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Best Famous Allure Poems

Here is a collection of the all-time best famous Allure poems. This is a select list of the best famous Allure poetry. Reading, writing, and enjoying famous Allure poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of allure poems.

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Written by Charles Baudelaire | Create an image from this poem

The Dance Of Death

 CARRYING bouquet, and handkerchief, and gloves, 
Proud of her height as when she lived, she moves 
With all the careless and high-stepping grace, 
And the extravagant courtesan's thin face. 

Was slimmer waist e'er in a ball-room wooed? 
Her floating robe, in royal amplitude, 
Falls in deep folds around a dry foot, shod 
With a bright flower-like shoe that gems the sod. 

The swarms that hum about her collar-bones 
As the lascivious streams caress the stones, 
Conceal from every scornful jest that flies, 
Her gloomy beauty; and her fathomless eyes 

Are made of shade and void; with flowery sprays 
Her skull is wreathed artistically, and sways, 
Feeble and weak, on her frail vertebrae. 
O charm of nothing decked in folly! they 

Who laugh and name you a Caricature, 
They see not, they whom flesh and blood allure, 
The nameless grace of every bleached, bare bone, 
That is most dear to me, tall skeleton! 

Come you to trouble with your potent sneer 
The feast of Life! or are you driven here, 
To Pleasure's Sabbath, by dead lusts that stir 
And goad your moving corpse on with a spur? 

Or do you hope, when sing the violins, 
And the pale candle-flame lights up our sins, 
To drive some mocking nightmare far apart, 
And cool the flame hell lighted in your heart? 

Fathomless well of fault and foolishness! 
Eternal alembic of antique distress! 
Still o'er the curved, white trellis of your sides 
The sateless, wandering serpent curls and glides. 

And truth to tell, I fear lest you should find, 
Among us here, no lover to your mind; 
Which of these hearts beat for the smile you gave? 
The charms of horror please none but the brave. 

Your eyes' black gulf, where awful broodings stir, 
Brings giddiness; the prudent reveller 
Sees, while a horror grips him from beneath, 
The eternal smile of thirty-two white teeth. 

For he who has not folded in his arms 
A skeleton, nor fed on graveyard charms, 
Recks not of furbelow, or paint, or scent, 
When Horror comes the way that Beauty went. 

O irresistible, with fleshless face, 
Say to these dancers in their dazzled race: 
"Proud lovers with the paint above your bones, 
Ye shall taste death, musk scented skeletons! 

Withered Antino?s, dandies with plump faces, 
Ye varnished cadavers, and grey Lovelaces, 
Ye go to lands unknown and void of breath, 
Drawn by the rumour of the Dance of Death. 

From Seine's cold quays to Ganges' burning stream, 
The mortal troupes dance onward in a dream; 
They do not see, within the opened sky, 
The Angel's sinister trumpet raised on high. 

In every clime and under every sun, 
Death laughs at ye, mad mortals, as ye run; 
And oft perfumes herself with myrrh, like ye 
And mingles with your madness, irony!"


Written by Ralph Waldo Emerson | Create an image from this poem

The Problem

I LIKE a church; I like a cowl; 
I love a prophet of the soul; 
And on my heart monastic aisles 
Fall like sweet strains or pensive smiles; 
Yet not for all his faith can see 5 
Would I that cowl¨¨d churchman be. 
Why should the vest on him allure  
Which I could not on me endure? 

Not from a vain or shallow thought 
His awful Jove young Phidias brought; 10 
Never from lips of cunning fell 
The thrilling Delphic oracle: 
Out from the heart of nature rolled 
The burdens of the Bible old; 
The litanies of nations came 15 
Like the volcano's tongue of flame  
Up from the burning core below ¡ª 
The canticles of love and woe; 
The hand that rounded Peter's dome  
And groined the aisles of Christian Rome 20 
Wrought in a sad sincerity; 
Himself from God he could not free; 
He builded better than he knew;¡ª 
The conscious stone to beauty grew. 

Know'st thou what wove yon woodbird's nest 25 
Of leaves and feathers from her breast? 
Or how the fish outbuilt her shell  
Painting with morn each annual cell? 
Or how the sacred pine tree adds 
To her old leaves new myriads? 30 
Such and so grew these holy piles  
Whilst love and terror laid the tiles. 
Earth proudly wears the Parthenon  
As the best gem upon her zone; 
And Morning opes with haste her lids 35 
To gaze upon the Pyramids; 
O'er England's abbeys bends the sky  
As on its friends with kindred eye; 
For out of Thought's interior sphere  
These wonders rose to upper air; 40 
And Nature gladly gave them place  
Adopted them into her race  
And granted them an equal date 
With Andes and with Ararat. 

