10 Best Famous Aimlessly Poems

Here is a collection of the top 10 all-time best famous Aimlessly poems. This is a select list of the best famous Aimlessly poetry. Reading, writing, and enjoying famous Aimlessly poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of aimlessly poems.

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Written by Conrad Aiken | Create an image from this poem

Improvisations: Light And Snow

 I

The girl in the room beneath 
Before going to bed 
Strums on a mandolin 
The three simple tunes she knows. 
How inadequate they are to tell how her heart feels! 
When she has finished them several times 
She thrums the strings aimlessly with her finger-nails 
And smiles, and thinks happily of many things.

II

I stood for a long while before the shop window 
Looking at the blue butterflies embroidered on tawny silk. 
The building was a tower before me, 
Time was loud behind me, 
Sun went over the housetops and dusty trees; 
And there they were, glistening, brilliant, motionless, 
Stitched in a golden sky 
By yellow patient fingers long since turned to dust.

III

The first bell is silver, 
And breathing darkness I think only of the long scythe of time. 
The second bell is crimson, 
And I think of a holiday night, with rockets 
Furrowing the sky with red, and a soft shatter of stars. 
The third bell is saffron and slow, 
And I behold a long sunset over the sea 
With wall on wall of castled cloud and glittering balustrades. 
The fourth bell is color of bronze, 
I walk by a frozen lake in the dun light of dusk: 
Muffled crackings run in the ice, 
Trees creak, birds fly. 
The fifth bell is cold clear azure, 
Delicately tinged with green: 
One golden star hangs melting in it, 
And towards this, sleepily, I go. 
The sixth bell is as if a pebble 
Had been dropped into a deep sea far above me . . . 
Rings of sound ebb slowly into the silence.

IV

On the day when my uncle and I drove to the cemetery, 
Rain rattled on the roof of the carriage; 
And talkng constrainedly of this and that 
We refrained from looking at the child's coffin on the seat before us. 
When we reached the cemetery 
We found that the thin snow on the grass 
Was already transparent with rain; 
And boards had been laid upon it 
That we might walk without wetting our feet.

V

When I was a boy, and saw bright rows of icicles 
In many lengths along a wall 
I was dissappointed to find 
That I could not play music upon them: 
I ran my hand lightly across them 
And they fell, tinkling. 
I tell you this, young man, so that your expectations of life 
Will not be too great.

VI

It is now two hours since I left you, 
And the perfume of your hands is still on my hands. 
And though since then 
I have looked at the stars, walked in the cold blue streets, 
And heard the dead leaves blowing over the ground 
Under the trees, 
I still remember the sound of your laughter. 
How will it be, lady, when there is none left to remember you 
Even as long as this? 
Will the dust braid your hair?

VII

The day opens with the brown light of snowfall 
And past the window snowflakes fall and fall. 
I sit in my chair all day and work and work 
Measuring words against each other. 
I open the piano and play a tune 
But find it does not say what I feel, 
I grow tired of measuring words against each other, 
I grow tired of these four walls, 
And I think of you, who write me that you have just had a daughter 
And named her after your first sweetheart, 
And you, who break your heart, far away, 
In the confusion and savagery of a long war, 
And you who, worn by the bitterness of winter, 
Will soon go south. 
The snowflakes fall almost straight in the brown light 
Past my window, 
And a sparrow finds refuge on my window-ledge. 
This alone comes to me out of the world outside 
As I measure word with word.

VIII

Many things perplex me and leave me troubled, 
Many things are locked away in the white book of stars 
Never to be opened by me. 
The starr'd leaves are silently turned, 
And the mooned leaves; 
And as they are turned, fall the shadows of life and death. 
Perplexed and troubled, 
I light a small light in a small room, 
The lighted walls come closer to me, 
The familiar pictures are clear. 
I sit in my favourite chair and turn in my mind 
The tiny pages of my own life, whereon so little is written, 
And hear at the eastern window the pressure of a long wind, coming 
From I know not where.

How many times have I sat here, 
How many times will I sit here again, 
Thinking these same things over and over in solitude 
As a child says over and over 
The first word he has learned to say.

IX

This girl gave her heart to me, 
And this, and this. 
This one looked at me as if she loved me, 
And silently walked away. 
This one I saw once and loved, and never saw her again.

