Written by
Anne Sexton |
Inside many of us
is a small old man
who wants to get out.
No bigger than a two-year-old
whom you'd call lamb chop
yet this one is old and malformed.
His head is okay
but the rest of him wasn't Sanforized?
He is a monster of despair.
He is all decay.
He speaks up as tiny as an earphone
with Truman's asexual voice:
I am your dwarf.
I am the enemy within.
I am the boss of your dreams.
No. I am not the law in your mind,
the grandfather of watchfulness.
I am the law of your members,
the kindred of blackness and impulse.
See. Your hand shakes.
It is not palsy or booze.
It is your Doppelganger
trying to get out.
Beware . . . Beware . . .
There once was a miller
with a daughter as lovely as a grape.
He told the king that she could
spin gold out of common straw.
The king summoned the girl
and locked her in a room full of straw
and told her to spin it into gold
or she would die like a criminal.
Poor grape with no one to pick.
Luscious and round and sleek.
Poor thing.
To die and never see Brooklyn.
She wept,
of course, huge aquamarine tears.
The door opened and in popped a dwarf.
He was as ugly as a wart.
Little thing, what are you? she cried.
With his tiny no-sex voice he replied:
I am a dwarf.
I have been exhibited on Bond Street
and no child will ever call me Papa.
I have no private life.
If I'm in my cups the whole town knows by breakfast
and no child will ever call me Papa
I am eighteen inches high.
I am no bigger than a partridge.
I am your evil eye
and no child will ever call me Papa.
Stop this Papa foolishness,
she cried. Can you perhaps
spin straw into gold?
Yes indeed, he said,
that I can do.
He spun the straw into gold
and she gave him her necklace
as a small reward.
When the king saw what she had done
he put her in a bigger room of straw
and threatened death once more.
Again she cried.
Again the dwarf came.
Again he spun the straw into gold.
She gave him her ring
as a small reward.
The king put her in an even bigger room
but this time he promised
to marry her if she succeeded.
Again she cried.
Again the dwarf came.
But she had nothing to give him.
Without a reward the dwarf would not spin.
He was on the scent of something bigger.
He was a regular bird dog.
Give me your first-born
and I will spin.
She thought: Piffle!
He is a silly little man.
And so she agreed.
So he did the trick.
Gold as good as Fort Knox.
The king married her
and within a year
a son was born.
He was like most new babies,
as ugly as an artichoke
but the queen thought him in pearl.
She gave him her dumb lactation,
delicate, trembling, hidden,
warm, etc.
And then the dwarf appeared
to claim his prize.
Indeed! I have become a papa!
cried the little man.
She offered him all the kingdom
but he wanted only this -
a living thing
to call his own.
And being mortal
who can blame him?
The queen cried two pails of sea water.
She was as persistent
as a Jehovah's Witness.
And the dwarf took pity.
He said: I will give you
three days to guess my name
and if you cannot do it
I will collect your child.
The queen sent messengers
throughout the land to find names
of the most unusual sort.
When he appeared the next day
she asked: Melchior?
Balthazar?
But each time the dwarf replied:
No! No! That's not my name.
The next day she asked:
Spindleshanks? Spiderlegs?
But it was still no-no.
On the third day the messenger
came back with a strange story.
He told her:
As I came around the corner of the wood
where the fox says good night to the hare
I saw a little house with a fire
burning in front of it.
Around that fire a ridiculous little man
was leaping on one leg and singing:
Today I bake.
Tomorrow I brew my beer.
The next day the queen's only child will be mine.
Not even the census taker knows
that Rumpelstiltskin is my name . . .
The queen was delighted.
She had the name!
Her breath blew bubbles.
When the dwarf returned
she called out:
Is your name by any chance Rumpelstiltskin?
He cried: The devil told you that!
He stamped his right foot into the ground
and sank in up to his waist.
Then he tore himself in two.
Somewhat like a split broiler.
