Written by
Elizabeth Bishop |
Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one's nose run and one's eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,
is opaque, but the silver of the benches,
the lobster pots, and masts, scattered
among the wild jagged rocks,
is of an apparent translucence
like the small old buildings with an emerald moss
growing on their shoreward walls.
The big fish tubs are completely lined
with layers of beautiful herring scales
and the wheelbarrows are similarly plastered
with creamy iridescent coats of mail,
with small iridescent flies crawling on them.
Up on the little slope behind the houses,
set in the sparse bright sprinkle of grass,
is an ancient wooden capstan,
cracked, with two long bleached handles
and some melancholy stains, like dried blood,
where the ironwork has rusted.
The old man accepts a Lucky Strike.
He was a friend of my grandfather.
We talk of the decline in the population
and of codfish and herring
while he waits for a herring boat to come in.
There are sequins on his vest and on his thumb.
He has scraped the scales, the principal beauty,
from unnumbered fish with that black old knife,
the blade of which is almost worn away.
Down at the water's edge, at the place
where they haul up the boats, up the long ramp
descending into the water, thin silver
tree trunks are laid horizontally
across the gray stones, down and down
at intervals of four or five feet.
Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals . . . One seal particularly
I have seen here evening after evening.
He was curious about me. He was interested in music;
like me a believer in total immersion,
so I used to sing him Baptist hymns.
I also sang "A Mighty Fortress Is Our God."
He stood up in the water and regarded me
steadily, moving his head a little.
Then he would disappear, then suddenly emerge
almost in the same spot, with a sort of shrug
as if it were against his better judgment.
Cold dark deep and absolutely clear,
the clear gray icy water . . . Back, behind us,
the dignified tall firs begin.
Bluish, associating with their shadows,
a million Christmas trees stand
waiting for Christmas. The water seems suspended
above the rounded gray and blue-gray stones.
I have seen it over and over, the same sea, the same,
slightly, indifferently swinging above the stones,
icily free above the stones,
above the stones and then the world.
If you should dip your hand in,
your wrist would ache immediately,
your bones would begin to ache and your hand would burn
as if the water were a transmutation of fire
that feeds on stones and burns with a dark gray flame.
If you tasted it, it would first taste bitter,
then briny, then surely burn your tongue.
It is like what we imagine knowledge to be:
dark, salt, clear, moving, utterly free,
drawn from the cold hard mouth
of the world, derived from the rocky breasts
forever, flowing and drawn, and since
our knowledge is historical, flowing, and flown.
|
Written by
G K Chesterton |
One in thy thousand statues we salute thee
On all thy thousand thrones acclaim and claim
Who walk in forest of thy forms and faces
Walk in a forest calling on one name
And, most of all, how this thing may be so
Who know thee not are mystified to know
That one cries "Here she stands" and one cries "Yonder"
And thou wert home in heaven long ago.
Burn deep in Bethlehem in the golden shadows,
Ride above Rome upon the horns of stone,
From low Lancastrian or South Saxon shelters
Watch through dark years the dower that was shine own:
Ghost of our land, White Lady of Walsinghame,
Shall they not live that call upon thy name
If an old song on a wild wind be blowing
Crying of the holy country whence they came?
Root deep in Chartres the roses blown of glass
Burning above thee in the high vitrailles,
On Cornish crags take for salute of swords
O'er peacock seas the far salute of sails,
Glooming in bronze or gay in painted wood,
A great doll given when the child is good,
Save that She gave the Child who gave the doll,
In whom all dolls are dreams of motherhood.
I have found thee like a little shepherdess
Gay with green ribbons; and passed on to find
Michael called Angel hew the Mother of God
Like one who fills a mountain with a mind:
Molten in silver or gold or garbed in blue,
Or garbed in red where the inner robe burns through,
Of the King's daughter glorious within:
Change shine unchanging light with every hue.
Clothed with the sun or standing on the moon
Crowned with the stars or single, a morning star,
Sunlight and moonlight are thy luminous shadows,
Starlight and twilight thy refractions are,
Lights and half-lights and all lights turn about thee,
But though we dazed can neither see nor doubt thee,
Something remains. Nor can man live without it
Nor can man find it bearable without thee.
There runs a dark thread through the tapestries
That time has woven with all the tints of time
Something not evil but grotesque and groping,
Something not clear; not final; not sublime;
Quaint as dim pattern of primal plant or tree
Or fish, the legless elfins of the sea,
Yet rare as this shine image in ebony
Being most strange in its simplicity.
Rare as the rushing of the wild black swans
The Romans saw; or rocks remote and grim
Where through black clouds the black sheep runs accursed
And through black clouds the Shepherd follows him.
By the black oak of the aeon-buried grove
By the black gems of the miner's treasure-trove
Monsters and freaks and fallen stars and sunken-
Most holy dark, cover our uncouth love.
From shine high rock look down on Africa
The living darkness of devouring green
The loathsome smell of life unquenchable,
Look on low brows and blinking eyes between,
On the dark heart where white folk find no place,
On the dark bodies of an antic race,
On all that fear thy light and love thy shadow,
Turn thou the mercy of thy midnight face.
This also is in thy spectrum; this dark ray;
Beyond the deepening purples of thy Lent
Darker than violet vestment; dark and secret
Clot of old night yet cloud of heaven sent:
As the black moon of some divine eclipse,
As the black sun of the Apocalypse,
As the black flower that blessed Odysseus back
From witchcraft; and he saw again the ships.
In all thy thousand images we salute thee,
Claim and acclaim on all thy thousand thrones
Hewn out of multi-colored rocks and risen
Stained with the stored-up sunsets in all tones-
If in all tones and shades this shade I feel,
Come from the black cathedrals of Castille
Climbing these flat black stones of Catalonia,
To thy most merciful face of night I kneel.
|
Written by
John Berryman |
Down on the cathedrals, as from the Giralda
in a land no crueller, and over the walls
to domes & river look
from Great John's belfry, Ivan-Veliky,
whose thirty-one are still
to hail who storms no father's throne. Bell, book
& cradle rule, in silence. Hour by hour
from time to time with holy oil
touch yet the forehead eyelids nose
lips ears breast fists of Kruschev, for Christ knows
poor evil Kadar, cut, is back in power.
Boils his throne. The moujik kneels & votes.
South & east of the others' tombs—where? why,
in Arkhanghelsky, on the Baptist's side,
lies Brother Jonas (fomrerly Ivan the Terrible),
where Brother Josef came with his friend's heart
out of such guilt it proved all bearable,
and Brother Nikita will come and lie.
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