Anthony Burgess
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John Burgess Wilson (25 February 1917 – 22 November 1993) — who published under the pen name Anthony Burgess — was an English author, poet, playwright, composer, linguist, translator and critic. The dystopian satire A Clockwork Orange is Burgess's most famous novel, though he dismissed it as one of his lesser works. It was adapted into a highly controversial 1971 film by Stanley Kubrick, which Burgess said was chiefly responsible for the popularity of the book. Burgess produced numerous other novels, including the Enderby quartet, and Earthly Powers. He was a prominent critic, writing acclaimed studies of classic writers such as William Shakespeare, James Joyce, D. H. Lawrence and Ernest Hemingway. In 2008, The Times placed Burgess number 17 on their list of "The 50 greatest British writers since 1945". Burgess was an accomplished musician and linguist. He composed over 250 musical works, including a first symphony around age 18, wrote a number of libretti, and translated, among other works, Cyrano de Bergerac, Oedipus the King and Carmen.. English author poet playwright composer linguist translator and critic
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Articles about Anthony Burgess or articles that mention Anthony Burgess.
Quotes
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All Anthony Burgess Quotes
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The trouble began with Forster. After him it was considered ungentlemanly to write more than five or six novels.
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If you write fiction you are, in a sense, corrupted. There's a tremendous corruptibility for the fiction writer because you're dealing mainly with sex and violence. These remain the basic themes, they're the basic themes of Shakespeare whether you like it or not.
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I must say that acting was good training for the political life that lay ahead of us.
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Americans will listen, but they do not care to read. War and Peace must wait for the leisure of retirement, which never really comes: meanwhile it helps to furnish the living room. Blockbusting fiction is bought as furniture. Unread, it maintains its value. Read, it looks like money wasted. Cunningly, Americans know that books contain a person, and they want the person, not the book.
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Readers of the twenty-first chapter must decide for themselves whether it enhances the book they presumably know or is really a discardable limb. I meant the book to end in this way, but my aesthetic judgement may have been faulty. Writers are rarely their own best critics, nor are critics. 'Quod scripsi scripsi' said Pontius Pilate when he made Jesus Christ the King of the Jews. 'What I have written I have Written.' We can destroy what we have written but we cannot unwrite it. I leave what I wrote with what Dr. Johnson called frigid indifference to the judgement of that .00000001 of the American population which cares about such things. Eat this sweetish segment or spit it out. You are free.
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