these pineapples, bossed
and crested, standing like troops at attention,
these tiers, these balconies of green, festoons
grown sumptuous with stoop labor?
The exotic is everywhere, it comes to us
before there is a yen or a need for it. The green-
grocers, uptown and down, are from South Korea.
Orchids, opulence by the pailful, just slightly
fatigued by the plane trip from Hawaii, are
disposed on the sidewalks; alstroemerias, freesias
fattened a bit in translation from overseas; gladioli
likewise estranged from their piercing ancestral crimson;
as well as, less altered from the original blue cornflower
of the roadsides and railway embankments of Europe, these
bachelor's buttons. But it isn't the railway embankments
their featherweight wheels of cobalt remind me of, it's
a row of them among prim colonnades of cosmos,
snapdragon, nasturtium, bloodsilk red poppies,
in my grandmother's garden: a prairie childhood,
the grassland shorn, overlaid with a grid,
unsealed, furrowed, harrowed and sown with immigrant grasses,
their massive corduroy, their wavering feltings embroidered
here and there by the scarlet shoulder patch of cannas
on a courthouse lawn, by a love knot, a cross stitch
of living matter, sown and tended by women,
nurturers everywhere of the strange and wonderful,
beneath whose hands what had been alien begins,
as it alters, to grow as though it were indigenous.
But at this remove what I think of as
strange and wonderful, strolling the side streets of Manhattan
on an April afternoon, seeing hybrid pear trees in blossom,
a tossing, vertiginous colonnade of foam, up above—
is the white petalfall, the warm snowdrift
of the indigenous wild plum of my childhood.
Nothing stays put. The world is a wheel.
All that we know, that we're
made of, is motion.
|
Written by
Amy Lowell |
A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless
ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him,
and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise
Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord;
Praise Him,
and Magnify Him for ever."
The Boy will praise his God on an altar builded
fair,
Will heap it with the Works of the Lord. In the morning
air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme --
Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more. The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship. Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the
wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning. Alas! He had
been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord;
Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise
Him, and Magnify Him
for ever."
A moment so it hung, wide-curved, bright-petalled,
seeming
A chalice foamed with sunrise. The Boy woke from his
dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire. The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering. The lacquer stand had stains
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably. His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.
The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
|
Written by
John Davidson |
I couldn't touch a stop and turn a screw,
And set the blooming world a-work for me,
Like such as cut their teeth -- I hope, like you --
On the handle of a skeleton gold key;
I cut mine on a leek, which I eat it every week:
I'm a clerk at thirty bob as you can see.
But I don't allow it's luck and all a toss;
There's no such thing as being starred and crossed;
It's just the power of some to be a boss,
And the bally power of others to be bossed:
I face the music, sir; you bet I ain't a cur;
Strike me lucky if I don't believe I'm lost!
For like a mole I journey in the dark,
A-travelling along the underground
From my Pillar'd Halls and broad Suburbean Park,
To come the daily dull official round;
And home again at night with my pipe all alight,
A-scheming how to count ten bob a pound.
And it's often very cold and very wet,
And my missus stitches towels for a hunks;
And the Pillar'd Halls is half of it to let--
Three rooms about the size of travelling trunks.
And we cough, my wife and I, to dislocate a sigh,
When the noisy little kids are in their bunks.
But you never hear her do a growl or whine,
For she's made of flint and roses, very odd;
And I've got to cut my meaning rather fine,
Or I'd blubber, for I'm made of greens and sod:
So p'r'haps we are in Hell for all that I can tell,
And lost and damn'd and served up hot to God.
I ain't blaspheming, Mr. Silver-tongue;
I'm saying things a bit beyond your art:
Of all the rummy starts you ever sprung,
Thirty bob a week's the rummiest start!
With your science and your books and your the'ries about spooks,
Did you ever hear of looking in your heart?
I didn't mean your pocket, Mr., no:
I mean that having children and a wife,
With thirty bob on which to come and go,
Isn't dancing to the tabor and the fife:
When it doesn't make you drink, by Heaven! it makes you think,
And notice curious items about life.
I step into my heart and there I meet
A god-almighty devil singing small,
Who would like to shout and whistle in the street,
And squelch the passers flat against the wall;
If the whole world was a cake he had the power to take,
He would take it, ask for more, and eat them all.
And I meet a sort of simpleton beside,
The kind that life is always giving beans;
With thirty bob a week to keep a bride
He fell in love and married in his teens:
At thirty bob he stuck; but he knows it isn't luck:
He knows the seas are deeper than tureens.
And the god-almighty devil and the fool
That meet me in the High Street on the strike,
When I walk about my heart a-gathering wool,
Are my good and evil angels if you like.
And both of them together in every kind of weather
Ride me like a double-seated bike.
That's rough a bit and needs its meaning curled.
But I have a high old hot un in my mind --
A most engrugious notion of the world,
That leaves your lightning 'rithmetic behind:
I give it at a glance when I say 'There ain't no chance,
Nor nothing of the lucky-lottery kind.'
And it's this way that I make it out to be:
No fathers, mothers, countres, climates -- none;
Not Adam was responsible for me,
Nor society, nor systems, nary one:
A little sleeping seed, I woke -- I did, indeed --
A million years before the blooming sun.
I woke because I thought the time had come;
Beyond my will there was no other cause;
And everywhere I found myself at home,
Because I chose to be the thing I was;
And in whatever shape of mollusc or of ape
I always went according to the laws.
I was the love that chose my mother out;
I joined two lives and from the union burst;
My weakness and my strength without a doubt
Are mine alone for ever from the first:
It's just the very same with a difference in the name
As 'Thy will be done.' You say it if you durst!
