Written by
Lewis Carroll |
"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"
"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."
|
Written by
Siegfried Sassoon |
I’ve never ceased to curse the day I signed
A seven years’ bargain for the Golden Fleece.
’Twas a bad deal all round; and dear enough
It cost me, what with my daft management,
And the mean folk as owed and never paid me,
And backing losers; and the local bucks
Egging me on with whiskys while I bragged
The man I was when huntsman to the Squire.
I’d have been prosperous if I’d took a farm
Of fifty acres, drove my gig and haggled
At Monday markets; now I’ve squandered all
My savings; nigh three hundred pound I got
As testimonial when I’d grown too stiff
And slow to press a beaten fox.
The Fleece!
’Twas the damned Fleece that wore my Emily out,
The wife of thirty years who served me well;
(Not like this beldam clattering in the kitchen,
That never trims a lamp nor sweeps the floor,
And brings me greasy soup in a foul crock.)
Blast the old harridan! What’s fetched her now,
Leaving me in the dark, and short of fire?
And where’s my pipe? ’Tis lucky I’ve a turn
For thinking, and remembering all that’s past.
And now’s my hour, before I hobble to bed,
To set the works a-wheezing, wind the clock
That keeps the time of life with feeble tick
Behind my bleared old face that stares and wonders.
. . . .
It’s ***** how, in the dark, comes back to mind
Some morning of September. We’ve been digging
In a steep sandy warren, riddled with holes,
And I’ve just pulled the terrier out and left
A sharp-nosed cub-face blinking there and snapping,
Then in a moment seen him mobbed and torn
To strips in the baying hurly of the pack.
I picture it so clear: the dusty sunshine
On bracken, and the men with spades, that wipe
Red faces: one tilts up a mug of ale.
And, having stopped to clean my gory hands,
I whistle the jostling beauties out of the wood.
I’m but a daft old fool! I often wish
The Squire were back again—ah! he was a man!
They don’t breed men like him these days; he’d come
For sure, and sit and talk and suck his briar
Till the old wife brings up a dish of tea.
Ay, those were days, when I was serving Squire!
I never knowed such sport as ’85,
The winter afore the one that snowed us silly.
. . . .
Once in a way the parson will drop in
And read a bit o’ the Bible, if I’m bad,
And pray the Lord to make my spirit whole
In faith: he leaves some ’baccy on the shelf,
And wonders I don’t keep a dog to cheer me
Because he knows I’m mortal fond of dogs!
I ask you, what’s a gent like that to me
As wouldn’t know Elijah if I saw him,
Nor have the wit to keep him on the talk?
’Tis kind of parson to be troubling still
With such as me; but he’s a town-bred chap,
Full of his college notions and Christmas hymns.
Religion beats me. I’m amazed at folk
Drinking the gospels in and never scratching
Their heads for questions. When I was a lad
I learned a bit from mother, and never thought
To educate myself for prayers and psalms.
But now I’m old and bald and serious-minded,
With days to sit and ponder. I’d no chance
When young and gay to get the hang of all
This Hell and Heaven: and when the clergy hoick
And holloa from their pulpits, I’m asleep,
However hard I listen; and when they pray
It seems we’re all like children sucking sweets
In school, and wondering whether master sees.
I used to dream of Hell when I was first
Promoted to a huntsman’s job, and scent
Was rotten, and all the foxes disappeared,
And hounds were short of blood; and officers
From barracks over-rode ’em all day long
On weedy, whistling nags that knocked a hole
In every fence; good sportsmen to a man
And brigadiers by now, but dreadful hard
On a young huntsman keen to show some sport.
Ay, Hell was thick with captains, and I rode
The lumbering brute that’s beat in half a mile,
And blunders into every blind old ditch.
Hell was the coldest scenting land I’ve known,
And both my whips were always lost, and hounds
Would never get their heads down; and a man
On a great yawing chestnut trying to cast ’em
While I was in a corner pounded by
The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts,
And civil-spoken keepers I couldn’t trust,
And the main earth unstopp’d. The fox I found
Was always a three-legged ’un from a bag,
Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture
And bellowing at me when I rode their beans
To cast for beaten fox, or galloped on
With hounds to a lucky view. I’d lost my voice
Although I shouted fit to burst my guts,
And couldn’t blow my horn.
And when I woke,
Emily snored, and barn-cocks started crowing,
And morn was at the window; and I was glad
To be alive because I heard the cry
Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven!
The cry of hounds was Heaven for me: I know
Parson would call me crazed and wrong to say it,
But where’s the use of life and being glad
If God’s not in your gladness?
