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Best Famous Blackens Poems

Here is a collection of the all-time best famous Blackens poems. This is a select list of the best famous Blackens poetry. Reading, writing, and enjoying famous Blackens poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of blackens poems.

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Written by Allen Ginsberg | Create an image from this poem

Who Runs America?

Oil brown smog over Denver 
Oil red dung colored smoke 
level to level across the horizon 

blue tainted sky above 
Oil car smog gasoline 
hazing red Denver's day 

December bare trees 

sticking up from housetop streets 

Plane lands rumbling, planes rise over 

radar wheels, black smoke 

drifts from tailfins 

Oil millions of cars speeding the cracked plains 
Oil from Texas, Bahrein, Venezuela Mexico 
Oil that turns General Motors 

revs up Ford 
lights up General Electric, oil that crackles 

thru International Business Machine computers, 

charges dynamos for ITT 
sparks Western 
Electric 

runs thru Amer Telephone & Telegraph wires 

Oil that flows thru Exxon New Jersey hoses, 
rings in Mobil gas tank cranks, rumbles 

Chrysler engines 

shoots thru Texaco pipelines 

blackens ocean from broken Gulf tankers 
spills onto Santa Barbara beaches from 

Standard of California derricks offshore. 



Written by Rainer Maria Rilke | Create an image from this poem

Dedication

 Dedication 
These to His Memory--since he held them dear, 
Perchance as finding there unconsciously 
Some image of himself--I dedicate, 
I dedicate, I consecrate with tears-- 
These Idylls. 

And indeed He seems to me 
Scarce other than my king's ideal knight, 
`Who reverenced his conscience as his king; 
Whose glory was, redressing human wrong; 
Who spake no slander, no, nor listened to it; 
Who loved one only and who clave to her--' 
Her--over all whose realms to their last isle, 
Commingled with the gloom of imminent war, 
The shadow of His loss drew like eclipse, 
Darkening the world. We have lost him: he is gone: 
We know him now: all narrow jealousies 
Are silent; and we see him as he moved, 
How modest, kindly, all-accomplished, wise, 
With what sublime repression of himself, 
And in what limits, and how tenderly; 
Not swaying to this faction or to that; 
Not making his high place the lawless perch 
Of winged ambitions, nor a vantage-ground 
For pleasure; but through all this tract of years 
Wearing the white flower of a blameless life, 
Before a thousand peering littlenesses, 
In that fierce light which beats upon a throne, 
And blackens every blot: for where is he, 
Who dares foreshadow for an only son 
A lovelier life, a more unstained, than his? 
Or how should England dreaming of HIS sons 
Hope more for these than some inheritance 
Of such a life, a heart, a mind as thine, 
Thou noble Father of her Kings to be, 
Laborious for her people and her poor-- 
Voice in the rich dawn of an ampler day-- 
Far-sighted summoner of War and Waste 
To fruitful strifes and rivalries of peace-- 
Sweet nature gilded by the gracious gleam 
Of letters, dear to Science, dear to Art, 
Dear to thy land and ours, a Prince indeed, 
Beyond all titles, and a household name, 
Hereafter, through all times, Albert the Good. 

Break not, O woman's-heart, but still endure; 
Break not, for thou art Royal, but endure, 
Remembering all the beauty of that star 
Which shone so close beside Thee that ye made 
One light together, but has past and leaves 
The Crown a lonely splendour. 

May all love, 
His love, unseen but felt, o'ershadow Thee, 
The love of all Thy sons encompass Thee, 
The love of all Thy daughters cherish Thee, 
The love of all Thy people comfort Thee, 
Till God's love set Thee at his side again!
Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 04: 06: Cinema

 As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:
Look how the organist's head, in silhouette,
Leans to the lamplit music's orange square! . . .
The dim-globed lamps illumine rows of faces,
Rows of hands and arms and hungry eyes,
They have hurried down from a myriad secret places,
From windy chambers next to the skies. . . .
The music comes upon us. . . .it shakes the darkness,
It shakes the darkness in our minds. . . .
And brilliant figures suddenly fill the darkness,
Down the white shaft of light they run through darkness,
And in our hearts a dazzling dream unwinds . . .

