Written by
Henry Lawson |
Man, is the Sea your master? Sea, and is man your slave? –
This is the song of brave men who never know they are brave:
Ceaselessly watching to save you, stranger from foreign lands,
Soundly asleep in your state room, full sail for the Goodwin Sands!
Life is a dream, they tell us, but life seems very real,
When the lifeboat puts out from Ramsgate, and the buggers put out from Deal!
A gun from the lightship! – a rocket! – a cry of, "Turn out, me lad!"
"Ship on the Sands!" they're shouting, and a rush of the oilskin-clad.
The lifeboat leaping and swooping, in the wake of the fighting tug,
And the luggers afloat in Hell's water – Oh, "tourist", with cushion and rug! –
Think of the freezing fury, without one minute's relief,
When they stood all night in the blackness by the wreck of the Indian Chief!
Lashed to their seats, and crouching, to the spray that froze as it flew,
Twenty-six hours in midwinter! That was the lifeboat's crew.
Twice she was swamped, and she righted, in the rush of the heavy seas,
And her tug was mostly buried; but these were common things, these.
And the luggers go out whenever there's a hope to get them afloat,
And these things they do for nothing, and those fishermen say, "Oh! it's nowt!"
(Enemy, Friend or Stranger! In every sea or land,
And across the lives of most men run stretches of Goodwin Sand;
And across the life of a nation, as across the track of a ship,
Lies the hidden rock, or the iceberg, within the horizon dip.
And wise men know them, and warn us, with lightship, or voice, or pen;
But we strike, and the fool survivors sail on to strike again.
)
But this is a song of brave men, wherever is aught to save,
Christian or Jew or Wowser – and I knew one who was brave;
British or French or German, Dane or Latin or Dutch:
"Scandies" that ignorant British reckon with "Dagoes and such" –
(Where'er, on a wreck titanic, in a scene of wild despair,
The officers call for assistance, a Swede or a Norse is there.
)
Tale of a wreck titanic, with the last boat over the side,
And a brave young husband fighting his clinging, hysterical bride;
He strikes her fair on the temple, while the decks are scarce afloat,
And he kisses her once on the forehead, and he drops her into the boat.
So he goes to his death to save her; and she lives to remember and lie –
Or be true to his love and courage.
But that's how brave men die.
(I hate the slander: "Be British" – and I don't believe it, that's flat:
No British sailor and captain would stoop to such cant as that.
What – in the rush of cowards – of the help from before the mast –
Of the two big Swedes and the Norse, who stood by the mate to the last? –
In every mining disaster, in a New-World mining town,
In one of the rescue parties an Olsen or Hans goes down.
)
Men who fought for their village, away on their country's edge:
The priest with his cross – and a musket, and the blacksmith with his sledge;
The butcher with cleaver and pistols, and the notary with his pike.
And the clerk with what he laid hands on; but all were ready to strike.
And – Tennyson notwithstanding – when the hour of danger was come,
The shopman has struck full often with his "cheating yard-wand" home!
This is a song of brave men, ever, the wide world o'er –
Starved and crippled and murdered by the land they are fighting for.
Left to freeze in the trenches, sent to drown by the Cape,
Throttled by army contractors, and strangled bv old red-tape.
Fighting for "Home" and "Country", or "Glory", or what you choose –
Sacrificed for the Syndicates, and a monarch "in" with the Jews.
Australia! your trial is coming! Down with the party strife:
Send Your cackling, lying women back to the old Home Life.
Brush trom your Parliament benches the legal chaff and dust:
Make Federation perfect, as sooner or later you must.
Scatter your crowded cities, cut up your States – and so
Give your brave sons of the future the ghost of a White Man's show.
|
Written by
Henry Wadsworth Longfellow |
UNDER a spreading chestnut tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms 5
Are strong as iron bands.
His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can, 10
And looks the whole world in the face,
For he owes not any man.
Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge 15
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in at the open door; 20
They love to see the flaming forge,
And hear the bellows roar,
And watch the burning sparks that fly
Like chaff from a threshing-floor.
He goes on Sunday to the church, 25
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter's voice,
Singing in the village choir,
And it makes his heart rejoice.
30
It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes 35
A tear out of his eyes.
Toiling,¡ªrejoicing,¡ªsorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close; 40
Something attempted, something done,
Has earned a night's repose.
Thanks, thanks to thee, my worthy friend,
For the lesson thou hast taught!
