Best Famous Accessible Poems

Here is a collection of the all-time best famous Accessible poems. This is a select list of the best famous Accessible poetry. Reading, writing, and enjoying famous Accessible poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of accessible poems.

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• All Famous Accessible Poems

Written by Emily Dickinson | A little road not made of man A little road not made of man, Enabled of the eye, Accessible to thill of bee, Or cart of butterfly. If town it have, beyond itself, 'T is that I cannot say; I only sigh,--no vehicle Bears me along that way.

Written by Charlotte Bronte | Pilates Wifes Dream I've quenched my lamp, I struck it in that start Which every limb convulsed, I heard it fall­ The crash blent with my sleep, I saw depart Its light, even as I woke, on yonder wall; Over against my bed, there shone a gleam Strange, faint, and mingling also with my dream. It sunk, and I am wrapt in utter gloom; How far is night advanced, and when will day Retinge the dusk and livid air with bloom, And fill this void with warm, creative ray ? Would I could sleep again till, clear and red, Morning shall on the mountain-tops be spread! I'd call my women, but to break their sleep, Because my own is broken, were unjust; They've wrought all day, and well-earned slumbers steep Their labours in forgetfulness, I trust; Let me my feverish watch with patience bear, Thankful that none with me its sufferings share. Yet, Oh, for light ! one ray would tranquilise My nerves, my pulses, more than effort can; I'll draw my curtain and consult the skies: These trembling stars at dead of night look wan, Wild, restless, strange, yet cannot be more drear Than this my couch, shared by a nameless fear. All black­one great cloud, drawn from east to west, Conceals the heavens, but there are lights below; Torches burn in Jerusalem, and cast On yonder stony mount a lurid glow. I see men stationed there, and gleaming spears; A sound, too, from afar, invades my ears. Dull, measured, strokes of axe and hammer ring From street to street, not loud, but through the night Distinctly heard­and some strange spectral thing Is now upreared­and, fixed against the light Of the pale lamps; defined upon that sky, It stands up like a column, straight and high. I see it all­I know the dusky sign­ A cross on Calvary, which Jews uprear While Romans watch; and when the dawn shall shine Pilate, to judge the victim will appear, Pass sentence­yield him up to crucify; And on that cross the spotless Christ must die. Dreams, then, are true­for thus my vision ran; Surely some oracle has been with me, The gods have chosen me to reveal their plan, To warn an unjust judge of destiny: I, slumbering, heard and saw; awake I know, Christ's coming death, and Pilate's life of woe. I do not weep for Pilate­who could prove Regret for him whose cold and crushing sway No prayer can soften, no appeal can move; Who tramples hearts as others trample clay, Yet with a faltering, an uncertain tread, That might stir up reprisal in the dead. Forced to sit by his side and see his deeds; Forced to behold that visage, hour by hour, In whose gaunt lines, the abhorrent gazer reads A triple lust of gold, and blood, and power; A soul whom motives, fierce, yet abject, urge Rome's servile slave, and Judah's tyrant scourge. How can I love, or mourn, or pity him ? I, who so long my fettered hands have wrung; I, who for grief have wept my eye-sight dim; Because, while life for me was bright and young, He robbed my youth­he quenched my life's fair ray­ He crushed my mind, and did my freedom slay. And at this hour­although I be his wife­ He has no more of tenderness from me Than any other wretch of guilty life; Less, for I know his household privacy­ I see him as he is­without a screen; And, by the gods, my soul abhors his mien ! Has he not sought my presence, dyed in blood­ Innocent, righteous blood, shed shamelessly ? And have I not his red salute withstood ? Aye,­when, as erst, he plunged all Galilee In dark bereavement­in affliction sore, Mingling their very offerings with their gore. Then came he­in his eyes a serpent-smile, Upon his lips some false, endearing word, And, through the streets of Salem, clanged the while, His slaughtering, hacking, sacrilegious sword­ And I, to see a man cause men such woe, Trembled with ire­I did not fear to show. And now, the envious Jewish priests have brought Jesus­whom they in mockery