I've also always been fascinated by weddings... those surreal performances where the audience plays an integral part -- the joy, the sadness, the passion... all unfolding firstly in a house where God is served and ultimately in a house where beer is served... the knife inserted ritually into the virginal white cake to reveal the dark fruity interior... that ugly pagan concept of the father handing over his daughter to her new master... the mothers crying because they're losing a daughter, the page boys crying because they have to wear such stupid clothes... those embarrassing speeches and drunken uncles on the dance floor...
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It's very surreal. When we were little we would watch the pageant as a family, and my sister and I would go into the utility room and play Miss America in our heels.
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I'm very happy to be back in touch with a part of myself. It's surreal. For 35 years, I never thought I'd be reunited with the music I wrote during the Creedence Clearwater Revival years. After meeting with Norman Lear, Hal Gaba, and Glen Barros (President of Concord), I'm happy to say that the new Fantasy is very enthusiastic about my body of work. All the people there have been delightful. They are honoring my songs that hold an important place in the history of American music. And, they are honoring me.
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The past itself, as historical change continues to accelerate, has become the most surreal of subjects -- making it possible to see a new beauty in what is vanishing.
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Transported to a surreal landscape, a young girl kills the first woman she meets and then teams up with three complete strangers to kill again.
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I try to make everyone's day just a little more surreal.
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The past itself, as historical change continues to accelerate, has become the most surreal of subjects --making it possible... to see a new beauty in what is vanishing.
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Why be in this mundane world when the surreal world inside my head is so much more inviting, exciting and not as complex?
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