Written by
Charles Baudelaire |
I love the naked ages long ago
When statues were gilded by Apollo,
When men and women of agility
Could play without lies and anxiety,
And the sky lovingly caressed their spines,
As it exercised its noble machine.
Fertile Cybele, mother of nature, then,
Would not place on her daughters a burden,
But, she-wolf sharing her heart with the people,
Would feed creation from her brown nipples.
Men, elegant and strong, would have the right
To be proud to have beauty named their king;
Virgin fruit free of blemish and cracking,
Whose flesh smooth and firm would summon a bite!
The Poet today, when he would convey
This native grandeur, would not be swept away
By man free and woman natural,
But would feel darkness envelop his soul
Before this black tableau full of loathing.
O malformed monsters crying for clothing!
O ludicrous heads! Torsos needing disguise!
O poor writhing bodies of every wrong size,
Children that the god of the Useful swaths
In the language of bronze and brass!
And women, alas! You shadow your heredity,
You gnaw nourishment from debauchery,
A virgin holds maternal lechery
And all the horrors of fecundity!
We have, it is true, corrupt nations,
Beauty unknown to the radiant ancients:
Faces that gnaw through the heart's cankers,
And talk with the cool beauty of languor;
But these inventions of our backward muses
Are never hindered in their morbid uses
Of the old for profound homage to youth,
—To the young saint, the sweet air, the simple truth,
To the eye as limpid as the water current,
To spread out over all, insouciant
Like the blue sky, the birds and the flowers,
Its perfumes, its songs and its sweet fervors.
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Written by
Charles Baudelaire |
Above the ponds, beyond the valleys,
The woods, the mountains, the clouds, the seas,
Farther than the sun, the distant breeze,
The spheres that wilt to infinity
My spirit, you move with agility
And, like a good swimmer who swoons in the wave
You groove the depths immensity gave,
The inexpressible and male ecstasy.
>From this miasma of waste,
You will be purified in superior air
And drink a pure and divine liqueur,
A clear fire to replace the limpid space
Behind this boredom and fatigue, this vast chagrin
Whose weight moves the mists of existence,
Happy is he who vigorously fans the senses
Toward serene and luminous fields—wincing!
The one whose thoughts are like skylarks taken wing
Across the heavens mornings in full flight
—Who hovers over life, understanding without effort
The language of flowers and mute things.
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Written by
Ogden Nash |
They tell me that euphoria is the feeling of feeling wonderful,
well, today I feel euphorian,
Today I have the agility of a Greek god and the appetitite of a
Victorian.
Yes, today I may even go forth without my galoshes,
Today I am a swashbuckler, would anybody like me to buckle
any swashes?
This is my euphorian day,
I will ring welkins and before anybody answers I will run away.
I will tame me a caribou
And bedeck it with marabou.
I will pen me my memoirs.
Ah youth, youth! What euphorian days them was!
I wasn't much of a hand for the boudoirs,
I was generally to be found where the food was.
Does anybody want any flotsam?
I've gotsam.
Does anybody want any jetsam?
I can getsam.
I can play chopsticks on the Wurlitzer,
I can speak Portuguese like a Berlitzer.
I can don or doff my shoes without tying or untying the laces because
I am wearing moccasins,
And I practically know the difference between serums and antitoccasins.
Kind people, don't think me purse-proud, don't set me down as
vainglorious,
I'm just a little euphorious.
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Written by
Elizabeth Bishop |
This is not my home.
How did I get so far from water? It must
be over that way somewhere.
I am the color of wine, of tinta.
The inside of my powerful
right claw is saffron-yellow.
See, I see it now; I wave it like a
flag.
I am dapper and elegant; I move with great precision,
cleverly managing all my smaller yellow claws.
I believe in the
oblique, the indirect approach, and I keep my feelings to myself.
But on this strange, smooth surface I am making too much
noise.
I wasn't meant for this.
If I maneuver a bit and keep a
sharp lookout, I shall find my pool again.
Watch out for my right
claw, all passersby! This place is too hard.
The rain has stopped,
and it is damp, but still not wet enough to please me.
My eyes are good, though small; my shell is tough and tight.
In my own pool are many small gray fish.
I see right through
them.
Only their large eyes are opaque, and twitch at me.
They
are hard to catch but I, I catch them quickly in my arms and
eat them up.
What is that big soft monster, like a yellow cloud, stifling
and warm? What is it doing? It pats my back.
Out, claw.
There,
I have frightened it away.
It's sitting down, pretending nothing's
happened.
I'll skirt it.
It's still pretending not to see me.
Out of
my way, O monster.
I own a pool, all the little fish that swim in it,
and all the skittering waterbugs that smell like rotten apples.
Cheer up, O grievous snail.
I tap your shell, encouragingly,
not that you will ever know about it.
And I want nothing to do with you, either, sulking toad.
Imagine, at least four times my size and yet so vulnerable.
.
.
I
could open your belly with my claw.
You glare and bulge, a
watchdog near my pool; you make a loud and hollow noise.
I
do not care for such stupidity.
I admire compression, lightness,
and agility, all rare in this loose world.
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Written by
Michael Donaghy |
Dearest, note how these two are alike:
This harpsicord pavane by Purcell
And the racer's twelve-speed bike.
The machinery of grace is always simple.
This chrome trapezoid, one wheel connected
To another of concentric gears,
Which Ptolemy dreamt of and Schwinn perfected,
Is gone.
The cyclist, not the cycle, steers.
And in the playing, Purcell's chords are played away.
So this talk, or touch if I were there,
Should work its effortless gadgetry of love,
Like Dante's heaven, and melt into the air.
If it doesn't, of course, I've fallen.
So much is chance,
So much agility, desire, and feverish care,
As bicyclists and harpsicordists prove
Who only by moving can balance,
Only by balancing move.
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Written by
Robert William Service |
You've heard of Violet de Vere, strip-teaser of renown,
Whose sitting-base out-faired the face of any girl in town;
Well, she was haled before the Bench for breachin' of the Peace,
Which signifies araisin' Cain, an' beatin' up the police.
So there she stood before the Court of ruddy Judge McGraw
Whom folks called Old Necessity, because he knew no law.
Aye, crackin' in a silken gown, an' sheddin' of a tear,
Ashine wi' gold an' precious stones sat Violet de Vere.
Old Judge McGraw looked dourly down an' stroked his silver beard.
Says he: "Although the Sheriff's bruised, the lady should be heared.
What can you say in your defence? We'll give you a square deal.
"
"I jest forget," said Violet.
"Maybe it was my heel.
I always want to kick the gong when I am feelin' gay;
It's most unfortunate, I guess, his face was in the way.
"
Then scratchin' of his snowy pow the Judge looked down severe,
Where bright wi' paint like plaster saint sat Violet de Vere.
Says he: "I'm going to impose a twenty dollar fine.
"
Says Violet: "Your Honour, to your judgement I resign.
I realize I should not my agility reveal:
Next time I'll kick the Sheriff with my toe and not my heel.
I'm grateful to the Court because I'm not put in the clink;
There's twenty plunks to pay my fine,--but now I come to think:
Judge, darlin', you've been owin' me five bucks for near a year:
Take fifteen,--there! We'll call it square," said Violet de Vere.
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