Written by
Maya Angelou |
Some clichty folks
don't know the facts,
posin' and preenin'
and puttin' on acts,
stretchin' their backs.
They move into condos
up over the ranks,
pawn their souls
to the local banks.
Buying big cars
they can't afford,
ridin' around town
actin' bored.
If they want to learn how to live life right
they ought to study me on Saturday night.
My job at the plant
ain't the biggest bet,
but I pay my bills
and stay out of debt.
I get my hair done
for my own self's sake,
so I don't have to pick
and I don't have to rake.
Take the church money out
and head cross town
to my friend girl's house
where we plan our round.
We meet our men and go to a joint
where the music is blue
and to the point.
Folks write about me.
They just can't see
how I work all week
at the factory.
Then get spruced up
and laugh and dance
And turn away from worry
with sassy glance.
They accuse me of livin'
from day to day,
but who are they kiddin'?
So are they.
My life ain't heaven
but it sure ain't hell.
I'm not on top
but I call it swell
if I'm able to work
and get paid right
and have the luck to be Black
on a Saturday night.
|
Written by
Charles Bukowski |
ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .
if it doesn't come, coax it out with a
laxative.
get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.
keep it coming like a miracle.
ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious .
.
.
in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage .
.
.
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
vomit.
hell, all our hearts are drowning in vomit,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.
and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D.
Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free pussy-
they .
.
.
FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!
poets.
and there's another
type.
I've met them at their country
places (don't ask me what I was doing there because
I don't know).
they were born with money and
they don't have to dirty their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling pot.
this gives them time to understand
Life.
they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.
you are drinking green beer which you
brought with you
because you have found out through the years
that rich bastards are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars.
but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything.
which once might have been
true but is no longer quite
true.
and-
he WRITES TOO.
POETRY, of
course.
everybody
writes
poetry.
he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.
he thinks that poverty is a weakness of the
soul.
he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.
he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out.
she has been crying for some
reason.
you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime.
"
but he doesn't say when or
where.
and then you find out that you are not even
IN HIS HOUSE.
you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.
he even has x-wives in some of his
houses.
his main concern is to keep his x-wives away from
you.
he doesn't want to give up a
damn thing.
and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.
and!: they
WRITE POETRY TOO.
or
PAINT.
or
****.
but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.
meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.
the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
dirty and
ignorant.
dirty? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.
he or they or somebody was supposed to meet me at
the
train station.
of course, they weren't
there.
"We'll be there to meet the great
Poet!"
well, I looked around and didn't see any
great poet.
besides it was 7 a.
m.
and
40 degrees.
those things
happen.
the trouble was there were no
bars open.
nothing open.
not even a
jail.
he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way.
he won't tell me whether I am crazy or
not-I don't have the
money.
he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.
my cheap green beer is killing
me.
he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.
he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.
"I'll buy you barrels of beer," he had
said.
I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky.
the town was ten miles away,
downhill.
I peeled my poor dollars from my poor
roll.
and the boy needed a tip, of
course.
the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley.
certainly Creeley wouldn't have
had beerstains on his
shirt.
anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.
scared too.
sure, I imagined him peering
through the window-
he didn't want to give up a damn thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the ass first and
my poor brain
later.
"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives.
"
I see him published in some of the magazines
now.
not very good stuff.
a poem about me
too: the Polack.
the Polack whines too much.
the Polack whines about his
country, other countries, all countries, the Polack
works overtime in a factory like a fool, among other
fools with "pre-drained spirits.
"
the Polack drinks seas of green beer
full of acid.
the Polack has an ulcerated
hemorrhoid.
the Polack picks on fags
"fragile fags.
" the Polack hates his
wife, hates his daughter.
his daughter will become
an alcoholic, a prostitute.
the Polack has an
"obese burned out wife.
" the Polack has a
spastic gut.
the Polack has a
"rectal brain.
"
thank you, Doctor (and poet).
any charge for
this? I know I still owe you for the
pill.
Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball.
but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare.
got an Indian friend who'd like to meet
you and yours.
he swears he's got the biggest
pecker in the state of California.
and guess what?
he writes
POETRY
too!
|
Written by
David Lehman |
"My propositions serve as elucidations in the following way:
anyone who understands them eventually recognizes them as
nonsensical, when he has used them -- as steps -- to climb
up beyond them.
(He must, so to speak, throw away the ladder
after he has climbed up it.
)" -- Ludwig Wittgenstein, Tractatus
1.
The first time I met Wittgenstein, I was
late.
"The traffic was murder," I explained.
He spent the next forty-five minutes
analyzing this sentence.
Then he was silent.
I wondered why he had chosen a water tower
for our meeting.
I also wondered how
I would leave, since the ladder I had used
to climb up here had fallen to the ground.
2.
Wittgenstein served as a machine-gunner
in the Austrian Army in World War I.
Before the war he studied logic in Cambridge
with Bertrand Russell.
Having inherited
his father's fortune (iron and steel), he
gave away his money, not to the poor, whom
it would corrupt, but to relations so rich
it would not thus affect them.
3.
On leave in Vienna in August 1918
he assembled his notebook entries
into the Tractatus, Since it provided
the definitive solution to all the problems
of philosophy, he decided to broaden
his interests.
He became a schoolteacher,
then a gardener's assistant at a monastery
near Vienna.
He dabbled in architecture.
4.
He returned to Cambridge in 1929,
receiving his doctorate for the Tractatus,
"a work of genius," in G.
E.
Moore's opinion.
Starting in 1930 he gave a weekly lecture
and led a weekly discussion group.
He spoke
without notes amid long periods of silence.
Afterwards, exhausted, he went to the movies
and sat in the front row.
He liked Carmen Miranda.
5.
He would visit Russell's rooms at midnight
and pace back and forth "like a caged tiger.
On arrival, he would announce that when
he left he would commit suicide.
So, in spite
of getting sleepy, I did not like to turn him out.
" On
such a night, after hours of dead silence, Russell said,
"Wittgenstein, are you thinking about logic or about
yours sins?" "Both," he said, and resumed his silence.
6.
Philosophy was an activity, not a doctrine.
"Solipsism, when its implications are followed out
strictly, coincides with pure realism," he wrote.
Dozens of dons wondered what he meant.
Asked
how he knew that "this color is red," he smiled
and said, "because I have learnt English.
" There
were no other questions.
Wittgenstein let the
silence gather.
Then he said, "this itself is the answer.
"
7.
Religion went beyond the boundaries of language,
yet the impulse to run against "the walls of our cage,"
though "perfectly, absolutely useless," was not to be
dismissed.
A.
J.
Ayer, one of Oxford's ablest minds,
was puzzled.
If logic cannot prove a nonsensical
conclusion, why didn't Wittgenstein abandon it,
"along with the rest of metaphysics, as not worth
serious attention, except perhaps for sociologists"?
8.
Because God does not reveal himself in this world, and
"the value of this work," Wittgenstein wrote, "is that
it shows how little is achieved when these problems
are solved.
" When I quoted Gertrude Stein's line
about Oakland, "there's no there there," he nodded.
Was there a there, I persisted.
His answer: Yes and No.
It was as impossible to feel another's person's pain
as to suffer another person's toothache.
9.
At Cambridge the dons quoted him reverently.
I asked them what they thought was his biggest
contribution to philosophy.
"Whereof one cannot
speak, thereof one must be silent," one said.
Others spoke of his conception of important
nonsense.
But I liked best the answer John
Wisdom gave: "His asking of the question
`Can one play chess without the queen?'"
10.
Wittgenstein preferred American detective
stories to British philosophy.
He liked lunch
and didn't care what it was, "so long as it was
always the same," noted Professor Malcolm
of Cornell, a former student, in whose house
in Ithaca Wittgenstein spent hours doing
handyman chores.