I’ve no brains
For book-learned studies; but I’ve heard men say
There’s much in print that clergy have to wink at:
Though many I’ve met were jolly chaps, and rode
To hounds, and walked me puppies; and could pick
Good legs and loins and necks and shoulders, ay,
And feet—’twas necks and feet I looked at first.
Some hounds I’ve known were wise as half your saints,
And better hunters. That old dog of the Duke’s,
Harlequin; what a dog he was to draw!
And what a note he had, and what a nose
When foxes ran down wind and scent was catchy!
And that light lemon ***** of the Squire’s, old Dorcas—
She were a marvellous hunter, were old Dorcas!
Ay, oft I’ve thought, ‘If there were hounds in Heaven,
With God as master, taking no subscription;
And all His bless?d country farmed by tenants,
And a straight-necked old fox in every gorse!’
But when I came to work it out, I found
There’d be too many huntsmen wanting places,
Though some I’ve known might get a job with Nick!
. . . .
I’ve come to think of God as something like
The figure of a man the old Duke was
When I was turning hounds to Nimrod King,
Before his Grace was took so bad with gout
And had to quit the saddle. Tall and spare,
Clean-shaved and grey, with shrewd, kind eyes, that twinkled,
And easy walk; who, when he gave good words,
Gave them whole-hearted; and would never blame
Without just cause. Lord God might be like that,
Sitting alone in a great room of books
Some evening after hunting.
Now I’m tired
With hearkening to the tick-tack on the shelf;
And pondering makes me doubtful.
Riding home
On a moonless night of cloud that feels like frost
Though stars are hidden (hold your feet up, horse!)
And thinking what a task I had to draw
A pack with all those lame ’uns, and the lot
Wanting a rest from all this open weather;
That’s what I’m doing now.
And likely, too,
The frost’ll be a long ’un, and the night
One sleep. The parsons say we’ll wake to find
A country blinding-white with dazzle of snow.
The naked stars make men feel lonely, wheeling
And glinting on the puddles in the road.
And then you listen to the wind, and wonder
If folk are quite such bucks as they appear
When dressed by London tailors, looking down
Their boots at covert side, and thinking big.
. . . .
This world’s a funny place to live in. Soon
I’ll need to change my country; but I know
’Tis little enough I’ve understood my life,
And a power of sights I’ve missed, and foreign marvels.
I used to feel it, riding on spring days
In meadows pied with sun and chasing clouds,
And half forget how I was there to catch
The foxes; lose the angry, eager feeling
A huntsman ought to have, that’s out for blood,
And means his hounds to get it!
Now I know
It’s God that speaks to us when we’re bewitched,
Smelling the hay in June and smiling quiet;
Or when there’s been a spell of summer drought,
Lying awake and listening to the rain.
. . . .
I’d like to be the simpleton I was
In the old days when I was whipping-in
To a little harrier-pack in Worcestershire,
And loved a dairymaid, but never knew it
Until she’d wed another. So I’ve loved
My life; and when the good years are gone down,
Discover what I’ve lost.
I never broke
Out of my blundering self into the world,
But let it all go past me, like a man
Half asleep in a land that’s full of wars.
What a grand thing ’twould be if I could go
Back to the kennels now and take my hounds
For summer exercise; be riding out
With forty couple when the quiet skies
Are streaked with sunrise, and the silly birds
Grown hoarse with singing; cobwebs on the furze
Up on the hill, and all the country strange,
With no one stirring; and the horses fresh,
Sniffing the air I’ll never breathe again.
. . . .
You’ve brought the lamp, then, Martha? I’ve no mind
For newspaper to-night, nor bread and cheese.
Give me the candle, and I’ll get to bed.
|
Written by
Gary Snyder |
How Poetry Comes to Me
It comes blundering over the
Boulders at night, it stays
Frightened outside the
Range of my campfire
I go to meet it at the
Edge of the light
|
Written by
Rudyard Kipling |
Help for a patriot distressed, a spotless spirit hurt,
Help for an honourable clan sore trampled in the dirt!
From Queenstown Bay to Donegal, O listen to my song,
The honourable gentlemen have suffered grievous wrong.
Their noble names were mentioned -- O the burning black disgrace! --
By a brutal Saxon paper in an Irish shooting-case;
They sat upon it for a year, then steeled their heart to brave it,
And "coruscating innocence" the learned Judges gave it.
Bear witness, Heaven, of that grim crime beneath the surgeon's knife,
The honourable gentlemen deplored the loss of life!
Bear witness of those chanting choirs that burk and shirk and snigger,
No man laid hand upon the knife or finger to the trigger!