Thus at the flaming forge of life 45
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought!
|
Written by
Henry Wadsworth Longfellow |
I saw, as in a dream sublime,
The balance in the hand of Time.
O'er East and West its beam impended;
And day, with all its hours of light,
Was slowly sinking out of sight,
While, opposite, the scale of night
Silently with the stars ascended.
Like the astrologers of eld,
In that bright vision I beheld
Greater and deeper mysteries.
I saw, with its celestial keys,
Its chords of air, its frets of fire,
The Samian's great Aeolian lyre,
Rising through all its sevenfold bars,
From earth unto the fixed stars.
And through the dewy atmosphere,
Not only could I see, but hear,
Its wondrous and harmonious strings,
In sweet vibration, sphere by sphere,
From Dian's circle light and near,
Onward to vaster and wider rings.
Where, chanting through his beard of snows,
Majestic, mournful, Saturn goes,
And down the sunless realms of space
Reverberates the thunder of his bass.
Beneath the sky's triumphal arch
This music sounded like a march,
And with its chorus seemed to be
Preluding some great tragedy.
Sirius was rising in the east;
And, slow ascending one by one,
The kindling constellations shone.
Begirt with many a blazing star,
Stood the great giant Algebar,
Orion, hunter of the beast!
His sword hung gleaming by his side,
And, on his arm, the lion's hide
Scattered across the midnight air
The golden radiance of its hair.
The moon was pallid, but not faint;
And beautiful as some fair saint,
Serenely moving on her way
In hours of trial and dismay.
As if she heard the voice of God,
Unharmed with naked feet she trod
Upon the hot and burning stars,
As on the glowing coals and bars,
That were to prove her strength, and try
Her holiness and her purity.
Thus moving on, with silent pace,
And triumph in her sweet, pale face,
She reached the station of Orion.
Aghast he stood in strange alarm!
And suddenly from his outstretched arm
Down fell the red skin of the lion
Into the river at his feet.
His mighty club no longer beat
The forehead of the bull; but he
Reeled as of yore beside the sea,
When, blinded by Oenopion,
He sought the blacksmith at his forge,
And, climbing up the mountain gorge,
Fixed his blank eyes upon the sun.
Then, through the silence overhead,
An angel with a trumpet said,
"Forevermore, forevermore,
The reign of violence is o'er!"
And, like an instrument that flings
Its music on another's strings,
The trumpet of the angel cast
Upon the heavenly lyre its blast,
And on from sphere to sphere the words
Re-echoed down the burning chords,--
"Forevermore, forevermore,
The reign of violence is o'er!"
|
Written by
Henry Lawson |
They were hanging men in Buckland who would not cheer King George –
The parson from his pulpit and the blacksmith from his forge;
They were hanging men and brothers, and the stoutest heart was down,
When a quiet man from Buckland rode at dusk to raise Charlestown.
Not a young man in his glory filled with patriotic fire,
Not an orator or soldier, or a known man in his shire;
He was just the Unexpected – one of Danger's Volunteers,
At a time for which he'd waited, all unheard of, many years.
And Charlestown met in council, the quiet man to hear –
The town was large and wealthy, but the folks were filled with fear,
The fear of death and plunder; and none to lead had they,
And Self fought Patriotism as will always be the way.
The man turned to the people, and he spoke in anger then.
And crooked his finger here and there to those he marked as men.
And many gathered round him to see what they could do –
For men know men in danger, as they know the cowards too.
He chose his men and captains, and sent them here and there,
The arms and ammunition were gathered in the square;
While peaceful folk were praying or croaking, every one,
He was working with his blacksmiths at the carriage of a gun.
While the Council sat on Sunday, and the church bells rang their peal,
The quiet man was mending a broken waggon wheel;
While they passed their resolutions on his doings (and the likes),
From a pile his men brought to him he was choosing poles for pikes.
(They were hanging men in Buckland who would not cheer King George –
They were making pikes in Charlestown at every blacksmith's forge:
While the Council sat in session and the same old song they sang,
They heard the horsemen gallop out, and the blacksmiths' hammers clang.
)
And a thrill went through the city ere the drums began to roll,
And the coward found his courage, and the drunkard found his soul.
So a thrill went through the city that would go through all the land,
For the quiet man from Buckland held men's hearts in his right hand.
And he caught a Charlestown poet (there are many tell the tale),
And he took him by the collar when he'd filled him up with ale;
"Now, then, write a song for Charlestown that shall lift her on her way,
For she's marching out to Buckland and to Death at break o' day.
