Written by
T S (Thomas Stearns) Eliot |
WEBSTER was much possessed by death
And saw the skull beneath the skin;
And breastless creatures under ground
Leaned backward with a lipless grin.
Daffodil bulbs instead of balls
Stared from the sockets of the eyes!
He knew that thought clings round dead limbs
Tightening its lusts and luxuries.
Donne, I suppose, was such another
Who found no substitute for sense,
To seize and clutch and penetrate;
Expert beyond experience,
He knew the anguish of the marrow
The ague of the skeleton;
No contact possible to flesh
Allayed the fever of the bone.
. . . . .
Grishkin is nice: her Russian eye
Is underlined for emphasis;
Uncorseted, her friendly bust
Gives promise of pneumatic bliss.
The couched Brazilian jaguar
Compels the scampering marmoset
With subtle effluence of cat;
Grishkin has a maisonette;
The sleek Brazilian jaguar
Does not in its arboreal gloom
Distil so rank a feline smell
As Grishkin in a drawing-room.
And even the Abstract Entities
Circumambulate her charm;
But our lot crawls between dry ribs
To keep our metaphysics warm.
|
Written by
Derek Walcott |
The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.
The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.
"The rustling of ruble notes by the lemon Neva."
Under your exile's tongue, crisp under heel,
the gutturals crackle like decaying leaves,
the phrase from Mandelstam circles with light
in a brown room, in barren Oklahoma.
There is a Gulag Archipelago
under this ice, where the salt, mineral spring
of the long Trail of Tears runnels these plains
as hard and open as a herdsman's face
sun-cracked and stubbled with unshaven snow.
Growing in whispers from the Writers' Congress,
the snow circles like cossacks round the corpse
of a tired Choctaw till it is a blizzard
of treaties and white papers as we lose
sight of the single human through the cause.
So every spring these branches load their shelves,
like libraries with newly published leaves,
till waste recycles them—paper to snow—
but, at zero of suffering, one mind
lasts like this oak with a few brazen leaves.
As the train passed the forest's tortured icons,
ths floes clanging like freight yards, then the spires
of frozen tears, the stations screeching steam,
he drew them in a single winters' breath
whose freezing consonants turned into stone.
He saw the poetry in forlorn stations
under clouds vast as Asia, through districts
that could gulp Oklahoma like a grape,
not these tree-shaded prairie halts but space
so desolate it mocked destinations.
Who is that dark child on the parapets
of Europe, watching the evening river mint
its sovereigns stamped with power, not with poets,
the Thames and the Neva rustling like banknotes,
then, black on gold, the Hudson's silhouettes?
>From frozen Neva to the Hudson pours,
under the airport domes, the echoing stations,
the tributary of emigrants whom exile
has made as classless as the common cold,
citizens of a language that is now yours,
and every February, every "last autumn",
you write far from the threshing harvesters
folding wheat like a girl plaiting her hair,
far from Russia's canals quivering with sunstroke,
a man living with English in one room.
The tourist archipelagoes of my South
are prisons too, corruptible, and though
there is no harder prison than writing verse,
what's poetry, if it is worth its salt,
but a phrase men can pass from hand to mouth?
>From hand to mouth, across the centuries,
the bread that lasts when systems have decayed,
when, in his forest of barbed-wire branches,
a prisoner circles, chewing the one phrase
whose music will last longer than the leaves,
whose condensation is the marble sweat
of angels' foreheads, which will never dry
till Borealis shuts the peacock lights
of its slow fan from L.A. to Archangel,
and memory needs nothing to repeat.
Frightened and starved, with divine fever
Osip Mandelstam shook, and every
metaphor shuddered him with ague,
each vowel heavier than a boundary stone,
"to the rustling of ruble notes by the lemon Neva,"
but now that fever is a fire whose glow
warms our hands, Joseph, as we grunt like primates
exchanging gutturals in this wintry cave
of a brown cottage, while in drifts outside
mastodons force their systems through the snow.
|
Written by
Thomas Hood |
Oh, very gloomy is the house of woe,
Where tears are falling while the bell is knelling,
With all the dark solemnities that show
That Death is in the dwelling!
