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Nick Hertzog Poem
Here’s what I’m thinking now
at the end of the world:
There are no atheists in foxholes—
no theists in politics.
If knowledge is power,
and power corrupts,
then why did I bother reading you, Cicero?
Does it matter that I didn't’t love you?
Would it have mattered if I did?
There’s a poetry reading tonight
whence I’I'll chide other poets
who don’t sit alone.
I won’t bring up death
but I might have to breathe,
even into a mike
and mouth lines to get a snap or a boo
maybe even a wince or two.
Just maybe I’I'll talk about love
and how following your heart is like following a dog—
it only leads to vittles and (female dogs).
But how many times have I used that line
since the story I wrote about you,
a witty and sexy and fictional you?
Most likely I’I'll read something tonight about you.
I won’t recite it from memory
because I don’t think about you that much anymore,
not even when I search for my socks in your drawer
or when I put on the scratchy sweaters you give me,
horizontally striped to bring out my eyes?
I don’t remember your eyes
except they are blue.
And I don’t remember you,
not even when I smell cucumber and apple,
not even when I sleep on my side of the bed
or when you walk through the door
happy to see me;
even then I don’t remember you.
Does it matter that I don’t love you?
Would it have mattered if I did?
How about a few one-liners
for the end of days?—
Depression is self-awareness,
which you’d know if you were;
I need Ritalin to listen to you,
Lithium to hug you,
Viagra to feel you,
and Valium to sleep.
All you need
is me standing there, waiting at home
with turns of phrase and word plays
telling you about why I hate Ayn Rand
but want to buy as much as I can
and how I love celebrity gossip
and detest poetry slams
and find rhyming trite
except when I am.
Hypocrites can still be right,
which you do understand
because you nod at my nonsense
about fighting the man.
But now, at the end of all things—
I’m speechless and witless and pointlessly well-read,
and you’re just sitting there, smiling
asking me to pass the bread.
Copyright © Nick Hertzog | Year Posted 2010
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Nick Hertzog Poem
There isn't a mass grave in my neighborhood
a creek has never flooded
(there is no creek, after all)
and bones have not surfaced.
A bulldozer never grinds to a halt
stayed by a smiling white skull.
The driver doesn’t jump down
doesn’t sift through the remains
kneeling there on the plot.
I once found a grey limb
jutting out from a hill.
I hoped it was a bone
maybe a femur from yore,
the last limb of a virulent Ute
protecting his home—
built by him
with his arms and legs
with the tools of the plains.
His scalp no more,
his skin long gone
but the bone remaining
still staking claim
for the living and free.
But it wasn’t a bone—
it was a tree limb
because there aren’t graves in my neighborhood.
There aren’t even real trees
or game trails;
there aren’t survivors
or failures
let alone corpses and fleas
And the only war left to fight
is against omnipresent me.
Copyright © Nick Hertzog | Year Posted 2010
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Nick Hertzog Poem
You sink into the bosom of the chair
And wonder if I too once sat amidst
The chattering, white coffee sipping fare—
The lonely writers ‘pining for a kiss.
Did I peer out over the porce’lain mug
And purse my vulgar mouth over the lip
My eyes a’roll behind my glasses’ fog
My writer turning phrase and spinning quips?
Did I curl my toes under my feet
Threading my fingers ‘round the scolding cup
My yellow molars grinding to the beat
Of meds-a-glee and glutt’nous caffeine ups?
No—
I didn't’t sit cross-legged and introverted—
I flipped through glossy pages and consorted.
Copyright © Nick Hertzog | Year Posted 2010
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Nick Hertzog Poem
So this is what it’s about
sitting under the darkening sky
hoping to finish the last red drop
before the first rain drops
swirling burgundy around the crystal
grape puddles breathing an oily fog
spit seeds of perception—
the acidity of intellect
eating through the rinds of remorse
as she speaks
and speaks?
Copyright © Nick Hertzog | Year Posted 2010
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Nick Hertzog Poem
She told me to try
the Earl Grey.
But my red mug
is plenty content
with green
tea and honey.
A drop of milk,
she says,
it’s the English way.
But I just like the color
and the taste
and the die-cut paper
holding the edge.
Copyright © Nick Hertzog | Year Posted 2010
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