Written by
Kahlil Gibran |
As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley.
When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass.
I took heed and saw a young couple approaching my arbor.
The say under a tree where I could see them without being seen.
After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us.
"My soul is warning me of the doubt in your heart, for doubt in love is a sin.
"Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands.
"Smile, my beloved, like the gold smiles from my father's coffers.
"My heart refuses to deny you its secret.
Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes.
"All these things I will do for you; will you be satisfied?"
In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor.
As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart.
Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age!
I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place.
After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience.
Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation.
I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life.
"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude.
Good-bye, my beloved; I must leave before the heartening moon vanishes.
"
A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved.
"
They separated, and the elegy to their union was smothered by the wails of my crying heart.
I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase.
Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy.
It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
|
Written by
David Berman |
I know it's a bad title
but I'm giving it to myself as a gift
on a day nearly canceled by sunlight
when the entire hill is approaching
the ideal of Virginia
brochured with goldenrod and loblolly
and I think "at least I have not woken up
with a bloody knife in my hand"
by then having absently wandered
one hundred yards from the house
while still seated in this chair
with my eyes closed.
It is a certain hill
the one I imagine when I hear the word "hill"
and if the apocalypse turns out
to be a world-wide nervous breakdown
if our five billion minds collapse at once
well I'd call that a surprise ending
and this hill would still be beautiful
a place I wouldn't mind dying
alone or with you.
I am trying to get at something
and I want to talk very plainly to you
so that we are both comforted by the honesty.
You see there is a window by my desk
I stare out when I am stuck
though the outdoors has rarely inspired me to write
and I don't know why I keep staring at it.
My childhood hasn't made good material either
mostly being a mulch of white minutes
with a few stand out moments,
popping tar bubbles on the driveway in the summer
a certain amount of pride at school
everytime they called it "our sun"
and playing football when the only play
was "go out long" are what stand out now.
If squeezed for more information
I can remember old clock radios
with flipping metal numbers
and an entree called Surf and Turf.
As a way of getting in touch with my origins
every night I set the alarm clock
for the time I was born so that waking up
becomes a historical reenactment and the first thing I do
is take a reading of the day and try to flow with it like
when you're riding a mechanical bull and you strain to learn
the pattern quickly so you don't inadverantly resist it.
II two
I can't remember being born
and no one else can remember it either
even the doctor who I met years later
at a cocktail party.
It's one of the little disappointments
that makes you think about getting away
going to Holly Springs or Coral Gables
and taking a room on the square
with a landlady whose hands are scored
by disinfectant, telling the people you meet
that you are from Alaska, and listen
to what they have to say about Alaska
until you have learned much more about Alaska
than you ever will about Holly Springs or Coral Gables.
Sometimes I am buying a newspaper
in a strange city and think
"I am about to learn what it's like to live here.
"
Oftentimes there is a news item
about the complaints of homeowners
who live beside the airport
and I realize that I read an article
on this subject nearly once a year
and always receive the same image.
I am in bed late at night
in my house near the airport
listening to the jets fly overhead
a strange wife sleeping beside me.
In my mind, the bedroom is an amalgamation
of various cold medicine commercial sets
(there is always a box of tissue on the nightstand).
I know these recurring news articles are clues,
flaws in the design though I haven't figured out
how to string them together yet,
but I've begun to notice that the same people
are dying over and over again,
for instance Minnie Pearl
who died this year
for the fourth time in four years.
III three
Today is the first day of Lent
and once again I'm not really sure what it is.
How many more years will I let pass
before I take the trouble to ask someone?
It reminds of this morning
when you were getting ready for work.
I was sitting by the space heater
numbly watching you dress
and when you asked why I never wear a robe
I had so many good reasons
I didn't know where to begin.
If you were cool in high school
you didn't ask too many questions.
You could tell who'd been to last night's
big metal concert by the new t-shirts in the hallway.
You didn't have to ask
and that's what cool was:
the ability to deduct
to know without asking.
And the pressure to simulate coolness
means not asking when you don't know,
which is why kids grow ever more stupid.
A yearbook's endpages, filled with promises
to stay in touch, stand as proof of the uselessness
of a teenager's promise.
Not like I'm dying
for a letter from the class stoner
ten years on but.
.
.
Do you remember the way the girls
would call out "love you!"
conveniently leaving out the "I"
as if they didn't want to commit
to their own declarations.
I agree that the "I" is a pretty heavy concept
and hope you won't get uncomfortable
if I should go into some deeper stuff here.
IV four
There are things I've given up on
like recording funny answering machine messages.
It's part of growing older
and the human race as a group
has matured along the same lines.
It seems our comedy dates the quickest.
If you laugh out loud at Shakespeare's jokes
I hope you won't be insulted
if I say you're trying too hard.
Even sketches from the original Saturday Night Live
seem slow-witted and obvious now.
It's just that our advances are irrepressible.
Nowadays little kids can't even set up lemonade stands.
It makes people too self-conscious about the past,
though try explaining that to a kid.
I'm not saying it should be this way.
All this new technology
will eventually give us new feelings
that will never completely displace the old ones
leaving everyone feeling quite nervous
and split in two.
We will travel to Mars
even as folks on Earth
are still ripping open potato chip
bags with their teeth.
Why? I don't have the time or intelligence
to make all the connections
like my friend Gordon
(this is a true story)
who grew up in Braintree Massachusetts
and had never pictured a brain snagged in a tree
until I brought it up.
He'd never broken the name down to its parts.
By then it was too late.
He had moved to Coral Gables.