Oh, very, very dreary is the room
Where Love, domestic Love, no longer nestles,
But smitten by the common stroke of doom,
The corpse lies on the trestles!
But house of woe, and hearse, and sable pall,
The narrow home of the departed mortal,
Ne’er looked so gloomy as that Ghostly Hall,
With its deserted portal!
The centipede along the threshold crept,
The cobweb hung across in mazy tangle,
And in its winding sheet the maggot slept
At every nook and angle.
The keyhole lodged the earwig and her brood,
The emmets of the steps has old possession,
And marched in search of their diurnal food
In undisturbed procession.
As undisturbed as the prehensile cell
Of moth or maggot, or the spider’s tissue,
For never foot upon that threshold fell,
To enter or to issue.
O’er all there hung the shadow of a fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted.
Howbeit, the door I pushed—or so I dreamed--
Which slowly, slowly gaped, the hinges creaking
With such a rusty eloquence, it seemed
That Time himself was speaking.
But Time was dumb within that mansion old,
Or left his tale to the heraldic banners
That hung from the corroded walls, and told
Of former men and manners.
Those tattered flags, that with the opened door,
Seemed the old wave of battle to remember,
While fallen fragments danced upon the floor
Like dead leaves in December.
The startled bats flew out, bird after bird,
The screech-owl overhead began to flutter,
And seemed to mock the cry that she had heard
Some dying victim utter!
A shriek that echoed from the joisted roof,
And up the stair, and further still and further,
Till in some ringing chamber far aloof
In ceased its tale of murther!
Meanwhile the rusty armor rattled round,
The banner shuddered, and the ragged streamer;
All things the horrid tenor of the sound
Acknowledged with a tremor.
The antlers where the helmet hung, and belt,
Stirred as the tempest stirs the forest branches,
Or as the stag had trembled when he felt
The bloodhound at his haunches.
The window jingled in its crumbled frame,
And through its many gaps of destitution
Dolorous moans and hollow sighings came,
Like those of dissolution.
The wood-louse dropped, and rolled into a ball,
Touched by some impulse occult or mechanic;
And nameless beetles ran along the wall
In universal panic.
The subtle spider, that, from overhead,
Hung like a spy on human guilt and error,
Suddenly turned, and up its slender thread
Ran with a nimble terror.
The very stains and fractures on the wall,
Assuming features solemn and terrific,
Hinted some tragedy of that old hall,
Locked up in hieroglyphic.
Some tale that might, perchance, have solved the doubt,
Wherefore, among those flags so dull and livid,
The banner of the bloody hand shone out
So ominously vivid.
Some key to that inscrutable appeal
Which made the very frame of Nature quiver,
And every thrilling nerve and fiber feel
So ague-like a shiver.
For over all there hung a cloud of fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted!
Prophetic hints that filled the soul with dread,
But through one gloomy entrance pointing mostly,
The while some secret inspiration said,
“That chamber is the ghostly!”
Across the door no gossamer festoon
Swung pendulous, --no web, no dusty fringes,
No silky chrysalis or white cocoon,
About its nooks and hinges.
The spider shunned the interdicted room,
The moth, the beetle, and the fly were banished,
And when the sunbeam fell athwart the gloom,
The very midge had vanished.
One lonely ray that glanced upon a bed,
As if with awful aim direct and certain,
To show the Bloody Hand, in burning red,
Embroidered on the curtain.
|
Written by
Walt Whitman |
TO get betimes in Boston town, I rose this morning early;
Here’s a good place at the corner—I must stand and see the show.
Clear the way there, Jonathan!
Way for the President’s marshal! Way for the government cannon!
Way for the Federal foot and dragoons—and the apparitions copiously tumbling.
I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.
How bright shine the cutlasses of the foremost troops!