He laid his two sides down on the floor,
one part soft as a woman,
one part a barbed hook,
one part papa,
one part Doppelganger.
|
Written by
Andrew Barton Paterson |
Scene: Federal Political Arena
A darkened cave. In the middle, a cauldron, boiling.
Enter the three witches.
1ST WITCH: Thrice hath the Federal Jackass brayed.
2ND WITCH: Once the Bruce-Smith War-horse neighed.
3RD WITCH: So Georgie comes, 'tis time, 'tis time,
Around the cauldron to chant our rhyme.
1ST WITCH: In the cauldron boil and bake
Fillet of a tariff snake,
Home-made flannels -- mostly cotton,
Apples full of moths, and rotten,
Lamb that perished in the drought,
Starving stock from "furthest out",
Drops of sweat from cultivators,
Sweating to feed legislators.
Grime from a white stoker's nob,
Toiling at a ******'s job.
Thus the great Australian Nation,
Seeks political salvation.
ALL: Double, double, toil and trouble,
Fire burn, and cauldron bubble.
2ND WITCH: Heel-taps from the threepenny bars,
Ash from Socialist cigars.
Leathern tongue of boozer curst
With the great Australian thirst,
Two-up gambler keeping dark,
Loafer sleeping in the park --
Drop them in to prove the sequel,
All men are born free and equal.
ALL: Double, double, toil and trouble,
Fire burn, and cauldron bubble.
3RD WITCH:Lung of Labour agitator,
Gall of Isaacs turning traitor;
Spleen that Kingston has revealed,
Sawdust stuffing out of Neild;
Mix them up, and then combine
With duplicity of Lyne,
Alfred Deakin's gift of gab,
Mix the gruel thick and slab.
ALL: Double, double, toil and trouble,
Heav'n help Australia in her trouble.
HECATE: Oh, well done, I commend your pains,
And everyone shall share i' the gains,
And now about the cauldron sing,
Enchanting all that you put in.
Round about the cauldron go,
In the People's rights we'll throw,
Cool it with an Employer's blood,
Then the charm stands firm and good,
And thus with chaos in possession,
Ring in the coming Fed'ral Session.
|
Written by
Mark Doty |
The intact facade's now almost black
in the rain; all day they've torn at the back
of the building, "the oldest concrete structure
in New England," the newspaper said. By afternoon,
when the backhoe claw appears above
three stories of columns and cornices,
the crowd beneath their massed umbrellas cheer.
Suddenly the stairs seem to climb down themselves,
atomized plaster billowing: dust of 1907's
rooming house, this year's bake shop and florist's,
the ghosts of their signs faint above the windows
lined, last week, with loaves and blooms.
We love disasters that have nothing to do
with us: the metal scoop seems shy, tentative,
a Japanese monster tilting its yellow head
and considering what to topple next. It's a weekday,
and those of us with the leisure to watch
are out of work, unemployable or academics,
joined by a thirst for watching something fall.
All summer, at loose ends, I've read biographies,
Wilde and Robert Lowell, and fallen asleep
over a fallen hero lurching down a Paris boulevard,
talking his way to dinner or a drink,
unable to forget the vain and stupid boy
he allowed to ruin him. And I dreamed
I was Lowell, in a manic flight of failing
and ruthless energy, and understood
how wrong I was with a passionate exactitude
which had to be like his. A month ago,
at Saint-Gauden's house, we ran from a startling downpour
into coincidence: under a loggia built
for performances on the lawn
hulked Shaw's monument, splendid
in its plaster maquette, the ramrod-straight colonel
high above his black troops. We crouched on wet gravel
and waited out the squall; the hieratic woman
-- a wingless angel? -- floating horizontally
above the soldiers, her robe billowing like plaster dust,
seemed so far above us, another century's
allegorical decor, an afterthought
who'd never descend to the purely physical
soldiers, the nearly breathing bronze ranks crushed
into a terrible compression of perspective,
as if the world hurried them into the ditch.
"The unreadable," Wilde said, "is what occurs."