Cleared in the face of all mankind beneath the winking skies,
Like ph]oenixes from Ph]oenix Park (and what lay there) they rise!
Go shout it to the emerald seas -- give word to Erin now,
Her honourable gentlemen are cleared -- and this is how: --
They only paid the Moonlighter his cattle-hocking price,
They only helped the murderer with counsel's best advice,
But -- sure it keeps their honour white -- the learned Court believes
They never gave a piece of plate to murderers and thieves.
They never told the ramping crowd to card a woman's hide,
They never marked a man for death -- what fault of theirs he died? --
They only said "intimidate", and talked and went away --
By God, the boys that did the work were braver men than they!
Their sin it was that fed the fire -- small blame to them that heard --
The "bhoys" get drunk on rhetoric, and madden at a word --
They knew whom they were talking at, if they were Irish too,
The gentlemen that lied in Court, they knew, and well they knew.
They only took the Judas-gold from Fenians out of jail,
They only fawned for dollars on the blood-dyed Clanna-Gael.
If black is black or white is white, in black and white it's down,
They're only traitors to the Queen and rebels to the Crown.
"Cleared", honourable gentlemen! Be thankful it's no more: --
The widow's curse is on your house, the dead are at your door.
On you the shame of open shame, on you from North to South
The hand of every honest man flat-heeled across your mouth.
"Less black than we were painted"? -- Faith, no word of black was said;
The lightest touch was human blood, and that, you know, runs red.
It's sticking to your fist to-day for all your sneer and scoff,
And by the Judge's well-weighed word you cannot wipe it off.
Hold up those hands of innocence -- go, scare your sheep together,
The blundering, tripping tups that bleat behind the old bell-wether;
And if they snuff the taint and break to find another pen,
Tell them it's tar that glistens so, and daub them yours again!
"The charge is old"? -- As old as Cain -- as fresh as yesterday;
Old as the Ten Commandments -- have ye talked those laws away?
If words are words, or death is death, or powder sends the ball,
You spoke the words that sped the shot -- the curse be on you all.
"Our friends believe"? -- Of course they do -- as sheltered women may;
But have they seen the shrieking soul ripped from the quivering clay?
They! -- If their own front door is shut,
they'll swear the whole world's warm;
What do they know of dread of death or hanging fear of harm?
The secret half a county keeps, the whisper in the lane,
The shriek that tells the shot went home behind the broken pane,
The dry blood crisping in the sun that scares the honest bees,
And shows the "bhoys" have heard your talk -- what do they know of these?
But you -- you know -- ay, ten times more; the secrets of the dead,
Black terror on the country-side by word and whisper bred,
The mangled stallion's scream at night, the tail-cropped heifer's low.
Who set the whisper going first? You know, and well you know!
My soul! I'd sooner lie in jail for murder plain and straight,
Pure crime I'd done with my own hand for money, lust, or hate,
Than take a seat in Parliament by fellow-felons cheered,
While one of those "not provens" proved me cleared as you are cleared.
Cleared -- you that "lost" the League accounts -- go, guard our honour still,
Go, help to make our country's laws that broke God's law at will --
One hand stuck out behind the back, to signal "strike again";
The other on your dress-shirt-front to show your heart is clane.
If black is black or white is white, in black and white it's down,
You're only traitors to the Queen and rebels to the Crown.
If print is print or words are words, the learned Court perpends: --
We are not ruled by murderers, but only -- by their friends.
|
Written by
Carl Sandburg |
JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob.
The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all.
Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob.
Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob.
The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan.
Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now.
Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow.
The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons.
The mob? A jag of lightning, a geyser, a gravel mass loosening…
The mob … kills or builds … the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln.
I am born in the mob—I die in the mob—the same goes for you—I don’t care who you are.
I cross the sheets of fire in No Man’s land for you, my brother—I slip a steel tooth into your throat, you my brother—I die for you and I kill you—It is a twisted and gnarled thing, a crimson wool:
One more arch of stars,
In the night of our mist,
In the night of our tears.
|
Written by
Victor Hugo |
("Tandis que l'étoile inodore.")
{XXXII.}
While bright but scentless azure stars
Be-gem the golden corn,
And spangle with their skyey tint
The furrows not yet shorn;
While still the pure white tufts of May
Ape each a snowy ball,—
Away, ye merry maids, and haste
To gather ere they fall!
Nowhere the sun of Spain outshines
Upon a fairer town
Than Peñafiel, or endows
More richly farming clown;
Nowhere a broader square reflects
Such brilliant mansions, tall,—
Away, ye merry maids, etc.
Nowhere a statelier abbey rears
Dome huger o'er a shrine,
Though seek ye from old Rome itself
To even Seville fine.
