Written by
Sylvia Plath |
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
where wave pretends to drench real sky.
'
'Well then, if we agree, it is not odd
that one man's devil is another's god
or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
is our life's whole nemesis.
So we could rave on, darling, you and I,
until the stars tick out a lullaby
about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
implacably from twelve to one.
We raise our arguments like sitting ducks
to knock them down with logic or with luck
and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
who insists his playmates run.
Now you, my intellectual leprechaun,
would have me swallow the entire sun
like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
should inflame the sleeping town.
So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
playing his prodigal charades.
The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
graves all carol in reply.
Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
while footlights flare and houselights dim.
Tell now, we taunq where black or white begins
and separate the flutes from violins:
the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
joins his enemies' recruits.
The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
an insight like the flight of birds:
Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
cycling phoenix never stops.
So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
away our rationed days and weeks.
Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
the simple sum of heart plus heart.
|
Written by
Sylvia Plath |
How far is it?
How far is it now?
The gigantic gorilla interior
Of the wheels move, they appall me ---
The terrible brains
Of Krupp, black muzzles
Revolving, the sound
Punching out Absence! Like cannon.
It is Russia I have to get across, it is some was or other.
I am dragging my body
Quietly through the straw of the boxcars.
Now is the time for bribery.
What do wheels eat, these wheels
Fixed to their arcs like gods,
The silver leash of the will ----
Inexorable.
And their pride!
All the gods know destinations.
I am a letter in this slot!
I fly to a name, two eyes.
Will there be fire, will there be bread?
Here there is such mud.
It is a trainstop, the nurses
Undergoing the faucet water, its veils, veils in a nunnery,
Touching their wounded,
The men the blood still pumps forward,
Legs, arms piled outside
The tent of unending cries ----
A hospital of dolls.
And the men, what is left of the men
Pumped ahead by these pistons, this blood
Into the next mile,
The next hour ----
Dynasty of broken arrows!
How far is it?
There is mud on my feet,
Thick, red and slipping.
It is Adam's side,
This earth I rise from, and I in agony.
I cannot undo myself, and the train is steaming.
Steaming and breathing, its teeth
Ready to roll, like a devil's.
There is a minute at the end of it
A minute, a dewdrop.
How far is it?
It is so small
The place I am getting to, why are there these obstacles ----
The body of this woman,
Charred skirts and deathmask
Mourned by religious figures, by garlanded children.
And now detonations ----
Thunder and guns.
The fire's between us.
Is there no place
Turning and turning in the middle air,
Untouchable and untouchable.
The train is dragging itself, it is screaming ----
An animal
Insane for the destination,
The bloodspot,
The face at the end of the flare.
I shall bury the wounded like pupas,
I shall count and bury the dead.
Let their souls writhe in like dew,
Incense in my track.
The carriages rock, they are cradles.
And I, stepping from this skin
Of old bandages, boredoms, old faces
Step up to you from the black car of Lethe,
Pure as a baby.
|
Written by
William Topaz McGonagall |
Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.
No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.
Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play.
The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect.
Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted,
And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play.
Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay.
And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept.
We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!"
A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay.
But when he saw George Barnwell was to be hung
The dread of murdering his uncle tenaciously to him clung,
That he couldn't murder and rob his uncle dear,
Because the play he saw enacted filled his heart with fear.
And, in conclusion, I will say without dismay,
Visit the theatre without delay,
Because the theatre is a school of morality,
And hasn't the least tendency to lead to prodigality.
|
Written by
Robert Frost |
I found a dimpled spider, fat and white,
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth --
Assorted characters of death and blight
Mixed ready to begin the morning right,
Like the ingredients of a witches' broth --
A snow-drop spider, a flower like a froth,
And dead wings carried like a paper kite.
What had that flower to do with being white,
The wayside blue and innocent heal-all?
What brought the kindred spider to that height,
Then steered the white moth thither in the night?
What but design of darkness to appall?--
If design govern in a thing so small.
|
Written by
William Blake |
Is this a holy thing to see.
In a rich and fruitful land.
Babes reduced to misery.
Fed with cold and usurous hand?
Is that trembling cry a song?
Can it be a song of joy?
And so many children poor?
It is a land of poverty!
And their sun does never shine.
And their fields are bleak & bare.
And their ways are fill'd with thorns
It is eternal winter there.
For where-e'er the sun does shine.
And where-e'er the rain does fall:
Babe can never hunger there,
Nor poverty the mind appall.
|
Written by
Sylvia Plath |
The engine is killing the track, the track is silver,
It stretches into the distance.
It will be eaten nevertheless.
Its running is useless.
At nightfall there is the beauty of drowned fields,
Dawn gilds the farmers like pigs,
Swaying slightly in their thick suits,
White towers of Smithfield ahead,
Fat haunches and blood on their minds.