V five
The hill out my window is still looking beautiful
suffused in a kind of gold national park light
and it seems to say,
I'm sorry the world could not possibly
use another poem about Orpheus
but I'm available if you're not working
on a self-portrait or anything.
I'm watching my dog have nightmares,
twitching and whining on the office floor
and I try to imagine what beast
has cornered him in the meadow
where his dreams are set.
I'm just letting the day be what it is:
a place for a large number of things
to gather and interact --
not even a place but an occasion
a reality for real things.
Friends warned me not to get too psychedelic
or religious with this piece:
"They won't accept it if it's too psychedelic
or religious," but these are valid topics
and I'm the one with the dog twitching on the floor
possibly dreaming of me
that part of me that would beat a dog
for no good reason
no reason that a dog could see.
I am trying to get at something so simple
that I have to talk plainly
so the words don't disfigure it
and if it turns out that what I say is untrue
then at least let it be harmless
like a leaky boat in the reeds
that is bothering no one.
VI six
I can't trust the accuracy of my own memories,
many of them having blended with sentimental
telephone and margarine commercials
plainly ruined by Madison Avenue
though no one seems to call the advertising world
"Madison Avenue" anymore.
Have they moved?
Let's get an update on this.
But first I have some business to take care of.
I walked out to the hill behind our house
which looks positively Alaskan today
and it would be easier to explain this
if I had a picture to show you
but I was with our young dog
and he was running through the tall grass
like running through the tall grass
is all of life together
until a bird calls or he finds a beer can
and that thing fills all the space in his head.
You see,
his mind can only hold one thought at a time
and when he finally hears me call his name
he looks up and cocks his head
and for a single moment
my voice is everything:
Self-portrait at 28.
|
Written by
Percy Bysshe Shelley |
ARIEL to Miranda:¡ªTake
This slave of music for the sake
Of him who is the slave of thee;
And teach it all the harmony
In which thou canst and only thou 5
Make the delighted spirit glow
Till joy denies itself again
And too intense is turn'd to pain.
For by permission and command
Of thine own Prince Ferdinand 10
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit Ariel who
From life to life must still pursue
Your happiness for thus alone 15
Can Ariel ever find his own.
From Prospero's enchanted cell
As the mighty verses tell
To the throne of Naples he
Lit you o'er the trackless sea 20
Flitting on your prow before
Like a living meteor.
When you die the silent Moon
In her interlunar swoon
Is not sadder in her cell 25
Than deserted Ariel:¡ª
When you live again on earth
Like an unseen Star of birth
Ariel guides you o'er the sea
Of life from your nativity:¡ª 30
Many changes have been run
Since Ferdinand and you begun
Your course of love and Ariel still
Has track'd your steps and served your will.
Now in humbler happier lot 35
This is all remember'd not;
And now alas the poor Sprite is
Imprison'd for some fault of his
In a body like a grave¡ª
From you he only dares to crave 40
For his service and his sorrow
A smile to-day a song to-morrow.
The artist who this viol wrought
To echo all harmonious thought
Fell'd a tree while on the steep 45
The woods were in their winter sleep
Rock'd in that repose divine
On the wind-swept Apennine;
And dreaming some of autumn past
And some of spring approaching fast 50
And some of April buds and showers
And some of songs in July bowers
And all of love; and so this tree ¡ª
Oh that such our death may be!¡ª
Died in sleep and felt no pain 55
To live in happier form again:
From which beneath heaven's fairest star
The artist wrought this loved guitar;
And taught it justly to reply
To all who question skilfully 60
In language gentle as thine own;
Whispering in enamour'd tone
Sweet oracles of woods and dells
And summer winds in sylvan cells.
For it had learnt all harmonies 65
Of the plains and of the skies
Of the forests and the mountains
And the many-voic¨¨d fountains;
The clearest echoes of the hills
The softest notes of falling rills 70
The melodies of birds and bees
The murmuring of summer seas
And pattering rain and breathing dew
And airs of evening; and it knew
That seldom-heard mysterious sound 75
Which driven on its diurnal round
As it floats through boundless day
Our world enkindles on its way:¡ª
All this it knows but will not tell
To those who cannot question well 80
The spirit that inhabits it:
It talks according to the wit
Of its companions; and no more
Is heard than has been felt before
By those who tempt it to betray 85
These secrets of an elder day.
But sweetly as its answers will
Flatter hands of perfect skill
It keeps its highest holiest tone
For one beloved Friend alone. 90
|
Written by
Walt Whitman |
1
A SONG of the good green grass!
A song no more of the city streets;
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork;
A song tasting of new wheat, and of fresh-husk’d maize.
2
For the lands, and for these passionate days, and for myself,
Now I awhile return to thee, O soil of Autumn fields,
Reclining on thy breast, giving myself to thee,
Answering the pulses of thy sane and equable heart,
Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice!
O harvest of my lands! O boundless summer growths!
O lavish, brown, parturient earth! O infinite, teeming womb!
A verse to seek, to see, to narrate thee.
3
Ever upon this stage,
Is acted God’s calm, annual drama,
Gorgeous processions, songs of birds,
Sunrise, that fullest feeds and freshens most the soul,
The heaving sea, the waves upon the shore, the musical, strong waves,
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass,
The heat, the showers, the measureless pasturages,
The scenery of the snows, the winds’ free orchestra,
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
silvery
fringes,
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows,
The shows of all the varied lands, and all the growths and products.
4
Fecund America! To-day,
Thou art all over set in births and joys!
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions!
A myriad-twining life, like interlacing vines, binds all thy vast demesne!
As some huge ship, freighted to water’s edge, thou ridest into port!