"
And he set the silenced women tearing sheet and shift and shirt
To make bandages and roll them for the men that would get hurt.
And he called out his musicians and he told them what to play:
"For I want my men excited when they march at break o' day.
"
And he set the women cooking – with a wood-and-water crew –
"For I want no empty stomachs for the work we have to do.
"
Then he said to his new soldiers: "Eat your fill while yet you may;
'Tis a heavy road to Buckland that we'll march at break o' day.
"
And a shout went through the city when the drums began to roll
(And the coward was a brave man and the beggar had a soul),
And the drunken Charlestown poet cared no more if he should hang,
For his song of "Charlestown's Coming" was the song the soldiers sang.
And they cursed the King of England, and they shouted in their glee,
And they swore to drive the British and their friends into the sea;
But when they'd quite finished swearing, said their leader "Let us pray,
For we march to Death and Freedom, and it's nearly dawn of day.
"
There were marching feet at daybreak, and close upon their heels
Came the scuffling tread of horses and the heavy crunch of wheels;
So they took the road to Buckland, with their scout out to take heed,
And a quiet man of fifty on a grey horse in the lead.
There was silence in the city, there was silence as of night –
Women in the ghostly daylight, kneeling, praying, deathly white,
As their mothers knelt before them, as their daughters knelt since then,
And as ours shall, in the future, kneel and pray for fighting men.
For their men had gone to battle, as our sons and grandsons too
Must go out, for Life and Freedom, as all nations have to do.
And the Charlestown women waited for the sounds that came too soon –
Though they listened, almost breathless, till the early afternoon.
Then they heard the tones of danger for their husbands, sweethearts, sons,
And they stopped their ears in terror, crying, "Oh, my God! The guns!"
Then they strained their ears to listen through the church-bells' startled chime –
Far along the road to Buckland, Charlestown's guns were marking time.
"They advance!" "They halt!" "Retreating!" "They come back!" The guns are done!"
But the calmer spirits, listening, said: "Our guns are going on.
"
And the friend and foe in Buckland felt two different kinds of thrills
When they heard the Charlestown cannon talking on the Buckland hills.
And the quiet man of Buckland sent a message in that day,
And he gave the British soldiers just two hours to march away.
And they hang men there no longer, there is peace on land and wave;
On the sunny hills of Buckland there is many a quiet grave.
There is peace upon the land, and there is friendship on the waves –
On the sunny hills of Buckland there are rows of quiet graves.
And an ancient man in Buckland may be seen in sunny hours,
Pottering round about his garden, and his kitchen stuff and flowers.
|
Written by
Les Murray |
In my aunt's house, the milk jug's beaded crochet cover
tickles the ear.
We've eaten boiled things with butter.
Pie spiced like islands, dissolving in cream, is now
dissolving in us.
We've reached the teapot of calm.
The table we sit at is fashioned of three immense
beech boards out of England.
The minute widths of the year
have been refined in the wood by daughters' daughters.
In the year of Nelson, I notice, the winter was mild.
But our talk is cattle and cricket.
My quiet uncle
has spent the whole forenoon sailing a stump-ridden field
of blady-grass and Pleistocene clay never ploughed
since the world's beginning.
The Georgic furrow lengthens
in ever more intimate country.
But we're talking bails,
stray cattle, brands.
In the village of Merchandise Creek
there's a post in a ruined blacksmith shop that bears
a charred-in black-letter script of iron characters,
hooks, bars, conjoined letters, a weird bush syllabary.
It is the language of property seared into skin
but descends beyond speech into the muscles of cattle,
the world of feed as it shimmers in cattle minds.
My uncle, nodding, identifies the owners
(I gather M-bar was mourned by thousands of head).
It has its roots in meadows deeper than Gaelic,
my uncle's knowledge.
Farmers longest in heaven
share slyly with him in my aunt's grave mischievous smile
that shines out of every object in my sight
in these loved timber rooms at the threshold of grass.
The depth in this marriage will heal the twentieth century.
|
Written by
William Strode |
A Vulcan and a Venus seldom part.
A blacksmith never us'd to filinge art
Beyond a lock and key, for Venus' sake
Hath cut a watch soe small that sence will ake
In searching every wire, and subtile sphere
Which his industrious skill hath order'd theire:
It scarce outswells a nut, and is soe light
A Ladies eare might well indure the weight.