These temples grew as grows the grass; 45 
Art might obey but not surpass. 
The passive Master lent his hand 
To the vast soul that o'er him planned; 
And the same power that reared the shrine  
Bestrode the tribes that knelt within. 50 
Ever the fiery Pentecost 
Girds with one flame the countless host  
Trances the heart through chanting choirs  
And through the priest the mind inspires. 

The word unto the prophet spoken 55 
Was writ on tables yet unbroken; 
The word by seers or sibyls told  
In groves of oak or fanes of gold  
Still floats upon the morning wind  
Still whispers to the willing mind. 60 
One accent of the Holy Ghost 
The heedless world hath never lost. 
I know what say the fathers wise ¡ª 
The Book itself before me lies ¡ª 
Old Chrysostom best Augustine 65 
And he who blent both in his line  
The younger Golden Lips or mines  
Taylor the Shakespeare of divines. 
His words are music in my ear  
I see his cowl¨¨d portrait dear; 70 
And yet for all his faith could see  
I would not this good bishop be. 
Written by José Martí | Create an image from this poem

Once I was sailing for fun (Simple Verses XII)

Once I was sailing for fun
On a lake of great allure,
Like gold the sun shone so pure,
And my soul more than the sun.

Then suddenly I could smell 
Before I saw at my feet,
A foul fish, with death replete, 
At the bottom of the well
Written by Oscar Wilde | Create an image from this poem

Athanasia

 To that gaunt House of Art which lacks for naught
Of all the great things men have saved from Time,
The withered body of a girl was brought
Dead ere the world's glad youth had touched its prime,
And seen by lonely Arabs lying hid
In the dim womb of some black pyramid.

But when they had unloosed the linen band
Which swathed the Egyptian's body, - lo! was found
Closed in the wasted hollow of her hand
A little seed, which sown in English ground
Did wondrous snow of starry blossoms bear
And spread rich odours through our spring-tide air.

With such strange arts this flower did allure
That all forgotten was the asphodel,
And the brown bee, the lily's paramour,
Forsook the cup where he was wont to dwell,
For not a thing of earth it seemed to be,
But stolen from some heavenly Arcady.

In vain the sad narcissus, wan and white
At its own beauty, hung across the stream,
The purple dragon-fly had no delight
With its gold dust to make his wings a-gleam,
Ah! no delight the jasmine-bloom to kiss,
Or brush the rain-pearls from the eucharis.

For love of it the passionate nightingale
Forgot the hills of Thrace, the cruel king,
And the pale dove no longer cared to sail
Through the wet woods at time of blossoming,
But round this flower of Egypt sought to float,
With silvered wing and amethystine throat.

While the hot sun blazed in his tower of blue
A cooling wind crept from the land of snows,
And the warm south with tender tears of dew
Drenched its white leaves when Hesperos up-rose
Amid those sea-green meadows of the sky
On which the scarlet bars of sunset lie.

But when o'er wastes of lily-haunted field
The tired birds had stayed their amorous tune,
And broad and glittering like an argent shield
High in the sapphire heavens hung the moon,
Did no strange dream or evil memory make
Each tremulous petal of its blossoms shake?

Ah no! to this bright flower a thousand years
Seemed but the lingering of a summer's day,
It never knew the tide of cankering fears
Which turn a boy's gold hair to withered grey,
The dread desire of death it never knew,
Or how all folk that they were born must rue.

For we to death with pipe and dancing go,
Nor would we pass the ivory gate again,
As some sad river wearied of its flow
Through the dull plains, the haunts of common men,
Leaps lover-like into the terrible sea!
And counts it gain to die so gloriously.

We mar our lordly strength in barren strife
With the world's legions led by clamorous care,
It never feels decay but gathers life
From the pure sunlight and the supreme air,
We live beneath Time's wasting sovereignty,
It is the child of all eternity.
Written by Barry Tebb | Create an image from this poem

Apologies For Absence

 Sorry, Neil Oram (with an orange in my pocket)

I can’t make ,your loch-side commune by bonny Drummadrochit.