As rain falls from the heaven, and vapors rise from earth, so have the precious values
fallen
upon thee, and risen out of thee!
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty!
Thou lucky Mistress of the tranquil barns!
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
East,
and lookest West!
Dispensatress, that by a word givest a thousand miles—that giv’st a million
farms,
and missest nothing!
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
hospitable.
)
5
When late I sang, sad was my voice;
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict;
In the midst of the armies, the Heroes, I stood,
Or pass’d with slow step through the wounded and dying.
But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps,
Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded;
No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6
(Pass—pass, ye proud brigades!
So handsome, dress’d in blue—with your tramping, sinewy legs;
With your shoulders young and strong—with your knapsacks and your muskets;
—How elate I stood and watch’d you, where, starting off, you march’d!
Pass;—then rattle, drums, again!
Scream, you steamers on the river, out of whistles loud and shrill, your salutes!
For an army heaves in sight—O another gathering army!
Swarming, trailing on the rear—O you dread, accruing army!
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch!
Lo! your pallid army follow’d!)
7
But on these days of brightness,
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
farm-wagons, and
the fruits and barns,
Shall the dead intrude?
Ah, the dead to me mar not—they fit well in Nature;
They fit very well in the landscape, under the trees and grass,
And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed;
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
phantoms,
Your dear memories, rising, glide silently by me.
8
I saw the day, the return of the Heroes;
(Yet the Heroes never surpass’d, shall never return;
Them, that day, I saw not.
)
I saw the interminable Corps—I saw the processions of armies,
I saw them approaching, defiling by, with divisions,
Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans;
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march,
Inured on many a hard-fought, bloody field.
9
A pause—the armies wait;
A million flush’d, embattled conquerors wait;
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear.
Exult, indeed, O lands! victorious lands!
Not there your victory, on those red, shuddering fields;
But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms;
Other the arms, the fields henceforth for you, or South or North, or East or West,
With saner wars—sweet wars—life-giving wars.
10
Loud, O my throat, and clear, O soul!
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me;
I see the true arenas of my race—or first, or last,
Man’s innocent and strong arenas.
I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons.
11
I see where America, Mother of All,
Well-pleased, with full-spanning eye, gazes forth, dwells long,
And counts the varied gathering of the products.
Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North,
Cotton and rice of the South, and Louisianian cane;
Open, unseeded fallows, rich fields of clover and timothy,
Kine and horses feeding, and droves of sheep and swine,
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes,
And the good green grass—that delicate miracle, the ever-recurring grass.
12
Toil on, Heroes! harvest the products!
Not alone on those warlike fields, the Mother of All,
With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well!
The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest,
Over the fields of the West, those crawling monsters,
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes,
The steam-power reaping-machines, and the horse-power machines,
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
nimble work of the patent pitch-fork;
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest;
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security;
Not a maize-stalk dangle, as now, its silken tassels in peace.
)
13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee;
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
sheath,
Gather the hay to its myriad mows, in the odorous, tranquil barns,
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs;
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
potato of
Georgia and the Carolinas,
Clip the wool of California or Pennsylvania,
Cut the flax in the Middle States, or hemp, or tobacco in the Borders,
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
vines,
Or aught that ripens in all These States, or North or South,
Under the beaming sun, and under Thee.
|
Written by
Jonathan Swift |
To the Priest, on Observing how most Men mistake their own Talents
When beasts could speak (the learned say,
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.
It happen'd, when a plague broke out
(Which therefore made them more devout),
The king of brutes (to make it plain,
Of quadrupeds I only mean)
By proclamation gave command,
That ev'ry subject in the land
Should to the priest confess their sins;
And thus the pious wolf begins:
"Good father, I must own with shame,
That often I have been to blame:
I must confess, on Friday last,
Wretch that I was! I broke my fast:
But I defy the basest tongue
To prove I did my neighbour wrong;
Or ever went to seek my food
By rapine, theft, or thirst of blood.
"
The ass, approaching next, confess'd
That in his heart he lov'd a jest:
A wag he was, he needs must own,
And could not let a dunce alone:
Sometimes his friend he would not spare,
And might perhaps be too severe:
But yet, the worst that could be said,
He was a wit both born and bred;
And, if it be a sin or shame,
Nature alone must bear the blame:
One fault he hath, is sorry for't,
His ears are half a foot too short;
Which could he to the standard bring,
He'd show his face before the King:
Then for his voice, there's none disputes
That he's the nightingale of brutes.
The swine with contrite heart allow'd,
His shape and beauty made him proud:
In diet was perhaps too nice,
But gluttony was ne'er his vice:
In ev'ry turn of life content,
And meekly took what fortune sent:
Inquire through all the parish round,
A better neighbour ne'er was found:
His vigilance might some displease;
'Tis true he hated sloth like peas.
The mimic ape began his chatter,
How evil tongues his life bespatter:
Much of the cens'ring world complain'd,
Who said, his gravity was feign'd:
Indeed, the strictness of his morals
Engag'd him in a hundred quarrels:
He saw, and he was griev'd to see't,
His zeal was sometimes indiscreet:
He found his virtues too severe
For our corrupted times to bear:
Yet, such a lewd licentious age
Might well excuse a Stoic's rage.
The goat advanc'd with decent pace;
And first excus'd his youthful face;
Forgiveness begg'd that he appear'd
('Twas nature's fault) without a beard.
'Tis true, he was not much inclin'd
To fondness for the female kind;
Not, as his enemies object,
From chance, or natural defect;
Not by his frigid constitution,
But through a pious resolution;
For he had made a holy vow
Of chastity as monks do now;
Which he resolv'd to keep for ever hence,
As strictly too, as doth his Reverence.