There is no mercy in the glitter of cleavers,
The butcher's guillotine that whispers: 'How's this, how's this?'
In the bowl the hare is aborted,
Its baby head out of the way, embalmed in spice,
Flayed of fur and humanity.
Let us eat it like Plato's afterbirth,
Let us eat it like Christ.
These are the people that were important ----
Their round eyes, their teeth, their grimaces
On a stick that rattles and clicks, a counterfeit snake.
Shall the hood of the cobra appall me ----
The loneliness of its eye, the eye of the mountains
Through which the sky eternally threads itself?
The world is blood-hot and personal
Dawn says, with its blood-flush.
There is no terminus, only suitcases
Out of which the same self unfolds like a suit
Bald and shiny, with pockets of wishes,
Notions and tickets, short circuits and folding mirrors.
I am mad, calls the spider, waving its many arms.
And in truth it is terrible,
Multiplied in the eyes of the flies.
They buzz like blue children
In nets of the infinite,
Roped in at the end by the one
Death with its many sticks.
|
Written by
William Topaz McGonagall |
Ye sons of Mars, come list to me,
And I will relate to ye
A great and heroic naval fight,
Which will fill your hearts with delight.
The fight was between the French Frigate "Pique" and the British Frigate "Blanche,"
But the British crew were bold and staunch;
And the battle was fought in West Indian waters in the year of 1795,
And for to gain the victory the French did nobly strive.
And on the morning of the 4th of January while cruising off Gadulope,
The look-out man from the foretop loudly spoke,
And cried, "Sail ahoy!" "Where away ?"
"On the lee bow, close in shore, sir," was answered without delay.
Then Captain Faulkner cried, "Clear the decks!"
And the French vessel with his eyeglass he inspects;
And he told his men to hoist the British flag,
And "prepare my heroes to pull down that French rag.
"
Then the "Blanche" made sail and bore away
In the direction of the "Pique" without delay;
And Captain Fauikner cried, "Now, my lads, bear down on him,
And make ready quickly and begin.
"
It was about midnight when the Frenchman hove in sight,
And could be seen distinctly in the starlight;
And for an hour and a half they fired away
Broadsides into each other without dismay.
And with tne rapid flashes the Heavens were aflame,
As each volley from the roaring cannons came;
And the incessant roll of musketry was awful to hear,
As it broke over the silent sea and smote upon the ear.
The French vessel had nearly 400 men,
Her decks were literally crowded from stem to stern;
And the musketeers kept up a fierce fire on the " Blanche,"
But still the "Blanche" on them did advance.
And the "Blanche's" crew without dismay
Fired a broadside into the "Pique" without delay,
Which raked her fore and aft, and knocked her to smash,
And the mizzen mast fell overboard with a terrible crash.
Then the Frenohmen rushed forward to board the "Blanche,"
But in doing so they had a very poor chance,
For the British Tars in courage didn't lack,
Because thrice in succession on their own deck they were driven back.
Then "Brave, my lads!" Captain Faulkner loudly cries,
"Lash her bowsprit to our capstan, she's our prize";
And he seized some ropes to lash round his foe,
But a musket ball pierced his heart and laid him low.
Then a yell of rage burst from the noble crew,
And near to his fallen body they drew;
And tears for his loss fell fast on the deck,
Their grief was so great their tears they conldn 't check.
The crew was very sorry for their captain's downfall,
But the sight didn't their brave hearts appall;
Because they fastened the ropes to the "Pique" at the capstan,
And the "Pique" was dragged after the "Blanche," the sight was grand.
Yet the crew of the "Pique" maintained the fight,
Oh! most courageously they fought in the dead of night;
And for two hours they kept up firing without dismay,
But it was a sacrifice of human life, they had to give way.
And about five o'clock in the morning the French cried for quarter,
Because on board there had been a great slaughter;
Their Captain Consail was mortally wounded in the fight
Along with many officers and men; oh! it was a heartrending sight
To see the wounded and dead weltering in their gore
After the cannonading had ceased and the fighting was o'er.
|
Written by
Robert William Service |
Day after day behold me plying
My pen within an office drear;
The dullest dog, till homeward hieing,
Then lo! I reign a king of cheer.
A throne have I of padded leather,
A little court of kiddies three,
A wife who smiles whate'er the weather,
A feast of muffins, jam and tea.
The table cleared, a romping battle,
A fairy tale, a "Children, bed,"
A kiss, a hug, a hush of prattle
(God save each little drowsy head!)
A cozy chat with wife a-sewing,
A silver lining clouds that low'r,
Then she too goes, and with her going,
I come again into my Hour.
I poke the fire, I snugly settle,
My pipe I prime with proper care;
The water's purring in the kettle,
Rum, lemon, sugar, all are there.