And when the brutish metal rears
above the wall of unglazed windows --
where, in a week, the kids will skateboard
in their lovely loops and spray
their indecipherable ideograms
across the parking lot -- the single standing wall
seems Roman, momentarily, an aqueduct,
all that's left of something difficult
to understand now, something Oscar
and Bosie might have posed before, for a photograph.
Aqueducts and angels, here on Main,
seem merely souvenirs; the gaps
where the windows opened once
into transients' rooms are pure sky.
It's strange how much more beautiful
the sky is to us when it's framed
by these columned openings someone meant us
to take for stone. The enormous, articulate shovel
nudges the highest row of moldings
and the whole thing wavers as though we'd dreamed it,
our black classic, and it topples all at once.
|
Written by
Lewis Carroll |
The Landing
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."
The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots--but the worst of is was,
He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"
While, for those who preferred a more forcible word,
He had different names from these:
His intimate friends called him "Candle-ends",
And his enemies "Toasted-cheese"
"His form is ungainly--his intellect small--"
(So the Bellman would often remark)--
"But his courage is perfect! And that, after all,
Is the thing that one needs with a Snark."
He would joke with hyaenas, returning their stare
With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
"Just to keep up its spirits," he said.
He came as a Baker: but owned, when too late--
And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
No materials were to be had.
The last of the crew needs especial remark,
Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark",
The good Bellman engaged him at once.
He came as a Butcher: but gravely declared,
When the ship had been sailing a week,
He could only kill Beavers. The Bellman looked scared,
And was almost too frightened to speak:
But at length he explained, in a tremulous tone,
There was only one Beaver on board;
And that was a tame one he had of his own,
Whose death would be deeply deplored.
The Beaver, who happened to hear the remark,
Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
Could atone for that dismal surprise!
It strongly advised that the Butcher should be
Conveyed in a separate ship:
But the Bellman declared that would never agree
With the plans he had made for the trip:
Navigation was always a difficult art,
Though with only one ship and one bell:
And he feared he must really decline, for his part,
Undertaking another as well.
The Beaver's best course was, no doubt, to procure
A second-hand dagger-proof coat--
So the baker advised it--and next, to insure
Its life in some Office of note:
This the Baker suggested, and offered for hire
(On moderate terms), or for sale,
Two excellent Policies, one Against Fire
And one Against Damage From Hail.
Yet still, ever after that sorrowful day,
Whenever the Butcher was by,
The Beaver kept looking the opposite way,
And appeared unaccountably shy.
|
Written by
Susan Rich |
Each night he stands before
the kitchen island, begins again
from scratch: chocolate, cinnamon, nutmeg,
he beats, he folds;
keeps faith in what happens
when you combine known quantities,
bake twelve minutes at a certain heat.
The other rabbis, the scholars,
teenagers idling by the beach,
they receive his offerings,
in the early hours, share his grief.
It’s enough now, they say.
Each day more baked goods to friends,
and friends of friends, even
the neighborhood cops. He can’t stop,
holds on to the rhythmic opening
and closing of the oven,
the timer’s expectant ring.
I was just baking, he says if
someone comes by. Again and again,
evenings winter into spring,
he creates the most fragile
of confections: madelines
and pinwheels, pomegranate crisps
and blue florentines;
each crumb to reincarnate
a woman – a savoring
of what the living once could bring.
|
Written by
Henry Lawson |
I am back from up the country -- very sorry that I went --
Seeking for the Southern poets' land whereon to pitch my tent;
I have lost a lot of idols, which were broken on the track --
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast,
But I think the country's rather more inviting round the coast --
Anyway, I'll stay at present at a boarding-house in town
Drinking beer and lemon-squashes, taking baths and cooling down.
Sunny plains! Great Scot! -- those burning wastes of barren soil and sand
With their everlasting fences stretching out across the land!
Desolation where the crow is! Desert! where the eagle flies,
Paddocks where the luny bullock starts and stares with reddened eyes;
Where, in clouds of dust enveloped, roasted bullock-drivers creep
Slowly past the sun-dried shepherd dragged behind his crawling sheep.