Apply the tale, and you shall find,
How just it suits with human kind.
Some faults we own: but, can you guess?
Why?--virtues carried to excess,
Wherewith our vanity endows us,
Though neither foe nor friend allows us.
The lawyer swears, you may rely on't,
He never squeez'd a needy client;
And this he makes his constant rule,
For which his brethren call him fool:
His conscience always was so nice,
He freely gave the poor advice;
By which he lost, he may affirm,
A hundred fees last Easter term.
While others of the learned robe
Would break the patience of a Job;
No pleader at the bar could match
His diligence and quick dispatch;
Ne'er kept a cause, he well may boast,
Above a term or two at most.
The cringing knave, who seeks a place
Without success, thus tells his case:
Why should he longer mince the matter?
He fail'd because he could not flatter;
He had not learn'd to turn his coat,
Nor for a party give his vote:
His crime he quickly understood;
Too zealous for the nation's good:
He found the ministers resent it,
Yet could not for his heart repent it.
The chaplain vows he cannot fawn,
Though it would raise him to the lawn:
He pass'd his hours among his books;
You find it in his meagre looks:
He might, if he were worldly wise,
Preferment get and spare his eyes:
But own'd he had a stubborn spirit,
That made him trust alone in merit:
Would rise by merit to promotion;
Alas! a mere chimeric notion.
The doctor, if you will believe him,
Confess'd a sin; and God forgive him!
Call'd up at midnight, ran to save
A blind old beggar from the grave:
But see how Satan spreads his snares;
He quite forgot to say his prayers.
He cannot help it for his heart
Sometimes to act the parson's part:
Quotes from the Bible many a sentence,
That moves his patients to repentance:
And, when his med'cines do no good,
Supports their minds with heav'nly food,
At which, however well intended,
He hears the clergy are offended;
And grown so bold behind his back,
To call him hypocrite and quack.
In his own church he keeps a seat;
Says grace before and after meat;
And calls, without affecting airs,
His household twice a day to prayers.
He shuns apothecaries' shops;
And hates to cram the sick with slops:
He scorns to make his art a trade;
Nor bribes my lady's fav'rite maid.
Old nurse-keepers would never hire
To recommend him to the squire;
Which others, whom he will not name,
Have often practis'd to their shame.
The statesman tells you with a sneer,
His fault is to be too sincere;
And, having no sinister ends,
Is apt to disoblige his friends.
The nation's good, his master's glory,
Without regard to Whig or Tory,
Were all the schemes he had in view;
Yet he was seconded by few:
Though some had spread a hundred lies,
'Twas he defeated the Excise.
'Twas known, though he had borne aspersion,
That standing troops were his aversion:
His practice was, in ev'ry station,
To serve the King, and please the nation.
Though hard to find in ev'ry case
The fittest man to fill a place:
His promises he ne'er forgot,
But took memorials on the spot:
His enemies, for want of charity,
Said he affected popularity:
'Tis true, the people understood,
That all he did was for their good;
Their kind affections he has tried;
No love is lost on either side.
He came to Court with fortune clear,
Which now he runs out ev'ry year:
Must, at the rate that he goes on,
Inevitably be undone:
Oh! if his Majesty would please
To give him but a writ of ease,
Would grant him licence to retire,
As it hath long been his desire,
By fair accounts it would be found,
He's poorer by ten thousand pound.
He owns, and hopes it is no sin,
He ne'er was partial to his kin;
He thought it base for men in stations
To crowd the Court with their relations;
His country was his dearest mother,
And ev'ry virtuous man his brother;
Through modesty or awkward shame
(For which he owns himself to blame),
He found the wisest man he could,
Without respect to friends or blood;
Nor ever acts on private views,
When he hath liberty to choose.
The sharper swore he hated play,
Except to pass an hour away:
And well he might; for, to his cost,
By want of skill he always lost;
He heard there was a club of cheats,
Who had contriv'd a thousand feats;
Could change the stock, or cog a die,
And thus deceive the sharpest eye:
Nor wonder how his fortune sunk,
His brothers fleece him when he's drunk.
I own the moral not exact;
Besides, the tale is false in fact;
And so absurd, that could I raise up
From fields Elysian fabling Aesop;
I would accuse him to his face
For libelling the four-foot race.
Creatures of ev'ry kind but ours
Well comprehend their natural pow'rs;
While we, whom reason ought to sway,
Mistake our talents ev'ry day.
The ass was never known so stupid
To act the part of Tray or Cupid;
Nor leaps upon his master's lap,
There to be strok'd, and fed with pap,
As Aesop would the world persuade;
He better understands his trade:
Nor comes, whene'er his lady whistles;
But carries loads, and feeds on thistles.
Our author's meaning, I presume, is
A creature bipes et implumis;
Wherein the moralist design'd
A compliment on human kind:
For here he owns, that now and then
Beasts may degenerate into men.
|
Written by
Walt Whitman |
1
PROUD music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature’s rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry!
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber—Why have you seiz’d me?
2
Come forward, O my Soul, and let the rest retire;
Listen—lose not—it is toward thee they tend;
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance, O Soul.
A festival song!
The duet of the bridegroom and the bride—a marriage-march,
With lips of love, and hearts of lovers, fill’d to the brim with love;
The red-flush’d cheeks, and perfumes—the cortege swarming, full of friendly
faces,
young and old,
To flutes’ clear notes, and sounding harps’ cantabile.
3
Now loud approaching drums!
