The word was born in the blood, grew in the dark body, beating, and took flight through the lips and the mouth. Farther away and nearer still, still it came from dead fathers and from wondering races, from lands which had turned to stone, lands weary of their poor tribes, for when grief took to the roads the people set out and arrived and married new land and water to grow their words again. And so this is the inheritance; this is the wavelength which connects us with dead men and the dawning of new beings not yet come to light.
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'And Tomorrow'
Today is filled with anger,
fueled with hidden hate.
Scared of being outkast,
afraid of common fate.
Today is built on tragedies
which no one wants to face.
Nightmares to humanity
and morally disgraced.
Tonight is filled with Rage,
violence in the air.
Children bred with ruthlessness
cause no one at home cares.
Tonight I lay my head down
but the pressure never stops,
knowing that my sanity
content when I`m droped.
But tomorrow I see change,
a chance to build a new,
built on spirit intent
of heart and ideas based on truth.
Tomorrow I wake with second wind
and strong because of pride.
I know I fought with all my heart
to keep the dream alive.
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I muse with the greatest affection on every flower I have known from my infancy - their shapes and colours are as new to me as if I had just created them with a superhuman fancy - It is because they are connected with the most thoughtless and happiest moments of our lives.
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Most of the luxuries, and many of the so-called comforts of life, are not only indispensable, but positive hindrances to the elevation of mankind. Cultivate poverty like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. The very simplicity and nakedness of man's life in the primitive ages imply this advantage, at least, that they left him still but a sojourner in nature. To be awake is to be alive. Time is but the stream I go a-fishing in. Every man is a builder of a temple, called his body, to the god he worships, after a style purely his own, nor can he get off by hammering marble instead. We are all sculptors and painters, and our material is our own flesh and blood and bones. Any nobleness begins at once to refine a man's features, any meanness or sensuality to imbrute them. Rather than love, than money, than fame, give me truth.
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Come live with me, and be my love, and we will some new pleasures prove, Of golden sands, and crystal brooks, With silken lines and silver hooks
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Most of us who turn to any subject we love remember some morning or evening hour when we got on a high stool to reach down an untried volume, or sat with parted lips listening to a new talker, or for very lack of books began to listen to the voices within, as the first traceable beginning of our love.
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Once on a yellow piece of paper with green lines he wrote a poem And he called if 'Chops' because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it 'Autumn' because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it Once on a paper torn from his notebook he wrote a poem And he called it 'Innocence: A Question' because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it 'Absolutely Nothing' Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen
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Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.
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Come live with me, and be my love, And we will some new pleasures prove Of golden sands, and crystal brooks, With silken lines, and silver hooks.
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The child with his sweet pranks, the fool of his senses, commanded by every sight and sound, without any power to compare and rank his sensations, abandoned to a whistle or a painted chip, to a lead dragoon, or a gingerbread dog, individualizing everything, generalizing nothing, delighted with every new thing, lies down at night overpowered by the fatigue, which this day of continual pretty madness has incurred. But Nature has answered her purpose with the curly, dimpled lunatic. She has tasked every faculty, and has secured the symmetrical growth of the bodily frame, by all these attitudes and exertions --an end of the first importance, which could not be trusted to any care less perfect than her own.
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The paradox of our time in history is that we have taller buildings but shorter tempers, wider freeways, but narrower viewpoints. We spend more, but have less; we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness. We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things. We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less. These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete.
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My pipe is out, my glass is dry; My fire is almost ashes too; But once again, before you go, And I prepare to meet the New; Old Year! a parting word that's true, For we've been comrades, you and I-- I thank God for each day of you; There! bless you now! Old Year, good-bye!
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While walking in a toy store The day before today, I overheard a Crayon Box With many things to say. I don't like red! said Yellow. And Green said, Nor do I! And no one here likes Orange, But no one knows quite why. We are a box of crayons that really doesn't get along, Said Blue to all the others. Something here is wrong! Well, i bought that box of crayons And took it home with me And laid out all the crayons So the crayons could all see They watched me as I colored With Red and Blue and Green And Black and White and Orange And every color in between They watched as Green became the grass And Blue became the sky. The Yellow sun was shining bright On White clouds drifting by. Colors changing as they touched, Becoming something new. They watched me as I colored. They watched till I was through. And when I'd finally finished, I began to walk away. And as I did the Crayon box Had something more to say... I do like Red! said the Yellow And Green said, So do I! And Blue you are terrific! So high up in the sky. We are a Box of Crayons Each of us unique, But when we get together The picture is complete.
