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Best Famous Amazingly Poems

Here is a collection of the all-time best famous Amazingly poems. This is a select list of the best famous Amazingly poetry. Reading, writing, and enjoying famous Amazingly poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of amazingly poems.

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Written by Sylvia Plath | Create an image from this poem

In Plaster

 I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body And I was scared, because she was shaped just the way I was Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior! When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages.
Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up -- You could tell almost at once she had a slave mentality.
I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun From her amazingly white torso, and I couldn't help but notice Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, Holding my bones in place so they would mend properly.
In time our relationship grew more intense.
She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself, As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.
She wanted to leave me, she thought she was superior, And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely, And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water.
I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully.
I used to think we might make a go of it together -- After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy, But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her, And she'll perish with emptiness then, and begin to miss me.


Written by Barry Tebb | Create an image from this poem

A HOPE FOR POETRY: REMEMBERING THE SIXTIES

 There was a hope for poetry in the sixties

And for education and society, teachers free

To do as they wanted: I could and did teach

Poetry and art all day and little else -

That was my way.
I threw rainbows against the classroom walls, Gold and silver dragons in the corridors and Halls; the children’s eyes were full of stars; I taught the alphabet in Greek and spoke of Peace and war in Vietnam, of birth and sex and Death and immortality - the essences of lyric poetry; Richards and Ogden on ‘The Meaning of Meaning’, Schopenhauer on sadness, Nietzsche and Lawrence on Civilisation and Plato on the Theory of Forms; I read aloud ‘The Rainbow’ and the children drew The waterfall with Gudrun bathing, I showed Them Gauguin and Fra Angelico in gold and a film On painting from life, and the nude girls Bothered no-one.
It was the Sixties - Art was life and life was art and in the Staff-room we talked of poetry and politics And passionately I argued with John.
a clinical Psychologist, on Freud and Jung; Anne, at forty One, wanted to be sterilised and amazingly asked My advice but that was how it was then: Dianne Went off to join weekly rep at Brighton, Dave Clark had given up law to teach a ‘D’ stream in the Inner city.
I was more lucky and had the brightest Children - Sheila Pritchard my genius child-poet with Her roguish eye and high bright voice, drawing skulls In Avernus and burning white chrysanthemums, teasing me With her long legs and gold salmon-flecked eyes.
It was a surprise when I made it into Penguin Books; Michael Horovitz busy then as now and madly idealistic As me; getting ready for the Albert Hall jamboree, The rainbow bomb of peace and poetry.
Written by Philip Levine | Create an image from this poem

Gin

 The first time I drank gin
I thought it must be hair tonic.
My brother swiped the bottle from a guy whose father owned a drug store that sold booze in those ancient, honorable days when we acknowledged the stuff was a drug.
Three of us passed the bottle around, each tasting with disbelief.
People paid for this? People had to have it, the way we had to have the women we never got near.
(Actually they were girls, but never mind, the important fact was their impenetrability.
) Leo, the third foolish partner, suggested my brother should have swiped Canadian whiskey or brandy, but Eddie defended his choice on the grounds of the expressions "gin house" and "gin lane," both of which indicated the preeminence of gin in the world of drinking, a world we were entering without understanding how difficult exit might be.
Maybe the bliss that came with drinking came only after a certain period of apprenticeship.
Eddie likened it to the holy man's self-flagellation to experience the fullness of faith.
(He was very well read for a kid of fourteen in the public schools.
) So we dug in and passed the bottle around a second time and then a third, in the silence each of us expecting some transformation.
"You get used to it," Leo said.
"You don't like it but you get used to it.
" I know now that brain cells were dying for no earthly purpose, that three boys were becoming increasingly despiritualized even as they took into themselves these spirits, but I thought then I was at last sharing the world with the movie stars, that before long I would be shaving because I needed to, that hair would sprout across the flat prairie of my chest and plunge even to my groin, that first girls and then women would be drawn to my qualities.
Amazingly, later some of this took place, but first the bottle had to be emptied, and then the three boys had to empty themselves of all they had so painfully taken in and by means even more painful as they bowed by turns over the eye of the toilet bowl to discharge their shame.
Ahead lay cigarettes, the futility of guaranteed programs of exercise, the elaborate lies of conquest no one believed, forms of sexual torture and rejection undreamed of.
Ahead lay our fifteenth birthdays, acne, deodorants, crabs, salves, butch haircuts, draft registration, the military and political victories of Dwight Eisenhower, who brought us Richard Nixon with wife and dog.
Any wonder we tried gin.
Written by Robert William Service | Create an image from this poem