Victoria! see’st thou in powder-smoke the banners torn but flying? the rout of the
baffled?
Hearest those shouts of a conquering army?
(Ah, Soul, the sobs of women—the wounded groaning in agony,
The hiss and crackle of flames—the blacken’d ruins—the embers of cities,
The dirge and desolation of mankind.
)
4
Now airs antique and medieval fill me!
I see and hear old harpers with their harps, at Welsh festivals:
I hear the minnesingers, singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the feudal ages.
5
Now the great organ sounds,
Tremulous—while underneath, (as the hid footholds of the earth,
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength—all hues we know,
Green blades of grass, and warbling birds—children that gambol and play—the
clouds of
heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest—maternity of all the rest;
And with it every instrument in multitudes,
The players playing—all the world’s musicians,
The solemn hymns and masses, rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting, Earth’s own diapason,
Of winds and woods and mighty ocean waves;
A new composite orchestra—binder of years and climes—ten-fold renewer,
As of the far-back days the poets tell—the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the Journeyman come home,
And Man and Art, with Nature fused again.
6
Tutti! for Earth and Heaven!
The Almighty Leader now for me, for once has signal’d with his wand.
The manly strophe of the husbands of the world,
And all the wives responding.
The tongues of violins!
(I think, O tongues, ye tell this heart, that cannot tell itself;
This brooding, yearning heart, that cannot tell itself.
)
7
Ah, from a little child,
Thou knowest, Soul, how to me all sounds became music;
My mother’s voice, in lullaby or hymn;
(The voice—O tender voices—memory’s loving voices!
Last miracle of all—O dearest mother’s, sister’s, voices;)
The rain, the growing corn, the breeze among the long-leav’d corn,
The measur’d sea-surf, beating on the sand,
The twittering bird, the hawk’s sharp scream,
The wild-fowl’s notes at night, as flying low, migrating north or south,
The psalm in the country church, or mid the clustering trees, the open air camp-meeting,
The fiddler in the tavern—the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep—the crowing cock at dawn.
8
All songs of current lands come sounding ’round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances—English warbles,
Chansons of France, Scotch tunes—and o’er the rest,
Italia’s peerless compositions.
Across the stage, with pallor on her face, yet lurid passion,
Stalks Norma, brandishing the dagger in her hand.
I see poor crazed Lucia’s eyes’ unnatural gleam;
Her hair down her back falls loose and dishevell’d.
I see where Ernani, walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand,
Hears the infernal call, the death-pledge of the horn.
To crossing swords, and grey hairs bared to heaven,
The clear, electric base and baritone of the world,
The trombone duo—Libertad forever!
From Spanish chestnut trees’ dense shade,
By old and heavy convent walls, a wailing song,
Song of lost love—the torch of youth and life quench’d in despair,
Song of the dying swan—Fernando’s heart is breaking.
Awaking from her woes at last, retriev’d Amina sings;
Copious as stars, and glad as morning light, the torrents of her joy.
(The teeming lady comes!
The lustrious orb—Venus contralto—the blooming mother,
Sister of loftiest gods—Alboni’s self I hear.
)
9
I hear those odes, symphonies, operas;
I hear in the William Tell, the music of an arous’d and angry people;
I hear Meyerbeer’s Huguenots, the Prophet, or Robert;
Gounod’s Faust, or Mozart’s Don Juan.
10
I hear the dance-music of all nations,
The waltz, (some delicious measure, lapsing, bathing me in bliss;)
The bolero, to tinkling guitars and clattering castanets.
I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the Crusaders marching, bearing the cross on high, to the martial clang of cymbals;
I hear dervishes monotonously chanting, interspers’d with frantic shouts, as they
spin
around, turning always towards Mecca;
I see the rapt religious dances of the Persians and the Arabs;
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands, as they bend their bodies,
I hear the metrical shuffling of their feet.
I see again the wild old Corybantian dance, the performers wounding each other;
I see the Roman youth, to the shrill sound of flageolets, throwing and catching their
weapons,
As they fall on their knees, and rise again.
I hear from the Mussulman mosque the muezzin calling;
I see the worshippers within, (nor form, nor sermon, argument, nor word,
But silent, strange, devout—rais’d, glowing heads—extatic faces.
)
11
I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen;
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone;)
Or to Hindu flutes, and the fretting twang of the vina,
A band of bayaderes.
12
Now Asia, Africa leave me—Europe, seizing, inflates me;
To organs huge, and bands, I hear as from vast concourses of voices,
Luther’s strong hymn, Eine feste Burg ist unser Gott;
Rossini’s Stabat Mater dolorosa;
Or, floating in some high cathedral dim, with gorgeous color’d windows,
The passionate Agnus Dei, or Gloria in Excelsis.
13
Composers! mighty maestros!
And you, sweet singers of old lands—Soprani! Tenori! Bassi!
To you a new bard, carolling free in the west,
Obeisant, sends his love.
(Such led to thee, O Soul!
All senses, shows and objects, lead to thee,
But now, it seems to me, sound leads o’er all the rest.
)
14
I hear the annual singing of the children in St.
Paul’s Cathedral;
Or, under the high roof of some colossal hall, the symphonies, oratorios of Beethoven,
Handel,
or Haydn;
The Creation, in billows of godhood laves me.
Give me to hold all sounds, (I, madly struggling, cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings—Nature’s also,
The tempests, waters, winds—operas and chants—marches and dances,
Utter—pour in—for I would take them all.
