Best Famous Bobbed Poems

Here is a collection of the all-time best famous Bobbed poems. This is a select list of the best famous Bobbed poetry. Reading, writing, and enjoying famous Bobbed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of bobbed poems.

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Written by Robert Frost | Create an image from this poem

Brown's Descent

 Brown lived at such a lofty farm
 That everyone for miles could see
His lantern when he did his chores
 In winter after half-past three.

And many must have seen him make
 His wild descent from there one night,
’Cross lots, ’cross walls, ’cross everything,
 Describing rings of lantern light.

Between the house and barn the gale
 Got him by something he had on
And blew him out on the icy crust
 That cased the world, and he was gone!

Walls were all buried, trees were few:
 He saw no stay unless he stove
A hole in somewhere with his heel.
 But though repeatedly he strove

And stamped and said things to himself,
 And sometimes something seemed to yield,
He gained no foothold, but pursued
 His journey down from field to field.

Sometimes he came with arms outspread
 Like wings, revolving in the scene
Upon his longer axis, and
 With no small dignity of mien.

Faster or slower as he chanced,
 Sitting or standing as he chose,
According as he feared to risk
 His neck, or thought to spare his clothes,

He never let the lantern drop.
 And some exclaimed who saw afar
The figures he described with it,
 ”I wonder what those signals are

Brown makes at such an hour of night!
 He’s celebrating something strange.
I wonder if he’s sold his farm,
 Or been made Master of the Grange.”

He reeled, he lurched, he bobbed, he checked;
 He fell and made the lantern rattle
(But saved the light from going out.)
 So half-way down he fought the battle

Incredulous of his own bad luck.
 And then becoming reconciled
To everything, he gave it up
 And came down like a coasting child.

“Well—I—be—” that was all he said,
 As standing in the river road,
He looked back up the slippery slope
 (Two miles it was) to his abode.

Sometimes as an authority
 On motor-cars, I’m asked if I
Should say our stock was petered out,
 And this is my sincere reply:

Yankees are what they always were.
 Don’t think Brown ever gave up hope
Of getting home again because
 He couldn’t climb that slippery slope;

Or even thought of standing there
 Until the January thaw
Should take the polish off the crust.
 He bowed with grace to natural law,

And then went round it on his feet,
 After the manner of our stock;
Not much concerned for those to whom,
 At that particular time o’clock,

It must have looked as if the course
 He steered was really straight away
From that which he was headed for—
 Not much concerned for them, I say:

No more so than became a man—
 And politician at odd seasons.
I’ve kept Brown standing in the cold
 While I invested him with reasons;

But now he snapped his eyes three times;
 Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
 By road, a matter of several miles.

Written by Robert William Service | Create an image from this poem

The Ballad Of One-Eyed Mike

 This is the tale that was told to me by the man with the crystal eye,
As I smoked my pipe in the camp-fire light, and the Glories swept the sky;
As the Northlights gleamed and curved and streamed, and the bottle of "hooch" was dry.

A man once aimed that my life be shamed, and wrought me a deathly wrong;
I vowed one day I would well repay, but the heft of his hate was strong.
He thonged me East and he thonged me West; he harried me back and forth,
Till I fled in fright from his peerless spite to the bleak, bald-headed North.

And there I lay, and for many a day I hatched plan after plan,
For a golden haul of the wherewithal to crush and to kill my man;
And there I strove, and there I clove through the drift of icy streams;
And there I fought, and there I sought for the pay-streak of my dreams.

So twenty years, with their hopes and fears and smiles and tears and such,
Went by and left me long bereft of hope of the Midas touch;
About as fat as a chancel rat, and lo! despite my will,
In the weary fight I had clean lost sight of the man I sought to kill.

'Twas so far away, that evil day when I prayed to the Prince of Gloom
For the savage strength and the sullen length of life to work his doom.
Nor sign nor word had I seen or heard, and it happed so long ago;
My youth was gone and my memory wan, and I willed it even so.

It fell one night in the waning light by the Yukon's oily flow,
I smoked and sat as I marvelled at the sky's port-winey glow;
Till it paled away to an absinthe gray, and the river seemed to shrink,
All wobbly flakes and wriggling snakes and goblin eyes a-wink.