Take my hand, then, walk with me
By the slow soundless crashings of a sea
Down miles on miles of glistening mirrorlike sand,—
Take my hand
And walk with me once more by crumbling walls;
Up mouldering stairs where grey-stemmed ivy clings,
To hear forgotten bells, as evening falls,
Rippling above us invisibly their slowly widening rings. . . .
Did you once love me? Did you bear a name?
Did you once stand before me without shame? . . .
Take my hand: your face is one I know,
I loved you, long ago:
You are like music, long forgotten, suddenly come to mind;
You are like spring returned through snow.
Once, I know, I walked with you in starlight,
And many nights I slept and dreamed of you;
Come, let us climb once more these stairs of starlight,
This midnight stream of cloud-flung blue! . . .
Music murmurs beneath us like a sea,
And faints to a ghostly whisper . . . Come with me.

Are you still doubtful of me—hesitant still,
Fearful, perhaps, that I may yet remember
What you would gladly, if you could, forget?
You were unfaithful once, you met your lover;
Still in your heart you bear that red-eyed ember;
And I was silent,—you remember my silence yet . . .
You knew, as well as I, I could not kill him,
Nor touch him with hot hands, nor yet with hate.
No, and it was not you I saw with anger.
Instead, I rose and beat at steel-walled fate,
Cried till I lay exhausted, sick, unfriended,
That life, so seeming sure, and love, so certain,
Should loose such tricks, be so abruptly ended,
Ring down so suddenly an unlooked-for curtain.

How could I find it in my heart to hurt you,
You, whom this love could hurt much more than I?
No, you were pitiful, and I gave you pity;
And only hated you when I saw you cry.
We were two dupes; if I could give forgiveness,—
Had I the right,—I should forgive you now . . .
We were two dupes . . . Come, let us walk in starlight,
And feed our griefs: we do not break, but bow.

Take my hand, then, come with me
By the white shadowy crashings of a sea . . .
Look how the long volutes of foam unfold
To spread their mottled shimmer along the sand! . . .
Take my hand,
Do not remember how these depths are cold,
Nor how, when you are dead,
Green leagues of sea will glimmer above your head.
You lean your face upon your hands and cry,
The blown sand whispers about your feet,
Terrible seems it now to die,—
Terrible now, with life so incomplete,
To turn away from the balconies and the music,
The sunlit afternoons,
To hear behind you there a far-off laughter
Lost in a stirring of sand among dry dunes . . .
Die not sadly, you whom life has beaten!
Lift your face up, laughing, die like a queen!
Take cold flowers of foam in your warm white fingers!
Death's but a change of sky from blue to green . . .

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow . . . the music breathes upon us,
The rayed white shaft plays over our heads like magic,
And to and fro we move and lean and change . . .
You, in a world grown strange,
Laugh at a darkness, clench your hands despairing,
Smash your glass on a floor, no longer caring,
Sink suddenly down and cry . . .
You hear the applause that greets your latest rival,
You are forgotten: your rival—who knows?—is I . . .
I laugh in the warm bright light of answering laughter,
I am inspired and young . . . and though I see
You sitting alone there, dark, with shut eyes crying,
I bask in the light, and in your hate of me . . .
Failure . . . well, the time comes soon or later . . .
The night must come . . . and I'll be one who clings,
Desperately, to hold the applause, one instant,—
To keep some youngster waiting in the wings.

