10 Best Famous Attach To Poems

Here is a collection of the top 10 all-time best famous Attach To poems. This is a select list of the best famous Attach To poetry. Reading, writing, and enjoying famous Attach To poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of attach to poems.

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Vanity Fair

by Sylvia Plath
 Through frost-thick weather
This witch sidles, fingers crooked, as if
Caught in a hazardous medium that might 
Merely by its continuing
Attach her to heaven.

At eye's envious corner
Crow's-feet copy veining on a stained leaf;
Cold squint steals sky's color; while bruit
Of bells calls holy ones, her tongue
Backtalks at the raven

Claeving furred air
Over her skull's midden; no knife
Rivals her whetted look, divining what conceit
Waylays simple girls, church-going,
And what heart's oven

Craves most to cook batter
Rich in strayings with every amorous oaf,
Ready, for a trinket,
To squander owl-hours on bracken bedding,
Flesh unshriven.

Against virgin prayer
This sorceress sets mirrors enough
To distract beauty's thought;
Lovesick at first fond song,
Each vain girl's driven

To believe beyond heart's flare
No fire is, nor in any book proof
Sun hoists soul up after lids fall shut;
So she wills all to the black king.
The worst sloven

Vies with best queen over
Right to blaze as satan's wife;
Housed in earth, those million brides shriek out.
Some burn short, some long,
Staked in pride's coven.

Any Wife To Any Husband

by Robert Browning
 I

My love, this is the bitterest, that thou
Who art all truth and who dost love me now
As thine eyes say, as thy voice breaks to say— 
Shouldst love so truly and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay!

II

I have but to be by thee, and thy hand
Would never let mine go, thy heart withstand
The beating of my heart to reach its place.
When should I look for thee and feel thee gone?
When cry for the old comfort and find none?
Never, I know! Thy soul is in thy face.

III

Oh, I should fade—'tis willed so! might I save,
Galdly I would, whatever beauty gave
Joy to thy sense, for that was precious too.
It is not to be granted. But the soul
Whence the love comes, all ravage leaves that whole;
Vainly the flesh fades—soul makes all things new.

IV

And 'twould not be because my eye grew dim
Thou couldst not find the love there, thanks to Him
Who never is dishonoured in the spark
He gave us from his fire of fires, and bade
Remember whence it sprang nor be afraid
While that burns on, though all the rest grow dark.

V

So, how thou wouldst be perfect, white and clean
Outside as inside, soul and soul's demesne
Alike, this body given to show it by!
Oh, three-parts through the worst of life's abyss,
What plaudits from the next world after this,
Couldst thou repeat a stroke and gain the sky!

VI

And is it not the bitterer to think
That, disengage our hands and thou wilt sink
Although thy love was love in very deed?
I know that nature! Pass a festive day
Thou dost not throw its relic-flower away
Nor bid its music's loitering echo speed.

VII

Thou let'st the stranger's glove lie where it fell;
If old things remain old things all is well,
For thou art grateful as becomes man best:
And hadst thou only heard me play one tune,
Or viewed me from a window, not so soon
With thee would such things fade as with the rest.

VIII

I seem to see! we meet and part: 'tis brief:
The book I opened keeps a folded leaf,
The very chair I sat on, breaks the rank;
That is a portrait of me on the wall— 
Three lines, my face comes at so slight a call;
And for all this, one little hour's to thank.

IX

But now, because the hour through years was fixed,
Because our inmost beings met amd mixed,
Because thou once hast loved me—wilt thou dare
Say to thy soul and Who may list beside,
"Therefore she is immortally my bride,
Chance cannot change that love, nor time impair.

X

"So, what if in the dusk of life that's left,
I, a tired traveller, of my sun bereft,
Look from my path when, mimicking the same,
The fire-fly glimpses past me, come and gone?
- Where was it till the sunset? where anon
It will be at the sunrise! what's to blame?"

XI

Is it so helpful to thee? canst thou take
The mimic up, nor, for the true thing's sake,
Put gently by such efforts at at beam?
Is the remainder of the way so long
Thou need'st the little solace, thou the strong?
Watch out thy watch, let weak ones doze and dream!

XII

"—Ah, but the fresher faces! Is it true,"
Thou'lt ask, "some eyes are beautiful and new?
Some hair,—how can one choose but grasp such wealth?
And if a man would press his lips to lips
Fresh as the wilding hedge-rose-cup there slips
The dew-drop out of, must it be by stealth?

XIII

"It cannot change the love kept still for Her,
Much more than, such a picture to prefer
Passing a day with, to a room's bare side.
The painted form takes nothing she possessed,
Yet while the Titian's Venus lies at rest
A man looks. Once more, what is there to chide?"

XIV

So must I see, from where I sit and watch,
My own self sell myself, my hand attach
Its warrant to the very thefts from me— 
Thy singleness of soul that made me proud,
Thy purity of heart I loved aloud,
Thy man's truth I was bold to bid God see!