Shall I count them for you upon my fingers? 
Or like a priest solemnly sliding beads? 
Or pretend they are roses, pale pink, yellow, and white, 
And arrange them for you in a wide bowl 
To be set in sunlight? 
See how nicely it sounds as I count them for you—
'This girl gave her heart to me 
And this, and this, . . . ! 
And nevertheless, my heart breaks when I think of them, 
When I think their names, 
And how, like leaves, they have changed and blown 
And will lie, at last, forgotten, 
Under the snow. 

X

It is night time, and cold, and snow is falling, 
And no wind grieves the walls. 
In the small world of light around the arc-lamp 
A swarm of snowflakes falls and falls. 
The street grows silent. The last stranger passes. 
The sound of his feet, in the snow, is indistinct.

What forgotten sadness is it, on a night like this, 
Takes possession of my heart? 
Why do I think of a camellia tree in a southern garden, 
With pink blossoms among dark leaves, 
Standing, surprised, in the snow? 
Why do I think of spring?

The snowflakes, helplessly veering,, 
Fall silently past my window; 
They come from darkness and enter darkness. 
What is it in my heart is surprised and bewildered 
Like that camellia tree, 
Beautiful still in its glittering anguish? 
And spring so far away!

XI

As I walked through the lamplit gardens, 
On the thin white crust of snow, 
So intensely was I thinking of my misfortune, 
So clearly were my eyes fixed 
On the face of this grief which has come to me, 
That I did not notice the beautiful pale colouring 
Of lamplight on the snow; 
Nor the interlaced long blue shadows of trees;

And yet these things were there, 
And the white lamps, and the orange lamps, and the lamps of lilac were there, 
As I have seen them so often before; 
As they will be so often again 
Long after my grief is forgotten.

And still, though I know this, and say this, it cannot console me.

XII

How many times have we been interrupted 
Just as I was about to make up a story for you! 
One time it was because we suddenly saw a firefly 
Lighting his green lantern among the boughs of a fir-tree. 
Marvellous! Marvellous! He is making for himself 
A little tent of light in the darkness! 
And one time it was because we saw a lilac lightning flash 
Run wrinkling into the blue top of the mountain,—
We heard boulders of thunder rolling down upon us 
And the plat-plat of drops on the window, 
And we ran to watch the rain 
Charging in wavering clouds across the long grass of the field! 
Or at other times it was because we saw a star 
Slipping easily out of the sky and falling, far off, 
Among pine-dark hills; 
Or because we found a crimson eft 
Darting in the cold grass!

These things interrupted us and left us wondering; 
And the stories, whatever they might have been, 
Were never told. 
A fairy, binding a daisy down and laughing? 
A golden-haired princess caught in a cobweb? 
A love-story of long ago? 
Some day, just as we are beginning again, 
Just as we blow the first sweet note, 
Death itself will interrupt us.

XIII

My heart is an old house, and in that forlorn old house, 
In the very centre, dark and forgotten, 
Is a locked room where an enchanted princess 
Lies sleeping. 
But sometimes, in that dark house, 
As if almost from the stars, far away, 
Sounds whisper in that secret room—
Faint voices, music, a dying trill of laughter? 
And suddenly, from her long sleep, 
The beautiful princess awakes and dances.

Who is she? I do not know. 
Why does she dance? Do not ask me!—
Yet to-day, when I saw you, 
When I saw your eyes troubled with the trouble of happiness, 
And your mouth trembling into a smile, 
And your fingers pull shyly forward,—
Softly, in that room, 
The little princess arose 
And danced; 
And as she danced the old house gravely trembled 
With its vague and delicious secret.

XIV

Like an old tree uprooted by the wind 
And flung down cruelly 
With roots bared to the sun and stars 
And limp leaves brought to earth—
Torn from its house—
So do I seem to myself 
When you have left me.

XV

The music of the morning is red and warm; 
Snow lies against the walls; 
And on the sloping roof in the yellow sunlight 
Pigeons huddle against the wind. 
The music of evening is attenuated and thin—
The moon seen through a wave by a mermaid; 
The crying of a violin. 
Far down there, far down where the river turns to the west, 
The delicate lights begin to twinkle 
On the dusky arches of the bridge: 
In the green sky a long cloud, 
A smouldering wave of smoky crimson, 
Breaks in the freezing wind: and above it, unabashed, 
Remote, untouched, fierly palpitant, 
Sings the first star.

