Written by
Ralph Waldo Emerson |
Give me truths;
For I am weary of the surfaces,
And die of inanition.
If I knew
Only the herbs and simples of the wood,
Rue, cinquefoil, gill, vervain and agrimony,
Blue-vetch and trillium, hawkweed, sassafras,
Milkweeds and murky brakes, quaint pipes and sun-dew,
And rare and virtuous roots, which in these woods
Draw untold juices from the common earth,
Untold, unknown, and I could surely spell
Their fragrance, and their chemistry apply
By sweet affinities to human flesh,
Driving the foe and stablishing the friend,--
O, that were much, and I could be a part
Of the round day, related to the sun
And planted world, and full executor
Of their imperfect functions.
But these young scholars, who invade our hills,
Bold as the engineer who fells the wood,
And traveling often in the cut he makes,
Love not the flower they pluck, and know it not,
And all their botany is Latin names.
The old men studied magic in the flowers,
And human fortunes in astronomy,
And an omnipotence in chemistry,
Preferring things to names, for these were men,
Were unitarians of the united world,
And, wheresoever their clear eye-beams fell,
They caught the footsteps of the SAME.
Our eyes
And strangers to the mystic beast and bird,
And strangers to the plant and to the mine.
The injured elements say, 'Not in us;'
And haughtily return us stare for stare.
For we invade them impiously for gain;
We devastate them unreligiously,
And coldly ask their pottage, not their love.
Therefore they shove us from them, yield to us
Only what to our griping toil is due;
But the sweet affluence of love and song,
The rich results of the divine consents
Of man and earth, of world beloved and lover,
The nectar and ambrosia, are withheld;
And in the midst of spoils and slaves, we thieves
And pirates of the universe, shut out
Daily to a more thin and outward rind,
Turn pale and starve.
Therefore, to our sick eyes,
The stunted trees look sick, the summer short,
Clouds shade the sun, which will not tan our hay,
And nothing thrives to reach its natural term;
And life, shorn of its venerable length,
Even at its greatest space is a defeat,
And dies in anger that it was a dupe;
And, in its highest noon and wantonness,
Is early frugal, like a beggar's child;
Even in the hot pursuit of the best aims
And prizes of ambition, checks its hand,
Like Alpine cataracts frozen as they leaped,
Chilled with a miserly comparison
Of the toy's purchase with the length of life.
|
Written by
Wallace Stevens |
Ariel was glad he had written his poems.
They were of a remembered time
Or of something seen that he liked.
Other makings of the sun
Were waste and welter
And the ripe shrub writhed.
His self and the sun were one
And his poems, although makings of his self,
Were no less makings of the sun.
It was not important that they survive.
What mattered was that they should bear
Some lineament or character,
Some affluence, if only half-perceived,
In the poverty of their words,
Of the planet of which they were part.
|
Written by
Derek Walcott |
You can't put in the ground swell of the organ
from the Christiansted, St.
Croix, Anglican Church
behind the paratrooper's voice: "Turned cop
after Vietnam.
I made thirty jumps.
"
Bells punish the dead street and pigeons lurch
from the stone belfry, opening their chutes,
circling until the rings of ringing stop.
"Salud!" The paratrooper's glass is raised.
The congregation rises to its feet
like a patrol, with scuffling shoes and boots,
repeating orders as the organ thumps:
"Praise Ye the Lord.
The Lord's name be praised.
"
You cannot hear, beyond the quiet harbor,
the breakers cannonading on the bruised
horizon, or the charter engines gunning for
Buck Island.
The only war here is a war
of silence between blue sky and sea,
and just one voice, the marching choir's, is raised
to draft new conscripts with the ancient cry
of "Onward, Christian Soldiers," into pews
half-empty still, or like a glass, half-full.
Pinning itself to a cornice, a gull
hangs like a medal from the serge-blue sky.
Are these boats all? Is the blue water all?
The rocks surpliced with lace where they are moored,
dinghy, catamaran, and racing yawl,
nodding to the ground swell of "Praise the Lord"?
Wesley and Watts, their evangelical light
lanced down the mine shafts to our chapel pew,
its beam gritted with motes of anthracite
that drifted on us in our chapel benches:
from God's slow-grinding mills in Lancashire,
ash on the dead mired in Flanders' trenches,
as a gray drizzle now defiles the view
of this blue harbor, framed in windows where
two yellow palm fronds, jerked by the wind's rain,
agree like horses' necks, and nodding bear,
slow as a hearse, a haze of tasseled rain,
and, as the weather changes in a child,
the paradisal day outside grows dark,
the yachts flutter like moths in a gray jar,
the martial voices fade in thunder, while
across the harbor, like a timid lure,
a rainbow casts its seven-colored arc.
Tonight, now Sunday has been put to rest.
Altar lights ride the black glass where the yachts
stiffly repeat themselves and phosphoresce
with every ripple - the wide parking-lots
of tidal affluence - and every mast
sways the night's dial as its needle veers
to find the station which is truly peace.
Like neon lasers shot across the bars
discos blast out the music of the spheres,
and, one by one, science infects the stars.
|
Written by
Henry Wadsworth Longfellow |
L'eternite est une pendule, dont le balancier dit et redit sans
cesse ces deux mots seulement dans le silence des tombeaux:
"Toujours! jamais! Jamais! toujours!"--JACQUES BRIDAINE.