Every man holds his revolver, marching stiff through Boston town.
A fog follows—antiques of the same come limping,
Some appear wooden-legged, and some appear bandaged and bloodless.
Why this is indeed a show! It has called the dead out of the earth!
The old grave-yards of the hills have hurried to see!
Phantoms! phantoms countless by flank and rear!
Cock’d hats of mothy mould! crutches made of mist!
Arms in slings! old men leaning on young men’s shoulders!
What troubles you, Yankee phantoms? What is all this chattering of bare gums?
Does the ague convulse your limbs? Do you mistake your crutches for fire-locks, and level
them?
If you blind your eyes with tears, you will not see the President’s marshal;
If you groan such groans, you might balk the government cannon.
For shame, old maniacs! Bring down those toss’d arms, and let your white hair be;
Here gape your great grand-sons—their wives gaze at them from the windows,
See how well dress’d—see how orderly they conduct themselves.
Worse and worse! Can’t you stand it? Are you retreating?
Is this hour with the living too dead for you?
Retreat then! Pell-mell!
To your graves! Back! back to the hills, old limpers!
I do not think you belong here, anyhow.
But there is one thing that belongs here—shall I tell you what it is, gentlemen of
Boston?
I will whisper it to the Mayor—he shall send a committee to England;
They shall get a grant from the Parliament, go with a cart to the royal vault—haste!
Dig out King George’s coffin, unwrap him quick from the grave-clothes, box up his
bones
for a
journey;
Find a swift Yankee clipper—here is freight for you, black-bellied clipper,
Up with your anchor! shake out your sails! steer straight toward Boston bay.
Now call for the President’s marshal again, bring out the government cannon,
Fetch home the roarers from Congress, make another procession, guard it with foot and
dragoons.
This centre-piece for them:
Look! all orderly citizens—look from the windows, women!
The committee open the box, set up the regal ribs, glue those that will not stay,
Clap the skull on top of the ribs, and clap a crown on top of the skull.
You have got your revenge, old buster! The crown is come to its own, and more than its
own.
Stick your hands in your pockets, Jonathan—you are a made man from this day;
You are mighty cute—and here is one of your bargains.
|
Written by
Ezra Pound |
Winter is icummen in,
Lhude sing Goddamm.
Raineth drop and staineth slop,
And how the wind doth ramm!
Sing: Goddamm.
Skiddeth bus and sloppeth us,
An ague hath my ham.
Freezeth river, turneth liver,
Damn you, sing: Goddamm.
Goddamm, Goddamm, 'tis why I am, Goddamm,
So 'gainst the winter's balm.
Sing goddamm, damm, sing Goddamm.
Sing goddamm, sing goddamm, DAMM.
A parody of the Anglo-Saxon poem, Cuckoo Song
|
Written by
Robert Southey |
Argument.
To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.
SAPPHO
(Scene the promontory of Leucadia.)
This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head
Swims at the precipice--'tis death to fall!
Lie still, thou coward heart! this is no time
To shake with thy strong throbs the frame convuls'd.
To die,--to be at rest--oh pleasant thought!
Perchance to leap and live; the soul all still,
And the wild tempest of the passions husht
In one deep calm; the heart, no more diseas'd
By the quick ague fits of hope and fear,
Quietly cold!
Presiding Powers look down!
In vain to you I pour'd my earnest prayers,
In vain I sung your praises: chiefly thou
VENUS! ungrateful Goddess, whom my lyre
Hymn'd with such full devotion! Lesbian groves,
Witness how often at the languid hour
Of summer twilight, to the melting song
Ye gave your choral echoes! Grecian Maids
Who hear with downcast look and flushing cheek
That lay of love bear witness! and ye Youths,
Who hang enraptur'd on the empassion'd strain
Gazing with eloquent eye, even till the heart
Sinks in the deep delirium! and ye too
Shall witness, unborn Ages! to that song
Of warmest zeal; ah witness ye, how hard,
Her fate who hymn'd the votive hymn in vain!