And now the honest grog is steaming,
And now the trusty briar's aglow:
Alas! in smoking, drinking, dreaming,
How sadly swift the moments go!
Oh, golden hour! 'twixt love and duty,
All others I to others give;
But you are mine to yield to Beauty,
To glean Romance, to greatly live.
For in my easy-chair reclining .
.
.
I feel the sting of ocean spray;
And yonder wondrously are shining
The Magic Isles of Far Away.
Beyond the comber's crashing thunder
Strange beaches flash into my ken;
On jetties heaped head-high with plunder
I dance and dice with sailor-men.
Strange stars swarm down to burn above me,
Strange shadows haunt, strange voices greet;
Strange women lure and laugh and love me,
And fling their bastards at my feet.
Oh, I would wish the wide world over,
In ports of passion and unrest,
To drink and drain, a tarry rover
With dragons tattooed on my chest,
With haunted eyes that hold red glories
Of foaming seas and crashing shores,
With lips that tell the strangest stories
Of sunken ships and gold moidores;
Till sick of storm and strife and slaughter,
Some ghostly night when hides the moon,
I slip into the milk-warm water
And softly swim the stale lagoon.
Then through some jungle python-haunted,
Or plumed morass, or woodland wild,
I win my way with heart undaunted,
And all the wonder of a child.
The pathless plains shall swoon around me,
The forests frown, the floods appall;
The mountains tiptoe to confound me,
The rivers roar to speed my fall.
Wild dooms shall daunt, and dawns be gory,
And Death shall sit beside my knee;
Till after terror, torment, glory,
I win again the sea, the sea.
.
.
.
Oh, anguish sweet! Oh, triumph splendid!
Oh, dreams adieu! my pipe is dead.
My glass is dry, my Hour is ended,
It's time indeed I stole to bed.
How peacefully the house is sleeping!
Ah! why should I strange fortunes plan?
To guard the dear ones in my keeping --
That's task enough for any man.
So through dim seas I'll ne'er go spoiling;
The red Tortugas never roam;
Please God! I'll keep the pot a-boiling,
And make at least a happy home.
My children's path shall gleam with roses,
Their grace abound, their joy increase.
And so my Hour divinely closes
With tender thoughts of praise and peace.
|
Written by
William Vaughn Moody |
Grey drizzling mists the moorlands drape,
Rain whitens the dead sea,
From headland dim to sullen cape
Grey sails creep wearily.
I know not how that merchantman
Has found the heart; but 'tis her plan
Seaward her endless course to shape.
Unreal as insects that appall
A drunkard's peevish brain,
O'er the grey deep the dories crawl,
Four-legged, with rowers twain:
Midgets and minims of the earth,
Across old ocean's vasty girth
Toiling--heroic, comical!
I wonder how that merchant's crew
Have ever found the will!
I wonder what the fishers do
To keep them toiling still!
I wonder how the heart of man
Has patience to live out its span,
Or wait until its dreams come true.
|
Written by
William Topaz McGonagall |
Chorus --
Bonnie Helen, will you go to Callander with me
And gaze upon its beauties and romantic scenery
Dear Helen, it will help to drive all sorrow away;
Therefore come, sweet Helen, and let's have a holiday.
Callander is a pretty little town most lovely to see,
Situated in the midst of mountains towering frowningly;
And Ben Ledi is the chief amongst them and famous in history,
Looking stern and rugged in all its majesty.
Chorus
And as for Bracklinn Falls, they are impressive to sight,
Especially the Keltie, which will the visitor's heart delight,
With its bonnie banks bordered with beautiful trees,
And the effect would be sure the spectator to please.
Chorus
The hawthorn hedges and the beautiful wild flowers
Will help to enliven the scene and while away the hours;
And as the spectator gazes upon Keltie waterfall,
The rumbling and fumbling of the water does his heart appall.
Chorus
As it makes one fearful plunge into a yawning abyss below,
Fifty or sixty feet beneath, where it splashes to and fro,
And seethes and boils in a great deep pool,
And the sweet, fragrant air around it is very cool.
Chorus
'Tis said two lovers met there with a tragic fate.
Alas! poor souls, and no one near to extricate.
The rail of the bridge upon which they were leaning gave way,
And they were drowned in the boiling gulf.
Oh, horror and dismay!
Chorus
The Pass of Leny is most wild and amazing to see,
With its beetling crags and towering mountains and romantic scenery;
And the brawling Leny, with its little waterfalls,
Will repay the visitor for the time occupied any time he calls.
Chorus
Then lovers of the picturesque make haste and go away
To the pretty little village of Callander without delay,
And breathe the fresh air in the harvest time,
And revel amongst romantic scenery in the beautiful sunshine.
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