Sorry Brenda Williams, I can’t share your park bench protest near the Royal Free

At sixty I need a fire and slippers, -4 outside just isn’t me.



Sorry, Chris Torrance, I can’t make your Welsh eyrie

Just spelling Gymmercher Isaf Pontneathvaughan quite fazes me.



Sorry, Seamus Famous, your hide away in Dublin Bay

No doubt is bloody grand but I can’t face the journey to a far off foreign land.



Sorry James Kirkup, your Andorran niche

Is just too complicated for me to ever reach.

Apologies especially to Emily Bronte’s ghost -

You are the mostest hostess that I could ever boast

Your heather moor and cobbled street’s allure

Are something I’ve put off until the braw New Year.


Written by Robert William Service | Create an image from this poem

It Is Later Than You Think

 Lone amid the cafe's cheer,
Sad of heart am I to-night;
Dolefully I drink my beer,
But no single line I write.
There's the wretched rent to pay,
Yet I glower at pen and ink:
Oh, inspire me, Muse, I pray,
It is later than you think!

Hello! there's a pregnant phrase.
Bravo! let me write it down;
Hold it with a hopeful gaze,
Gauge it with a fretful frown;
Tune it to my lyric lyre . . .
Ah! upon starvation's brink,
How the words are dark and dire:
It is later than you think.

Weigh them well. . . . Behold yon band,
Students drinking by the door,
Madly merry, bock in hand,
Saucers stacked to mark their score.
Get you gone, you jolly scamps;
Let your parting glasses clink;
Seek your long neglected lamps:
It is later than you think.

Look again: yon dainty blonde,
All allure and golden grace,
Oh so willing to respond
Should you turn a smiling face.
Play your part, poor pretty doll;
Feast and frolic, pose and prink;
There's the Morgue to end it all,
And it's later than you think.

Yon's a playwright -- mark his face,
Puffed and purple, tense and tired;
Pasha-like he holds his place,
Hated, envied and admired.
How you gobble life, my friend;
Wine, and woman soft and pink!
Well, each tether has its end:
Sir, it's later than you think.

See yon living scarecrow pass
With a wild and wolfish stare
At each empty absinthe glass,
As if he saw Heaven there.
Poor damned wretch, to end your pain
There is still the Greater Drink.
Yonder waits the sanguine Seine . . .
It is later than you think.

Lastly, you who read; aye, you
Who this very line may scan:
Think of all you planned to do . . .
Have you done the best you can?
See! the tavern lights are low;
Black's the night, and how you shrink!
God! and is it time to go?
Ah! the clock is always slow;
It is later than you think;
Sadly later than you think;
Far, far later than you think.
Written by Robert William Service | Create an image from this poem

The Joy Of Being Poor

 I

Let others sing of gold and gear, the joy of being rich;
But oh, the days when I was poor, a vagrant in a ditch!
When every dawn was like a gem, so radiant and rare,
And I had but a single coat, and not a single care;
When I would feast right royally on bacon, bread and beer,
And dig into a stack of hay and doze like any peer;
When I would wash beside a brook my solitary shirt,
And though it dried upon my back I never took a hurt;
When I went romping down the road contemptuous of care,
And slapped Adventure on the back -- by Gad! we were a pair;
When, though my pockets lacked a coin, and though my coat was old,
The largess of the stars was mine, and all the sunset gold;
When time was only made for fools, and free as air was I,
And hard I hit and hard I lived beneath the open sky;
When all the roads were one to me, and each had its allure . . .
Ye Gods! these were the happy days, the days when I was poor.

II

Or else, again, old pal of mine, do you recall the times
You struggled with your storyettes, I wrestled with my rhymes;
Oh, we were happy, were we not? -- we used to live so "high"
(A little bit of broken roof between us and the sky);
Upon the forge of art we toiled with hammer and with tongs;
You told me all your rippling yarns, I sang to you my songs.
Our hats were frayed, our jackets patched, our boots were down at heel,
But oh, the happy men were we, although we lacked a meal.
And if I sold a bit of rhyme, or if you placed a tale,
What feasts we had of tenderloins and apple-tarts and ale!
And yet how often we would dine as cheerful as you please,
Beside our little friendly fire on coffee, bread and cheese.
We lived upon the ragged edge, and grub was never sure,
But oh, these were the happy days, the days when we were poor.