The Ballad Of The Brand

 'Twas up in a land long famed for gold, where women were far and rare,
Tellus, the smith, had taken to wife a maiden amazingly fair;
Tellus, the brawny worker in iron, hairy and heavy of hand,
Saw her and loved her and bore her away from the tribe of a Southern land;
Deeming her worthy to queen his home and mother him little ones,
That the name of Tellus, the master smith, might live in his stalwart sons.
Now there was little of law in the land, and evil doings were rife, And every man who joyed in his home guarded the fame of his wife; For there were those of the silver tongue and the honeyed art to beguile, Who would cozen the heart from a woman's breast and damn her soul with a smile.
And there were women too quick to heed a look or a whispered word, And once in a while a man was slain, and the ire of the King was stirred; So far and wide he proclaimed his wrath, and this was the law he willed: "That whosoever killeth a man, even shall he be killed.
" Now Tellus, the smith, he trusted his wife; his heart was empty of fear.
High on the hill was the gleam of their hearth, a beacon of love and cheer.
High on the hill they builded their bower, where the broom and the bracken meet; Under a grave of oaks it was, hushed and drowsily sweet.
Here he enshrined her, his dearest saint, his idol, the light of his eye; Her kisses rested upon his lips as brushes a butterfly.
The weight of her arms around his neck was light as the thistle down; And sweetly she studied to win his smile, and gently she mocked his frown.
And when at the close of the dusty day his clangorous toil was done, She hastened to meet him down the way all lit by the amber sun.
Their dove-cot gleamed in the golden light, a temple of stainless love; Like the hanging cup of a big blue flower was the topaz sky above.
The roses and lilies yearned to her, as swift through their throng she pressed; A little white, fragile, fluttering thing that lay like a child on his breast.
Then the heart of Tellus, the smith, was proud, and sang for the joy of life, And there in the bronzing summertide he thanked the gods for his wife.
Now there was one called Philo, a scribe, a man of exquisite grace, Carved like the god Apollo in limb, fair as Adonis in face; Eager and winning in manner, full of such radiant charm, Womenkind fought for his favor and loved to their uttermost harm.
Such was his craft and his knowledge, such was his skill at the game, Never was woman could flout him, so be he plotted her shame.
And so he drank deep of pleasure, and then it fell on a day He gazed on the wife of Tellus and marked her out for his prey.
Tellus, the smith, was merry, and the time of the year it was June, So he said to his stalwart helpers: "Shut down the forge at noon.
Go ye and joy in the sunshine, rest in the coolth of the grove, Drift on the dreamy river, every man with his love.
" Then to himself: "Oh, Beloved, sweet will be your surprise; To-day will we sport like children, laugh in each other's eyes; Weave gay garlands of poppies, crown each other with flowers, Pull plump carp from the lilies, rifle the ferny bowers.
To-day with feasting and gladness the wine of Cyprus will flow; To-day is the day we were wedded only a twelvemonth ago.
" The larks trilled high in the heavens; his heart was lyric with joy; He plucked a posy of lilies; he sped like a love-sick boy.
He stole up the velvety pathway--his cottage was sunsteeped and still; Vines honeysuckled the window; softly he peeped o'er the sill.
The lilies dropped from his fingers; devils were choking his breath; Rigid with horror, he stiffened; ghastly his face was as death.
Like a nun whose faith in the Virgin is met with a prurient jibe, He shrank--'twas the wife of his bosom in the arms of Philo, the scribe.
Tellus went back to his smithy; he reeled like a drunken man; His heart was riven with anguish; his brain was brooding a plan.
Straight to his anvil he hurried; started his furnace aglow; Heated his iron and shaped it with savage and masterful blow.