The music changes tone . . . a room is darkened,
Someone is moving . . . the crack of white light widens,
And all is dark again; till suddenly falls
A wandering disk of light on floor and walls,
Winks out, returns again, climbs and descends,
Gleams on a clock, a glass, shrinks back to darkness;
And then at last, in the chaos of that place,
Dazzles like frozen fire on your clear face.
Well, I have found you. We have met at last.
Now you shall not escape me: in your eyes
I see the horrible huddlings of your past,—
All you remember blackens, utters cries,
Reaches far hands and faint. I hold the light
Close to your cheek, watch the pained pupils shrink,—
Watch the vile ghosts of all you vilely think . . .
Now all the hatreds of my life have met
To hold high carnival . . . we do not speak,
My fingers find the well-loved throat they seek,
And press, and fling you down . . . and then forget.

Who plays for me? What sudden drums keep time
To the ecstatic rhythm of my crime?
What flute shrills out as moonlight strikes the floor? . .
What violin so faintly cries
Seeing how strangely in the moon he lies? . . .
The room grows dark once more,
The crack of white light narrows around the door,
And all is silent, except a slow complaining
Of flutes and violins, like music waning.

Take my hand, then, walk with me
By the slow soundless crashings of a sea . . .
Look, how white these shells are, on this sand!
Take my hand,
And watch the waves run inward from the sky
Line upon foaming line to plunge and die.
The music that bound our lives is lost behind us,
Paltry it seems . . . here in this wind-swung place
Motionless under the sky's vast vault of azure
We stand in a terror of beauty, face to face.
The dry grass creaks in the wind, the blown sand whispers,

The soft sand seethes on the dunes, the clear grains glisten,
Once they were rock . . . a chaos of golden boulders . . .
Now they are blown by the wind . . . we stand and listen
To the sliding of grain upon timeless grain
And feel our lives go past like a whisper of pain.
Have I not seen you, have we not met before
Here on this sun-and-sea-wrecked shore?
You shade your sea-gray eyes with a sunlit hand
And peer at me . . . far sea-gulls, in your eyes,
Flash in the sun, go down . . . I hear slow sand,
And shrink to nothing beneath blue brilliant skies . . .

 * * * * *

The music ends. The screen grows dark. We hurry
To go our devious secret ways, forgetting
Those many lives . . . We loved, we laughed, we killed,
We danced in fire, we drowned in a whirl of sea-waves.
The flutes are stilled, and a thousand dreams are stilled.

Whose body have I found beside dark waters,
The cold white body, garlanded with sea-weed?
Staring with wide eyes at the sky?
I bent my head above it, and cried in silence.
Only the things I dreamed of heard my cry.

Once I loved, and she I loved was darkened.
Again I loved, and love itself was darkened.
Vainly we follow the circle of shadowy days.
The screen at last grows dark, the flutes are silent.
The doors of night are closed. We go our ways.
Written by Edna St. Vincent Millay | Create an image from this poem

The Death Of Autumn

 When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek,—
Then leans on me the weight of the year, and crushes
My heart. I know that Beauty must ail and die,
And will be born again,—but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn! Autumn!—What is the Spring to me?
Written by Johann Wolfgang von Goethe | Create an image from this poem

From An Album Of 1604

 HOPE provides wings to thought, and love to hope.
Rise up to Cynthia, love, when night is clearest,
And say, that as on high her figure changeth,
So, upon earth, my joy decays and grows.
And whisper in her ear with modest softness,
How doubt oft hung its head, and truth oft wept.
And oh ye thoughts, distrustfully inclined,
If ye are therefore by the loved one chided,
Answer: 'tis true ye change, but alter not,
As she remains the same, yet changeth ever.
Doubt may invade the heart, but poisons not,
For love is sweeter, by suspicion flavour'd.
If it with anger overcasts the eye,
And heaven's bright purity perversely blackens,
Then zephyr-sighs straight scare the clouds away,
And, changed to tears, dissolve them into rain.
Thought, hope, and love remain there as before,
Till Cynthia gleams upon me as of old.

 1820.*



Book: Reflection on the Important Things