'Twas weird to see and it 'wildered me in a *****, hypnotic dream,
Till I saw a spot like an inky blot come floating down the stream;
It bobbed and swung; it sheered and hung; it romped round in a ring;
It seemed to play in a tricksome way; it sure was a merry thing.

In freakish flights strange oily lights came fluttering round its head,
Like butterflies of a monster size--then I knew it for the Dead.
Its face was rubbed and slicked and scrubbed as smooth as a shaven pate;
In the silver snakes that the water makes it gleamed like a dinner-plate.

It gurgled near, and clear and clear and large and large it grew;
It stood upright in a ring of light and it looked me through and through.
It weltered round with a woozy sound, and ere I could retreat,
With the witless roll of a sodden soul it wantoned to my feet.

And here I swear by this Cross I wear, I heard that "floater" say:
"I am the man from whom you ran, the man you sought to slay.
That you may note and gaze and gloat, and say `Revenge is sweet',
In the grit and grime of the river's slime I am rotting at your feet.

"The ill we rue we must e'en undo, though it rive us bone from bone;
So it came about that I sought you out, for I prayed I might atone.
I did you wrong, and for long and long I sought where you might live;
And now you're found, though I'm dead and drowned, I beg you to forgive."

So sad it seemed, and its cheek-bones gleamed, and its fingers flicked the shore;
And it lapped and lay in a weary way, and its hands met to implore;
That I gently said: "Poor, restless dead, I would never work you woe;
Though the wrong you rue you can ne'er undo, I forgave you long ago."

Then, wonder-wise, I rubbed my eyes and I woke from a horrid dream.
The moon rode high in the naked sky, and something bobbed in the stream.
It held my sight in a patch of light, and then it sheered from the shore;
It dipped and sank by a hollow bank, and I never saw it more.

This was the tale he told to me, that man so warped and gray,
Ere he slept and dreamed, and the camp-fire gleamed in his eye in a wolfish way--
That crystal eye that raked the sky in the weird Auroral ray.
Written by Sylvia Plath | Create an image from this poem

The Disquieting Muses

 Mother, mother, what ill-bred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib?

Mother, who made to order stories
Of Mixie Blackshort the heroic bear,
Mother, whose witches always, always
Got baked into gingerbread, I wonder
Whether you saw them, whether you said
Words to rid me of those three ladies
Nodding by night around my bed,
Mouthless, eyeless, with stitched bald head.

In the hurricane, when father's twelve
Study windows bellied in
Like bubbles about to break, you fed
My brother and me cookies and Ovaltine
And helped the two of us to choir:
'Thor is angry; boom boom boom!
Thor is angry: we don't care!'
But those ladies broke the panes.

When on tiptoe the schoolgirls danced,
Blinking flashlights like fireflies
And singing the glowworm song, I could
Not lift a foot in the twinkle-dress
But, heavy-footed, stood aside
In the shadow cast by my dismal-headed
Godmothers, and you cried and cried:
And the shadow stretched, the lights went out.

Mother, you sent me to piano lessons
And praised my arabesques and trills
Although each teacher found my touch
Oddly wooden in spite of scales
And the hours of practicing, my ear
Tone-deaf and yes, unteachable.
I learned, I learned, I learned elsewhere,
From muses unhired by you, dear mother.

I woke one day to see you, mother,
Floating above me in bluest air
On a green balloon bright with a million
Flowers and bluebirds that never were
Never, never, found anywhere.
But the little planet bobbed away
Like a soap-bubble as you called: Come here!
And I faced my traveling companions.

Day now, night now, at head, side, feet,
They stand their vigil in gowns of stone,
Faces blank as the day I was born.
Their shadows long in the setting sun
That never brightens or goes down.
And this is the kingdom you bore me to,
Mother, mother. But no frown of mine
Will betray the company I keep.
Written by Randall Jarrell | Create an image from this poem

The Player Piano

 I ate pancakes one night in a Pancake House
Run by a lady my age. She was gay.
When I told her that I came from Pasadena
She laughed and said, "I lived in Pasadena
When Fatty Arbuckle drove the El Molino bus."