Written by Kahlil Gibran | Create an image from this poem

Good and Evil XXII

 And one of the elders of the city said, "Speak to us of Good and Evil." 

And he answered: 

Of the good in you I can speak, but not of the evil. 

For what is evil but good tortured by its own hunger and thirst? 

Verily when good is hungry it seeks food even in dark caves, and when it thirsts, it drinks even of dead waters. 

You are good when you are one with yourself. 

Yet when you are not one with yourself you are not evil. 

For a divided house is not a den of thieves; it is only a divided house. 

And a ship without rudder may wander aimlessly among perilous isles yet sink not to the bottom. 

You are good when you strive to give of yourself. 

Yet you are not evil when you seek gain for yourself. 

For when you strive for gain you are but a root that clings to the earth and sucks at her breast. 

Surely the fruit cannot say to the root, "Be like me, ripe and full and ever giving of your abundance." 

For to the fruit giving is a need, as receiving is a need to the root. 

You are good when you are fully awake in your speech, 

Yet you are not evil when you sleep while your tongue staggers without purpose. 

And even stumbling speech may strengthen a weak tongue. 

You are good when you walk to your goal firmly and with bold steps. 

Yet you are not evil when you go thither limping. 

Even those who limp go not backward. 

But you who are strong and swift, see that you do not limp before the lame, deeming it kindness. 

You are good in countless ways, and you are not evil when you are not good, 

You are only loitering and sluggard. 

Pity that the stags cannot teach swiftness to the turtles. 

In your longing for your giant self lies your goodness: and that longing is in all of you. 

But in some of you that longing is a torrent rushing with might to the sea, carrying the secrets of the hillsides and the songs of the forest. 

And in others it is a flat stream that loses itself in angles and bends and lingers before it reaches the shore. 

But let not him who longs much say to him who longs little, "Wherefore are you slow and halting?" 

For the truly good ask not the naked, "Where is your garment?" nor the houseless, "What has befallen your house?"
Written by Oscar Wilde | Create an image from this poem

The New Helen

 Where hast thou been since round the walls of Troy
The sons of God fought in that great emprise?
Why dost thou walk our common earth again?
Hast thou forgotten that impassioned boy,
His purple galley and his Tyrian men
And treacherous Aphrodite's mocking eyes?
For surely it was thou, who, like a star
Hung in the silver silence of the night,
Didst lure the Old World's chivalry and might
Into the clamorous crimson waves of war!

Or didst thou rule the fire-laden moon?
In amorous Sidon was thy temple built
Over the light and laughter of the sea
Where, behind lattice scarlet-wrought and gilt,
Some brown-limbed girl did weave thee tapestry,
All through the waste and wearied hours of noon;
Till her wan cheek with flame of passion burned,
And she rose up the sea-washed lips to kiss
Of some glad Cyprian sailor, safe returned
From Calpe and the cliffs of Herakles!

No! thou art Helen, and none other one!
It was for thee that young Sarpedon died,
And Memnon's manhood was untimely spent;
It was for thee gold-crested Hector tried
With Thetis' child that evil race to run,
In the last year of thy beleaguerment;
Ay! even now the glory of thy fame
Burns in those fields of trampled asphodel,
Where the high lords whom Ilion knew so well
Clash ghostly shields, and call upon thy name.

Where hast thou been? in that enchanted land
Whose slumbering vales forlorn Calypso knew,
Where never mower rose at break of day
But all unswathed the trammelling grasses grew,
And the sad shepherd saw the tall corn stand
Till summer's red had changed to withered grey?
Didst thou lie there by some Lethaean stream
Deep brooding on thine ancient memory,
The crash of broken spears, the fiery gleam
From shivered helm, the Grecian battle-cry?

Nay, thou wert hidden in that hollow hill
With one who is forgotten utterly,
That discrowned Queen men call the Erycine;
Hidden away that never mightst thou see
The face of Her, before whose mouldering shrine
To-day at Rome the silent nations kneel;
Who gat from Love no joyous gladdening,
But only Love's intolerable pain,
Only a sword to pierce her heart in twain,
Only the bitterness of child-bearing.

The lotus-leaves which heal the wounds of Death
Lie in thy hand; O, be thou kind to me,
While yet I know the summer of my days;
For hardly can my tremulous lips draw breath
To fill the silver trumpet with thy praise,
So bowed am I before thy mystery;
So bowed and broken on Love's terrible wheel,
That I have lost all hope and heart to sing,
Yet care I not what ruin time may bring
If in thy temple thou wilt let me kneel.

