Written by
A S J Tessimond |
If a man says half himself in the light, adroit
Way a tune shakes into equilibrium,
Or approximates to a note that never comes:
Says half himself in the way two pencil-lines
Flow to each other and softly separate,
In the resolute way plane lifts and leaps from plane:
Who knows what intimacies our eyes may shout,
What evident secrets daily foreheads flaunt,
What panes of glass conceal our beating hearts?
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Written by
A S J Tessimond |
When you are slightly drunk
Things are so close, so friendly.
The road asks to be walked upon,
The road rewards you for walking
With firm upward contact answering your downward contact
Like the pressure of a hand in yours.
You think - this studious balancing
Of right leg while left leg advances, of left while right,
How splendid
Like somebody-or-other-on-a-peak-in-Darien!
How cleverly that seat shapes the body of the girl who sits there.
How well, how skilfully that man there walks towards you,
Arms hanging, swinging, waiting.
You move the muscles of your cheeks,
How cunningly a smile responds.
And now you are actually speaking
Round sounding words
Magnificent
As that lady's hat!
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Written by
A S J Tessimond |
We being so hidden from those who
Have quietly borne and fed us,
How can we answer civilly
Their innocent invitations?
How can we say "we see you
As but-for-God's-grace-ourselves, as
Our caricatures (we yours), with
Time's telescope between us"?
How can we say "you presumed on
The accident of kinship,
Assumed our friendship coatlike,
Not as a badge one fights for"?
How say "and you remembered
The sins of our outlived selves and
Your own forgiveness, buried
The hatchet to slow music;
Shared money but not your secrets;
Will leave as your final legacy
A box double-locked by the spider
Packed with your unsolved problems"?
How say all this without capitals,
Italics, anger or pathos,
To those who have seen from the womb come
Enemies? How not say it?
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Written by
A S J Tessimond |
Wouldn't you say,
Wouldn't you say: one day,
With a little more time or a little more patience, one might
Disentangle for separate, deliberate, slow delight
One of the moment's hundred strands, unfray
Beginnings from endings, this from that, survey
Say a square inch of the ground one stands on, touch
Part of oneself or a leaf or a sound (not clutch
Or cuff or bruise but touch with finger-tip, ear-
Tip, eyetip, creeping near yet not too near);
Might take up life and lay it on one's palm
And, encircling it in closeness, warmth and calm,
Let it lie still, then stir smooth-softly, and
Tendril by tendril unfold, there on one's hand .
.
.
One might examine eternity's cross-section
For a second, with slightly more patience, more time for reflection?
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Written by
A S J Tessimond |
Clothes: to compose
The furtive, lone
Pillar of bone
To some repose.
To let hands shirk
Utterance behind
A pocket's blind
Deceptive smirk.
To mask, belie
The undue haste
Of breast for breast
Or thigh for thigh.
To screen, conserve
The pose, when death
Half strips the sheath
And leaves the nerve.
To edit, glose
Lyric desire
And slake its fire
In polished prose.
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Written by
A S J Tessimond |
One day people will touch and talk perhaps
easily,
And loving be natural as breathing and warm as
sunlight,
And people will untie themselves, as string is unknotted,
Unfold and yawn and stretch and spread their fingers,
Unfurl, uncurl like seaweed returned to the sea,
And work will be simple and swift
as a seagull flying,
And play will be casual and quiet
as a seagull settling,
And the clocks will stop, and no one will wonder
or care or notice,
And people will smile without reason,
Even in winter, even in the rain.
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Written by
A S J Tessimond |
Cats no less liquid than their shadows
Offer no angles to the wind.
They slip, diminished, neat through loopholes
Less than themselves; will not be pinned
To rules or routes for journeys; counter
Attack with non-resistance; twist
Enticing through the curving fingers
And leave an angered empty fist.
They wait obsequious as darkness
Quick to retire, quick to return;
Admit no aim or ethics; flatter
With reservations; will not learn
To answer to their names; are seldom
Truly owned till shot or skinned.
Cats no less liquid than their shadows
Offer no angles to the wind.
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Written by
A S J Tessimond |
Stairs fly as straight as hawks;
Or else in spirals, curve out of curve, pausing
At a ledge to poise their wings before relaunching.
Stairs sway at the height of their flight
Like a melody in Tristan;
Or swoop to the ground with glad spread of their feathers
Before they close them.
They curiously investigate
The shells of buildings,
A hollow core,
Shell in a shell.
Useless to produce their path to infinity
Or turn it to a moral symbol,
For their flight is ambiguous, upwards or downwards as you please;
Their fountain is frozen,
Their concertina is silent.
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Written by
A S J Tessimond |
You cannot see the walls that divide your hand
From his or hers or mine when you think you touch it.
You cannot see the walls because they are glass,
And glass is nothing until you try to pass it.
Beat on it if you like, but not too hard,
For glass will break you even while you break it.
Shout, and the sound will be broken and driven backwards,
For glass, though clear as water, is deaf as granite.
This fraudulent inhibition is cunning: wise men
Content themselves with breathing patterns on it.
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Written by
A S J Tessimond |
The clock disserts on punctuation, syntax.
The clock's voice, thin and dry, asserts, repeats.
The clock insists: a lecturer demonstrating,
Loudly, with finger raised, when the class has gone.
But time flows through the room, light flows through the room
Like someone picking flowers, like someone whistling
Without a tune, like talk in front of a fire,
Like a woman knitting or a child snipping at paper.
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