III

Alas! old man, we're wealthy now, it's sad beyond a doubt;
We cannot dodge prosperity, success has found us out.
Your eye is very dull and drear, my brow is creased with care,
We realize how hard it is to be a millionaire.
The burden's heavy on our backs -- you're thinking of your rents,
I'm worrying if I'll invest in five or six per cents.
We've limousines, and marble halls, and flunkeys by the score,
We play the part . . . but say, old chap, oh, isn't it a bore?
We work like slaves, we eat too much, we put on evening dress;
We've everything a man can want, I think . . . but happiness.
Come, let us sneak away, old chum; forget that we are rich,
And earn an honest appetite, and scratch an honest itch.
Let's be two jolly garreteers, up seven flights of stairs,
And wear old clothes and just pretend we aren't millionaires;
And wonder how we'll pay the rent, and scribble ream on ream,
And sup on sausages and tea, and laugh and loaf and dream.

And when we're tired of that, my friend, oh, you will come with me;
And we will seek the sunlit roads that lie beside the sea.
We'll know the joy the gipsy knows, the freedom nothing mars,
The golden treasure-gates of dawn, the mintage of the stars.
We'll smoke our pipes and watch the pot, and feed the crackling fire,
And sing like two old jolly boys, and dance to heart's desire;
We'll climb the hill and ford the brook and camp upon the moor . . .
Old chap, let's haste, I'm mad to taste the Joy of Being Poor.
Written by Andrew Marvell | Create an image from this poem

The Mower Against Gardens

 Luxurious Man, to bring his Vice in use,
Did after him the World seduce:
And from the Fields the Flow'rs and Plants allure,
Where Nature was most plain and pure.
He first enclos'd within the Gardens square
A dead and standing pool of Air:
And a more luscious Earth for them did knead,
Which stupifi'd them while it fed.
The Pink grew then as double as his Mind;
The nutriment did change the kind.
With strange perfumes he did the Roses taint.
And Flow'rs themselves were taught to paint.
The Tulip, white, did for complexion seek;
And learn'd to interline its cheek:
Its Onion root they then so high did hold,
That one was for a Meadow sold.
Another World was search'd, though Oceans new,
To find the Marvel Of Peru.
And yet these Rarities might be allow'd,
To Man, that Sov'raign thing and proud;
Had he not dealt between the Bark and Tree,
Forbidden mixtures there to see.
No Plant now knew the Stock from which it came;
He grafts upon the Wild the Tame:
That the uncertain and adult'rate fruit
Might put the Palate in dispute.
His green Seraglio has its Eunuchs too;
Lest any Tyrant him out-doe.
And in the Cherry he does Nature vex,
To procreate without a Sex.
'Tis all enforc'd; the Fountain and the Grot;
While the sweet Fields do lye forgot:
Where willing Nature does to all dispence
A wild and fragrant Innocence:
And Fauns and Faryes do the Meadows till,
More by their presence then their skill.
Their Statues polish'd by some ancient hand,
May to adorn the Gardens stand:
But howso'ere the Figures do excel,
The Gods themselves with us do dwell.
Written by Andrew Marvell | Create an image from this poem

On Mr. Miltons Paradise Lost

 When I beheld the Poet blind, yet bold,
In slender Book his vast Design unfold,
Messiah Crown'd, Gods Reconcil'd Decree,
Rebelling Angels, the Forbidden Tree,
Heav'n, Hell, Earth, Chaos, All; the Argument
Held me a while misdoubting his Intent,
That he would ruine (for I saw him strong)
The sacred Truths to Fable and old Song,
(So Sampson groap'd the Temples Posts in spight)
The World o'rewhelming to revenge his Sight.
Yet as I read, soon growing less severe,
I lik'd his Project, the success did fear;
Through that wide Field how he his way should find
O're which lame Faith leads Understanding blind;
Lest he perplext the things he would explain,
And what was easie he should render vain.
Or if a Work so infinite he spann'd,
Jealous I was that some less skilful hand
(Such as disquiet alwayes what is well,
And by ill imitating would excell)
Might hence presume the whole Creations day
To change in Scenes, and show it in a Play.
Pardon me, Mighty Poet, nor despise
My causeless, yet not impious, surmise.
But I am now convinc'd, and none will dare
Within thy Labours to pretend a Share.
Thou hast not miss'd one thought that could be fit,
And all that was improper dost omit:
So that no room is here for Writers left,
But to detect their Ignorance or Theft.
That Majesty which through thy Work doth Reign
Draws the Devout, deterring the Profane.
And things divine thou treats of in such state
As them preserves, and Thee in violate.
At once delight and horrour on us seize,
Thou singst with so much gravity and ease;
And above humane flight dost soar aloft,
With Plume so strong, so equal, and so soft.
The Bird nam'd from that Paradise you sing
So never Flags, but alwaies keeps on Wing.
Where couldst thou Words of such a compass find?
Whence furnish such a vast expense of Mind?
Just Heav'n Thee, like Tiresias, to requite,
Rewards with Prophesie thy loss of Sight.
Well might thou scorn thy Readers to allure
With tinkling Rhime, of thy own Sense secure;
While the Town-Bays writes all the while and spells,
And like a Pack-Horse tires without his Bells.
Their Fancies like our bushy Points appear,
The Poets tag them; we for fashion wear.
I too transported by the Mode offend,
And while I meant to Praise thee, must Commend.
Thy verse created like thy Theme sublime,
In Number, Weight, and Measure, needs not Rhime.
Written by Mary Darby Robinson | Create an image from this poem