Twas for a Mistrisse: pitty not his owne,
And yet not pitty when her worth is knowne,
Or els his love that ownes her: Either's name
Is carv'd within the plates: the witty frame
Hath made their letters kiss for them, while they
Have like the watch one pulse, one sympathy.
|
Written by
Emily Dickinson |
Dare you see a Soul at the White Heat?
Then crouch within the door --
Red -- is the Fire's common tint --
But when the vivid Ore
Has vanquished Flame's conditions,
It quivers from the Forge
Without a color, but the light
Of unanointed Blaze.
Least Village has its Blacksmith
Whose Anvil's even ring
Stands symbol for the finer Forge
That soundless tugs -- within --
Refining these impatient Ores
With Hammer, and with Blaze
Until the Designated Light
Repudiate the Forge --
|
Written by
Marriott Edgar |
Richard the First, Coeur-de-Lion,
Is a name that we speak of with pride,
Though he only lived six months in England
From his birth to the day that he died.
He spent all his time fighting battles,
Dressed up in most rigid attire,
For he had his suits made by the Blacksmith,
And his underwear knitted of wire.
He married a lady from Flanders,
Berengaria's what they called her;
She turned out a good wife to Richard,
In spite of a name like that there.
For when he came home from his fighting
She'd bandage the wounds in his sconce,
And every time a snake bit him
She'd suck out the poison at once.
In their 'ouse they'd a minstrel called Blondel
To amuse them at t'end of the day'
And the King had but one thing against him.
.
.
He had nobbut one tune he could play.
The Queen saw nowt wrong with the number
And would have it again and again,
And when Richard said: "Put a sock in it!"
She'd give 'im a look full of pain.
The King got fed up at the finish,
And were so sick of 'earing it played,
That he packed his spare suit on a wagon
And went off and joined the Crusade.
He got fighting the moment he landed,
And though Saracen lads did their best,
He cut off their heads in such numbers,
That the hatmakers lodged a protest.
The Sultan, whose name were Saladin,
Thought he'd best try this business to stem,
So he rode up to Richard and told him
He mustn't do that there to them.
Said Richard: "Oh! Who's going to stop me?"
Said Saladin: "I will-and quick!"
So the King poked his sword at the Sultan,
Who, in turn, swiped his skimpter at Dick.
They fought all that day without ceasing;
They fought till at last they both saw
That each was a match for the other,
So they chucked it and called it a draw.
As Richard rode home in the moonlight
He heard someone trying to croon,
And there by the roadside stood Blondel,
Still playing his signature tune.
He'd worked out his passage from England
In search of his Master and Lord,
And had swum the last part of the journey
'Cos his tune got 'im thrown overboard.
This meeting filled Richard with panic:
He rode off and never drew rein
Till he got past the Austrian border
And felt he could breathe once again.
He hid in a neighbouring Castle,
But he hadn't been there very long
When one night just outside his window
Stood Blondel, still singing his song.
This 'ere took the heart out of Richard;
He went home dejected and low,
And the very next fight he got into
He were killed without striking a blow.
|
Written by
Robert Desnos |
Cursed!
be the father of the bride
of the blacksmith who forged the iron for the axe
with which the woodsman hacked down the oak
from which the bed was carved
in which was conceived the great-grandfather
of the man who was driving the carriage
in which your mother met your father.
|
Written by
Carl Sandburg |
WAGON WHEEL GAP is a place I never saw
And Red Horse Gulch and the chutes of Cripple Creek.
Red-shirted miners picking in the sluices,
Gamblers with red neckties in the night streets,
The fly-by-night towns of Bull Frog and Skiddoo,
The night-cool limestone white of Death Valley,
The straight drop of eight hundred feet
From a shelf road in the Hasiampa Valley:
Men and places they are I never saw.
I have seen three White Horse taverns,
One in Illinois, one in Pennsylvania,
One in a timber-hid road of Wisconsin.
I bought cheese and crackers
Between sun showers in a place called White Pigeon
Nestling with a blacksmith shop, a post-office,
And a berry-crate factory, where four roads cross.
On the Pecatonica River near Freeport
I have seen boys run barefoot in the leaves
Throwing clubs at the walnut trees
In the yellow-and-gold of autumn,
And there was a brown mash dry on the inside of their hands.
On the Cedar Fork Creek of Knox County
I know how the fingers of late October
Loosen the hazel nuts.
I know the brown eyes of half-open hulls.
I know boys named Lindquist, Swanson, Hildebrand.
I remember their cries when the nuts were ripe.
And some are in machine shops; some are in the navy;
And some are not on payrolls anywhere.
Their mothers are through waiting for them to come home.
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