Stunted "peak" of granite gleaming, glaring! like a molten mass
Turned, from some infernal furnace, on a plain devoid of grass.
Miles and miles of thirsty gutters -- strings of muddy waterholes
In the place of "shining rivers" (walled by cliffs and forest boles).
"Range!" of ridgs, gullies, ridges, barren! where the madden'd flies --
Fiercer than the plagues of Egypt -- swarm about your blighted eyes!
Bush! where there is no horizon! where the buried bushman sees
Nothing. Nothing! but the maddening sameness of the stunted trees!
Lonely hut where drought's eternal -- suffocating atmosphere --
Where the God forgottcn hatter dreams of city-life and beer.
Treacherous tracks that trap the stranger, endless roads that gleam and glare,
Dark and evil-looking gullies -- hiding secrets here and there!
Dull, dumb flats and stony "rises," where the bullocks sweat and bake,
And the sinister "gohanna," and the lizard, and the snake.
Land of day and night -- no morning freshness, and no afternoon,
For the great, white sun in rising brings with him the heat of noon.
Dismal country for the exile, when the shades begin to fall
From the sad, heart-breaking sunset, to the new-chum, worst of all.
Dreary land in rainy weather, with the endless clouds that drift
O'er the bushman like a blanket that the Lord will never lift --
Dismal land when it is raining -- growl of floods and oh! the "woosh"
Of the rain and wind together on the dark bed of the bush --
Ghastly fires in lonely humpies where the granite rocks are pil'd
On the rain-swept wildernesses that are wildest of the wild.
Land where gaunt and haggard women live alone and work like men,
Till their husbands, gone a-droving, will return to them again --
Homes of men! if homes had ever such a God-forgotten place,
Where the wild selector's children fly before a stranger's face.
Home of tragedy applauded by the dingoes' dismal yell,
Heaven of the shanty-keeper -- fitting fiend for such a hell --
And the wallaroos and wombats, and, of course, the "curlew's call" --
And the lone sundowner tramping ever onward thro' it all!
I am back from up the country -- up the country where I went
Seeking for the Southern poets' land whereon to pitch my tent;
I have left a lot of broken idols out along the track,
Burnt a lot of fancy verses -- and I'm glad that I am back --
I believe the Southern poet's dream will not be realised
Till the plains are irrigated and the land is humanised.
I intend to stay at present -- as I said before -- in town
Drinking beer and lemon-squashes -- taking baths and cooling down.
|
Written by
William Cullen Bryant |
The country ever has a lagging Spring,
Waiting for May to call its violets forth,
And June its roses--showers and sunshine bring,
Slowly, the deepening verdure o'er the earth;
To put their foliage out, the woods are slack,
And one by one the singing-birds come back.
Within the city's bounds the time of flowers
Comes earlier. Let a mild and sunny day,
Such as full often, for a few bright hours,
Breathes through the sky of March the airs of May,
Shine on our roofs and chase the wintry gloom--
And lo! our borders glow with sudden bloom.
For the wide sidewalks of Broadway are then
Gorgeous as are a rivulet's banks in June,
That overhung with blossoms, through its glen,
Slides soft away beneath the sunny noon,
And they who search the untrodden wood for flowers
Meet in its depths no lovelier ones than ours.
For here are eyes that shame the violet,
Or the dark drop that on the pansy lies,
And foreheads, white, as when in clusters set,
The anemonies by forest fountains rise;
And the spring-beauty boasts no tenderer streak
Than the soft red on many a youthful cheek.
And thick about those lovely temples lie
Locks that the lucky Vignardonne has curled,
Thrice happy man! whose trade it is to buy,
And bake, and braid those love-knots of the world;
Who curls of every glossy colour keepest,
And sellest, it is said, the blackest cheapest.
