Written by
John Matthew |
It’s akin to visiting my foster mother, today,
That I am returning to you, mother city, after twenty years,
I look at your broad, bereft blood-stained streets, mater,
Through which emperors, prime ministers cavalcaded,
In victory and defeat, through gates and triumphal arches,
That murmur of the pains of your rape and impregnation.
The sudden shock of your poverty upsets me,
It is evident in the desperation of the cycle-rickshaw puller,
His eyes intent on the ground, standing on his pedals,
He pulls his woes, as if there is no halcyon tomorrows.
Your grimy streets are dusty, high walled, impenetrable,
As if you wish to guard the gory secrets within.
Is this where histories, dynasties were erected, to fall?
A dynasty now rules by proxy the city of the great Akbar,
And a fratricide of a politician now fills you with awe,
When you are the city of kingly fratricides and parricides.
Remember how Dara Shukoh was marched and beheaded,
In your own street of Chandni Chowk, of not long ago?
The secrets of your devious present and past mingle,
Where now stand glitzy malls, I know, blood had flowed,
In your dark corners soldiers, spies, princes plotted to kill,
You witnessed the dethroning of emperor Shah Jehan,
And the ascendance of his wily progeny, Aurangazeb,
And you covered your face in the folds of your veil.
Yet, now, mother city, your tears are dry, your sobs silent,
Slowly you die, spent and ravaged by your many lovers.
Though it is kitsch melodies that you hum today, you were,
Serenaded by Tansen, and Amir Khushro Dehlavi,
In your parlor once, poets and artists did conclave,
Over the “daughter of grapes” and the smell of hafim!
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Written by
Aleister Crowley |
I praise Thee, God, whose rays upstart beneath the Bright
and Morning Star:
Nowit asali fardh salat assobhi allahu akbar.
I praise Thee, God, the fierce and swart; at noon Thou ridest
forth to war!
Nowit asali fardh salat assohri allahu akabr.
I praise Thee, God, whose arrows dart their royal radiance
o'er the scar:
Nowit asali fardh salat asasri allahu akabr.
I praise Thee, God, whose fires depart, who drivest down the
sky thy car:
Nowit asali fardh salat al maghrab allahu akabr.
I praise Thee, God, whose purple heart is hidden in the abyss
afar:
Nowit asali fardh salat al asha allahu akabr.
DOST ACHIHA KHAN.
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Written by
Paul Laurence Dunbar |
In the tents of Akbar
Are dole and grief to-day,
For the flower of all the Indies
Has gone the silent way.
In the tents of Akbar
Are emptiness and gloom,
And where the dancers gather,
The silence of the tomb.
Across the yellow desert,
Across the burning sands,
Old Akbar wanders madly,
And wrings his fevered hands.
And ever makes his moaning
To the unanswering sky,
For Sutna, lovely Sutna,
Who was so fair to die.
For Sutna danced at morning,
[Pg 224]And Sutna danced at eve;
Her dusky eyes half hidden
Behind her silken sleeve.
Her pearly teeth out-glancing
Between her coral lips,
The tremulous rhythm of passion
Marked by her quivering hips.
As lovely as a jewel
Of fire and dewdrop blent,
So danced the maiden Sutna
In gallant Akbar's tent.
And one who saw her dancing,
Saw her bosom's fall and rise
Put all his body's yearning
Into his lovelit eyes.
Then Akbar came and drove him—
A jackal—from his door,
And bade him wander far and look
On Sutna's face no more.
Some day the sea disgorges,
The wilderness gives back,
Those half-dead who have wandered,
Aimless, across its track.
And he returned—the lover,
Haggard of brow and spent;
He found fair Sutna standing
Before her master's tent.
"Not mine, nor Akbar's, Sutna!"
He cried and closely pressed,
And drove his craven dagger
Straight to the maiden's breast.
Oh, weep, oh, weep, for Sutna,
So young, so dear, so fair,
Her face is gray and silent
Beneath her dusky hair.
And wail, oh, wail, for Akbar,
Who walks the desert sands,
Crying aloud for Sutna,
Wringing his fevered hands.
In the tents of Akbar
The tears of sorrow run,
But the corpse of Sutna's slayer,
Lies rotting in the sun.
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