15
Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences—the tempest in its fury,
And all the songs of sopranos and tenors,
And those rapt oriental dances, of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love, and grief and death,
I said to my silent, curious Soul, out of the bed of the slumber-chamber,
Come, for I have found the clue I sought so long,
Let us go forth refresh’d amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish’d henceforth by our celestial dream.
And I said, moreover,
Haply, what thou hast heard, O Soul, was not the sound of winds,
Nor dream of raging storm, nor sea-hawk’s flapping wings, nor harsh scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic—nor vast concourse of voices—nor layers of harmonies;
Nor strophes of husbands and wives—nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps;
But, to a new rhythmus fitted for thee,
Poems, bridging the way from Life to Death, vaguely wafted in night air, uncaught,
unwritten,
Which, let us go forth in the bold day, and write.
|
Written by
Robert Southey |
Author Note: The story of the following ballad was related to me, when a school boy, as a fact which had really happened in the North of England.
I have
adopted the metre of Mr.
Lewis's Alonzo and Imogene--a poem deservedly
popular.
I.
Who is she, the poor Maniac, whose wildly-fix'd eyes
Seem a heart overcharged to express?
She weeps not, yet often and deeply she sighs,
She never complains, but her silence implies
The composure of settled distress.
II.
No aid, no compassion the Maniac will seek,
Cold and hunger awake not her care:
Thro' her rags do the winds of the winter blow bleak
On her poor withered bosom half bare, and her cheek
Has the deathy pale hue of despair.
III.
Yet chearful and happy, nor distant the day,
Poor Mary the Maniac has been;
The Traveller remembers who journeyed this way
No damsel so lovely, no damsel so gay
As Mary the Maid of the Inn.
IV.
Her chearful address fill'd the guests with delight
As she welcomed them in with a smile:
Her heart was a stranger to childish affright,
And Mary would walk by the Abbey at night
When the wind whistled down the dark aisle.
V.
She loved, and young Richard had settled the day,
And she hoped to be happy for life;
But Richard was idle and worthless, and they
Who knew him would pity poor Mary and say
That she was too good for his wife.
VI.
'Twas in autumn, and stormy and dark was the night,
And fast were the windows and door;
Two guests sat enjoying the fire that burnt bright,
And smoking in silence with tranquil delight
They listen'd to hear the wind roar.
VII.
"Tis pleasant," cried one, "seated by the fire side
"To hear the wind whistle without.
"
"A fine night for the Abbey!" his comrade replied,
"Methinks a man's courage would now be well tried
"Who should wander the ruins about.
VIII.
"I myself, like a school-boy, should tremble to hear
"The hoarse ivy shake over my head;
"And could fancy I saw, half persuaded by fear,
"Some ugly old Abbot's white spirit appear,
"For this wind might awaken the dead!"
IX.
"I'll wager a dinner," the other one cried,
"That Mary would venture there now.
"
"Then wager and lose!" with a sneer he replied,
"I'll warrant she'd fancy a ghost by her side,
"And faint if she saw a white cow.
"
X.
"Will Mary this charge on her courage allow?"
His companion exclaim'd with a smile;
"I shall win, for I know she will venture there now,
"And earn a new bonnet by bringing a bough
"From the elder that grows in the aisle.
"
XI.
With fearless good humour did Mary comply,
And her way to the Abbey she bent;
The night it was dark, and the wind it was high
And as hollowly howling it swept thro' the sky
She shiver'd with cold as she went.
XII.
O'er the path so well known still proceeded the Maid
Where the Abbey rose dim on the sight,
Thro' the gate-way she entered, she felt not afraid
Yet the ruins were lonely and wild, and their shade
Seem'd to deepen the gloom of the night.
XIII.
All around her was silent, save when the rude blast
Howl'd dismally round the old pile;
Over weed-cover'd fragments still fearless she past,
And arrived in the innermost ruin at last
Where the elder tree grew in the aisle.
XIV.
Well-pleas'd did she reach it, and quickly drew near
And hastily gather'd the bough:
When the sound of a voice seem'd to rise on her ear,
She paus'd, and she listen'd, all eager to hear,
Aud her heart panted fearfully now.
XV.
The wind blew, the hoarse ivy shook over her head,
She listen'd,--nought else could she hear.
The wind ceas'd, her heart sunk in her bosom with dread
For she heard in the ruins distinctly the tread
Of footsteps approaching her near.
XVI.
Behind a wide column half breathless with fear
She crept to conceal herself there:
That instant the moon o'er a dark cloud shone clear,
And she saw in the moon-light two ruffians appear
And between them a corpse did they bear.
XVII.
Then Mary could feel her heart-blood curdle cold!
Again the rough wind hurried by,--
It blew off the hat of the one, and behold
Even close to the feet of poor Mary it roll'd,--
She felt, and expected to die.
XVIII.
"Curse the hat!" he exclaims.
"Nay come on and first hide
"The dead body," his comrade replies.
She beheld them in safety pass on by her side,
She seizes the hat, fear her courage supplied,
And fast thro' the Abbey she flies.
XIX.
She ran with wild speed, she rush'd in at the door,
She gazed horribly eager around,
Then her limbs could support their faint burthen no more,
And exhausted and breathless she sunk on the floor
Unable to utter a sound.
XX.
Ere yet her pale lips could the story impart,
For a moment the hat met her view;--
Her eyes from that object convulsively start,
For--oh God what cold horror then thrill'd thro' her heart,
When the name of her Richard she knew!
XXI.
Where the old Abbey stands, on the common hard by
His gibbet is now to be seen.
