Written by
Barry Tebb |
( I )
for ‘JC’ of the TLS
Nightmare of metropolitan amalgam
Grand Hotel and myself as a guest there
Lost with my room rifled, my belongings scattered,
Purse, diary and vital list of numbers gone –
Vague sad memories of mam n’dad
Leeds 1942 back-to-back with shared outside lav.
Hosannas of sweet May mornings
Whitsun glory of lilac blooming
Sixty years on I run and run
From death, from loss, from everyone.
Which are the paths I never ventured down,
Or would they, too, be vain?
O for the secret anima of Leeds girlhood
A thousand times better than snide attacks in the TLS
By ‘JC’. **** you, Jock, you should be ashamed,
Attacking Brenda Williams, who had a background
Worse than yours, an alcoholic schizophrenic father
And an Irish immigrant mother who died when Brenda was fifteen
But still she managed to read Proust on her day off
As a library girl, turned down by David Jenkins,
‘As rising star of the left’ for a place at Leeds
To read theology started her as a protest poet
Sitting out on the English lawn, mistaken for a snow sculpture
In the depths of winter.
Her sit-in protest lasted seven months,
Months, eight hours a day, her libellous verse scorching
The academic groves of Leeds in sheets by the thousand,
Mailed through the university's internal post. She called
The VC 'a mouse from the mountain'; Bishop of Durham to-be
David Jenkins a wimp and worse and all in colourful verse
And 'Guntrip's Ghost' went to every VC in England in a
Single day. When she sat on the English lawn Park Honan
Flew paper aeroplanes with messages down and
And when she was in Classics they took away her chair
So she sat on the floor reading Virgil and the Chairman of the
Department sent her an official Christmas card
'For six weeks on the university lawn, learning the
Hebrew alphabet'.
And that was just the beginning: in Oxford Magdalen College
School turned our son away for the Leeds protest so she
Started again, in Magdalen Quad, sitting through Oxford's
Worst ever winter and finally they arrested her on the
Eve of the May Ball so she wrote 'Oxford from a Prison
Cell' her most famous poem and her protest letter went in
A single day to every MP and House of Lords Member and
It was remembered years after and when nobody nominated
Her for the Oxford Chair she took her own and sat there
In the cold for almost a year, well-wishers pinning messages
To the tree she sat under - "Tityre, tu patulae recubans
Sub tegmine fagi" and twelve hundred and forty dons had
"The Pain Clinic" in a single day and she was fourteen
Times in the national press, a column in "The Guardian"
And a whole page with a picture in the 'Times Higher' -
"A Well Versed Protester"
JC, if you call Myslexia’s editor a ‘kick-**** virago’
You’ve got to expect a few kicks back.
All this is but the dust
We must shake from our feet
Purple heather still with blossom
In Haworth and I shall gather armfuls
To toss them skywards and you,
Madonna mia, I shall bed you there
In blazing summer by High Wythens,
Artist unbroken from the highest peak
I raise my hands to heaven.
( II )
Sweet Anna, I do not know you from Eve
But your zany zine in the post
Is the best I’ve ever seen, inspiring this rant
Against the cant of stuck-up cunts currying favour
I name no name but if the Dutch cap fits
Then wear it and share it.
Who thought at sixty one
I’d have owned a watch
Like this one, chased silver cased
Quartz reflex Japanese movement
And all for a fiver at the back of Leeds Market
Where I wander in search of oil pastels
Irish folk and cheap socks.
The TLS mocks our magazine
With its sixties Cadillac pink
Psychedelic cover and every page crimson
Orange or mauve, revolutionary sonnets
By Brenda Williams from her epic ‘Pain Clinic’
And my lacerating attacks on boring Bloodaxe
Neil Ghastly and Anvil’s preciosity and all the
Stuck-up ****-holes in their cubby-holes sending out
Rejection slip by rote – LPW
|
Written by
Ben Jonson |
A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.
Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.
Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,
nella danza che sogna la tartaruga.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer dalla spezzata cintura.
A Vienna ci sono quattro specchi,
vi giocano la tua bocca e gli echi.
C'è una morte per pianoforte
che tinge d'azzurro i giovanotti.
Ci sono mendichi sui terrazzi. E
fresche ghirlande di pianto.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer che spira fra le mie braccia.
Perchè io ti amo, ti amo, amore mio,
nella soffitta dove giocano i bambini,
sognando vecchie luci d'Ungheria
nel mormorio di una sera mite,
vedendo agnelli e gigli di neve
nell'oscuro silenzio delle tue tempie.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer del "Ti amo per sempre".
A Vienna ballerò con te
con un costume che abbia la testa di fiume.
Guarda queste mie rive di giacinti!
Lascerò la mia bocca tra le tue gambe,
la mia anima in foto e fiordalisi,
e nelle onde oscure del tuo passo io voglio,
amore mio, amore mio, lasciare,
violino e sepolcro, i nastri del valzer.
English Translation
Little Viennese Waltz
In Vienna there are ten little girls
a shoulder for death to cry on
and a forest of dried pigeons.