They say it daily up and down the land
As easy as you take a drink, it's true;
But the difficultest go to understand,
And the difficultest job a man can do,
Is to come it brave and meek with thirty bob a week,
And feel that that's the proper thing for you.
It's a naked child against a hungry wolf;
It's playing bowls upon a splitting wreck;
It's walking on a string across a gulf
With millstones fore-and-aft about your neck;
But the thing is daily done by many and many a one;
And we fall, face forward, fighting, on the deck.
|
Written by
Rudyard Kipling |
More than a hundred years ago, in a great battle fought near Delhi,
an Indian Prince rode fifty miles after the day was lost
with a beggar-girl, who had loved him and followed him in all his camps,
on his saddle-bow. He lost the girl when almost within sight of safety.
A Maratta trooper tells the story: --
The wreath of banquet overnight lay withered on the neck,
Our hands and scarfs were saffron-dyed for signal of despair,
When we went forth to Paniput to battle with the Mlech, --
Ere we came back from Paniput and left a kingdom there.
Thrice thirty thousand men were we to force the Jumna fords --
The hawk-winged horse of Damajee, mailed squadrons of the Bhao,
Stark levies of the southern hills, the Deccan's sharpest swords,
And he the harlot's traitor son the goatherd Mulhar Rao!
Thrice thirty thousand men were we before the mists had cleared,
The low white mists of morning heard the war-conch scream and bray;
We called upon Bhowani and we gripped them by the beard,
We rolled upon them like a flood and washed their ranks away.
The children of the hills of Khost before our lances ran,
We drove the black Rohillas back as cattle to the pen;
'Twas then we needed Mulhar Rao to end what we began,
A thousand men had saved the charge; he fled the field with ten!
There was no room to clear a sword -- no power to strike a blow,
For foot to foot, ay, breast to breast, the battle held us fast --
Save where the naked hill-men ran, and stabbing from below
Brought down the horse and rider and we trampled them and passed.
To left the roar of musketry rang like a falling flood --
To right the sunshine rippled red from redder lance and blade --
Above the dark Upsaras* flew, beneath us plashed the blood,
And, bellying black against the dust, the Bhagwa Jhanda swayed.
* The Choosers of the Slain.
I saw it fall in smoke and fire, the banner of the Bhao;
I heard a voice across the press of one who called in vain: --
"Ho! Anand Rao Nimbalkhur, ride! Get aid of Mulhar Rao!
Go shame his squadrons into fight -- the Bhao -- the Bhao is slain!"
Thereat, as when a sand-bar breaks in clotted spume and spray --
When rain of later autumn sweeps the Jumna water-head,
Before their charge from flank to flank our riven ranks gave way;
But of the waters of that flood the Jumna fords ran red.
I held by Scindia, my lord, as close as man might hold;
A Soobah of the Deccan asks no aid to guard his life;
But Holkar's Horse were flying, and our chiefest chiefs were cold,
And like a flame among us leapt the long lean Northern knife.
I held by Scindia -- my lance from butt to tuft was dyed,
The froth of battle bossed the shield and roped the bridle-chain --
What time beneath our horses' feet a maiden rose and cried,
And clung to Scindia, and I turned a sword-cut from the twain.
(He set a spell upon the maid in woodlands long ago,
A hunter by the Tapti banks she gave him water there:
He turned her heart to water, and she followed to her woe.
What need had he of Lalun who had twenty maids as fair?)
Now in that hour strength left my lord; he wrenched his mare aside;
He bound the girl behind him and we slashed and struggled free.
Across the reeling wreck of strife we rode as shadows ride
From Paniput to Delhi town, but not alone were we.
'Twas Lutuf-Ullah Populzai laid horse upon our track,
A swine-fed reiver of the North that lusted for the maid;
I might have barred his path awhile, but Scindia called me back,
And I -- O woe for Scindia! -- I listened and obeyed.
League after league the formless scrub took shape and glided by --
League after league the white road swirled behind the white mare's feet --
League after league, when leagues were done, we heard the Populzai,
Where sure as Time and swift as Death the tireless footfall beat.
Noon's eye beheld that shame of flight, the shadows fell, we fled
Where steadfast as the wheeling kite he followed in our train;
The black wolf warred where we had warred, the jackal mocked our dead,
And terror born of twilight-tide made mad the labouring brain.
I gasped: -- "A kingdom waits my lord; her love is but her own.
A day shall mar, a day shall cure for her, but what for thee?
Cut loose the girl: he follows fast. Cut loose and ride alone!"
Then Scindia 'twixt his blistered lips: -- "My Queens' Queen shall she be!
"Of all who ate my bread last night 'twas she alone that came
To seek her love between the spears and find her crown therein!
One shame is mine to-day, what need the weight of double shame?
If once we reach the Delhi gate, though all be lost, I win!"
We rode -- the white mare failed -- her trot a staggering stumble grew, --
The cooking-smoke of even rose and weltered and hung low;
And still we heard the Populzai and still we strained anew,
And Delhi town was very near, but nearer was the foe.
Yea, Delhi town was very near when Lalun whispered: -- "Slay!
Lord of my life, the mare sinks fast -- stab deep and let me die!"
But Scindia would not, and the maid tore free and flung away,
And turning as she fell we heard the clattering Populzai.
Then Scindia checked the gasping mare that rocked and groaned for breath,
And wheeled to charge and plunged the knife a hand's-breadth in her side --
The hunter and the hunted know how that last pause is death --
The blood had chilled about her heart, she reared and fell and died.
Our Gods were kind. Before he heard the maiden's piteous scream
A log upon the Delhi road, beneath the mare he lay --
Lost mistress and lost battle passed before him like a dream;
The darkness closed about his eyes -- I bore my King away.
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