And well thou may'st--for Italy's brown maids
Send the dark locks with which their brows are dressed,
And Gascon lasses, from their jetty braids,
Crop half, to buy a riband for the rest;
But the fresh Norman girls their tresses spare,
And the Dutch damsel keeps her flaxen hair.
Then, henceforth, let no maid nor matron grieve,
To see her locks of an unlovely hue,
Frouzy or thin, for liberal art shall give
Such piles of curls as nature never knew.
Eve, with her veil of tresses, at the sight
Had blushed, outdone, and owned herself a fright.
Soft voices and light laughter wake the street,
Like notes of woodbirds, and where'er the eye
Threads the long way, plumes wave, and twinkling feet
Fall light, as hastes that crowd of beauty by.
The ostrich, hurrying o'er the desert space,
Scarce bore those tossing plumes with fleeter pace.
No swimming Juno gait, of languor born,
Is theirs, but a light step of freest grace,
Light as Camilla's o'er the unbent corn,
A step that speaks the spirit of the place,
Since Quiet, meek old dame, was driven away
To Sing Sing and the shores of Tappan bay.
Ye that dash by in chariots! who will care
For steeds or footmen now? ye cannot show
Fair face, and dazzling dress, and graceful air,
And last edition of the shape! Ah no,
These sights are for the earth and open sky,
And your loud wheels unheeded rattle by.
|
Written by
James Whitcomb Riley |
INSCRIBED WITH ALL FAITH AND AFFECTION
To all the little children: -- The happy ones; and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones -- Yes, the good ones, too; and all the lovely bad ones.
Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board-an'-keep;
An' all us other childern, when the supper-things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
Ef you
Don't
Watch
Out!
Wunst they wuz a little boy wouldn't say his prayers,--
An' when he went to bed at night, away up-stairs,
His Mammy heerd him holler, an' his Daddy heerd him bawl,
An' when they turn't the kivvers down, he wuzn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'-wheres, I guess;
But all they ever found wuz thist his pants an' roundabout:--
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' one time a little girl 'ud allus laugh an' grin,
An' make fun of ever' one, an' all her blood-an'-kin;
An' wunst, when they was "company," an' ole folks wuz there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They wuz two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what she's about!
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' little Orphant Annie says, when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,--
You better mind yer parunts, an' yer teachurs fond an' dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
|
Written by
Robert William Service |
Light up your pipe again, old chum, and sit awhile with me;
I've got to watch the bannock bake -- how restful is the air!
You'd little think that we were somewhere north of Sixty-three,
Though where I don't exactly know, and don't precisely care.
The man-size mountains palisade us round on every side;
The river is a-flop with fish, and ripples silver-clear;
The midnight sunshine brims yon cleft -- we think it's the Divide;
We'll get there in a month, maybe, or maybe in a year.
It doesn't matter, does it, pal? We're of that breed of men
With whom the world of wine and cards and women disagree;
Your trouble was a roofless game of poker now and then,
And "raising up my elbow", that's what got away with me.
We're merely "Undesirables", artistic more or less;
My horny hands are Chopin-wise; you quote your Browning well;
And yet we're fooling round for gold in this damned wilderness:
The joke is, if we found it, we would both go straight to hell.
Well, maybe we won't find it -- and at least we've got the "life".
We're both as brown as berries, and could wrestle with a bear:
(That bannock's raising nicely, pal; just jab it with your knife.)
Fine specimens of manhood they would reckon us out there.
It's the tracking and the packing and the poling in the sun;
It's the sleeping in the open, it's the rugged, unfaked food;
It's the snow-shoe and the paddle, and the campfire and the gun,
And when I think of what I was, I know that it is good.
Just think of how we've poled all day up this strange little stream;
Since life began no eye of man has seen this place before;
How fearless all the wild things are! the banks with goose-grass gleam,
And there's a bronzy musk-rat sitting sniffing at his door.
A mother duck with brood of ten comes squattering along;
The tawny, white-winged ptarmigan are flying all about;
And in that swirly, golden pool, a restless, gleaming throng,
The trout are waiting till we condescend to take them out.
