The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.

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My great-grandfather used to say to his wife, my great-grandmother, who in turn told her daughter, my grandmother, who repeated it to her daughter, my mother, who used to remind her daughter, my own sister, that to talk well and eloquently was a very great art, but that an equally great one was to know the right moment to stop.

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Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.

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To argue that we humans are capable of complex multifarious thought and feeling, whereas the sheep's perception is probably limited by lowly sheepish perceptions, is no more to the point than if I were to slaughter and eat you on the grounds that I am a sophisticated personality able to enjoy Mozart, formal logic and cannibalism, whereas your imaginative world seems confined to True Romances and tinned spaghetti.

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Neither a lofty degree of intelligence nor imagination nor both together go to the making of genius. Love, love, love, that is the soul of genius.

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I remember being handed a score composed by Mozart at the age of eleven. What could I say I felt like de Kooning, who was asked to comment on a certain abstract painting, and answered in the negative. He was then told it was the work of a celebrated monkey. 'That's different. For a monkey, it's terrific.'

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. . . .When I am, as it were, completely myself, entirely alone, and of good cheer - say traveling in a carriage, or walking after a good meal, or during the night when I cannot sleep - it is on such occasions that my ideas flow best, and most abundantly. Whence and how they come, I know not, nor can I force them...

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I remember being handed a score composed by Mozart at the age of eleven. What could I say? I felt like de Kooning, who was asked to comment on a certain abstract painting, and answered in the negative. He was then told it was the work of a celebrated monkey. 'That's different. For a monkey, it's terrific.'

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Nigel You know, just simple lines intertwining, you know, very much like - I'm really influenced by Mozart and Bach, and it's sort of in between those, really. It's like a Mach piece, really. It's sort of - Marty What do you call this Nigel Well, this piece is called Lick My Love Pump.

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Nevertheless the passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.

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When I am...traveling in a carriage, or walking after a good meal, or during the night when I cannot sleep; it is on such occasions that ideas flow best and most abundantly.

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Beethoven, Wagner, Bach, and Mozart settled down day after day to the job in hand. They didn't waste time waiting for inspiration.

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Beethoven and Beatles, Mozart and Michael Jackson, Paganini and Prince - I like them all.

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As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relations...

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I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.

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Ah Mozart He was happily married - but his wife wasn't.

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It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.

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It is sobering to consider that when Mozart was my age he had already been dead for a year.

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I believe in God, Mozart, and Beethoven.

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Mozart is sweet sunshine.

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Mozart starved, but you allow Thalberg and Liszt make tons of gold: Of course, you may think that someone immortal cannot die of hunger.

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I've outdone anyone you can name -- Mozart, Beethoven, Bach, Strauss. Irving Berlin, he wrote 1,001 tunes. I wrote 5,500.

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And it's a crime because the great plays of history, going all the way back to the Greeks, are part of everybody's heritage. It's just like in music, Beethoven or Mozart, that's everybody's heritage.

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