Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality but an escape from personality. But, of course, only those we have personality and emotion know what it means to want to escape from these things.
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It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to me to be such an extraordinary fact that I could hardly realize it. You appear to be astonished, he said, smiling at my expression of surprise. Now that I do know it I shall do my best to forget it. To forget it! You see, he explained, I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones. But the Solar System! I protested. What the deuce is it to me? he interrupted impatiently: you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.
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Technology is not an image of the world but a way of operating on reality. The nihilism of technology lies not only in the fact that it is the most perfect expression of the will to power... but also in the fact that it lacks meaning.
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A moment's thought shows that man's feeling of isolation has no foundation, biologically or sociologically. We grow out of the Universe, we are an expression of it. The iron in our blood comes from the high temperature fusion of stars. We constantly interact with our environment. The force of gravity keeps our feet upon the earth and has a vital effect upon our metabolism. The air we breathe comes form the seas and the leaves, and the sun allows the process to take place. Society gives us all that makes us human our culture, our symbols, our concepts and our values. Without society, the notion of the individual would have no meaning.
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The typewriting machine, when played with expression, is no more annoying than the piano when played by a sister or near relation.
Technology
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'You cannot move a dead body whole. First of all you have to dice the body into six pieces and pile it up into a bag. Then you'll need to find a pig farm and starve the pigs for a couple of days. The pigs will be so hungry that the body will look like curry to them. They will go through bone like butter, that means that 40 pigs can digest 80 pounds of fat, that's 2 pounds every minute, hence the expression 'as greedy as a pig''.
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I was always embarrassed by the words sacred, glorious and sacrifice and the expression in vain. We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them, on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it.
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She's the sort of woman who lives for others -- you can tell the others by their hunted expression.
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Music is expression of harmony in sound. Love is the expression of harmony in life.
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As for the graces of expression, a great thought is never found in a mean dress; but ... the nine Muses and the three Graces will have conspir...
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You say that at the time of the Congress, in 1765, The great mass of the people were zealous in the cause of America. The great mass of the people is an expression that deserves analysis. New York and Pennsylvania were so nearly divided, if their propensity was not against us, that if New England on one side and Virginia on the other had not kept them in awe, they would have joined the British. Marshall, in his life of Washington, tells us, that the southern States were nearly equally divided. Look into the Journals of Congress, and you will see how seditious, how near rebellion were several counties of New York, and how much trouble we had to compose them. The last contest, in the town of Boston, in 1775, between whig and tory, was decided by five against two. Upon the whole, if we allow two thirds of the people to have been with us in the revolution, is not the allowance ample? Are not two thirds of the nation now with the administration? Divided we ever have been, and ever must be. Two thirds always had and will have more difficulty to struggle with the one third than with all our foreign enemies.
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To me, the extraordinary aspect of martial arts lies in its simplicity. The easy way is also the right way, and martial arts is nothing at all special; the closer to the true way of martial arts, the less wastage of expression there is.
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If one feels the need of something grand, something infinite, something that makes one feel aware of God, one need not go far to find it. I think that I see something deeper, more infinite, more eternal than the ocean in the expression of the eyes of a little baby when it wakes in the morning and coos or laughs because it sees the sun shining on its cradle.
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Actors are loved because they are unoriginal. Actors stick to their script. The unoriginal man is loved by the mediocrity because this kind of artistic expression is something to which the merest five-eighth can climb.
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Affection cannot be manufactored or regulated by law. If one has no affection for a person or a system, one should be free to give the fullest expression to his disaffection, so long as he does not contemplate, promote, or incite to violence.
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We live in oppressive times. We have, as a nation, become our own thought police but instead of calling the process by which we limit our expression of dissent and wonder 'censorship,' we call it 'concern for commercial viability.'
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No one who has seen a baby sinking back satiated from the breast and falling asleep with flushed cheeks and a blissful smile can escape the reflection that this picture persists as a prototype of the expression of sexual satisfaction in later life.
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Grace has been defined as the outward expression of the inward harmony of the soul.
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People who are tremendously concerned about their identification, their individuality, their self-expression, or their sense of humor, always seem to be missing the very things they pursue.
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Style is, above all, a system of forms with a quality and a meaningful expression through which the personality of the artist and the broad ou...
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Among all the tragic consequences of depression and war, this suppression of personal self-expression through one's life work is among the most poignant.
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A man of genius has a right to any mode of expression.
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Challenging the meaning of life is the truest expression of the state of being human.
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Dance is your pulse, your heartbeat, your breathing. It's the rhythm of your life. Its the expression in time and movement, in happiness, joy, sadness and envy.'
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The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.
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A credit union is not an ordinary financial concern, seeking to enrich its members at the expense of the general public. Neither is it a loan company, seeking to make a profit at the expense of the unfortunates… The credit union is nothing of the kind; it is the expression in the field of economics of a high social ideal.
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In an extensive reading of recent books by psychologists, psychoanalysts, psychiatrists, and inspirationalists, I have discovered that they all suffer from one or more of these expression-complexes: italicizing, capitalizing, exclamation-pointing, multiple-interrogating, and itemizing. These are all forms of what the psychos themselves would call, if they faced their condition frankly, Rhetorical-Over-Compensation.
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I fear chiefly lest my expression may not be extravagant enough, may not wander far enough beyond the narrow limit of my daily experience, so as to be adequate to the truth of which I have been convinced.
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