Ungrateful Goddess! I have hung my lute
In yonder holy pile: my hand no more
Shall wake the melodies that fail'd to move
The heart of Phaon--yet when Rumour tells
How from Leucadia Sappho hurl'd her down
A self-devoted victim--he may melt
Too late in pity, obstinate to love.
Oh haunt his midnight dreams, black NEMESIS!
Whom, self-conceiving in the inmost depths
Of CHAOS, blackest NIGHT long-labouring bore,
When the stern DESTINIES, her elder brood.
And shapeless DEATH, from that more monstrous birth
Leapt shuddering! haunt his slumbers, Nemesis,
Scorch with the fires of Phlegethon his heart,
Till helpless, hopeless, heaven-abandon'd wretch
He too shall seek beneath the unfathom'd deep
To hide him from thy fury.
How the sea
Far distant glitters as the sun-beams smile,
And gayly wanton o'er its heaving breast
Phoebus shines forth, nor wears one cloud to mourn
His votary's sorrows! God of Day shine on--
By Man despis'd, forsaken by the Gods,
I supplicate no more.
How many a day,
O pleasant Lesbos! in thy secret streams
Delighted have I plung'd, from the hot sun
Screen'd by the o'er-arching groves delightful shade,
And pillowed on the waters: now the waves
Shall chill me to repose.
Tremendous height!
Scarce to the brink will these rebellious limbs
Support me. Hark! how the rude deep below
Roars round the rugged base, as if it called
Its long-reluctant victim! I will come.
One leap, and all is over! The deep rest
Of Death, or tranquil Apathy's dead calm
Welcome alike to me. Away vain fears!
Phaon is cold, and why should Sappho live?
Phaon is cold, or with some fairer one--
Thought worse than death!
(She throws herself from the precipice.)
|
Written by
Victor Hugo |
("Lorsque avec ses enfants Cain se fût enfui.")
{Bk. II}
Then, with his children, clothed in skins of brutes,
Dishevelled, livid, rushing through the storm,
Cain fled before Jehovah. As night fell
The dark man reached a mount in a great plain,
And his tired wife and his sons, out of breath,
Said: "Let us lie down on the earth and sleep."
Cain, sleeping not, dreamed at the mountain foot.
Raising his head, in that funereal heaven
He saw an eye, a great eye, in the night
Open, and staring at him in the gloom.
"I am too near," he said, and tremblingly woke up
His sleeping sons again, and his tired wife,
And fled through space and darkness. Thirty days
He went, and thirty nights, nor looked behind;
Pale, silent, watchful, shaking at each sound;
No rest, no sleep, till he attained the strand
Where the sea washes that which since was Asshur.
"Here pause," he said, "for this place is secure;
Here may we rest, for this is the world's end."
And he sat down; when, lo! in the sad sky,
The selfsame Eye on the horizon's verge,
And the wretch shook as in an ague fit.
"Hide me!" he cried; and all his watchful sons,
Their finger on their lip, stared at their sire.
Cain said to Jabal (father of them that dwell
In tents): "Spread here the curtain of thy tent,"
And they spread wide the floating canvas roof,
And made it fast and fixed it down with lead.
"You see naught now," said Zillah then, fair child
The daughter of his eldest, sweet as day.
But Cain replied, "That Eye—I see it still."
And Jubal cried (the father of all those
That handle harp and organ): "I will build
A sanctuary;" and he made a wall of bronze,
And set his sire behind it. But Cain moaned,
"That Eye is glaring at me ever." Henoch cried:
"Then must we make a circle vast of towers,
So terrible that nothing dare draw near;
Build we a city with a citadel;
Build we a city high and close it fast."
Then Tubal Cain (instructor of all them
That work in brass and iron) built a tower—
Enormous, superhuman. While he wrought,
His fiery brothers from the plain around
Hunted the sons of Enoch and of Seth;
They plucked the eyes out of whoever passed,
And hurled at even arrows to the stars.
