What is an Epilogue?

by Encyclopaedia Britannica, 11th Edition

EPILOGUE. The appendix or supplement to a literary work, and in particular to a drama in verse, is called an epilogue, from ?π?λογος, the name given by the Greeks to the peroration of a speech. As we read in Shakespeare’s Midsummer Night’s Dream, the epilogue was generally treated as the apology for a play; it was a final appeal made to encourage the good-nature of the audiences, and to deprecate attack. The epilogue should form no part of the work to which it is attached, but should be independent of it; it should be treated as a sort of commentary. Sometimes it adds further information with regard to what has been left imperfectly concluded in the work itself. For instance, in the case of a play, the epilogue will occasionally tell us what became of the characters after the action closed; but this is irregular and unusual, and the epilogue is usually no more than a graceful way of dismissing the audience. Among the ancients the form was not cultivated, further than that the leader of the chorus or the last speaker advanced and said “Vos valete, et plaudite, cives”—“Good-bye, citizens, and we hope you are pleased.” Sometimes this formula was reduced to the one word, “Plaudite!” The epilogue as a literary species is almost entirely confined to England, and it does not occur in the earliest English plays. It is rare in Shakespeare, but Ben Jonson made it a particular feature of his drama, and may almost be said to have invented the tradition of its regular use. He employed the epilogue for two purposes, either to assert the merit of the play or to deprecate censure of its defects. In the former case, as inCynthia’s Revels (1600), the actor went off, and immediately came on again saying:—

“Gentles, be’t known to you, since I went in

I am turned rhymer, and do thus begin:—

The author (jealous how your sense doth take

His travails) hath enjoined me to make

Some short and ceremonious epilogue,”—

and then explained to the audience what an extremely interesting play it had been. In the second case, when the author was less confident, his epilogue took a humbler form, as in the comedy of Volpone (1605), where the actor said:—

“The seasoning of a play is the applause.

Now, as the Fox be punished by the laws,

He yet doth hope, there is no suffering due

For any fact which he hath done ’gainst you.

If there be, censure him; here he doubtful stands:

If not, fare jovially and clap your hands.”

Beaumont and Fletcher used the epilogue sparingly, but after 694their day it came more and more into vogue, and the form was almost invariably that which Ben Jonson had brought into fashion, namely, the short complete piece in heroic couplets. The hey-day of the epilogue, however, was the Restoration, and from 1660 to the decline of the drama in the reign of Queen Anne scarcely a play, serious or comic, was produced on the London stage without a prologue and an epilogue. These were almost always in verse, even if the play itself was in the roughest prose, and they were intended to impart a certain literary finish to the piece. These Restoration epilogues were often very elaborate essays or satires, and were by no means confined to the subject of the preceding play. They dealt with fashions, or politics, or criticism. The prologues and epilogues of Dryden are often brilliantly finished exercises in literary polemic. It became the custom for playwrights to ask their friends to write these poems for them, and the publishers would even come to a prominent poet and ask him to supply one for a fee. It gives us an idea of the seriousness with which the epilogue was treated that Dryden originally published his valuable “Defence of the Epilogue; or An Essay on the Dramatic Poetry of the Last Age” (1672) as a defence of the epilogue which he had written for The Conquest of Granada. In France the custom of reciting dramatic epilogues has never prevailed. French criticism gives the name to such adieux to the public, at the close of a non-dramatic work, as are reserved by La Fontaine for certain critical points in the “Fables.”

Get a Premium Membership
Get more exposure for your poetry and more features with a Premium Membership.
Book: Radiant Verses: A Journey Through Inspiring Poetry

Member Area

My Admin
Profile and Settings
Edit My Poems
Edit My Quotes
Edit My Short Stories
Edit My Articles
My Comments Inboxes
My Comments Outboxes
Soup Mail
Poetry Contests
Contest Results/Status
Followers
Poems of Poets I Follow
Friend Builder

Soup Social

Poetry Forum
New/Upcoming Features
The Wall
Soup Facebook Page
Who is Online
Link to Us

Member Poems

Poems - Top 100 New
Poems - Top 100 All-Time
Poems - Best
Poems - by Topic
Poems - New (All)
Poems - New (PM)
Poems - New by Poet
Poems - Read
Poems - Unread

Member Poets

Poets - Best New
Poets - New
Poets - Top 100 Most Poems
Poets - Top 100 Most Poems Recent
Poets - Top 100 Community
Poets - Top 100 Contest

Famous Poems

Famous Poems - African American
Famous Poems - Best
Famous Poems - Classical
Famous Poems - English
Famous Poems - Haiku
Famous Poems - Love
Famous Poems - Short
Famous Poems - Top 100

Famous Poets

Famous Poets - Living
Famous Poets - Most Popular
Famous Poets - Top 100
Famous Poets - Best
Famous Poets - Women
Famous Poets - African American
Famous Poets - Beat
Famous Poets - Cinquain
Famous Poets - Classical
Famous Poets - English
Famous Poets - Haiku
Famous Poets - Hindi
Famous Poets - Jewish
Famous Poets - Love
Famous Poets - Metaphysical
Famous Poets - Modern
Famous Poets - Punjabi
Famous Poets - Romantic
Famous Poets - Spanish
Famous Poets - Suicidal
Famous Poets - Urdu
Famous Poets - War

Poetry Resources

Anagrams
Bible
Book Store
Character Counter
Cliché Finder
Poetry Clichés
Common Words
Copyright Information
Grammar
Grammar Checker
Homonym
Homophones
How to Write a Poem
Lyrics
Love Poem Generator
New Poetic Forms
Plagiarism Checker
Poetics
Poetry Art
Publishing
Random Word Generator
Spell Checker
Store
What is Good Poetry?
Word Counter
Hide Ad