Sparks showered over and round him; swiftly under his hand There at last it was finished--a hideous and infamous Brand.
That night the wife of his bosom, the light of joy in her eyes, Kissed him with words of rapture; but he knew that her words were lies.
Never was she so beguiling, never so merry of speech (For passion ripens a woman as the sunshine ripens a peach).
He clenched his teeth into silence; he yielded up to her lure, Though he knew that her breasts were heaving from the fire of her paramour.
"To-morrow," he said, "to-morrow"--he wove her hair in a strand, Twisted it round his fingers and smiled as he thought of the Brand.
The morrow was come, and Tellus swiftly stole up the hill.
Butterflies drowsed in the noon-heat; coverts were sunsteeped and still.
Softly he padded the pathway unto the porch, and within Heard he the low laugh of dalliance, heard he the rapture of sin.
Knew he her eyes were mystic with light that no man should see, No man kindle and joy in, no man on earth save he.
And never for him would it kindle.
The bloodlust surged in his brain; Through the senseless stone could he see them, wanton and warily fain.
Horrible! Heaven he sought for, gained it and gloried and fell-- Oh, it was sudden--headlong into the nethermost hell.
.
.
.
Was this he, Tellus, this marble? Tellus .
.
.
not dreaming a dream? Ah! sharp-edged as a javelin, was that a woman's scream? Was it a door that shattered, shell-like, under his blow? Was it his saint, that strumpet, dishevelled and cowering low? Was it her lover, that wild thing, that twisted and gouged and tore? Was it a man he was crushing, whose head he beat on the floor? Laughing the while at its weakness, till sudden he stayed his hand-- Through the red ring of his madness flamed the thought of the Brand.
Then bound he the naked Philo with thongs that cut in the flesh, And the wife of his bosom, fear-frantic, he gagged with a silken mesh, Choking her screams into silence; bound her down by the hair; Dragged her lover unto her under her frenzied stare.
In the heat of the hearth-fire embers he heated the hideous Brand; Twisting her fingers open, he forced its haft in her hand.
He pressed it downward and downward; she felt the living flesh sear; She saw the throe of her lover; she heard the scream of his fear.
Once, twice and thrice he forced her, heedless of prayer and shriek-- Once on the forehead of Philo, twice in the soft of his cheek.
Then (for the thing was finished) he said to the woman: "See How you have branded your lover! Now will I let him go free.
" He severed the thongs that bound him, laughing: "Revenge is sweet", And Philo, sobbing in anguish, feebly rose to his feet.
The man who was fair as Apollo, god-like in woman's sight, Hideous now as a satyr, fled to the pity of night.
Then came they before the Judgment Seat, and thus spoke the Lord of the Land: "He who seeketh his neighbor's wife shall suffer the doom of the Brand.
Brutish and bold on his brow be it stamped, deep in his cheek let it sear, That every man may look on his shame, and shudder and sicken and fear.
He shall hear their mock in the market-place, their fleering jibe at the feast; He shall seek the caves and the shroud of night, and the fellowship of the beast.
Outcast forever from homes of men, far and far shall he roam.
Such be the doom, sadder than death, of him who shameth a home.
"
Written by Anne Sexton | Create an image from this poem

Obsessive Combination Of Onotological Inscape Trickery And Love

 Busy, with an idea for a code, I write
signals hurrying from left to right,
or right to left, by obscure routes,
for my own reasons; taking a word like writes
down tiers of tries until its secret rites
make sense; or until, suddenly, RATS
can amazingly and funnily become STAR
and right to left that small star
is mine, for my own liking, to stare
its five lucky pins inside out, to store
forever kindly, as if it were a star
I touched and a miracle I really wrote.



Book: Reflection on the Important Things