They set strong granite for the canvas wall,
And every block was clamped with iron chains.
It seemed a city made for hell. Its towers,
With their huge masses made night in the land.
The walls were thick as mountains. On the door
They graved: "Let not God enter here." This done,
And having finished to cement and build
In a stone tower, they set him in the midst.
To him, still dark and haggard, "Oh, my sire,
Is the Eye gone?" quoth Zillah tremblingly.
But Cain replied: "Nay, it is even there."
Then added: "I will live beneath the earth,
As a lone man within his sepulchre.
I will see nothing; will be seen of none."
They digged a trench, and Cain said: "'Tis enow,"
As he went down alone into the vault;
But when he sat, so ghost-like, in his chair,
And they had closed the dungeon o'er his head,
The Eye was in the tomb and fixed on Cain.
Dublin University Magazine
|
Written by
John Donne |
Oh, to vex me, contraries meet in one:
Inconstancy unnaturally hath begot
A constant habit; that when I would not
I change in vows, and in devotion.
As humorous is my contrition
As my profane love, and as soon forgot:
As riddlingly distempered, cold and hot,
As praying, as mute; as infinite, as none.
I durst not view heaven yesterday; and today
In prayers and flattering speeches I court God:
Tomorrow I quake with true fear of his rod.
So my devout fits come and go away
Like a fantastic ague; save that here
Those are my best days, when I shake with feare.
|
Written by
Wilfred Owen |
"I will to the King,
And offer him consolation in his trouble,
For that man there has set his teeth to die,
And being one that hates obedience,
Discipline, and orderliness of life,
I cannot mourn him."
W. B. Yeats.
Patting goodbye, doubtless they told the lad
He'd always show the Hun a brave man's face;
Father would sooner him dead than in disgrace, --
Was proud to see him going, aye, and glad.
Perhaps his Mother whimpered how she'd fret
Until he got a nice, safe wound to nurse.
Sisters would wish girls too could shoot, charge, curse, . . .
Brothers -- would send his favourite cigarette,
Each week, month after month, they wrote the same,
Thinking him sheltered in some Y.M. Hut,
Where once an hour a bullet missed its aim
And misses teased the hunger of his brain.
His eyes grew old with wincing, and his hand
Reckless with ague. Courage leaked, as sand
From the best sandbags after years of rain.
But never leave, wound, fever, trench-foot, shock,
Untrapped the wretch. And death seemed still withheld
For torture of lying machinally shelled,
At the pleasure of this world's Powers who'd run amok.
He'd seen men shoot their hands, on night patrol,
Their people never knew. Yet they were vile.
"Death sooner than dishonour, that's the style!"
So Father said.
One dawn, our wire patrol
Carried him. This time, Death had not missed.
We could do nothing, but wipe his bleeding cough.
Could it be accident? -- Rifles go off . . .
Not sniped? No. (Later they found the English ball.)
It was the reasoned crisis of his soul.
Against the fires that would not burn him whole
But kept him for death's perjury and scoff
And life's half-promising, and both their riling.
With him they buried the muzzle his teeth had kissed,
And truthfully wrote the Mother "Tim died smiling."
|
Written by
George (Lord) Byron |
If, in the month of dark December,
Leander, who was nightly wont
(What maid will not the tale remember?)
To cross thy stream, broad Hellespont!
If, when the wintry tempest roared,
He sped to Hero, nothing loath,
And thus of old thy current poured,
Fair Venus! how I pity both!
For me, degenerate modern wretch,
Though in the genial month of May,
My dripping limbs I faintly stretch,
And think I've done a feat today.
But since he crossed the rapid tide,
According to the doubtful story,
To woo—and—Lord knows what beside,
And swam for Love, as I for Glory;
'Twere hard to say who fared the best:
Sad mortals! thus the gods still plague you!
He lost his labour, I my jest;
For he was drowned, and I've the ague.
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