The Poor Singing Dame

 Beneath an old wall, that went round an old Castle,
For many a year, with brown ivy o'erspread;
A neat little Hovel, its lowly roof raising,
Defied the wild winds that howl'd over its shed:
The turrets, that frown'd on the poor simple dwelling,
Were rock'd to and fro, when the Tempest would roar,
And the river, that down the rich valley was swelling,
Flow'd swiftly beside the green step of its door.

The Summer Sun, gilded the rushy-roof slanting,
The bright dews bespangled its ivy-bound hedge
And above, on the ramparts, the sweet Birds were chanting,
And wild buds thick dappled the clear river's edge.
When the Castle's rich chambers were haunted, and dreary,
The poor little Hovel was still, and secure;
And no robber e'er enter'd, or goblin or fairy,
For the splendours of pride had no charms to allure.

The Lord of the Castle, a proud, surly ruler,
Oft heard the low dwelling with sweet music ring:
For the old Dame that liv'd in the little Hut chearly,
Would sit at her wheel, and would merrily sing:
When with revels the Castle's great Hall was resounding,
The Old Dame was sleeping, not dreaming of fear;
And when over the mountains the Huntsmen were bounding
She would open her wicket, their clamours to hear.

To the merry-ton'd horn, she would dance on the threshold,
And louder, and louder, repeat her old Song:
And when Winter its mantle of Frost was displaying
She caroll'd, undaunted, the bare woods among:
She would gather dry Fern, ever happy and singing,
With her cake of brown bread, and her jug of brown beer,
And would smile when she heard the great Castle-bell ringing,
Inviting the Proud--to their prodigal chear.

Thus she liv'd, ever patient and ever contented,
Till Envy the Lord of the Castle possess'd,
For he hated that Poverty should be so chearful,
While care could the fav'rites of Fortune molest;
He sent his bold yeomen with threats to prevent her,
And still would she carol her sweet roundelay;
At last, an old Steward, relentless he sent her--
Who bore her, all trembling, to Prison away!

Three weeks did she languish, then died, broken-hearted,
Poor Dame! how the death-bell did mournfully sound!
And along the green path six young Bachelors bore her,
And laid her, for ever, beneath the cold ground!
And the primroses pale, 'mid the long grass were growing,
The bright dews of twilight bespangled her grave
And morn heard the breezes of summer soft blowing
To bid the fresh flow'rets in sympathy wave.

The Lord of the Castle, from that fatal moment
When poor Singing MARY was laid in her grave,
Each night was surrounded by Screech-owls appalling,
Which o'er the black turrets their pinions would wave!
On the ramparts that frown'd on the river, swift flowing,
They hover'd, still hooting a terrible song,
When his windows would rattle, the Winter blast blowing,
They would shriek like a ghost, the dark alleys among!

Wherever he wander'd they followed him crying,
At dawnlight, at Eve, still they haunted his way!
When the Moon shone across the wide common, they hooted,
Nor quitted his path, till the blazing of day.
His bones began wasting, his flesh was decaying,
And he hung his proud head, and he perish'd with shame;
And the tomb of rich marble, no soft tear displaying,
O'ershadows the grave, of THE POOR SINGING DAME!

Book: Radiant Verses: A Journey Through Inspiring Poetry