There is a fragment of tomorrow
in the museum of winter frost.
There is a thousand-windowed dance hall.
Ay, ay, ay, ay!
Take this close-mouthed waltz.
Little waltz, little waltz, little waltz,
of itself, of death, and of brandy
that dips its tail in the sea.
I love you, I love you, I love you,
with the armchair and the book of death
down the melancholy hallway,
in the iris's dark garret,
in our bed that was once the moon's bed,
and in that dance the turtle dreamed of.
Ay, ay, ay, ay!
Take this broken-waisted waltz
In Vienna there are four mirrors
in which your mouth and the echoes play.
There is a death for piano
that paints the little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.
Aye, ay, ay, ay!
Take this waltz that dies in my arms.
Because I love you, I love you, my love,
in the attic where children play,
dreaming ancient lights of Hungary
through the noise, the balmy afternoon,
seeing sheep and irises of snow
through the dark silence of your forehead.
Ay, ay, ay ay!
Take this "I will always love you" waltz.
In Vienna I will dance with you
in a costume with a river's head.
See how the hyacinths line my banks!
I will leave my mouth between your legs,
my soul in photographs and lilies,
and in the dark wake of your footsteps,
my love, my love, I will have to leave
violin and grave, the waltzing ribbons.
|
Written by
Michael Drayton |
To the Soul
That learned Father, who so firmly proves
The Soul of man immortal and divine,
And doth the several offices define:
Anima - Gives her that name, as she the Body moves;
Amor - Then is she Love, embracing charity;
Animus - Moving a Will in us, it is the Mind
Mens - Retaining knowledge, still the same in kind;
Memoria - As intellectual, it is Memory;
Ratio - In judging, Reason only is her name;
Sensus - In speedy apprehension, it is Sense;
Conscientia - In right or wrong, they call her Conscience;
Spiritus - The Spirit, when it to Godward doth inflame.
These of the Soul the several functions be,
Which my Heart, lighten'd by thy love, doth see.
|
Written by
Francesco Petrarch |
SONNET XXXVII. Anima bella, da quel nodo sciolta. HE PRAYS LAURA TO LOOK DOWN UPON HIM FROM HEAVEN. Bright spirit, from those earthly bonds released,The loveliest ever wove in Nature's loom,From thy bright skies compassionate the gloomShrouding my life that once of joy could taste!Each false suggestion of thy heart has ceased,That whilom bade thee stem disdain assume;[Pg 264]Now, all secure, heaven's habitant become,List to my sighs, thy looks upon me cast.Mark the huge rock, whence Sorga's waters rise;And see amidst its waves and borders strayOne fed by grief and memory that ne'er diesBut from that spot, oh! turn thy sight awayWhere I first loved, where thy late dwelling lies;That in thy friends thou nought ungrateful may'st survey! Nott. Blest soul, that, loosen'd from those bands, art flown—Bands than which Nature never form'd more fair,Look down and mark how changed to carking careFrom gladdest thoughts I pass my days unknown.Each false opinion from my heart is gone,That once to me made thy sweet sight appearMost harsh and bitter; now secure from fearHere turn thine eyes, and listen to my moan.Turn to this rock whence Sorga's waters rise,And mark, where through the mead its waters flow,One who of thee still mindful ceaseless sighs:But leave me there unsought for, where to glowOur flames began, and where thy mansion lies,Lest thou in thine shouldst see what grieved thee so. Anon., Ox., 1795.
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Written by
Francesco Petrarch |
SONNET XXIV. Quest' anima gentil che si diparte. ON LAURA DANGEROUSLY ILL. That graceful soul, in mercy call'd awayBefore her time to bid the world farewell,If welcomed as she ought in the realms of day,In heaven's most blessèd regions sure shall dwell.There between Mars and Venus if she stay,Her sight the brightness of the sun will quell,Because, her infinite beauty to survey,The spirits of the blest will round her swell.If she decide upon the fourth fair nestEach of the three to dwindle will begin,And she alone the fame of beauty win,Nor e'en in the fifth circle may she rest;Thence higher if she soar, I surely trustJove with all other stars in darkness will be thrust.
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Written by
Francesco Petrarch |
SONNET CLXXI. Anima, che diverse cose tante. HE REJOICES AT BEING ON EARTH WITH HER, AS HE IS THEREBY ENABLED BETTER TO IMITATE HER VIRTUES. Soul! with such various faculties enduedTo think, write, speak, to read, to see, to hear;My doting eyes! and thou, my faithful ear!Where drinks my heart her counsels wise and good;Your fortune smiles; if after or before,The path were won so badly follow'd yet,Ye had not then her bright eyes' lustre met,Nor traced her light feet earth's green carpet o'er.Now with so clear a light, so sure a sign,'Twere shame to err or halt on the brief wayWhich makes thee worthy of a home divine.That better course, my weary will, essay!To pierce the cloud of her sweet scorn be thine,Pursuing her pure steps and heavenly ray. Macgregor.
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