Not far from the road it engages the eye,
The Traveller beholds it, and thinks with a sigh
Of poor Mary the Maid of the Inn.
|
Written by
Percy Bysshe Shelley |
O WILD West Wind, thou breath of Autumn's being¡ª
Thou from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes!¡ªO thou 5
Who chariotest to their dark wintry bed
The wing¨¨d seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o'er the dreaming earth, and fill 10
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill¡ª
Wild Spirit, which art moving everywhere¡ª
Destroyer and Preserver¡ªhear, O hear!
Thou on whose stream, 'mid the steep sky's commotion, 15
Loose clouds like earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning! they are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head 20
Of some fierce M?nad, ev'n from the dim verge
Of the horizon to the zenith's height¡ª
The locks of the approaching storm.
Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre, 25
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst:¡ªO hear!
Thou who didst waken from his summer-dreams
The blue Mediterranean, where he lay, 30
Lull'd by the coil of his crystalline streams,
Beside a pumice isle in Bai?'s bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,
All overgrown with azure moss, and flowers 35
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic's level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know 40
Thy voice, and suddenly grow gray with fear
And tremble and despoil themselves:¡ªO hear!
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share 45
The impulse of thy strength, only less free
Than thou, O uncontrollable!¡ªif even
I were as in my boyhood, and could be
The comrade of thy wanderings over heaven,
As then, when to outstrip thy skiey speed 50
Scarce seem'd a vision,¡ªI would ne'er have striven
As thus with thee in prayer in my sore need.
O lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chain'd and bow'd 55
One too like thee¡ªtameless, and swift, and proud.
Make me thy lyre, ev'n as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep autumnal tone, 60
Sweet though in sadness.
Be thou, Spirit fierce,
My spirit! be thou me, impetuous one!
Drive my dead thoughts over the universe,
Like wither'd leaves, to quicken a new birth;
And, by the incantation of this verse, 65
Scatter, as from an unextinguish'd hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken'd earth
The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind? 70
|
Written by
William Cowper |
A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick--
Nature perhaps herself had cast her
In such a mould [lang f]philosophique[lang e],
Or else she learn'd it of her master.
Sometimes ascending, debonair,
An apple-tree or lofty pear,
Lodg'd with convenience in the fork,
She watch'd the gardener at his work;
Sometimes her ease and solace sought
In an old empty wat'ring-pot;
There, wanting nothing save a fan
To seem some nymph in her sedan,
Apparell'd in exactest sort,
And ready to be borne to court.
But love of change, it seems, has place
Not only in our wiser race;
Cats also feel, as well as we,
That passion's force, and so did she.
Her climbing, she began to find,
Expos'd her too much to the wind,
And the old utensil of tin
Was cold and comfortless within:
She therefore wish'd instead of those
Some place of more serene repose,
Where neither cold might come, nor air
Too rudely wanton with her hair,
And sought it in the likeliest mode
Within her master's snug abode.
A drawer, it chanc'd, at bottom lin'd
With linen of the softest kind,
With such as merchants introduce
From India, for the ladies' use--
A drawer impending o'er the rest,
Half-open in the topmost chest,
Of depth enough, and none to spare,
Invited her to slumber there;
Puss with delight beyond expression
Survey'd the scene, and took possession.
Recumbent at her ease ere long,
And lull'd by her own humdrum song,
She left the cares of life behind,
And slept as she would sleep her last,
When in came, housewifely inclin'd
The chambermaid, and shut it fast;
By no malignity impell'd,
But all unconscious whom it held.
Awaken'd by the shock, cried Puss,
"Was ever cat attended thus!
The open drawer was left, I see,
Merely to prove a nest for me.
For soon as I was well compos'd,
Then came the maid, and it was clos'd.
How smooth these kerchiefs, and how sweet!
Oh, what a delicate retreat!
I will resign myself to rest
Till Sol, declining in the west,
Shall call to supper, when, no doubt,
Susan will come and let me out.
"
The evening came, the sun descended,
And puss remain'd still unattended.
The night roll'd tardily away
(With her indeed 'twas never day),
The sprightly morn her course renew'd,
The evening gray again ensued,
And puss came into mind no more
Than if entomb'd the day before.
With hunger pinch'd, and pinch'd for room,
She now presag'd approaching doom,
Nor slept a single wink, or purr'd,
Conscious of jeopardy incurr'd.
That night, by chance, the poet watching
Heard an inexplicable scratching;
His noble heart went pit-a-pat
And to himself he said, "What's that?"
He drew the curtain at his side,
And forth he peep'd, but nothing spied;
Yet, by his ear directed, guess'd
Something imprison'd in the chest,
And, doubtful what, with prudent care
Resolv'd it should continue there.
At length a voice which well he knew,
A long and melancholy mew,
Saluting his poetic ears,
Consol'd him, and dispell'd his fears:
He left his bed, he trod the floor,
He 'gan in haste the drawers explore,
The lowest first, and without stop
The rest in order to the top;
For 'tis a truth well known to most,
That whatsoever thing is lost,
We seek it, ere it come to light,
In ev'ry cranny but the right.
Forth skipp'd the cat, not now replete
As erst with airy self-conceit,
Nor in her own fond apprehension
A theme for all the world's attention,
But modest, sober, cured of all
Her notions hyperbolical,
And wishing for a place of rest
Anything rather than a chest.
Then stepp'd the poet into bed,
With this reflection in his head:MORAL
Beware of too sublime a sense
Of your own worth and consequence.
The man who dreams himself so great,
And his importance of such weight,
That all around in all that's done
Must move and act for him alone,
Will learn in school of tribulation
The folly of his expectation.
|
Written by
Robert William Service |
You've heard of "Casey at The Bat,"
And "Casey's Tabble Dote";
But now it's time
To write a rhyme
Of "Casey's Billy-goat.