Somewhat back from the village street
Stands the old-fashioned country-seat.
Across its antique portico
Tall poplar-trees their shadows throw;
And from its station in the hall
An ancient timepiece says to all,--
"Forever--never!
Never--forever!"
Half-way up the stairs it stands,
And points and beckons with its hands
From its case of massive oak,
Like a monk, who, under his cloak,
Crosses himself, and sighs, alas!
With sorrowful voice to all who pass,--
"Forever--never!
Never--forever!"
By day its voice is low and light;
But in the silent dead of night,
Distinct as a passing footstep's fall,
It echoes along the vacant hall,
Along the ceiling, along the floor,
And seems to say, at each chamber-door,--
"Forever--never!
Never--forever!"
Through days of sorrow and of mirth,
Through days of death and days of birth,
Through every swift vicissitude
Of changeful time, unchanged it has stood,
And as if, like God, it all things saw,
It calmly repeats those words of awe,--
"Forever--never!
Never--forever!"
In that mansion used to be
Free-hearted Hospitality;
His great fires up the chimney roared;
The stranger feasted at his board;
But, like the skeleton at the feast,
That warning timepiece never ceased,--
"Forever--never!
Never--forever!"
There groups of merry children played,
There youths and maidens dreaming strayed;
O precious hours! O golden prime,
And affluence of love and time!
Even as a Miser counts his gold,
Those hours the ancient timepiece told,--
"Forever--never!
Never--forever!"
From that chamber, clothed in white,
The bride came forth on her wedding night;
There, in that silent room below,
The dead lay in his shroud of snow;
And in the hush that followed the prayer,
Was heard the old clock on the stair,--
"Forever--never!
Never--forever!"
All are scattered now and fled,
Some are married, some are dead;
And when I ask, with throbs of pain.
"Ah! when shall they all meet again?"
As in the days long since gone by,
The ancient timepiece makes reply,--
"Forever--never!
Never--forever!
Never here, forever there,
Where all parting, pain, and care,
And death, and time shall disappear,--
Forever there, but never here!
The horologe of Eternity
Sayeth this incessantly,--
"Forever--never!
Never--forever!"
|
Written by
Hilaire Belloc |
The nicest child I ever knew
Was Charles Augustus Fortescue.
He never lost his cap, or tore
His stockings or his pinafore:
In eating Bread he made no Crumbs,
He was extremely fond of sums,
To which, however, he preferred
The Parsing of a Latin Word--
He sought, when it was within his power,
For information twice an hour,
And as for finding Mutton-Fat
Unappatising, far from that!
He often, at his Father's Board,
Would beg them, of his own accord,
To give him, if they did not mind,
The Greasiest Morsels they could find--
His Later Years did not belie
The Promise of his Infancy.
In Public Life he always tried
To take a judgement Broad and Wide;
In Private, none was more than he
Renowned for quiet courtesy.
He rose at once in his Career,
And long before hus Fortieth Year
Had wedded Fifi, Only Child
Of Bunyan, First Lord Aberfylde.
He thus became immensely Rich,
And built the Splendid Mansion which
Is called The Cedars, Muswell Hill,
Where he resides in affluence still,
To show what everybody might
Become by SIMPLY DOING RIGHT.
|
Written by
Edwin Arlington Robinson |
Time was when his half million drew
The breath of six per cent;
But soon the worm of what-was-not
Fed hard on his content;
And something crumbled in his brain
When his half million went.
Time passed, and filled along with his
The place of many more;
Time came, and hardly one of us
Had credence to restore,
From what appeared one day, the man
Whom we had known before.
The broken voice, the withered neck,
The coat worn out with care,
The cleanliness of indigence,
The brilliance of despair,
The fond imponderable dreams
Of affluence,--all were there.
Poor Finzer, with his dreams and schemes,
Fares hard now in the race,
With heart and eye that have a task
When he looks in the eye
Of one who might so easily
Have been in Finzer's place.
He comes unfailing for the loan
We give and then forget;
He comes, and probably for years
Will he be coming yet,--
Familiar as an old mistake,
And futile as regret.
|
Written by
Emily Dickinson |
Summer -- we all have seen --
A few of us -- believed --
A few -- the more aspiring
Unquestionably loved --
But Summer does not care --
She goes her spacious way
As eligible as the moon
To our Temerity --
The Doom to be adored --
The Affluence conferred --
Unknown as to an Ecstasy
The Embryo endowed --
|
Written by
Francesco Petrarch |
SONNET XL.
Quella per cui con Sorga ho cangiat' Arno.
HE ATTEMPTS TO PAINT HER BEAUTIES, BUT NOT HER VIRTUES.
She, for whose sake fair Arno I resign,
And for free poverty court-affluence spurn,
Has known to sour the precious sweets to turn
On which I lived, for which I burn and pine.
Though since, the vain attempt has oft been mine
That future ages from my song should learn
Her heavenly beauties, and like me should burn,
My poor verse fails her sweet face to define.
The gifts, though all her own, which others share,
Which were but stars her bright sky scatter'd o'er,
Haply of these to sing e'en I might dare;
But when to the diviner part I soar,
[Pg 266]To the dull world a brief and brilliant light,
Courage and wit and art are baffled quite.
Macgregor.
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