Alas, alas, thou wilt not tarry here,
But, like that bird, the servant of the sun,
Who flies before the north wind and the night,
So wilt thou fly our evil land and drear,
Back to the tower of thine old delight,
And the red lips of young Euphorion;
Nor shall I ever see thy face again,
But in this poisonous garden-close must stay,
Crowning my brows with the thorn-crown of pain,
Till all my loveless life shall pass away.

O Helen! Helen! Helen! yet a while,
Yet for a little while, O, tarry here,
Till the dawn cometh and the shadows flee!
For in the gladsome sunlight of thy smile
Of heaven or hell I have no thought or fear,
Seeing I know no other god but thee:
No other god save him, before whose feet
In nets of gold the tired planets move,
The incarnate spirit of spiritual love
Who in thy body holds his joyous seat.

Thou wert not born as common women are!
But, girt with silver splendour of the foam,
Didst from the depths of sapphire seas arise!
And at thy coming some immortal star,
Bearded with flame, blazed in the Eastern skies,
And waked the shepherds on thine island-home.
Thou shalt not die: no asps of Egypt creep
Close at thy heels to taint the delicate air;
No sullen-blooming poppies stain thy hair,
Those scarlet heralds of eternal sleep.

Lily of love, pure and inviolate!
Tower of ivory! red rose of fire!
Thou hast come down our darkness to illume:
For we, close-caught in the wide nets of Fate,
Wearied with waiting for the World's Desire,
Aimlessly wandered in the House of gloom,
Aimlessly sought some slumberous anodyne
For wasted lives, for lingering wretchedness,
Till we beheld thy re-arisen shrine,
And the white glory of thy loveliness.
Written by Claude McKay | Create an image from this poem

French Leave

 No servile little fear shall daunt my will 
This morning. I have courage steeled to say 
I will be lazy, conqueringly still, 
I will not lose the hours in toil this day. 

The roaring world without, careless of souls, 
Shall leave me to my placid dream of rest, 
My four walls shield me from its shouting ghouls, 
And all its hates have fled my quiet breast. 

And I will loll here resting, wide awake, 
Dead to the world of work, the world of love, 
I laze contented just for dreaming's sake 
With not the slightest urge to think or move. 

How tired unto death, how tired I was! 
Now for a day I put my burdens by, 
And like a child amidst the meadow grass 
Under the southern sun, I languid lie 

And feel the bed about me kindly deep, 
My strength ooze gently from my hollow bones, 
My worried brain drift aimlessly to sleep, 
Like softening to a song of tuneful tones.
Written by Barry Tebb | Create an image from this poem

Happy Thirtieth Birthday Carcanet Books

 Sorry, I almost forgot, but I don't think

Its worth the effort to become a Carcanet poet

With my mug-shot on art gloss paper

In your catalogue as big as Mont Blanc

Easier to imagine, as Benjamin Peret did,

A wind that would unscrew the mountain

Or stars like apricot tarts strolling

Aimlessly along the Boulevard of Broken Dreams.

Written by Jack Spicer | Create an image from this poem

Thing Language

 This ocean, humiliating in its disguises
Tougher than anything.
No one listens to poetry. The ocean
Does not mean to be listened to. A drop
Or crash of water. It means
Nothing.
It
Is bread and butter
Pepper and salt. The death
That young men hope for. Aimlessly
It pounds the shore. White and aimless signals. No
One listens to poetry.
Written by Emily Dickinson | Create an image from this poem

On the World you colored

 On the World you colored
Morning painted rose --
Idle his Vermillion
Aimlessly crept the Glows
Over Realms of Orchards
I the Day before
Conquered with the Robin --
Misery, how fair
Till your wrinkled Finger
Shored the sun away
Midnight's awful Pattern
In the Goods of Day --
Written by Edgar Lee Masters | Create an image from this poem

William Goode

 To all in the village I seemed, no doubt,
To go this way and that way, aimlessly.
But here by the river you can see at twilight
The soft-winged bats fly zig-zag here and there --
They must fly so to catch their food.
And if you have ever lost your way at night,
In the deep wood near Miller's Ford,
And dodged this way and now that,
Wherever the light of the Milky Way shone through,
Trying to find the path,
You should understand I sought the way
With earnest zeal, and all my wanderings
Were wanderings in the quest.
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