He was happy then.
There was no need to say a word.
|
Written by
Dejan Stojanovic |
I see a new star on the horizon;
It's not the Morning Star;
It's a star without light.
This star without the light is the brightest
Because its light stays within.
The biggest star doesn't take any space;
It lives within,
Feeds all other stars, all other matter.
Without space, there is no time,
Without time, there is no aging,
Without aging, there is no death.
A star without light never dies;
It cannot be seen in the outer space;
It can only be sensed in the mind.
|
Written by
Charles Bukowski |
good weather
is like
good women-
it doesn't always happen
and when it does
it doesn't
always last.
man is
more stable:
if he's bad
there's more chance
he'll stay that way,
or if he's good
he might hang
on,
but a woman
is changed
by
children
age
diet
conversation
sex
the moon
the absence or
presence of sun
or good times.
a woman must be nursed
into subsistence
by love
where a man can become
stronger
by being hated.
I am drinking tonight in Spangler's Bar
and I remember the cows
I once painted in Art class
and they looked good
they looked better than anything
in here.
I am drinking in Spangler's Bar
wondering which to love and which
to hate, but the rules are gone:
I love and hate only
myself-
they stand outside me
like an orange dropped from the table
and rolling away; it's what I've got to
decide:
kill myself or
love myself?
which is the treason?
where's the information
coming from?
books.
.
.
like broken glass:
I wouldn't wipe my ass with 'em
yet, it's getting
darker, see?
(we drink here and speak to
each other and
seem knowing.
)
buy the cow with the biggest
****
buy the cow with the biggest
rump.
present arms.
the bartender slides me a beer
it runs down the bar
like an Olympic sprinter
and the pair of pliers that is my hand
stops it, lifts it,
golden piss of dull temptation,
I drink and
stand there
the weather bad for cows
but my brush is ready
to stroke up
the green grass straw eye
sadness takes me all over
and I drink the beer straight down
order a shot
fast
to give me the guts and the love to
go
on.
from "poems written before jumping out of an 8 story window" - 1966
|
Written by
Eugene Field |
When in the halcyon days of old, I was a little tyke,
I used to fish in pickerel ponds for minnows and the like;
And oh, the bitter sadness with which my soul was fraught
When I rambled home at nightfall with the puny string I'd caught!
And, oh, the indignation and the valor I'd display
When I claimed that all the biggest fish I'd caught had got away!
Sometimes it was the rusty hooks, sometimes the fragile lines,
And many times the treacherous reeds would foil my just designs;
But whether hooks or lines or reeds were actually to blame,
I kept right on at losing all the monsters just the same--
I never lost a little fish--yes, I am free to say
It always was the biggest fish I caught that got away.
And so it was, when later on, I felt ambition pass
From callow minnow joys to nobler greed for pike and bass;
I found it quite convenient, when the beauties wouldn't bite
And I returned all bootless from the watery chase at night,
To feign a cheery aspect and recount in accents gay
How the biggest fish that I had caught had somehow got away.
And really, fish look bigger than they are before they are before they're
caught--
When the pole is bent into a bow and the slender line is taut,
When a fellow feels his heart rise up like a doughnut in his throat
And he lunges in a frenzy up and down the leaky boat!
Oh, you who've been a-fishing will indorse me when I say
That it always is the biggest fish you catch that gets away!
'T 'is even so in other things--yes, in our greedy eyes
The biggest boon is some elusive, never-captured prize;
We angle for the honors and the sweets of human life--
Like fishermen we brave the seas that roll in endless strife;
And then at last, when all is done and we are spent and gray,
We own the biggest fish we've caught are those that got away.
I would not have it otherwise; 't is better there should be
Much bigger fish than I have caught a-swimming in the sea;
For now some worthier one than I may angle for that game--
May by his arts entice, entrap, and comprehend the same;
Which, having done, perchance he'll bless the man who's proud to say
That the biggest fish he ever caught were those that got away.
|
Written by
Eugene Field |
Thar showed up out'n Denver in the spring uv '81
A man who'd worked with Dana on the Noo York Sun.