"
Pat Casey had a billy-goat he gave the name of Shamus,
Because it was (the neighbours said) a national disgrace.
And sure enough that animal was eminently famous
For masticating every rag of laundry round the place.
For shirts to skirts prodigiously it proved its powers of chewing;
The question of digestion seemed to matter not at all;
But you'll agree, I think with me, its limit of misdoing
Was reached the day it swallowed Missis Rooney's ould red shawl.
Now Missis Annie Rooney was a winsome widow women,
And many a bouncing boy had sought to make her change her name;
And living just across the way 'twas surely only human
A lonesome man like Casey should be wishfully the same.
So every Sunday, shaved and shined, he'd make the fine occasion
To call upon the lady, and she'd take his and coat;
And supping tea it seemed that she might yield to his persuasion,
But alas! he hadn't counted on that devastating goat.
For Shamus loved his master with a deep and dumb devotion,
And everywhere that Casey went that goat would want to go;
And though I cannot analyze a quadruped's emotion,
They said the baste was jealous, and I reckon it was so.
For every time that Casey went to call on Missis Rooney,
Beside the gate the goat would wait with woefulness intense;
Until one day it chanced that they were fast becoming spooney,
When Shamus spied that ould red shawl a-flutter on the fence.
Now Missis Rooney loved that shawl beyond all rhyme or reason,
And maybe 'twas an heirloom or a cherished souvenir;
For judging by the way she wore it season after season,
I might have been as precious as a product of Cashmere.
So Shamus strolled towards it, and no doubt the colour pleased him,
For he biffed it and he sniffed it, as most any goat might do;
Then his melancholy vanished as a sense of hunger seized him,
And he wagged his tail with rapture as he started in to chew.
"Begorrah! you're a daisy," said the doting Mister Casey
to the blushing Widow Rooney as they parted at the door.
"Wid yer tinderness an' tazin' sure ye've set me heart a-blazin',
And I dread the day I'll nivver see me Anniw anny more.
"
"Go on now wid yer blarney," said the widow softly sighing;
And she went to pull his whiskers, when dismay her bosom smote.
.
.
.
Her ould red shawl! 'Twas missin' where she'd left it bravely drying -
Then she saw it disappearing - down the neck of Casey's goat.
Fiercely flamed her Irish temper, "Look!" says she, "The thavin' divvle!
Sure he's made me shawl his supper.
Well, I hope it's to his taste;
But excuse me, Mister Casey, if I seem to be oncivil,
For I'll nivver wed a man wid such a misbegotten baste.
"
So she slammed the door and left him in a state of consternation,
And he couldn't understand it, till he saw that grinning goat:
Then with eloquence he cussed it, and his final fulmination
Was a poem of profanity impossible to quote.
So blasting goats and petticoats and feeling downright sinful,
Despairfully he wandered in to Shinnigan's shebeen;
And straightway he proceeded to absorb a might skinful
Of the deadliest variety of Shinnigan's potheen.
And when he started homeward it was in the early morning,
But Shamus followed faithfully, a yard behind his back;
Then Casey slipped and stumbled, and without the slightest warning
like a lump of lead he tumbled - right across the railroad track.
And there he lay, serenely, and defied the powers to budge him,
Reposing like a baby, with his head upon the rail;
But Shamus seemed unhappy, and from time to time would nudge him,
Though his prods to protestation were without the least avail.
Then to that goatish mind, maybe, a sense of fell disaster
Came stealing like a spectre in the dim and dreary dawn;
For his bleat of warning blended with the snoring of his master
In a chorus of calamity - but Casey slumbered on.
Yet oh, that goat was troubled, for his efforts were redoubled;
Now he tugged at Casey's whisker, now he nibbled at his ear;
Now he shook him by the shoulder, and with fear become bolder,
He bellowed like a fog-horn, but the sleeper did not hear.
Then up and down the railway line he scampered for assistance;
But anxiously he hurried back and sought with tug and strain
To pull his master off the track .
.
.
when sudden! in the distance
He heard the roar and rumble of the fast approaching train.
Did Shamus faint and falter? No, he stood there stark and splendid.
True, his tummy was distended, but he gave his horns a toss.
By them his goathood's honour would be gallantly defended,
And if their valour failed him - he would perish with his boss
So dauntlessly he lowered his head, and ever clearer, clearer,
He heard the throb and thunder of the Continental Mail.
He would face the mighty monster.
It was coming nearer, nearer;
He would fight it, he would smite it, but he'd never show his tail.
Can you see that hirsute hero, standing there in tragic glory?
Can you hear the Pullman porters shrieking horror to the sky?
No, you can't; because my story has no end so grim and gory,
For Shamus did not perish and his master did not die.
At this very present moment Casey swaggers hale and hearty,
And Shamus strolls beside him with a bright bell at his throat;
While recent Missis Rooney is the gayest of the party,
For now she's Missis Casey and she's crazy for that goat.
You're wondering what happened? Well, you know that truth is stranger
Than the wildest brand of fiction, so Ill tell you without shame.
.
.
.
There was Shamus and his master in the face of awful danger,
And the giant locomotive dashing down in smoke and flame.
.
.
.
What power on earth could save them? Yet a golden inspiration
To gods and goats alike may come, so in that brutish brain
A thought was born - the ould red shawl.
.
.
.
Then rearing with elation,
Like lightning Shamus threw it up - AND FLAGGED AND STOPPED THE TRAIN.
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