Ah, yes, it's good! I'll bet that there's no doctor like the Wild:
(Just turn that bannock over there; it's getting nicely brown.)
I might be in my grave by now, forgotten and reviled,
Or rotting like a sickly cur in some far, foreign town.
I might be that vile thing I was, -- it all seems like a dream;
I owed a man a grudge one time that only life could pay;
And yet it's half-forgotten now -- how petty these things seem!
(But that's "another story", pal; I'll tell it you some day.)
How strange two "irresponsibles" should chum away up here!
But round the Arctic Circle friends are few and far between.
We've shared the same camp-fire and tent for nigh on seven year,
And never had a word that wasn't cheering and serene.
We've halved the toil and split the spoil, and borne each other's packs;
By all the Wild's freemasonry we're brothers, tried and true;
We've swept on danger side by side, and fought it back to back,
And you would die for me, old pal, and I would die for you.
Now there was that time I got lost in Rory Bory Land,
(How quick the blizzards sweep on one across that Polar sea!)
You formed a rescue crew of One, and saw a frozen hand
That stuck out of a drift of snow -- and, partner, it was Me.
But I got even, did I not, that day the paddle broke?
White water on the Coppermine -- a rock -- a split canoe --
Two fellows struggling in the foam (one couldn't swim a stroke):
A half-drowned man I dragged ashore . . . and partner, it was You.
* * * * *
In Rory Borealis Land the winter's long and black.
The silence seems a solid thing, shot through with wolfish woe;
And rowelled by the eager stars the skies vault vastly back,
And man seems but a little mite on that weird-lit plateau.
No thing to do but smoke and yarn of wild and misspent lives,
Beside the camp-fire there we sat -- what tales you told to me
Of love and hate, and chance and fate, and temporary wives!
In Rory Borealis Land, beside the Arctic Sea.
One yarn you told me in those days I can remember still;
It seemed as if I visioned it, so sharp you sketched it in;
Bellona was the name, I think; a coast town in Brazil,
Where nobody did anything but serenade and sin.
I saw it all -- the jewelled sea, the golden scythe of sand,
The stately pillars of the palms, the feathery bamboo,
The red-roofed houses and the swart, sun-dominated land,
The people ever children, and the heavens ever blue.
You told me of that girl of yours, that blossom of old Spain,
All glamour, grace and witchery, all passion, verve and glow.
How maddening she must have been! You made me see her plain,
There by our little camp-fire, in the silence and the snow.
You loved her and she loved you. She'd a husband, too, I think,
A doctor chap, you told me, whom she treated like a dog,
A white man living on the beach, a hopeless slave to drink --
(Just turn that bannock over there, that's propped against the log.)
That story seemed to strike me, pal -- it happens every day:
You had to go away awhile, then somehow it befell
The doctor chap discovered, gave her up, and disappeared;
You came back, tired of her in time . . . there's nothing more to tell.
Hist! see those willows silvering where swamp and river meet!
Just reach me up my rifle quick; that's Mister Moose, I know --
There now, I've got him dead to rights . . . but hell! we've lots to eat
I don't believe in taking life -- we'll let the beggar go.
Heigh ho! I'm tired; the bannock's cooked; it's time we both turned in.
The morning mist is coral-kissed, the morning sky is gold.
The camp-fire's a confessional -- what funny yarns we spin!
It sort of made me think a bit, that story that you told.
The fig-leaf belt and Rory Bory are such odd extremes,
Yet after all how very small this old world seems to be . . .
Yes, that was quite a yarn, old pal, and yet to me it seems
You missed the point: the point is that the "doctor chap" . . . was ME. . . .
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Written by
Hilaire Belloc |
The Whale that wanders round the Pole
Is not a table fish.
You cannot bake or boil him whole
Nor serve him in a dish;
But you may cut his blubber up
And melt it down for oil.
And so replace the colza bean
(A product of the soil).
These facts should all be noted down
And ruminated on,
By every boy in Oxford town
Who wants to be a Don.
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