Written by
Denise Levertov |
My wedding-ring lies in a basket
as if at the bottom of a well.
Nothing will come to fish it back up
and onto my finger again.
It lies
among keys to abandoned houses,
nails waiting to be needed and hammered
into some wall,
telephone numbers with no names attached,
idle paperclips.
It can't be given away
for fear of bringing ill-luck.
It can't be sold
for the marriage was good in its own
time, though that time is gone.
Could some artificer
beat into it bright stones, transform it
into a dazzling circlet no one could take
for solemn betrothal or to make promises
living will not let them keep? Change it
into a simple gift I could give in friendship?
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Written by
Wallace Stevens |
She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.
The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard.
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard.
For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea
Was merely a place by which she walked to sing.
Whose spirit is this? we said, because we knew
It was the spirit that we sought and knew
That we should ask this often as she sang.
If it was only the dark voice of the sea
That rose, or even colored by many waves;
If it was only the outer voice of sky
And cloud, of the sunken coral water-walled,
However clear, it would have been deep air,
The heaving speech of air, a summer sound
Repeated in a summer without end
And sound alone. But it was more than that,
More even than her voice, and ours, among
The meaningless plungings of water and the wind,
Theatrical distances, bronze shadows heaped
On high horizons, mountainous atmospheres
Of sky and sea.
It was her voice that made
The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world
In which she sang. And when she sang, the sea,
Whatever self it had, became the self
That was her song, for she was the maker. Then we,
As we beheld her striding there alone,
Knew that there never was a world for her
Except the one she sang and, singing, made.
Ramon Fernandez, tell me, if you know,
Why, when the singing ended and we turned
Toward the town, tell why the glassy lights,
The lights in the fishing boats at anchor there,
As night descended, tilting in the air,
Mastered the night and portioned out the sea,
Fixing emblazoned zones and fiery poles,
Arranging, deepening, enchanting night.
Oh! Blessed rage for order, pale Ramon,
The maker's rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.
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Written by
Alan Seeger |
Ruggiero, to amaze the British host,
And wake more wonder in their wondering ranks,
The bridle of his winged courser loosed,
And clapped his spurs into the creature's flanks;
High in the air, even to the topmost banks
Of crudded cloud, uprose the flying horse,
And now above the Welsh, and now the Manx,
And now across the sea he shaped his course,
Till gleaming far below lay Erin's emerald shores.
There round Hibernia's fabled realm he coasted,
Where the old saint had left the holy cave,
Sought for the famous virtue that it boasted
To purge the sinful visitor and save.
Thence back returning over land and wave,
Ruggiero came where the blue currents flow,
The shores of Lesser Brittany to lave,
And, looking down while sailing to and fro,
He saw Angelica chained to the rock below.
'Twas on the Island of Complaint -- well named,
For there to that inhospitable shore,
A savage people, cruel and untamed,
Brought the rich prize of many a hateful war.
To feed a monster that bestead them sore,
They of fair ladies those that loveliest shone,
Of tender maidens they the tenderest bore,
And, drowned in tears and making piteous moan,
Left for that ravening beast, chained on the rocks alone.
Thither transported by enchanter's art,
Angelica from dreams most innocent
(As the tale mentioned in another part)
Awoke, the victim for that sad event.
Beauty so rare, nor birth so excellent,
Nor tears that make sweet Beauty lovelier still,
Could turn that people from their harsh intent.
Alas, what temper is conceived so ill
But, Pity moving not, Love's soft enthralment will?
On the cold granite at the ocean's rim
These folk had chained her fast and gone their way;
Fresh in the softness of each delicate limb
The pity of their bruising violence lay.
Over her beauty, from the eye of day
To hide its pleading charms, no veil was thrown.
Only the fragments of the salt sea-spray
Rose from the churning of the waves, wind-blown,
To dash upon a whiteness creamier than their own.
Carved out of candid marble without flaw,
Or alabaster blemishless and rare,
Ruggiero might have fancied what he saw,
For statue-like it seemed, and fastened there
By craft of cunningest artificer;
Save in the wistful eyes Ruggiero thought
A teardrop gleamed, and with the rippling hair
The ocean breezes played as if they sought
In its loose depths to hide that which her hand might not.
Pity and wonder and awakening love
Strove in the bosom of the Moorish Knight.
Down from his soaring in the skies above
He urged the tenor of his courser's flight.
Fairer with every foot of lessening height
Shone the sweet prisoner. With tightening reins
He drew more nigh, and gently as he might:
"O lady, worthy only of the chains
With which his bounden slaves the God of Love constrains,
"And least for this or any ill designed,
Oh, what unnatural and perverted race
Could the sweet flesh with flushing stricture bind,
And leave to suffer in this cold embrace
That the warm arms so hunger to replace?"
Into the damsel's cheeks such color flew
As by the alchemy of ancient days
If whitest ivory should take the hue
Of coral where it blooms deep in the liquid blue.
Nor yet so tightly drawn the cruel chains
Clasped the slim ankles and the wounded hands,
But with soft, cringing attitudes in vain
She strove to shield her from that ardent glance.
So, clinging to the walls of some old manse,
The rose-vine strives to shield her tender flowers,
When the rude wind, as autumn weeks advance,
Beats on the walls and whirls about the towers
And spills at every blast her pride in piteous showers.
And first for choking sobs she might not speak,
And then, "Alas!" she cried, "ah, woe is me!"
And more had said in accents faint and weak,
Pleading for succor and sweet liberty.
But hark! across the wide ways of the sea
Rose of a sudden such a fierce affray
That any but the brave had turned to flee.
Ruggiero, turning, looked. To his dismay,
Lo, where the monster came to claim his quivering prey!