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My friends and my road-fellows, pity the nation that is full of beliefs and empty of religion. Pity the nation that wears a cloth it does not weave, eats a bread it does not harvest, and drinks a wine that flows not from its own winepress. Pity the nation that acclaims the bully as hero, and that deems the glittering conqueror bountiful. Pity the nation that raises not its voice save when it walks in a funeral, boasts not except among its ruins, and will rebel not save when its neck is laid between the sword and the block. Pity the nation whose statesman is a fox, whose philosopher is a juggler, and whose art is the art of patching and mimicking. Pity the nation that welcomes its new ruler with trumpetings, and farewells him with hootings, only to welcome another with trumpetings again. Pity the nation divided into fragments, each fragment deeming itself a nation.
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Ring out the old, ring in the new, Ring happy bells, across the snow:...
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To mourn a mischief that is past and gone is the next way to draw new mischief on.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command or faith a dictum. I am my own God. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.
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Taoism: Shit happens Hare krishna: Shit happens Rama Rama Ding Ding Hinduism: This shit has happened before Islam: That shit happens is the will of Allah Zen: What is the sound of shit happening? Existentialism: Shit doesn't happen; shit is Buddhism: When shit happens, is it really shit? Confucianism: Confucius say, 'Shit happens' 7th day Adventist: Shit happens on Saturdays Protestantism: Shit won't happen if I work harder Protestantism: If shit happens, it happens to someone else Catholicism: If shit happens, you deserved it Jehovah's Witnesses: Knock, knock, 'Shit happens' Jehovah's Witnesses: No shit happens until Armaggedon Unitarian: What is this shit? Mormon: Shit happens again & again & again Judaism: Oy vey! Why does this shit always happen to us? Pentacostalism: Praise the shit! Atheism: There is no shit! New Age: Shit happens and it happens to smell good Rastafarianism: Let's smoke this shit
Shit Happens, in various World Religions
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Surely your gladness need not be the less for the thought that you will one day see a brighter dawn than this - when lovelier sights will meet your eyes than any waving trees or rippling waters - when angel-hands shall undraw your curtains, and sweeter tones than ever loving Mother breathed shall wake you to a new and glorious day - and when all the sadness, and the sin, that darkened life on this little earth, shall be forgotten like the dreams of a night that is past!
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I loved you in the morning, our kisses deep and warm, your hair upon the pillow like a sleepy, golden storm, yes many loved before us, I know we are not new, in city and in forest they smiled like me and you, but now it's come to distances and both of us must try, your eyes are soft with sorrow, Hey, that's no way to say goodbye.
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Fourscore and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
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I've also always been fascinated by weddings... those surreal performances where the audience plays an integral part -- the joy, the sadness, the passion... all unfolding firstly in a house where God is served and ultimately in a house where beer is served... the knife inserted ritually into the virginal white cake to reveal the dark fruity interior... that ugly pagan concept of the father handing over his daughter to her new master... the mothers crying because they're losing a daughter, the page boys crying because they have to wear such stupid clothes... those embarrassing speeches and drunken uncles on the dance floor...
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Funny how the new things are the old things.
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We are so pleased to be able to offer a second installment of music from Dora on this new CD. We know parents and children alike are looking forward to enjoying these time honored dance favorites and Dora The Explorer Dance Fiesta! will surely become a children's classic.
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It is curious to note the old sea-margins of human thought. Each subsiding century reveals some new mystery; we build where monsters used to hide themselves.
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And time brings down what is both strong and tall. But plants new set to be eradicate,...
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You make your own dream. That's the Beatles' story, isn't it? That's Yoko's story. That's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.
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In Paris today, millions of pounds of bread are sold daily, made during the previous night by those strange, half-naked beings one glimpses through cellar windows, whose wild-seeming cries floating out of those depths always makes a painful impression. In the morning, one sees these pale men, still white with flour, carrying a loaf under one arm, going off to rest and gather new strength to renew their hard and useful labor when night comes again. I have always highly esteemed the brave and humble workers who labor all night to produce those soft but crusty loaves that look more like cake than bread.
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Ah! on Thanksgiving day, when from East and from West, From North and South, come the pilgrim and guest, When the gray-haired New Englander sees round his board The old broken links of affection restored, When the care-wearied man seeks his mother once more, And the worn matron smiles where the girl smiled before. What moistens the lips and what brightens the eye? What calls back the past, like the rich pumpkin pie?
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