I felt that I had met someone from home.
No, not Pasadena, Fatty Arbuckle.
Who's that? Oh, something that we had in common
Like -- like -- the false armistice. Piano rolls.
She told me her house was the first Pancake House

East of the Mississippi, and I showed her
A picture of my grandson. Going home --
Home to the hotel -- I began to hum,
"Smile a while, I bid you sad adieu,
When the clouds roll back I'll come to you."

Let's brush our hair before we go to bed,
I say to the old friend who lives in my mirror.
I remember how I'd brush my mother's hair
Before she bobbed it. How long has it been
Since I hit my funnybone? had a scab on my knee?

Here are Mother and Father in a photograph,
Father's holding me.... They both look so young.
I'm so much older than they are. Look at them,
Two babies with their baby. I don't blame you,
You weren't old enough to know any better;

If I could I'd go back, sit down by you both,
And sign our true armistice: you weren't to blame.
I shut my eyes and there's our living room.
The piano's playing something by Chopin,
And Mother and Father and their little girl

Listen. Look, the keys go down by themselves!
I go over, hold my hands out, play I play --
If only, somehow, I had learned to live!
The three of us sit watching, as my waltz
Plays itself out a half-inch from my fingers.
Written by Stanley Kunitz | Create an image from this poem

The Testing-Tree

 1

On my way home from school
up tribal Providence Hill
past the Academy ballpark
where I could never hope to play
I scuffed in the drainage ditch
among the sodden seethe of leaves
hunting for perfect stones
rolled out of glacial time
into my pitcher’s hand;
then sprinted lickety-
split on my magic Keds
from a crouching start,
scarcely touching the ground
with my flying skin
as I poured it on
for the prize of the mastery
over that stretch of road,
with no one no where to deny
when I flung myself down
that on the given course
I was the world’s fastest human. 

2

Around the bend
that tried to loop me home
dawdling came natural
across a nettled field
riddled with rabbit-life
where the bees sank sugar-wells
in the trunks of the maples
and a stringy old lilac
more than two stories tall
blazing with mildew
remembered a door in the 
long teeth of the woods.
All of it happened slow:
brushing the stickseed off,
wading through jewelweed
strangled by angel’s hair,
spotting the print of the deer
and the red fox’s scats.
Once I owned the key
to an umbrageous trail
thickened with mosses
where flickering presences
gave me right of passage
as I followed in the steps
of straight-backed Massassoit
soundlessly heel-and-toe
practicing my Indian walk.

3

Past the abandoned quarry
where the pale sun bobbed
in the sump of the granite,
past copperhead ledge,
where the ferns gave foothold,
I walked, deliberate,
on to the clearing,
with the stones in my pocket
changing to oracles
and my coiled ear tuned
to the slightest leaf-stir.
I had kept my appointment.
There I stood int he shadow,
at fifty measured paces,
of the inexhaustible oak,
tyrant and target,
Jehovah of acorns,
watchtower of the thunders,
that locked King Philip’s War
in its annulated core
under the cut of my name.
Father wherever you are
I have only three throws
bless my good right arm.
In the haze of afternoon,
while the air flowed saffron,
I played my game for keeps--
for love, for poetry,
and for eternal life--
after the trials of summer.

4

In the recurring dream
my mother stands
in her bridal gown
under the burning lilac,
with Bernard Shaw and Bertie
Russell kissing her hands;
the house behind her is in ruins;
she is wearing an owl’s face
and makes barking noises.
Her minatory finger points.
I pass through the cardboard doorway
askew in the field
and peer down a well
where an albino walrus huffs.
He has the gentlest eyes.
If the dirt keeps sifting in,
staining the water yellow,
why should I be blamed?
Never try to explain.
That single Model A
sputtering up the grade
unfurled a highway behind
where the tanks maneuver,
revolving their turrets.
In a murderous time
the heart breaks and breaks
and lives by breaking.
It is necessary to go
through dark and deeper dark
and not to turn.
I am looking for the trail.
Where is my testing-tree?
Give me back my stones!