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Written by
Czeslaw Milosz |
Burning, he walks in the stream of flickering letters, clarinets,
machines throbbing quicker than the heart, lopped-off heads, silk
canvases, and he stops under the sky
and raises toward it his joined clenched fists.
Believers fall on their bellies, they suppose it is a monstrance that
shines,
but those are knuckles, sharp knuckles shine that way, my friends.
He cuts the glowing, yellow buildings in two, breaks the walls into
motley halves;
pensive, he looks at the honey seeping from those huge honeycombs:
throbs of pianos, children's cries, the thud of a head banging against
the floor.
This is the only landscape able to make him feel.
He wonders at his brother's skull shaped like an egg,
every day he shoves back his black hair from his brow,
then one day he plants a big load of dynamite
and is surprised that afterward everything spouts up in the explosion.
Agape, he observes the clouds and what is hanging in them:
globes, penal codes, dead cats floating on their backs, locomotives.
They turn in the skeins of white clouds like trash in a puddle.
While below on the earth a banner, the color of a romantic rose,
flutters,
and a long row of military trains crawls on the weed-covered tracks.
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Written by
Thomas Chatterton |
Recite the loves of Narva and Mored
The priest of Chalma's triple idol said.
High from the ground the youthful warriors sprung,
Loud on the concave shell the lances rung:
In all the mystic mazes of the dance,
The youths of Banny's burning sands advance,
Whilst the soft virgin panting looks behind,
And rides upon the pinions of the wind;
Ascends the mountain's brow, and measures round
The steepy cliffs of Chalma's sacred ground,
Chalma, the god whose noisy thunders fly
Thro' the dark covering of the midnight sky,
Whose arm directs the close-embattled host,
And sinks the labouring vessels on the coast;
Chalma, whose excellence is known from far;
From Lupa's rocky hill to Calabar.
The guardian god of Afric and the isles,
Where nature in her strongest vigour smiles;
Where the blue blossom of the forky thorn,
Bends with the nectar of the op'ning morn:
Where ginger's aromatic, matted root,
Creep through the mead, and up the mountains shoot.
Three times the virgin, swimming on the breeze,
Danc'd in the shadow of the mystic trees:
When, like a dark cloud spreading to the view,
The first-born sons of war and blood pursue;
Swift as the elk they pour along the plain;
Swift as the flying clouds distilling rain.
Swift as the boundings of the youthful row,
They course around, and lengthen as they go.
Like the long chain of rocks, whose summits rise,
Far in the sacred regions of the skies;
Upon whose top the black'ning tempest lours,
Whilst down its side the gushing torrent pours,
Like the long cliffy mountains which extend
From Lorbar's cave, to where the nations end,
Which sink in darkness, thick'ning and obscure,
Impenetrable, mystic, and impure;
The flying terrors of the war advance,
And round the sacred oak, repeat the dance.
Furious they twist around the gloomy trees,
Like leaves in autumn, twirling with the breeze.
So when the splendor of the dying day
Darts the red lustre of the watery way;
Sudden beneath Toddida's whistling brink,
The circling billows in wild eddies sink,
Whirl furious round, and the loud bursting wave
Sinks down to Chalma's sacerdotal cave,
Explores the palaces on Zira's coast,
Where howls the war-song of the chieftain's ghost;
Where the artificer in realms below,
Gilds the rich lance, or beautifies the bow;
From the young palm tree spins the useful twine,
Or makes the teeth of elephants divine.
Where the pale children of the feeble sun,
In search of gold, thro' every climate run:
From burning heat to freezing torments go,
And live in all vicissitudes of woe.
Like the loud eddies of Toddida's sea,
The warriors circle the mysterious tree:
'Till spent with exercise they spread around
Upon the op'ning blossoms of the ground.
The priestess rising, sings the sacred tale,
And the loud chorus echoes thro' the dale.
Priestess
Far from the burning sands of Calabar;
Far from the lustre of the morning star;
Far from the pleasure of the holy morn;
Far from the blessedness of Chalma's horn:
Now rests the souls of Narva and Mored,
Laid in the dust, and number'd with the dead.
Dear are their memories to us, and long,
Long shall their attributes be known in song.
Their lives were transient as the meadow flow'r.
Ripen'd in ages, wither'd in an hour.
Chalma, reward them in his gloomy cave,
And open all the prisons of the grave.
Bred to the service of the godhead's throne,
And living but to serve his God alone,
Narva was beauteous as the opening day
When on the spangling waves the sunbeams play,
When the mackaw, ascending to the sky,
Views the bright splendour with a steady eye.
Tall, as the house of Chalma's dark retreat;
Compact and firm, as Rhadal Ynca's fleet,
Completely beauteous as a summer's sun,
Was Narva, by his excellence undone.
Where the soft Togla creeps along the meads,
Thro' scented Calamus and fragrant reeds;
Where the sweet Zinsa spreads its matted bed
Liv'd the still sweeter flower, the young Mored;
Black was her face, as Togla's hidden cell;
Soft as the moss where hissing adders dwell.
As to the sacred court she brought a fawn,
The sportive tenant of the spicy lawn,
She saw and loved! and Narva too forgot
His sacred vestment and his mystic lot.
Long had the mutual sigh, the mutual tear,
Burst from the breast and scorn'd confinement there.
Existence was a torment! O my breast!
Can I find accents to unfold the rest!
Lock'd in each others arms, from Hyga's cave,
They plung'd relentless to a wat'ry grave;
And falling murmured to the powers above,
"Gods! take our lives, unless we live to love."
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Written by
Ralph Waldo Emerson |
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hill and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet
Delated, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hiddden thorn;
Fills up the famer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.
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Written by
Ralph Waldo Emerson |
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hill and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet
Delated, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hiddden thorn;
Fills up the famer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.
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