His name wuz Cantell Whoppers, 'nd he wuz a sight ter view
Ez he walked inter the orfice 'nd inquired fer work ter do.
Thar warn't no places vacant then,--fer be it understood,
That wuz the time when talent flourished at that altitood;
But thar the stranger lingered, tellin' Raymond 'nd the rest
Uv what perdigious wonders he could do when at his best,
Till finally he stated (quite by chance) that he hed done
A heap uv work with Dana on the Noo York Sun.
Wall, that wuz quite another thing; we owned that ary cuss
Who'd worked f'r Mr.
Dana must be good enough fer us!
And so we tuk the stranger's word 'nd nipped him while we could,
For if we didn't take him we knew John Arkins would;
And Cooper, too, wuz mouzin' round fer enterprise 'nd brains,
Whenever them commodities blew in across the plains.
At any rate we nailed him, which made ol' Cooper swear
And Arkins tear out handfuls uv his copious curly hair;
But we set back and cackled, 'nd bed a power uv fun
With our man who'd worked with Dana on the Noo York Sun.
It made our eyes hang on our cheeks 'nd lower jaws ter drop,
Ter hear that feller tellin' how ol' Dana run his shop:
It seems that Dana wuz the biggest man you ever saw,--
He lived on human bein's, 'nd preferred to eat 'em raw!
If he hed Democratic drugs ter take, before he took 'em,
As good old allopathic laws prescribe, he allus shook 'em.
The man that could set down 'nd write like Dany never grew,
And the sum of human knowledge wuzn't half what Dana knew;
The consequence appeared to be that nearly every one
Concurred with Mr.
Dana of the Noo York Sun.
This feller, Cantell Whoppers, never brought an item in,--
He spent his time at Perrin's shakin' poker dice f'r gin.
Whatever the assignment, he wuz allus sure to shirk,
He wuz very long on likker and all-fired short on work!
If any other cuss had played the tricks he dared ter play,
The daisies would be bloomin' over his remains to-day;
But somehow folks respected him and stood him to the last,
Considerin' his superior connections in the past.
So, when he bilked at poker, not a sucker drew a gun
On the man who 'd worked with Dana on the Noo York Sun.
Wall, Dana came ter Denver in the fall uv '83.
A very different party from the man we thought ter see,--
A nice 'nd clean old gentleman, so dignerfied 'nd calm,
You bet yer life he never did no human bein' harm!
A certain hearty manner 'nd a fulness uv the vest
Betokened that his sperrits 'nd his victuals wuz the best;
His face wuz so benevolent, his smile so sweet 'nd kind,
That they seemed to be the reflex uv an honest, healthy mind;
And God had set upon his head a crown uv silver hair
In promise uv the golden crown He meaneth him to wear.
So, uv us boys that met him out'n Denver, there wuz none
But fell in love with Dana uv the Noo York Sun.
But when he came to Denver in that fall uv '83,
His old friend Cantell Whoppers disappeared upon a spree;
The very thought uv seein' Dana worked upon him so
(They hadn't been together fer a year or two, you know),
That he borrered all the stuff he could and started on a bat,
And, strange as it may seem, we didn't see him after that.
So, when ol' Dana hove in sight, we couldn't understand
Why he didn't seem to notice that his crony wa'n't on hand;
No casual allusion, not a question, no, not one,
For the man who'd "worked with Dana on the Noo York Sun!"
We broke it gently to him, but he didn't seem surprised,
Thar wuz no big burst uv passion as we fellers had surmised.
He said that Whoppers wuz a man he 'd never heerd about,
But he mought have carried papers on a Jarsey City route;
And then he recollected hearin' Mr.