Written by Robert William Service | Create an image from this poem

The Philistine And The Bohemian

 She was a Philistine spick and span,
He was a bold Bohemian.
She had the mode, and the last at that;
He had a cape and a brigand hat.
She was so riant and chic and trim;
He was so shaggy, unkempt and grim.
On the rue de la Paix she was wont to shine;
The rue de la Gaîté was more his line.
She doted on Barclay and Dell and Caine;
He quoted Mallarmé and Paul Verlaine.
She was a triumph at Tango teas;
At Vorticist's suppers he sought to please.
She thought that Franz Lehar was utterly great;
Of Strauss and Stravinsky he'd piously prate.
She loved elegance, he loved art;
They were as wide as the poles apart:
Yet -- Cupid and Caprice are hand and glove --
They met at a dinner, they fell in love.

Home he went to his garret bare,
Thrilling with rapture, hope, despair.
Swift he gazed in his looking-glass,
Made a grimace and murmured: "Ass!"
Seized his scissors and fiercely sheared,
Severed his buccaneering beard;
Grabbed his hair, and clip! clip! clip!
Off came a bunch with every snip.
Ran to a tailor's in startled state,
Suits a dozen commanded straight;
Coats and overcoats, pants in pairs,
Everything that a dandy wears;
Socks and collars, and shoes and ties,
Everything that a dandy buys.
Chums looked at him with wondering stare,
Fancied they'd seen him before somewhere;
A Brummell, a D'Orsay, a beau so fine,
A shining, immaculate Philistine.

Home she went in a raptured daze,
Looked in a mirror with startled gaze,
Didn't seem to be pleased at all;
Savagely muttered: "Insipid Doll!"
Clutched her hair and a pair of shears,
Cropped and bobbed it behind the ears;
Aimed at a wan and willowy-necked
Sort of a Holman Hunt effect;
Robed in subtile and sage-green tones,
Like the dames of Rossetti and E. Burne-Jones;
Girdled her garments billowing wide,
Moved with an undulating glide;
All her frivolous friends forsook,
Cultivated a soulful look;
Gushed in a voice with a creamy throb
Over some weirdly Futurist daub --
Did all, in short, that a woman can
To be a consummate Bohemian.

A year went past with its hopes and fears,
A year that seemed like a dozen years.
They met once more. . . . Oh, at last! At last!
They rushed together, they stopped aghast.
They looked at each other with blank dismay,
They simply hadn't a word to say.
He thought with a shiver: "Can this be she?"
She thought with a shudder: "This can't be he?"
This simpering dandy, so sleek and spruce;
This languorous lily in garments loose;
They sought to brace from the awful shock:
Taking a seat, they tried to talk.
She spoke of Bergson and Pater's prose,
He prattled of dances and ragtime shows;
She purred of pictures, Matisse, Cezanne,
His tastes to the girls of Kirchner ran;
She raved of Tchaikovsky and Caesar Franck,
He owned that he was a jazz-band crank!
They made no headway. Alas! alas!
He thought her a bore, she thought him an ass.
And so they arose and hurriedly fled;
Perish Illusion, Romance, you're dead.
He loved elegance, she loved art,
Better at once to part, to part.

And what is the moral of all this rot?
Don't try to be what you know you're not.
And if you're made on a muttonish plan,
Don't seek to seem a Bohemian;
And if to the goats your feet incline,
Don't try to pass for a Philistine.
Written by James Dickey | Create an image from this poem

The Sharks Parlor

 Memory: I can take my head and strike it on a wall on Cumberland Island 
Where the night tide came crawling under the stairs came up the first 
Two or three steps and the cottage stood on poles all night 
With the sea sprawled under it as we dreamed of the great fin circling 
Under the bedroom floor. In daylight there was my first brassy taste of beer 
And Payton Ford and I came back from the Glynn County slaughterhouse 
With a bucket of entrails and blood. We tied one end of a hawser 
To a spindling porch-pillar and rowed straight out of the house 
Three hundred yards into the vast front yard of windless blue water 
The rope out slithering its coil the two-gallon jug stoppered and sealed 
With wax and a ten-foot chain leader a drop-forged shark-hook nestling. 
We cast our blood on the waters the land blood easily passing 
For sea blood and we sat in it for a moment with the stain spreading 
Out from the boat sat in a new radiance in the pond of blood in the sea 
Waiting for fins waiting to spill our guts also in the glowing water. 
We dumped the bucket, and baited the hook with a run-over collie pup. The jug 
Bobbed, trying to shake off the sun as a dog would shake off the sea. 
We rowed to the house feeling the same water lift the boat a new way, 
All the time seeing where we lived rise and dip with the oars. 
We tied up and sat down in rocking chairs, one eye on the other responding 
To the blue-eye wink of the jug. Payton got us a beer and we sat 

