Without poets, without artists, men would soon weary of nature's monotony. The sublime idea men have of the universe would collapse with dizzying speed. The order which we find in nature, and which is only an effect of art, would at once vanish. Everything would break up in chaos. There would be no seasons, no civilization, no thought, no humanity; even life would give way, and the impotent void would reign everywhere.
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I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
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The feat of superbly imitating a muscle, as Michelangelo did, or a face, as Raphael did, created neither progress nor a hierarchy in art. Because these artists of the sixteenth century imitated human forms, they were not superior to the artists of the high periods of Egyptian, Chaldean, Indochinese, Roman, and Gothic art who interpreted and stylized form but did not imitate it.
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[Although Ball is considered a pop singer, he's not a total stranger to Gilbert and Sullivan, having played Frederick in the West End mounting of Joe Papp's memorable production of The Pirates of Penzance . But Patience is a different kind of work--much of its humor is highly topical, poking fun at the short-lived Aesthetic movement that flourished among British dilettantes 125 years ago. Will that humor translate to a New York audience in the year 2005?] I think there's absolutely no difference to how we regarded things then and how we regard things now, ... There are still those performers and artists who strike on a new art form or mode that attracts their fans, while the majority of us may be saying, 'I'm sorry, but isn't that The Emperor's New Clothes?' There will always be charlatans who do things just to get acclaim and adulation. So I think it'll speak to an audience as clearly today as it did then.
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Artists have a double relationship towards nature: they are her master and her slave at the same time. They are her slave in so far as they mu...
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The past is interesting not only for the beauty which the artists for whom it was the present were able to extract from it, but also as past, ...
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Few artists can afford artistic temperament.
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For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as the ordinary people try to do, but to fulfil it in its true potential --the imagination.
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American energy is the energy of violence, of free-floating resentment and anxiety unleashed by chronic cultural dislocations which must be, for the most part, ferociously sublimated. This energy has mainly been sublimated into crude materialism and acquisitiveness. Into hectic philanthropy. Into benighted moral crusades, the most spectacular of which was Prohibition. Into an awesome talent for uglifying countryside and cities. Into the loquacity and torment of a minority of gadflies: artists, prophets, muckrakers, cranks, and nuts. And into self-punishing neuroses. But the naked violence keeps breaking through, throwing everything into question.
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An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Sweedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
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People need trouble -- a little frustration to sharpen the spirit on, toughen it. Artists do; I don't mean you need to live in a rat hole or gutter, but you have to learn fortitude, endurance. Only vegetables are happy.
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Artists are, above all, men who want to become inhuman.
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I have my own charity I am trying to get off the ground as well, which some of my concerts go toward funding, ... I am building a school-the Roberta Flack School of Music-in two brownstones I purchased in New York City. The purpose is to help other young musician artists just as I received good teaching and help from my family and friends back home.
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Great artistic talent in any direction... is hardly inherent to the man. It comes and goes; it is often possessed only for a short phase in his life; it hardly ever colors his character as a whole and has nothing to do with the moral and intellectual stuff of the mind and soul. Many great artists, perhaps most great artists, have been poor fellows indeed, whom to know was to despise.
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I was mostly surprised by the rap artists, actually, that were influenced by Sabbath. That was a surprise. But it's very nice and I'm very honored. It's nice to know after 27 years now that what I said in the first place has stuck, and that was the belief in it.
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America has not always been kind to its artists and scholars. Somehow the scientists always seem to get the penthouse while the arts and humanities get the basement.
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Without poets, without artists, men would soon weary of nature's monotony. The sublime idea men have of the universe would collapse with dizzy...
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The artistic temperament is a disease that affects amateurs. Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.
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All children are artists. The problem is how to remain an artist once he grows up
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Immature artists imitate. Mature artists steal.
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The innermost meaning of sacrifice is the annihilation of the finite just because it is finite. In order to demonstrate that this is the only purpose, the most noble and beautiful must be chosen; above all, man, the fulfillment of the earth. Human sacrifices are the most natural sacrifices. Man, however, is more than the fulfillment of the earth; he is reasonable, and reason is free and nothing but an eternal self-determination toward the infinite. Thus man can sacrifice only himself, and that is what he does in the omnipresent sanctissimum of which the masses are not aware. All artists are self-sacrificing human beings, and to become an artist is nothing but to devote oneself to the subterranean gods. The meaning of divine creation is primarily revealed in the enthusiasm of annihilation. Only in the throes of death is the spark of eternal life ignited.
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My characters have nothing. I'm working with impotence, ignorance... that whole zone of being that has always been set aside by artists as something unusable - something by definition incompatible with art.
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I shall christen this style the Mandarin, since it is beloved by literary pundits. It is the style of all the writers whose tendency is to make their language convey more than they mean to and more than they feel. It is the style of most artists and all humbug.
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The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem... I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.
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Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Ho...
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Pop artists deal with the lowly trivia of possessions and equipment that the present generation is lugging along with it on its safari into th...
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All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.
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I have come to believe that a great teacher is a great artist and that there are as few as there are any other great artists. Teaching might even be the greatest of the arts since the medium is the human mind and spirit.
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Pop artists deal with the lowly trivia of possessions and equipment that the present generation is lugging along with it on its safari into the future.
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The mere mechanical technique of acting can be taught, but the spirit that is to give life to lifeless forms must be born in a man. No dramatic college can teach its pupils to think or to feel. It is Nature who makes our artists for us, though it may be Art who taught them their right mode of expression.
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