Here countless pilgrims come to pray
And promenade the Mall,—
Away, ye merry maids, etc.
Where glide the girls more joyfully
Than ours who dance at dusk,
With roses white upon their brows,
With waists that scorn the busk?
Mantillas elsewhere hide dull eyes—
Compared with these, how small!
Away, ye merry maids, etc.
A blossom in a city lane,
Alizia was our pride,
And oft the blundering bee, deceived,
Came buzzing to her side—
But, oh! for one that felt the sting,
And found, 'neath honey, gall—
Away, ye merry maids, etc.
Young, haughty, from still hotter lands,
A stranger hither came—
Was he a Moor or African,
Or Murcian known to fame?
None knew—least, she—or false or true,
The name by which to call.
Away, ye merry maids, etc.
Alizia asked not his degree,
She saw him but as Love,
And through Xarama's vale they strayed,
And tarried in the grove,—
Oh! curses on that fatal eve,
And on that leafy hall!
Away, ye merry maids, etc.
The darkened city breathed no more;
The moon was mantled long,
Till towers thrust the cloudy cloak
Upon the steeples' throng;
The crossway Christ, in ivy draped,
Shrank, grieving, 'neath the pall,—
Away, ye merry maids, etc.
But while, alone, they kept the shade,
The other dark-eyed dears
Were murmuring on the stifling air
Their jealous threats and fears;
Alizia was so blamed, that time,
Unheeded rang the call:
Away, ye merry maids, etc.
Although, above, the hawk describes
The circle round the lark,
It sleeps, unconscious, and our lass
Had eyes but for her spark—
A spark?—a sun! 'Twas Juan, King!
Who wears our coronal,—
Away, ye merry maids, etc.
A love so far above one's state
Ends sadly. Came a black
And guarded palanquin to bear
The girl that ne'er comes back;
By royal writ, some nunnery
Still shields her from us all
Away, ye merry maids, and haste
To gather ere they fall!
H. L. WILLIAMS
|
Written by
John Clare |
Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed spring's blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown, and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only bondage was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity
And lost itself, which seemed to eke its bounds
In the blue mist the horizon's edge surrounds
Now this sweet vision of my boyish hours
Free as spring clouds and wild as summer flowers
Is faded all—a hope that blossomed free,
And hath been once, no more shall ever be
Inclosure came and trampled on the grave
Of labour's rights and left the poor a slave
And memory's pride ere want to wealth did bow
Is both the shadow and the substance now
The sheep and cows were free to range as then
Where change might prompt nor felt the bonds of men
Cows went and came, with evening morn and night,
To the wild pasture as their common right
And sheep, unfolded with the rising sun
Heard the swains shout and felt their freedom won
Tracked the red fallow field and heath and plain
Then met the brook and drank and roamed again
The brook that dribbled on as clear as glass
Beneath the roots they hid among the grass
While the glad shepherd traced their tracks along
Free as the lark and happy as her song
But now all's fled and flats of many a dye
That seemed to lengthen with the following eye
Moors, loosing from the sight, far, smooth, and blea
Where swopt the plover in its pleasure free
Are vanished now with commons wild and gay
As poet's visions of life's early day
Mulberry-bushes where the boy would run
To fill his hands with fruit are grubbed and done
And hedgrow-briars—flower-lovers overjoyed
Came and got flower-pots—these are all destroyed
And sky-bound mores in mangled garbs are left
Like mighty giants of their limbs bereft
Fence now meets fence in owners' little bounds
Of field and meadow large as garden grounds
In little parcels little minds to please
With men and flocks imprisoned ill at ease
Each little path that led its pleasant way
As sweet as morning leading night astray
Where little flowers bloomed round a varied host
That travel felt delighted to be lost
Nor grudged the steps that he had ta-en as vain
When right roads traced his journeys and again -
Nay, on a broken tree he'd sit awhile
To see the mores and fields and meadows smile
Sometimes with cowslaps smothered—then all white
With daiseys—then the summer's splendid sight
Of cornfields crimson o'er the headache bloomd
Like splendid armys for the battle plumed
He gazed upon them with wild fancy's eye
As fallen landscapes from an evening sky
These paths are stopt—the rude philistine's thrall
Is laid upon them and destroyed them all
Each little tyrant with his little sign
Shows where man claims earth glows no more divine
But paths to freedom and to childhood dear
A board sticks up to notice 'no road here'
And on the tree with ivy overhung
The hated sign by vulgar taste is hung
As tho' the very birds should learn to know
When they go there they must no further go
Thus, with the poor, scared freedom bade goodbye
And much they feel it in the smothered sigh
And birds and trees and flowers without a name
All sighed when lawless law's enclosure came
And dreams of plunder in such rebel schemes
Have found too truly that they were but dreams.
|
Written by
Siegfried Sassoon |
‘FALL in! Now get a move on.’ (Curse the rain.)