call their king­ To have, by this grim power, their vengeance wrought; By this mean reptile, innocence to sting. Oh ! could I but the purposed doom avert, And shield the blameless head from cruel hurt! Accessible is Pilate's heart to fear, Omens will shake his soul, like autumn leaf; Could he this night's appalling vision hear, This just man's bonds were loosed, his life were safe, Unless that bitter priesthood should prevail, And make even terror to their malice quail. Yet if I tell the dream­but let me pause. What dream ? Erewhile the characters were clear, Graved on my brain­at once some unknown cause Has dimmed and rased the thoughts, which now appear, Like a vague remnant of some by-past scene;­ Not what will be, but what, long since, has been. I suffered many things, I heard foretold A dreadful doom for Pilate,­lingering woes, In far, barbarian climes, where mountains cold Built up a solitude of trackless snows, There, he and grisly wolves prowled side by side, There he lived famished­there methought he died; But not of hunger, nor by malady; I saw the snow around him, stained with gore; I said I had no tears for such as he, And, lo ! my cheek is wet­mine eyes run o'er; I weep for mortal suffering, mortal guilt, I weep the impious deed­the blood self-spilt. More I recall not, yet the vision spread Into a world remote, an age to come­ And still the illumined name of Jesus shed A light, a clearness, through the enfolding gloom­ And still I saw that sign, which now I see, That cross on yonder brow of Calvary. What is this Hebrew Christ ? To me unknown, His lineage­doctrine­mission­yet how clear, Is God-like goodness, in his actions shewn ! How straight and stainless is his life's career ! The ray of Deity that rests on him, In my eyes makes Olympian glory dim. The world advances, Greek, or Roman rite Suffices not the inquiring mind to stay; The searching soul demands a purer light To guide it on its upward, onward way; Ashamed of sculptured gods­Religion turns To where the unseen Jehovah's altar burns. Our faith is rotten­all our rites defiled, Our temples sullied, and methinks, this man, With his new ordinance, so wise and mild, Is come, even as he says, the chaff to fan And sever from the wheat; but will his faith Survive the terrors of to-morrow's death ? * * * * * I feel a firmer trust­a higher hope Rise in my soul­it dawns with dawning day; Lo ! on the Temple's roof­on Moriah's slope Appears at length that clear, and crimson ray, Which I so wished for when shut in by night; Oh, opening skies, I hail, I bless your light ! Part, clouds and shadows ! glorious Sun appear ! Part, mental gloom ! Come insight from on high ! Dusk dawn in heaven still strives with daylight clear, The longing soul, doth still uncertain sigh. Oh ! to behold the truth­that sun divine, How doth my bosom pant, my spirit pine ! This day, time travails with a mighty birth, This day, Truth stoops from heaven and visits earth, Ere night descends, I shall more surely know What guide to follow, in what path to go; I wait in hope­I wait in solemn fear, The oracle of God­the sole­true God­to hear.

Written by Jennifer Reeser | Should You Ask At Midnight What would I do without your voice to wake me? Cor ad cor loquitur, I’m loath to know. Kitsch operas sound, unhesitant to shake me, The sheers undrawn, the heavens hardly showing, My camisole askew, of lace-trimmed black – Not red, not white; not passionate or pure. I raise the volume, and the voices crack— Vanilla scores: accessible, obscure. But what would I do without your certain voice? Disjecta membra ... I am loath to think. This negligée is sable, but my choice If black had been forbidden, would be pink: The blood of ballet satins, quartz, the lover, That cut from which I never could recover.

Written by Elizabeth Barrett Browning | Sonnet 24 - Let the worlds sharpness like a clasping knife Let the world's sharpness, like a clasping knife, Shut in upon itself and do no harm In this close hand of Love, now soft and warm, And let us hear no sound of human strife After the click of the shutting. Life to life— I lean upon thee, Dear, without alarm, And feel as safe as guarded by a charm Against the stab of worldlings, who if rife Are weak to injure. Very whitely still The lilies of our lives may reassure Their blossoms from their roots, accessible Alone to heavenly dews that drop not fewer, Growing straight, out of man's reach, on the hill. God only, who made us rich, can make us poor.