XV

Love so, then, if thou wilt! Give all thou canst
Away to the new faces—disentranced— 
(Say it and think it) obdurate no more,
Re-issue looks and words from the old mint— 
Pass them afresh, no matter whose the print
Image and superscription once they bore!

XVI

Re-coin thyself and give it them to spend,— 
It all comes to the same thing at the end,
Since mine thou wast, mine art, and mine shalt be,
Faithful or faithless, sealing up the sum
Or lavish of my treasure, thou must come
Back to the heart's place here I keep for thee!

XVII

Only, why should it be with stain at all?
Why must I, 'twixt the leaves of coronal,
Put any kiss of pardon on thy brow?
Why need the other women know so much
And talk together, "Such the look and such
The smile he used to love with, then as now!"

XVIII

Might I die last and shew thee! Should I find
Such hardship in the few years left behind,
If free to take and light my lamp, and go
Into thy tomb, and shut the door and sit
Seeing thy face on those four sides of it
The better that they are so blank, I know!

XIX

Why, time was what I wanted, to turn o'er
Within my mind each look, get more and more
By heart each word, too much to learn at first,
And join thee all the fitter for the pause
'Neath the low door-way's lintel. That were cause
For lingering, though thou called'st, If I durst!

XX

And yet thou art the nobler of us two.
What dare I dream of, that thou canst not do,
Outstripping my ten small steps with one stride?
I'll say then, here's a trial and a task— 
Is it to bear?—if easy, I'll not ask— 
Though love fail, I can trust on in thy pride.

XXI

Pride?—when those eyes forestall the life behind
The death I have to go through!—when I find,
Now that I want thy help most, all of thee!
What did I fear? Thy love shall hold me fast
Until the little minute's sleep is past
And I wake saved.—And yet, it will not be!

The Foreign Land

by Coventry Patmore
 A woman is a foreign land,
Of which, though there he settle young,
A man will ne'er quite understand
The customs, politics, and tongue.
The foolish hie them post-haste through,
See fashions odd, and prospects fair,
Learn of the language, "How d'ye do,"
And go and brag they have been there.
The most for leave to trade apply,
For once, at Empire's seat, her heart,
Then get what knowledge ear and eye
Glean chancewise in the life-long mart.
And certain others, few and fit,
Attach them to the Court, and see
The Country's best, its accent hit,
And partly sound its polity.

Because you came one day

by Emile Verhaeren
Because you came one day so simply along the paths of devotion and took my life into your beneficent hands, I love and praise and thank you with my senses, with my heart and brain, with my whole being stretched like a torch towards your unquenchable goodness and charity.
Since that day, I know what love, pure and bright as the dew, falls from you on to my calmed soul. I feel myself yours by all the burning ties that attach flames to their fire; all my body, all my soul mounts towards you with tireless ardour; I never cease to brood on your deep earnestness and your charm, so much so that suddenly I feel my eyes fill deliciously with unforgettable tears.
And I make towards you, happy and calm, with the proud desire to be for ever the most steadfast of joys to you. All our affection flames about us; every echo of my being responds to your call; the hour is unique and sanctified with ecstasy, and my fingers are tremulous at the mere touching of your forehead, as though they brushed the wing of your thoughts.

Amateurs of Heaven

by Howard Nemerov
 Two lovers to a midnight meadow came
High in the hills, to lie there hand and hand
Like effigies and look up at the stars,
The never-setting ones set in the North
To circle the Pole in idiot majesty,
And wonder what was given them to wonder.

Being amateurs, they knew some of the names
By rote, and could attach the names to stars
And draw the lines invisible between 
That humbled all the heavenly things to farm
And forest things and even kitchen things,
A bear, a wagon, a long handled ladle;

Could wonder at the shadow of the world
That brought those lights to light, could wonder too
At the ancestral eyes and the dark mind
Behind them that had reached the length of light
To name the stars and draw the animals
And other stuff that dangled in the height,

Or was it the deep? Did they look in
Or out, the lovers? till they grew bored
As even lovers will, and got up to go,
But drunken now, with staggering and dizziness,
Because the spell of earth had moved them so,
Hallucinating that the heavens moved.

In Heaven's name! with what hope does the sage attach

by Omar Khayyam
In Heaven's name! with what hope does the sage attach
his heart to the illusory treasures of this palace of misfortune?
Oh! that the One who gave me the name of
drunkard would recant his error, for how can he see the
tavern's sign from his exalted abode.

From the cookery of this world, thou only absorbest

by Omar Khayyam
From the cookery of this world, thou only absorbest
the smoke. How long, plunged in the search for being
and annihilation, wilt thou be the prey of sorrow? This
world contains only loss for those who attach themselves
to it. Now disregard this loss, and all for thee will
benefit become.
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