We splash away along the straggling village,
Out to the flat rich country, green with June...
And sunset flares across wet crops and tillage,
Blazing with splendour-patches. (Harvest soon,
Up in the Line.) ‘Perhaps the War’ll be done
‘By Christmas-Day. Keep smiling then, old son.’
Here’s the Canal: it’s dusk; we cross the bridge.
‘Lead on there, by platoons.’ (The Line’s a-glare
With shell-fire through the poplars; distant rattle
Of rifles and machine-guns.) ‘Fritz is there!
‘Christ, ain’t it lively, Sergeant? Is’t a battle?’
More rain: the lightning blinks, and thunder rumbles.
‘There’s over-head artillery!’ some chap grumbles.
What’s all this mob at the cross-roads? Where are the guides?...
‘Lead on with number One.’ And off they go.
‘Three minute intervals.’ (Poor blundering files,
Sweating and blindly burdened; who’s to know
If death will catch them in those two dark miles?)
More rain. ‘Lead on, Head-quarters.’ (That’s the lot.)
‘Who’s that?... Oh, Sergeant-Major, don’t get shot!
‘And tell me, have we won this war or not?’
|
Written by
Marge Piercy |
Sometimes we collide, tectonic plates merging,
continents shoving, crumpling down into the molten
veins of fire deep in the earth and raising
tons of rock into jagged crests of Sierra.
Sometimes your hands drift on me, milkweed's
airy silk, wingtip's feathery caresses,
our lips grazing, a drift of desires gathering
like fog over warm water, thickening to rain.
Sometimes we go to it heartily, digging,
burrowing, grunting, tossing up covers
like loose earth, nosing into the other's
flesh with hot nozzles and wallowing there.
Sometimes we are kids making out, silly
in the quilt, tickling the xylophone spine,
blowing wet jokes, loud as a whole
slumber party bouncing till the bed breaks.
I go round and round you sometimes, scouting,
blundering, seeking a way in, the high boxwood
maze I penetrate running lungs bursting
toward the fountain of green fire at the heart.
Sometimes you open wide as cathedral doors
and yank me inside. Sometimes you slither
into me like a snake into its burrow.
Sometimes you march in with a brass band.
Ten years of fitting our bodies together
and still they sing wild songs in new keys.
It is more and less than love: timing,
chemistry, magic and will and luck.
One plus one equal one, unknowable except
in the moment, not convertible into words,
not explicable or philosophically interesting.
But it is. And it is. And it is. Amen.
|
Written by
Siegfried Sassoon |
We’d gained our first objective hours before
While dawn broke like a face with blinking eyes,
Pallid, unshaved and thirsty, blind with smoke.
Things seemed all right at first. We held their line,
With bombers posted, Lewis guns well placed,
And clink of shovels deepening the shallow trench.
The place was rotten with dead; green clumsy legs
High-booted, sprawled and grovelled along the saps
And trunks, face downward, in the sucking mud,
Wallowed like trodden sand-bags loosely filled;
And naked sodden buttocks, mats of hair,
Bulged, clotted heads slept in the plastering slime.
And then the rain began,—the jolly old rain!
A yawning soldier knelt against the bank,
Staring across the morning blear with fog;
He wondered when the Allemands would get busy;
And then, of course, they started with five-nines
Traversing, sure as fate, and never a dud.
Mute in the clamour of shells he watched them burst
Spouting dark earth and wire with gusts from hell,
While posturing giants dissolved in drifts of smoke.
He crouched and flinched, dizzy with galloping fear,
Sick for escape,—loathing the strangled horror
And butchered, frantic gestures of the dead.
An officer came blundering down the trench:
‘Stand-to and man the fire-step!’ On he went...
Gasping and bawling, ‘Fire-step ... counter-attack!’
Then the haze lifted. Bombing on the right
Down the old sap: machine-guns on the left;
And stumbling figures looming out in front.
‘O Christ, they’re coming at us!’ Bullets spat,
And he remembered his rifle ... rapid fire...
And started blazing wildly ... then a bang
Crumpled and spun him sideways, knocked him out
To grunt and wriggle: none heeded him; he choked
And fought the flapping veils of smothering gloom,
Lost in a blurred confusion of yells and groans...
Down, and down, and down, he sank and drowned,
Bleeding to death. The counter-attack had failed.
|