All morning sat there with blood on our minds the red mark out 
In the harbor slowly failing us then the house groaned the rope 
Sprang out of the water splinters flew we leapt from our chairs 
And grabbed the rope hauled did nothing the house coming subtly 
Apart all around us underfoot boards beginning to sparkle like sand 
Pulling out the tarred poles we slept propped-up on leaning to sea 
As in land-wind crabs scuttling from under the floor as we took runs about 
Two more porch-pillars and looked out and saw something a fish-flash 
An almighty fin in trouble a moiling of secret forces a false start 
Of water a round wave growing in the whole of Cumberland Sound the one ripple. 
Payton took off without a word I could not hold him either 

But clung to the rope anyway it was the whole house bending 
Its nails that held whatever it was coming in a little and like a fool 
I took up the slack on my wrist. The rope drew gently jerked I lifted 
Clean off the porch and hit the water the same water it was in 
I felt in blue blazing terror at the bottom of the stairs and scrambled 
Back up looking desperately into the human house as deeply as I could 
Stopping my gaze before it went out the wire screen of the back door 
Stopped it on the thistled rattan the rugs I lay on and read 
On my mother's sewing basket with next winter's socks spilling from it 
The flimsy vacation furniture a bucktoothed picture of myself. 
Payton came back with three men from a filling station and glanced at me 
Dripping water inexplicable then we all grabbed hold like a tug-of-war. 

We were gaining a little from us a cry went up from everywhere 
People came running. Behind us the house filled with men and boys.
On the third step from the sea I took my place looking down the rope 
Going into the ocean, humming and shaking off drops. A houseful 
Of people put their backs into it going up the steps from me 
Into the living room through the kitchen down the back stairs 
Up and over a hill of sand across a dust road and onto a raised field 
Of dunes we were gaining the rope in my hands began to be wet 
With deeper water all other haulers retreated through the house 
But Payton and I on the stairs drawing hand over hand on our blood 
Drawing into existence by the nose a huge body becoming 
A hammerhead rolling in beery shallows and I began to let up 
But the rope strained behind me the town had gone 
Pulling-mad in our house far away in a field of sand they struggled 
They had turned their backs on the sea bent double some on their knees 
The rope over their shoulders like a bag of gold they strove for the ideal 
Esso station across the scorched meadow with the distant fish coming up 
The front stairs the sagging boards still coming in up taking 
Another step toward the empty house where the rope stood straining 
By itself through the rooms in the middle of the air. "Pass the word," 
Payton said, and I screamed it "Let up, good God, let up!" to no one there. 
The shark flopped on the porch, grating with salt-sand driving back in 
The nails he had pulled out coughing chunks of his formless blood. 
The screen door banged and tore off he scrambled on his tail slid 
Curved did a thing from another world and was out of his element and in 
Our vacation paradise cutting all four legs from under the dinner table 
With one deep-water move he unwove the rugs in a moment throwing pints 
Of blood over everything we owned knocked the buckteeth out of my picture 
His odd head full of crashed jelly-glass splinters and radio tubes thrashing 
Among the pages of fan magazines all the movie stars drenched in sea-blood 
Each time we thought he was dead he struggled back and smashed 
One more thing in all coming back to die three or four more times after death. 
At last we got him out logrolling him greasing his sandpaper skin 
With lard to slide him pulling on his chained lips as the tide came, 
Tumbled him down the steps as the first night wave went under the floor. 
He drifted off head back belly white as the moon. What could I do but buy 
That house for the one black mark still there against death a forehead- 
 toucher in the room he circles beneath and has been invited to wreck? 
Blood hard as iron on the wall black with time still bloodlike 
Can be touched whenever the brow is drunk enough. All changes. Memory: 
Something like three-dimensional dancing in the limbs with age 
Feeling more in two worlds than one in all worlds the growing encounters. 

Copyright © James Dickey 1965
Written by Craig Raine | Create an image from this poem

In The Kalahari Desert

 The sun rose like a tarnished
looking-glass to catch the sun

and flash His hot message
at the missionaries below--

Isabella and the Rev. Roger Price,
and the Helmores with a broken axle

left, two days behind, at Fever Ponds.
The wilderness was full of home:

a glinting beetle on its back
struggled like an orchestra

with Beethoven. The Hallé,
Isabella thought and hummed.