Laffan say
That he'd fired a man named Whoppers fur bein' drunk one day,
Which, with more likker underneath than money in his vest,
Had started on a freight-train fur the great 'nd boundin' West,
But further information or statistics he had none
Uv the man who'd "worked with Dana on the Noo York Sun.
"
We dropped the matter quietly 'nd never made no fuss,--
When we get played for suckers, why, that's a horse on us!--
But every now 'nd then we Denver fellers have to laff
To hear some other paper boast uv havin' on its staff
A man who's "worked with Dana," 'nd then we fellers wink
And pull our hats down on our eyes 'nd set around 'nd think.
It seems like Dana couldn't be as smart as people say,
If he educates so many folks 'nd lets 'em get away;
And, as for us, in future we'll be very apt to shun
The man who "worked with Dana on the Noo York Sun.
"
But bless ye, Mr.
Dana! may you live a thousan' years,
To sort o' keep things lively in this vale of human tears;
An' may I live a thousan', too,--a thousan' less a day,
For I shouldn't like to be on earth to hear you'd passed away.
And when it comes your time to go you'll need no Latin chaff
Nor biographic data put in your epitaph;
But one straight line of English and of truth will let folks know
The homage 'nd the gratitude 'nd reverence they owe;
You'll need no epitaph but this: "Here sleeps the man who run
That best 'nd brightest paper, the Noo York Sun.
"
|
Written by
John Berryman |
Foes I sniff, when I have less to shout
or murmur.
Pals alone enormous sounds
downward & up bring real.
Loss, deaths, terror.
Over & out,
beloved: thanks for cabbage on my wounds:
I'll feed you how I feel:—
of avocado moist with lemon, yea
formaldehyde & rotting sardines O
in our appointed time
I would I could a touch more fully say
my consentless mind.
The senses are below,
which in this air sublime
do I repudiate.
But foes I sniff!
My nose in all directions! I be so brave
I creep into an Arctic cave
for the rectal temperature of the biggest bear,
hibernating—in my left hand sugar.
I totter to the lip of the cliff.
|
Written by
Heather McHugh |
There, a little right
of Ursus Major, is
the Milky Way:
a man can point it out,
the biggest billionfold of all
predicaments he's in:
his planet's street address.
What gives? What looks
a stripe a hundred million
miles away from here
is where we live.
*
Let's keep it clear.
The Northern Lights
are not the North Star.
Being but
a blur, they cannot reassure us.
They keep moving - I think far
too easily.
September spills
some glimmers of
the boreals to come:
they're modest pools
of horizontal haze, where later
they'll appear as foldings in the vertical,
a work of curtains, throbbing dim
or bright.
(One wonders at
one's eyes.
) The very sight
will angle off in glances or in shoots
of something brilliant, something
bigger than we know, its hints uncatchable
in shifts of mind .
.
.
So there
it is again, the mind, with its
old bluster, its self-centered
question: what
is dimming, what is bright?
The spirit sinks and swells, which cannot tell
itself from any little luster.
|
Written by
David Lehman |
Wisteria, hysteria is as obvious a rhyme
as Viagra and Niagara there must be a reason
honeymooners traditionally went to the Falls
which were, said the divine Oscar,
an American bride's second biggest disappointment
tell me which do you like better,
the American Falls or the Horseshoe Falls,
I say the Horseshoe Falls, Joe says,
because its magnificence surpasses the American Falls
thank you, Joe, and did you know
when Casey Stengel managed the Yankees
he sat next to Bob Cerv on the bench one day,
put his arm around the big outfielder, and said,
"One of us has just been traded to Kansas City"
I don't know what put that in my mind
except that it backs up Michael Malinowitz's line
about John Ashbery being the Casey Stengel of poetry
meanwhile the Yankees are playing like the Bronx Bombers of old
and though I used to hate the Yankees I'm just enough
of a New York chauvinist to feel gleeful about it
wait a minute I'll be right back I am back that's
another line I've always wanted to put in a poem
what it will say on Johnny Carson's gravestone
"I'll be right back"
|