Makololo, their Zulu guide,
puzzled out the Bible, replacing

words he didn't know with Manchester.
Spikenard, alabaster, Leviticus,

were Manchester and Manchester.
His head reminded Mrs. Price

of her old pomander stuck with cloves,
forgotten in some pungent tallboy.

The dogs drank under the wagon
with a far away clip-clopping sound,

and Roger spat into the fire,
leaned back and watched his phlegm

like a Welsh rarebit
bubbling on the brands. . . 

When Baby died, they sewed her
in a scrap of carpet and prayed,

with milk still darkening
Isabella's grubby button-through.

Makololo was sick next day
and still the Helmores didn't come.

The outspanned oxen moved away
at night in search of water,

were caught and goaded on
to Matabele water-hole--

nothing but a dark stain on the sand.
Makololo drank vinegar and died.

Back they turned for Fever Ponds
and found the Helmores on the way. . .

Until they got within a hundred yards,
the vultures bobbed and trampolined

around the bodies, then swirled
a mile above their heads

like scalded tea leaves.
The Prices buried everything--

all the tattered clothes and flesh,
Mrs. Helmore's bright chains of hair,

were wrapped in bits of calico
then given to the sliding sand.

'In the beginning was the Word'--
Roger read from Helmore's Bible

found open at St. John.
Isabella moved her lips,

'The Word was Manchester.'
Shhh, shhh, the shovel said. Shhh. . .
Written by Seamus Heaney | Create an image from this poem

The Early Purges

 I was six when I first saw kittens drown.
Dan Taggart pitched them, 'the scraggy wee shits',
Into a bucket; a frail metal sound,

Soft paws scraping like mad. But their tiny din
Was soon soused. They were slung on the snout 
Of the pump and the water pumped in.

'Sure, isn't it better for them now?' Dan said.
Like wet gloves they bobbed and shone till he sluiced
Them out on the dunghill, glossy and dead.

Suddenly frightened, for days I sadly hung
Round the yard, watching the three sogged remains
Turn mealy and crisp as old summer dung

Until I forgot them. But the fear came back
When Dan trapped big rats, snared rabbits, shot crows
Or, with a sickening tug, pulled old hens' necks.

Still, living displaces false sentiments
And now, when shrill pups are prodded to drown
I just shrug, 'Bloody pups'. It makes sense:

'Prevention of cruelty' talk cuts ice in town
Where they consider death unnatural
But on well-run farms pests have to be kept down.
Written by Rg Gregory | Create an image from this poem

two south coast poems (a) this morning i came within sound of the sea

 for a man whose eyes till now were a bed of rock
whose hands were drier than deserts
the sea's voice drove fear up through the valley
the tributaries meandering inside me longing for outlet
shrivelled even as their own courses became straight

my demand for ocean died now the ocean approached

the clouds put up with a lot of invective from me today
not a stone lay upon the earth in its right place
the valley upheaved into a mountain and the sea froze
the hardness in me was all fluid - i cried to be melted away

i could not bring myself down into the green pastures
or lay myself out amidst fruits and believe the sun
the truth i'd been stumbling towards i hated the heart of
the sayings of those i'd killed enchanted my ears
my instinct was to turn and run inland forever

and on the morrow i went down to the sea
and stood for a long time for the waters to calm me
i let my feet root among the shingle and seaweed
and my mind bobbed on the cove's waves absorbing their rhythms
what i had come for i found looking for me - and the green
world conceiving inside me smashed through my skin


(b) the sheer stupidity of the sea

going on and on mounting the land
and falling away again
gathering to itself a compendium
of its own tricks

  not thinking
that any one cares which way the tides
alter the look of the beach
but just doing it like an animal
because it has to - having nothing else
it could reasonably do and remain 
sea

 it's that stupidity
in all its sheerness that people
(unable to admit in themselves)
find to worship in water - and that's why
they can't get it out of their dreams
and (near it) regress into children
(the only unashamed animal-bit
they have left in themselves)

   all
classrooms should be down by the sea
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